Read the AUG ISSUE #92 of Athleisure Mag and see 9PLAYLIST | Joel Corry in mag.
We took some to catch up with multi-platinum record producer, A&R executive, songwriter and lawyer, Jeff Blue. He is known for his work being integral in the careers of Linkin Park, Macy Gray, Korn, Limp Bizkit and more. He shares how he got into the industry, how he works with his artists, the importance of an iconic voice and his upcoming projects!
ATHLEISURE MAG: Before we get into talking about your career, what role did music play in your life from day to day before going into the industry?
JEFF BLUE: Music was always a fantasy to me because we didn’t have enough money to actually buy records. So my mom would drop me off at the drugstore and at the market near the magazine rack and I would just gaze through the magazines and it would seem surreal. I’d hear the music on the bus when I was going to school and it was really the way that I connected with I guess the drama and the trauma that I was going through as a kid with a father that had committed suicide. It was hard on me growing up and music was my way of coping and grounding myself. Looking back when I was in college, I felt that the music was literally the soundtrack of my life. I could literally think of any memory that was good or bad and even walking down the street or taking a test, there was a song on my head. That was something that I carry with me forever, because I know that music had the biggest impact on me as opposed to anything else in my life. I knew I wanted to do something with music in my future.
AM: What was your first job in the industry?
JB: Well I had internships. First job – like that I got paid to do?
AM: Well, whatever you felt was a job. Even an internship for some people, that could be like the first position to them that let them know that they were aligned to be in that field.
JB: My first internship dictated to me that I would never be in the music business because my boss hated me ha!
AM: Fair!
JB: The second internship that I had, aligned me with what I wanted to do in A&R and my first real paying job was something that I learned through the second internship where you had to be indispensable and I realized that the only way I was going to get noticed was that I would have to become a journalist and get my name in print to have credibility and a reason for people to listen to what I said. That was as a journalist and I had no experience as a journalist. I called every publication known to man or woman and was rejected by everybody until there was someone that I thoroughly confused into thinking that I was a real writer and hired me to cover a show that she needed coverage of and that was at Music Connection Magazine. From that moment, that night, I wrote about a band that I ended up managing, producing and being the drummer and signing as my first artist at Zomba Music Publishing. So my first paying gig was $10/article at Music Connection Magazine.
AM: It’s always interesting to hear stories like that because a lot of people don’t understand how someone progressed through their career. We see you now, but we don’t know all the things that kind of came together. Just the depth of things that you have done in terms of your roles like you went to law school and you’re a lawyer. How does that help you in the industry?
JB: I think that law school really more than anything helped me with my analytical mind. Being able to separate concepts independent from one another so I can separate facets of something which really helped me with journalism. Being able to discuss performance, crossed with the production, crossed with star power you know as opposed to hit songs and break-ing down the songs into literally the verses, pre-choruses, intros, bridges and break it down to almost an OCD point where you can analyze the drums, the guitars, the vocals and the harmonies. So law school to me, has allowed me to dissect things which is really what the law is – it’s dissecting arguments and points in order to build a case. That was actually the biggest asset that got me into the music business but it had nothing to do with the actual law itself.
AM: I can appreciate that. Our Co-Founder also went to law school and practiced law and he’s the Publisher, has shot our celebrity covers, is instrumental in our biz dev and is also my boyfriend. So seeing his skills and how he draws from them is interesting. Whereas, I sit as the other Co-Founder and focus on the style direction and other areas. So it’s interesting to see how all these things come together and we've both been involved in other music entities and my great uncle was Joe Henderson and I have styled a number of EDM artists so being able to see the music business in so many levels, talking with you who has been in the role of being a publisher, being in a band as you mentioned, the journalism, being a producer, A&R and songwriter, what are your favorite projects to take on as you really do have a 360 of the business?
JB: I like to take anything on that inspires me. I love all genres of music and if you’re talking about music, I happen to love R&B, Hip-Hop, Hard Rock, Rock, Pop and Country. The biggest inspirational moment that I remember ever having and I still talk to this guy. He has to be 80 now and we worked together for the Small Business Administration during the 90s in the earthquake and we worked together as lawyers. It was a horrible job where we made like $6 or $10 bucks an hour – it was 6 days a week. We had a very horrible and rigorous schedule for lunch so we had to run out to get a sandwich and we used to go to Chatsworth Hills and just hang out and this guy was 30 years older than me. He was a nice guy and he was like, “I know you’re a rock and roll guy, but you should listen to this CD.” Because I had my band that I was already talking about and the CD he had was Nina Simone and he put it in the CD player. He was like, “you’re going to hate it, but I’m sick of listening to your rock band when we’re eating our lunch!” I was like, this is amazing and it changed my life. That’s what inspired me in relation to my own band which was progressive alternative rock and just the textures and the sound and when I heard Macy Gray for the first time which doesn’t sound like anything that her music sounds like now for the record that we did –
AM: Really?
JB: Yeah. She was more like a Black Janis Joplin. When I heard her voice, it took me back to that moment eating a horrible sandwich, in a rush, sitting outside in my 4Runner in Chatsworth Hills with this older guy listening to Nina Simone and I immediately lost my mind and I felt that that was the moment and the reason why that guy played me that music. Changed my life!
AM: Speaking of Macy Gray, I remember being in college when it came out and I loved hearing 'I Try' as I was in my freshman year and I went to Indiana University and that song played everywhere! I had never heard a voice like hers and how everything came together. I heard 'Still' and of course I had an epic breakout in college that I thought was the end of the world – it was not, but I literally played that song 55 times in a row crying it out. What was that like finding her, getting her, how was it like working with her and I know you co-wrote Still.
JB: Macy was a demo tape that a woman came into my office with but she was pitching another band with a huge buzz that everyone was trying to sign as a publisher. They were signed with Interscope, but they were looking for a publishing deal. I didn’t like the band and I just said, you're in my office do you have anything else? This is what everyone says because when you’re shopping something, you’re always supposed to have something else. She said, not really, but she goes into her purse and she pulls out this tape. She said I was going to hate it. She said that her publisher, her record label and her manager dropped her. She no longer worked with her anymore. But she said I wouldn’t like it and it was just a reason for her to hang out in my office because I said, I didn’t like her band. I stuck it in the tape deck and my mouth dropped open. She was like, “you hate it right?” But at that moment, I was like this is one of the most awesome things that I had ever heard, but I didn’t want her to know that. So I told her I didn’t like it and asked if I could keep the tape and she said I could. I spent 3 months trying to track her down and the woman didn’t even have her phone number because Macy had gone and left LA because she was having another baby. I didn’t want to ask for her number because I didn’t want to tip my hat that I was going to try and sign her because the price would go up.
So I spent 3 months looking for her and I met her in NY. My boss didn’t want to sign her, but I was convinced. She came back to LA, we started working on new music with a producer named Daryll Swann and this guy Jeremy Ruzumna who is now in Fitz and the Tantrums. We really put it together and literally the label that dropped her, I sent a tape to them and they couldn’t stand her. I had to change the name because Macy Gray didn’t work and everyone hated the music. We changed her name to Mushroom and fooled everybody and we literally had Clive Davis, Jimmy Iovine, Paul Anthony and Atlantic Records whose founder, Ahmet Ertegun who called me personally and said that the Mushroom tape was amazing. It went from being no one wanting to hear to having a bidding war. I was responsible for changing the name, working with her and I was asked to manage her which I should have. All the labels wanted me to manage her and I didn’t think that I had the experience to do that. I was able to get her a deal.
AM: Wow! That’s a story.
Well, Linkin Park is another band that the minute I heard them, I was obsessed with them and I loved their sound and energy. What were you involved with in terms of them and I know that you were connected with Chester Bennington and you brought him into the group. What really sparked your interest with the group?
JB: First of all, I was there again at the inception of that band. The guitar player, I had actually lectured for UCLA last night in a class called Comm 185. It’s the internship class for Comm students at UCLA which I was an alumni of. I lectured every other quarter basically. There was this kid called Brad Delson who was in the class, he infused himself into my life and became my intern. I talk about this in my book and he told me that he had a band that was going to be better than what I had which was Limp Bizkit and Korn. I also had Matchbox 20 plaques up because I didn’t sign them but I tried really hard and I helped them get their deal and they literally gave me their Diamond Plaques and I’m very close with Rob Thomas and Brad looked at everything and said that his band was going to be better than any of those bands on my wall. I hired him as my intern, signed them off of their first show that they had ever played. So one show and they got their first publishing deal and I shopped them for 2 years until we realized that the lead singer needed to be changed. I found Chester Bennington after not being able to get anybody at all to even want to audition for the band because we had played so many showcases and had been rejected so many times that there was a huge stink on the band from a reputation standpoint. It was called Xero at that time. I convinced this kid from Phoenix as a fluke to leave his birthday party and to record a demo based off the instrumentals that I had my assistant send him. I talked with him while I was at SXSW and by the time I got home, he sent me a demo tape so he left his 23rd birthday and recorded the demo and I was blown away. I literally told the band that this was their singer and it took them 6 weeks to get to know him and they kept wanting to audition other singers and I said that this kid had everything that they could have ever imagined with the voice and the persona – super authentic. They eventually had him join the band. Then my involvement was being their music publisher, their quasi-manager – we didn’t have a manager but I functioned as such and I got them their deal at Warner and they were along with my employment contract because I believed in them so much. Still, no record label wanted them even with Chester and they were rejected 44 times. I made them a part of my employment contract and went in as their A&R person and executive produced the album.
AM: As stated before, the credits that you have are insane. Because it seems that you’re so involved with your artists, do you ever have a cap on how many people or projects that you’re working with because it seems so immersive?
JB: Good question. Music is part of my being and so are all creative projects. I always find time to do everything. I don’t have any kids so that leaves a lot of space. I figure that in life, anything that is a passion you make a priority for. I’m always very busy, but I never have a problem getting everything in.
AM: What is your creative process like and does it differ depending on what the project is whether you’re leaning into the A&R side, you’re producing or songwriting?
JB: I don’t necessarily have any process. I just go with the flow wherever the inspiration takes me. To be honest with you, there’s no set way of doing any project that I follow in terms of a regimen. I have tried that where I thought that something worked in the past could be applied and I have found that each project is its own entity and requires its own care and just like in life, any given second of your day will change the trajectory that will maneuver you in that day. So having a schedule that is set and laid out to do a project that is laid out for me will not work for me because I am so integrated into so many different things that different elements will come into play that will change what I would do. That’s one of the things that make me successful in what I do.
AM: Tell me about your new book, One Step Closer: From Zero to #1: Becoming Linkin Park and why you wanted to write this?
JB: Well the book was something that I was asked to write back in 2007 as a counterpart to Donald Passman’s All You Need to Know about the Music Business, but in a story form based on Linkin Park and it was extremely difficult and I gave up which is something that I never do. I just felt that it was exhausting. When Chester passed, it really affected me. I had written a small piece for Billboard Magazine and they were one of the people that had given me a chance early on – Melinda Newman who gave me a job as a writer for Continental Drift which is what gave me my job at Zomba Music Publishing with the credibility of Billboard. So I wrote a small piece for Chester in Billboard and the band’s manager said that he was moved by the article and I went back and looked up through the boxes – about 10 boxes of faxes, CDs, emails, notebooks, hand-written notes and I couldn’t put down my journals. So I thought in this traumatic experience that everyone has dreams and you set out to achieve them. Those that do, most give up after a few rejections and this band and I went through 44 of them. You’re not good enough, it’s career suicide, let it go and through the perseverance of overcoming adversity and being authentic, we followed our true vision and listened to our gut, true talent won out. You can be anything that you want to achieve in life. You just have to really be authentic and persevere. That was a story to me that was inspirational not just for a Linkin Park fan but to any human being.
AM: You have a number of projects coming up that you’re working on from your docuseries, iHeart Radio podcast and your screenplay that’s in development. What can you tell us about these so that we can keep an eye out for them?
JB: The docuseries is called,Unsung Heroes and it’s like my book but takes you on a journey through the decades from the 60’s forward of all genres of music and the socio-political elements that go into the decades and focuses on the A&Rpeople and those putting their careers on the line to discover these artists. It looks at the passion of the A&R execs through the decades of these people that no one wanted to sign. A lot like what I did with Linkin Park is carrying a vision with the artists to affect the world in a positive way. Whether it’s the transition from Disco to Rock and Punk or the transition from Heavy Metal/Hair Bands into Grunge and the rise of Hip-Hop. This is told through those decades and that’s what the docuseries is about.
The podcast is along those lines too. Telling the stories of A&R people and sharing their experiences.
My screenplay is a psychological thriller/horror movie that is about 5 celebrities that find themselves in rehab all with intertwining pasts and each one is facing their own demons, but there is a killer in the rehab facility and it is kind of a combination with Saw X Scream X The Breakfast Club. So it’s very character-driven and it’s all diversity. It goes into diversity issues, #MeToo movement, cultural issues and also deals with depression and the pressures of being a celebrity which is why they are in rehab. The effects of what stardom makes us do and how to keep that stardom so they go on that killing spree.
AM: What led you to wanting to create this kind of screenplay?
JB: Actually, it came out of the book. I had basically finished the outline to One Step Closer and I was dealing with the thoughts of Chester, depression and rehab and substance abuse. How people are dealing with it and how it affects everybody. It’s interesting that you’re making me think about this because I was on a softball team with a guy and the sponsor was a re-hab clinic in Malibu. I just got to thinking that it would be really cool if there was a psychological thriller about these celebrities in rehab and them killing each other and that’s the truth! I wanted to make it a super whodunnit and I love it. I’ve got hopefully, several stars attached and 1 really huge star that I am hoping to get.
AM: Is there a difference for you when you’re working with an artist on their album versus a soundtrack for a film?
JB: When you’re working with one artist on their album, that is a cohesive vision and it’s all supposed to sound like one journey. When you’re on a soundtrack, it’s inspired by the diverse moments in that film. You’re working with several artists. The songs can be inspired by, written for or existing songs that you can choose to emphasize moments in that film.
AM: What is your creative process in writing a song versus being an A&R and then as a producer?
JB: My creative process in writing a song depends on whether I’m writing with another writer or I’m writing with the artist as it matters entirely on the voice and the experience of the artists that are performing it. You want to make it authentic to that artist. I think it’s ideal when it’s co-written by the artist because it’s more true and authentic to them. As anA&R person, the A&R overseas and isn’t as present in the actual writing process. But they oversee the vision and the A&R person works that vision through the record label and to the public as opposed to a producer who is guiding in the studio, getting the right performances, making suggestions on sound, songs and they also oversee and help create the vision. All three are different roles.
I’ve done for example, I had a band that I had known as The Last Good Night, where I played the drums, co-wrote all the songs, A&R’d it, produced it and published it. That was very rewarding because I won a BMI Award as one of top songwriters fora song called Pictures of You and literally that was hands in every role that there possibly is. So rewarding and each role was different. In doing that, it takes a lot of trust from the artist.
AM: You have your entertainment firm, Century Park Entertainment, tell me more about this and what do you offer there?
JB: Century Park Entertainment is where we manage – I have 3 different artists right now who are a variety of DJ, performers, musical artists and songwriters, produce, we have the docuseries, the screenplay and the book. So it houses literary, television, film and music.
AM: How do you define an iconic voice? What does that mean to you and what does it trigger when you hear it?
JB: An iconic voice is an identifiable and unique sound or tone. That could be in a voice. I discovered Daniel Powter who sang, Bad Day, he had a very iconic voice. The same is true for Jonathan Davis, Ches-ter, Fred Durst and Macy Gracy. I think that when you hear a song and it’s playing on the radio and you hear it within 3 notes whether it’s the bass line, guitar line, drumbeat or a vocal and you know who the artists is – that’s iconic.
One thing I always listen to for me, Queen is the epitome of that – when you hear Brian May’s guitar’s tone, Freddie with his voice obviously and the sound that I really believe is Roy Thomas Baker his production on the snare of the snare drum for the percussion is iconic. It’s this mixture of a snare with the high hat and I just love it! Anyone of those things, you can immediately tell who these artists are whether it’s ACDC, Led Zeppelin or whatever. Often the things I look for is authenticity and for the artists to be able to speak their truth and for it to be believable as if you’re speaking towards a friend. On top of that, you need star power, the ability to engage and connect with the listeners, hit songs and above all the quality that a great artist and great songs make you feel like you belong. At the end of the day, we’re all outsiders but at the end of the day, great artists make us feel like we’re not alone.
AM: We always ask our trailblazers who we find to be inspiring, who are 3 people whether personally or professionally that you know or follow that have inspired you to be where you are now?
JB: One I would say is Jason Flom. He’s an A&R executive who started when he was 18 and I just love his passion and immediate belief in artists. He was one of the first people that I met and was really impressed with because he’s authentic and he’s remained a great friend and I have actually worked with him at Virgin. He hired me and that’s where I got The Good Night and where I earned the BMI Award for.
The people that I have encountered in my life – one was Harvey Levin which sounds horrible but I interned for him when he was a legal reporter at KCBS-TV news during college. He took me along on the ride-alongs to the courts. The other assistants rebelled and said I should be licking envelopes. I was an actor during college to get me through and my commercials were playing at the time in the newsroom and Harvey stood up for me and took me with him and said that I should be a legal reporter. He felt I was creative and good on camera. He said go to law school because I didn’t want to just be an actor. I thought it was really cool that he had me interact with him and I learned from that. He inspired me enough to go to law school which was horrible and I modeled my ability to mentor people like Brad Delson from Linkin Park and other people. Almost all of my interns and assistants have all gone on to be millionaires and major senior level executives in the music business. Brad, I took under my wing and his band obviously became Linkin Park and I included him in every single meeting and phone calls, talking to him about the music business and we had synergy with what I was learning because I was a new executive and I allowed him to experience what I experienced and I think that that is extremely important. My last intern helped me guide my book a little bit, he was a UCLA intern and he ended up after I showed him my screenplay, he helped give me some ideas and I gave him writing credit on it. I really believe in interacting with people.
The third person, there’s this guy Richard Blackstone who was my boss at Zomba Music Publishing and he was supportive with my vision even when he didn’t quite understand it. After I became successful, he told me that he always told me no and that he knew he should let me sign some-thing when I kept pushing after a month or two. He trusted my judgment and knew that the stuff that I cared about, I would keep pushing for. It also made me realize that I shouldn’t just jump on a reaction because interesting fades over time. But when he could imagine me jumping on my desk over something, then he could see me signing it. He ended up running Warner Chappell Music and BMG after awhile too.
PHOTOS COURTESY | Jeff Blue
Hear multi-platinum record producer, A&R executive, songwriter and lawyer Jeff Blue on an upcoming episode of our show, #TRIBEGOALS - which is a part of Athleisure Studio, our multimedia companion podcast network! Subscribe to be notified when the episode drops. Listen on iHeart Radio, Spotify, Apple Podcasts, Amazon Music, Google Podcasts or wherever you enjoy your podcasts.
Read the Feb Issue #62 of Athleisure Mag and see Authenticity Rules with Jeff Blue in mag.
This month's cover and feature story is with actor, producer, director and writer, Peter Facinelli. We've enjoyed his body of work which spans movies such as the Twilight franchise, Can't Hardly Wait, and The Vanished as well as television series that include Showtime's Nurse Jackie, Fox's Glee and Fastlane. We caught up with Peter to find out about how he got into the entertainment industry, his work in front of and behind the camera as well as how he has optimized his time during the pandemic and what we should keep an eye out for.
ATHLEISURE MAG: When did you realize that you wanted to be in the entertainment industry?
PETER FACINELLI: That must have been when I was around 12, I saw a movie called Butch Cassidy and the Sundance Kid and I just really enjoyed it and I kind of thought that Paul Newman and Robert Redford were having the best time and having so much fun. I thought, “man, I want to be able to do that!” It would be fun to be able to pretend to be a cowboy one day. Then I kind of mentioned it to my parents and they kind of laughed at it because we didn’t know anybody in the business at the time. I put it on the back shelf for a while. I was very shy when I was younger. I didn’t really do a lot of school plays or anything like that. Then, when I was in college, I took an Acting 101 class and I fell in love all over again with it. It helped me overcome my shyness actually. I transferred over to NYU and I studied theater there and started working before I graduated.
AM: We would have never pegged you tobe somebody that was shy.
PF: Oh yeah, I was painfully shy. In high school, I was too shy to get into the lunchline to buy hamburgers. So I would go to the opposite end of the cafeteria where this little old lady sold pretzels so I would get a pretzel and an orange juice and would sit down so that nobody would look at me. I went to a school with 3,500 kids so it was intimidating to be in a lunchline with kids and those that were older than me. For the first few years, I just had pretzels for lunch and in my senior year, I said, “I’m a senior, I’m going to have a burger!”
AM: Well there you go! Treat yourself!
Creatively, how do you decide whether you’re going to take on a project? Do you have a certain kind of criteria that you look for and how does that process look like to you?
PF: You know, I have boxes that I would like for it to check like, have I played this role before? Who else is involved in the project?
I learned a long time ago that I might like a script, but it’s a team effort. So if there isn’t anybody behind it or if their track record is bad, it’s more likely than not that it will be bad because of the people behind it. I kind of look at the track record of the people behind it, who’s involved, who I’ll be working with as well as the character – to see if I have played it before. But sometimes, gut instinct takes over and you feel like you have to play this or that you want to play this. At that point, all the boxes get thrown out.
AM: Once you are attached to that project, how do you immerse yourself in that role and how do you take on these great characters that you do?
PF: I would say that every project is different. Some take more research than others, but I would say that if there is a common theme, it’s using my imagination a lot to deep dive into the world to imagine what that person’s life would be like. I mean, I have done character journals on some characters, just because I feel like if you can get their history and understand where they came from, then you can understand where they are. Sometimes when you’re playing characters, you’re picking them upon the midpoint in that person's life so the more information you have, the more you’re able to feel like you can go deeper with the character and the more things come out you know that makes sense to you of how you would respond or certain character traits or the way that they speak or the way that they move. All of that information informs me on how I want to play certain characters. Some of them require more and some of them require less. You know, if I feel like that I may be connected to this person because I know that part of them, then I need to do research on what I don’t understand or that I’m not as familiar with.
AM: When you’re finished playing a role, is it hard for you to leave that character depending on how long you have played it?
PF: It’s always hard. I always go through this couple of days grieving process and sometimes a week. You come home and you kind of shed that character because that person kind of feels like a part of you and there’s that mourning process in letting that person go. When you’re living in this world of make believe and you’re playing that character and then all of a sudden you’re home and that character is no longer with you, there’s a little bit of a grieving process and that’s ok. I have found that it’s normal to mourn that character for me and to let it go and within a week, you start to get back into that routine of things and then that person’s traits begin to come less and less or that energy is less and less with you.
AM: One of the first movies that I remember seeing you in was Can’t Hardly Wait and I was in college when it came out and I was like who is this guy? He’s great. Since then I’ve enjoyed seeing you in Nurse Jackie and other films and movies. It would be impossible to talk to you and not ask you about Twilight because literally, every person I talked to as we were in prep for the shoot said they were excited so, how did that come about, how did you get to be in this huge franchise and what was that like?
PF: Well to be honest, the first time that they called me, they said, would you be interested in being in a vampire movie and I said no. At the time when I was thinking about it, the vampire cycle had been over so there was like Interview with the Vampire and there were vampire movies that were good, there was a slew that were bad and then there were a bunch of vampire movies that were horror movies with blood and guts. They weren’t at the time popular or deemed quality or good. They said, "this one is based on a book and has a small following.” So I read the book and I enjoyed it immensely. I thought it was more of a love story with a vampire backdrop and I liked the way it kind of romanticized the vampire world and took it away from the whole blood and guts kind of goriness. It had some grit to it and danger and I liked the family aspect and so I read the book in one sitting.
So I said yes and I really enjoyed it and they said that Catherine Hardwicke was directing and I loved her work so again, it’s one of those things where you look to see who’s work is involved and Catherine’s is well done and I thought that she may do something really interesting with it. They said that Catherine wanted to see me in a day or two and so I went in and read with Catherine and then I ended up getting the part.
AM: If they were to come back with another movie, would you still want to do it?
PF: I mean, I don’t know how they would do it because vampires aren’t supposed to age. But, if they could figure out a way to make it work, I would. I loved that character. It’s so fun to play.
AM: Personally, I’m not a person who likes vampire movies personally, but it’s like what you said, there was a huge story and it was so well done that the vampire and the werewolf part fell away and you had this love story which was really nice.
So last summer, we enjoyed watching The Vanished which you’re in, you directed and wrote. How was it for you to play so many parts in the same film and how did this come about?
PF: Well, I directed Breaking and Exiting and I was looking at what I wanted to direct next because I was interested in directing as well. I like telling stories so whether it’s acting, directing, producing or writing, it’s all different forms of telling stories. I was looking for a follow-up and I had written The Vanished. Originally, I was going to play the lead and I was going to have someone else direct it. Then I thought, that maybe this would be a good one for me to direct, but I didn’t want to take on too much by playing the lead and directing as this would be my second film, so I reached out to Thomas Jane which I thought would be perfect for it and Anne Heche came on board as well as Jason Patric.
So we went out and shot it. For me, I thought that I could play the small role of the deputy because I thought that would be fun. The first movie that I directed, all of the actors looked like they were having so much fun. I felt like I was missing out. So I thought, I’ll put myself in this one in a smaller role. I have to say that I have a whole new respect for actors that can direct themselves as leads! I had a small role in this film and every time I had to show up to play the role, it was like juggling. When you’re on film and you’re acting in the scene yet you’re also directing, you’re worried about the shot, making sure that you’re lit, that the other actors are lit, making sure that the shot is correct that you want, making sure that you’re performance is good, that the other person’s performance is good and all of these things are happening when you’re in the middle of playing your character and doing this scene.
So, I had to show up camera-ready because I didn’t have time to go to hair and makeup so I kind of threw on a hat and powder right before we went! I showed up in costume as the sheriff and wear it all day while I was directing which was uncomfortable, but it was a small enough role that I could do it. But it was kind of a pain on the days that I was doing it. It was a heavier load and I also had to memorize my lines the night before. I mean, I wrote it so you think it would be easier to remember my lines, but I was also preparing my shot list the night before, checking footage from the dailies and I was doing so many things the night before that memorizing my lines was kind of at the bottom of the list for me to do! Then I have to show up to know all of my dialogue, but it was quite a bit of a juggle. But I was happy that I did it.
AM: It was a great film and such a fun one to watch and had some great twists in it. It’s interesting to hear the dynamics of being in the film while also having to be involved in it as a whole.
You have a new project called The Unbreakable Boy. Can you tell us about this and why this is such an important project for you to helm?
PF: Well, The Unbreakable Boy was a book that I found that I just thought was a beautiful story and is based on a true story. It’s about Scott LeRette and his family. Scott has an autistic son and it’s about raising an autistic child and the bond he has with his son and how lucky he feels to have that bond with him. I thought it was a beautiful story and I met with the writer, Scott who it’s based on and I just wanted to help get this story told in whatever way that I could help out. I ended up producing it and I gave it to a company called Kingdom Films and they ended up liking it and they have a deal with Lionsgate so they came on board. I play a smaller role in it again. I didn’t feel quite right for the lead and Kingdom had their own in-house director/writer, Jon Gunn who had a great take on it. For me, it’s always about where do I fit in the best to service the story. In this one, it was being the producer and connecting all of these dots to get made. Zachary Levi (Shazam, The Marvelous Mrs. Maisel, Chuck) is fantastic in the movie as I have been watching the dailies and I’m proud of this one. I hope it strikes a chord with people who watch this movie and I think it’s what we need at this moment in time.
AM: In April on Amazon, The Ravine is coming out. I’ve heard good things about that as well. What should we expect?
PF: That one I just acted in! I have to say it because people think that I directed or wrote it – but I just acted in it. I found this script and it was a very touching story. Hard to read at first, but it’s based on a novel about a guy who ends up killing his whole family and the residue it leaves off on the people that knew him. He wasn’t a bad person and he wasn’t a bad guy, but he ends up snapping one day. Eric Dane (X-Men: The Last Stand, Grey’s Anatomy, Euphoria), plays my best friend and the effect that that has on Eric Dane and his family. Honestly, it was a beautiful movie about forgiveness.
AM: This past year, we’ve all kind of taken a pause on how we have lived our lives with the pandemic. We really like this quote that resonated with you saying, ”If you come out of quarantine unchanged, you didn’t lack time, you lacked discipline.” How have you utilized that quote by optimizing your time as you have been moving and grooving over the past year?
PF: Well, you know, I try to do the best to make the most out of my days. At the end of the day, I always remember to give some kindness towards myself if I don’t get everything done at the end of the day. Now I have more time so there’s no reason to not get things done that I want to do. So if I haven’t worked out or done some things for myself that day, there’s no excuses. With that said, sometimes it’s ok to have days where you do nothing. But just don’t let those days add up to where you’ve done nothing for a lot of them. You have to find balance too.
In the beginning, I was beating myself up that I didn’t get things done during the day and I realized that I had to be kind to myself because I may not get everything done that I want to do in a day, but if I can get a few of those things done, then great! It all adds up.
AM: Is there anything else that you're working on that you would like to share that we should keep an eye out for?
PF: I did a movie called13 Minutes. It’s a film about a tornado that comes through this town in the Midwest and the devastation that it does in 13 minutes. It kind of follows different families and how it all kind of ties together. This one tragedy of this tornado that comes into this town is something that I found interesting because it’s tornado season and people lose their homes, their families, and their family members and it just comes in and goes.No one really talks about the devastation that it leaves behind. Anne Heche is in that one too and that’s really interesting because we didn’t have any scenes together as our storylines were kind of separate.
Then I have a film that I would like to direct that I wrote called El Chico Blanco that I am hoping to direct later on this year.
AM: Is there a project, topic or actors that you have always wanted to work with but you haven’t but it’s on your vision board?
PF: I mean there are always people that inspire me. I could never close the door and say, “I have worked with everybody that I have ever wanted to work with.” I would say that there are more people that I haven’t work with than I have. I have worked with some fantastic people. The list of people that I would like to work with and that I have on my vision board is so many people that inspire me – it would be a very long answer!
AM: When you look at the body of work that you have created in front of the camera and behind the camera, what do you want your legacy to be?
PF: That’s a good question. I have always taken some pride in the versatility of my career. If you take Mike Dexter and put him right next to Carlisle Cullen and put him next to Dr. Fitch Cooper on Nurse Jackie and put him next to the Donovan Ray in Fastlane they’re all so different – each one of those characters. I take pride in that versatility. I hope that my legacy is that I was able to tell versatile stories and play versatile characters. I always want to surprise people. When people start to expect something of me, it’s more fun for them to come see something that they haven’t expected.
AM: For #TRIBEGOALS, we like asking those that we think inspire others about 3 people that they find inspiring to them whether it’s personally or professionally. These can be people that you know or follow but who are 3 people that have inspired you to be where you are now?
PF: Well I would have to say Paul Newman for sure because he’s the reason why I be-came an actor. I’d love to say Marty Scorsese because I love all of his movies and I think he’s such a genius director. Then, I’d like to say my dad because he inspires me all the time because he’s funny, he charming and he’s full of life. He’s 80 years old and he’s bouncing around like he’s in his 20’s – I hope to have those genes!
PHOTOGRAPHY CREDITS
Athleisure Mag's virtual editorial was shot by Co-Founder + Celebrity Photographer Paul Farkas. Throughout this shoot, Paul used an iPhone 12 Pro Max, iPad Air 2, and Clos.
IG @PVFarkas
STYLE CREDITS
Athleisure Mag's Celeb Fashion Stylist, Co-Founder, Creative + Style Director Kimmie Smith shares what she used to create the cover editorial for Peter Facinelli.
IG @Shes.Kimmie
LOOK I | WFH STYLE
PG 16 + 19 | MUNICIPAL Arrival Track Jacket + Pant |
LOOK II | FITNESS
PG 20 - 25 | TRACKSMITH Stadium Jacket Pioneer Club, Pioneer Singlet + Van Cortland Grand Short | ATHLETIC PROPULSION LABS Techloom Wave |
LOOK III | OUT & ABOUT STYLE
PG 26 - 29 | 34 HERITAGE Travis Jacket + Courage Denim | MAVI Rio Deep Brushed Shirt |
GROOMING CREDITS
Kim Verbeck/The Wall Group provided the grooming for the cover editorial for Peter Facinelli. She used Kevin Murphy products for the shoot.
IG @KimVerbeck
FRONT/BACK COVER CREDITS
| PHOTOGRAPHY Ben Cope | STYLIST Kaylee Jackson | GROOMER Candice Birns |
Hear actor, producer, director and writer Peter Facinelli on an upcoming episode of our show, #TRIBEGOALS - which is apart of Athleisure Studio, our multimedia companion podcast network! Subscribe to be notified when the episode drops. Listen on iHeartRadio, Spotify, Apple Podcasts, Amazon Music, Google Podcasts or wherever you enjoy your podcasts
Read the Feb Issue #62 of Athleisure Mag and see The Versatile Storyteller with Peter Facinelli in mag.
We caught up with Anabel Englund who recently launched her debut album, Messing with Magic. This singer/songwriter and DJ has collaborated with a number of artists including MK and Hot Natured. We wanted to find out more about how she got into the industry, her creative process and also what it was like to release her debut album during a pandemic.
ATHLEISURE MAG: You’ve been in the music industry for a number of years. Tell us how you got into the industry.
ANABEL ENGLUND: Well, I grew up around people playing music all the time. It is like second nature in my family so when I was introduced to certain people it was easy to feel comfortable & like I belonged. I moved to LA proper when I was 18 & immediately dove into club & party life. I was infatuated with the underground scene & needed to know more.I moved to LA proper when I was 18 &immediately dove into club & party life. I was infatuated with the underground scene & needed to know more.
AM: What was the moment when you decided that you wanted to be in the house/dance genre in music?
AE: When I heard more & more house music when I moved to LA. It was love at first sound. I remember hearing someone sing on a track & I thought,“ I can do this...& I can do it better” I felt like. I knew in my heart I was going to sing over house music & that’s exactly what happened.
AM: As a DJ, singer, and songwriter how is it to be able to navigate these areas as you create your music?AE: Singing & songwriting is my number 1. Writing & singing the music always comes first. Then when I have music I love that I’ve made its amazing to play that music out.
AM: How would you define your sound?
AE: Sexy, light, rewarding, authentic, indie, electro, house.
AM: What’s your process like when you are creating music in general and how was it for your debut album?
AE: It is always the same. I don’t think much about it until I’m in the session. Unless I all of a sudden have a song title idea in the shower or just walking down the street. But when I’m in the session with a producer I like to let my subconscious take the lead. I start with the melody &whatever the melody words sound like Isound it out & then I think AH! Okay So we need to write a saying goodbye song to-day or an I love you song today...I let the space guide me if that makes sense.
AM: We had the pleasure of seeing you on Zoom when you released your album, what was the thought behind this body of work?
AE: It was kind of just a domino effect. It didn’t start with a plan to make an album it all just came together as such & it turned out beautifully! I really do feel like the first chapter of my artistry is Messing With Magic. Every song is about growth or love in one way or another & I’ve found who I am as an artist through making it &releasing it to the world. I am very proud of her.
AM: How was it to release it at the end of last year?
AE: To me it felt perfect. It was the best way to conclude a crazy year with so many releases & a great way to start a new year with music out that people can listen to. Music that is taking root.
AM: How do you stay inspired?
AE: Through staying sober. Being alive & awake to experience every aspect of my life, the good & the bad. You can write a song about anything. Sometime the smallest little interactions are the most important songs.
AM: Have you started making plans in terms of events that you may be involved in this year whether in person or virtually?
AE: I have some festivals booked but I don’t know what the future looks like with COVID running rampant...
AM: What have your days been like in general in 2020 in terms of prepping for the album, releasing it, navigating a quarantine etc?
AE: Wow it was crazy! I thought how are we going to get all of these things done? So many interviews, visuals needed for approval, mixing, mastering, music videos. I didn’t know it was all possible & yet it was. It was an incredible growing experience.
AM: Who are 3 people that you have yet to work with, but is on your list to do so?
AE:Black Coffee, Max Martin or his camp and Sza.
AM: How do you take time for yourself whether it’s meditating, taking baths, going out for a walk, cooking etc?
AE: Haha all of the above. I feel good when my space is clean & things are organized & put away. I don’t do well in clutter AT ALL. Meditating helped me survive 2020 100%. Taking baths with a ton of epsom salt & essential oils has been a saving grace. Journaling is also very important to me & having a few people who I can confide in to just get some advice or share my stress with. It’s important to have good true people in your life.
PHOTO CREDITS | Paige Strabala
Read the Jan Issue #61 of Athleisure Mag and see Making Magic with Anabel Englund in mag.
We have been fans of Niecy Nash for a number of years. Whether it was when we first saw her hosting one of our favorite shows, Clean House on The Style Network, her comedic talents in Reno 911! or her dramatic roles such as Netflix's When They See Us or FX on Hulu's Mrs. America - Niecy always steals the show with her dynamic personality and ability to absorb her role. Like many, we're fans of TNT's Claws where she plays Desna Simms who roles with some of the baddest manicurists who create nail art along with navigating the underworld of Palmetto, FL. Throughout the show, we have seen her rocking dazzling styles in front of the camera and bringing us into the world of nail artistry as well as showing usher directorial chops behind the camera! With the final and fourth season airing in 2021, we caught up with her in New Orleans where they are currently filming. She shares the importance of Christmas, the 2021 Staycation that we have all endured and upcoming storytelling projects.
ATHLEISURE MAG: What was the moment that you realized that you wanted to work in the entertainment industry?
NIECY NASH: I was 5 years old and I was watching TV with my grandmother and I saw the most gorgeous Black woman that I had ever seen in my little 5 years of living. I said, “Grandmama, who is that?” and she said, “Baby, that’s Lola Falana.”I said, “Ooo,” and I felt that in that moment, that was definitely stamped on my canvas of my imagination and I was like, that’s what I want to do – that right there.
AM: You know, you’re involved in so many projects and you’re constantly on the move, why is the holiday season so important to you?
NN: The holiday season is so important because there is so much connective tissue there. There’s so much time and space to bring families together. But because we have all been in this mandatory 2020 Staycation when we have had to stay in the house, it has really become about curating moments and memories in the best way that we can given the circumstances.
AM: What are ways that we can curate those memories as we continue into the holiday season since we are spending so much time at home.
NN: Girl, I’m glad you asked! I want to tell so many people what I have stumbled upon and that’s HP Printables. I just got married and I was able to through HP, create my own holiday card they offer free crafts and activities. I thought this was so interesting because we can’t go out. I can stay in and involve my family and to have fun. So I found the most gorgeous tulle skirt, all the way down to the floor. Guess where I went when I wore it?
AM: Where?
NN: To my sofa girl! I went to the sofa, laid out and took a picture. I made it into a holiday card! It was absolutely gorgeous! I have to tell everybody about this because it is something that you can do with your whole family. We were able to change and do different looks as well as wearing our pajamas. It was so much fun!
AM: Are there other things that this printer can also do?
NN: Well, girl, you’ve got some good questions today! Here’s the other thing that I love about it. It’s the fact that HP has a subscription program called InstantInk meaning that if you’re in the middle of a crafting project, or your children are using it or if you have an important task that you’re working on – you will never run out of ink. This is because the print-er will let it be known and like magic, the ink will pull up to your house so you don’t have to worry about that! I feel like they are really thinking about families because in this time that we are in right now, the fact that you have services that are free is good, the fact that they’re accommodating families so we’re not making extra trips – that’s good. And listen, here’s the uptick. It’s so easy that you can let the kids sit down and do the crafting and you can go take a much needed break, if you know what I’m saying! That’s the most important part.
AM: How do you take time for yourself especially during the holiday season when itis so busy?
NN: You know, I have what you call “stolen moments.” It may not be where you can sit down and have an entire hour, but you can curate maybe 10 or 15 minutes here and 10 to 15 minutes there to do those things that make you feel restored and renewed. Whether that’s a little book on tape, making a phone call to a loved one, going into the bathroom and closing your door to pluck your eyebrows and put on your favorite song. You just have to find stolen moments.
AM: We have enjoyed seeing you on a number of TV shows and movies over the past couple of decades. Being able to see you on screen and representing Black women is something that inspires so many people with the ability to see ourselves. We know that right now you’re filming the final season of TNT’s Claws and although you can’t tell us too many details, what can you say about this show and what can you tell us about projects that we should keep our eye out for?
NN: I’m filming Claws right now and we’re in our fourth and final season. So with big promises to our fans of the show, they will leave completely satiated with our show. They will not be disappointed!
In addition to that, in 2021, right at the top,I am doing a project for ABC that Jay-Z is producing called Women of the Movement and we’re going to be telling the Emmett Till story. That’s going to be great story-telling!
IG @NiecyNash1
PHOTOS COURTESY | Niecy Nash
Hear Niecy Nash on our show, Bungalow SK - which is a part of Athleisure Studio, our multimedia companion podcast network! Subscribe to be notified when the episode drops. Listen on iHeartRadio, Spotify, Apple Podcasts, Amazon Music, Google Podcasts or wherever you enjoy your podcasts.
Read the Dec Issue #60 of Athleisure Mag and see Stolen Moments with Niecy Nash in mag.
We're sure that we have all been listening to a lot more music as we have navigated these past few months as it's a way to transport ourselves to another level even when our environment may look way to familiar at this point. This month's cover of Athleisure Mag is entertainer, DJ, record producer, music executive and entrepreneur Steve Aoki. We've always been fans of the energy that he creates when he's at his shows, his music as well as his focus on putting good into the world with The AOKI FOUNDATION whose primary goal is supporting organizations in the brain science and research areas with a specific focus on regenerative medicine and brain preservation.
In addition to our virtual cover editorial shoot with Steve, we delved into his career, his label DIM MAK, his placement in the Smithsonian Museum, the importance of diversification while being true to the core of business, Neon Future series, Blue: The Color of Noise and his process in music and collaborative projects.
ATHLEISURE MAG: What was the moment when you realized that you wanted to be in the entertainment industry?
STEVE AOKI: Oh man entertainment is such a broad word and some of these answers are probably not going to be straight forward. I got into music when I was a teenager and then that became my whole life blood. Everything I did was involving music in every facet of life. It just became my lifestyle. From the friends I chose, to the food I ate – when I was growing up as a teenager – there was a very specific kind of music that I listened to and everyone was vegetarian. Pretty much everything down to the way that I dressed. It just became – it just became me so. So once I figured out what I wanted to devote my life to, that of course, changes over time. So from when I was a teenager, to college, to post college, young adult – my music style changed and the way that I interpreted music and played music changed as well.
So, I was in bands in the beginning and then I became a DJ and then at that point, in the early 2000’s, I actually started seeing that what I was doing with music was actually making a profit. It was making money. Because up until then, I never looked at music as a profitable enterprise. I never thought about it that way because you give so much to something, if you really care about, it’s not like you care about getting something back. What you get back is the love that it gives you, the feelings that it gives you, the community that it brings to you. As I started DJing, I started realizing that at that point I was DJing small clubs and festivals. That’s really when that major moment came when I was like, “wow I’m on a big stage and I need to not just play records and music” – which some of them were my own and a lot at that time, were of the culture. It then became, how do I engage with these people and entertain these people?
So then that term, “entertainment” came into the fold much later in my career. I would say that it came into the fold when I played Coachella the second time in 2009, not even the first time. It was that moment when I had the budget and I could build out the stage design and I could think about ideas that could present to different parts of my show like stage diving. These stage dives aren’t like a moment where you are methodical, you feel the moment, everyone’s ready for it and you jump into the crowd. There are moments when you think, this is going to engage with people, this is going to be entertaining. I bring my raft out and I start floating on the people, they haven’t seen that yet – that’s entertaining. There’s all these little things that I did with the people like the cakes. It’s an entertaining part of a Steve Aoki show. People remember for the rest of their lives and they’ll say, “40 years ago I saw a Steve Aoki show, I don’t remember the songs but he did cake my friend in the face and it was the best day of her life!" You know what I mean?
AM: Exactly yeah!
SA: I would say 2009 it all came together. Long answer for you!
AM: But that’s a great answer though. It’s all about a progression and just how things come together.
How would you define your musical style?
SA: My musical style is very fluid and of the moment and I like that. I like that like, it’s very much a gut and it’s based on feelings and it’s always going to change. It’s always going to change with my feelings and however way I feel about things or the moment on how I internalize that and not just consume, but how do I create that and how do I create from that?
I think that that’s something that I learned at a young age. When you are inspired or when you absorb something that makes you feel a certain way that it hasn’t made you feel before, like you know the best way for me to engage with that feeling is to create from it. It’s like anything, when you do it over and over again, you just get better at the process of doing it. You might not be great at it in terms of the output, but you get better at the process and that’s what’s more important than the output because the output is entirely subjective. Whether someone likes it or not is not what’s important. That’s another thing that I learned through this whole thing – whether people like my music or my output shouldn’t reflect why I did it and why I liked the process of it. I think about that question and it’s very complex. It’s not just I’m EDM or I’m this. Music is always going to change and it’s based on feelings. If you take down all the identities, all the titles and the genres – if there was no such thing as hip hop or rock or EDM and people were just like, “yo I just like the song.” When you hear a song for the first time and you’re listening to something that is totally different – you shouldn’t be limited to, “this is weird that I like it.” It shouldn’t make you feel weird. If it makes you feel really good, then that’s the whole point of it.
AM: Right and sometimes listening to the same artist and the same song at different points in your life, have a different connection and you can enjoy it. Our co-founder’s great uncle was tenor saxophonist, Joe Henderson and as a kid hearing him, she didn’t respect the fullness of his work.
SA: Yeah.
AM: And then in college, there was a whole other world of understanding that gave those songs meaning.
SA: Right right!
AM: You are someone who has worked with so many artists across so many different genres as a DJ, musician, producer, music exec – what is that process like for you when you’re thinking of collaborating with somebody?
SA: Yeah, when I’m collaborating with different artists, I think that one of the biggest lessons that I have learned is to just go in there and go in with a blank slate. A lot of people want you to come in there with all of your ammunition and basically all of your knowledge base. I’d rather go in there as a student. You know, they want to work with you and at this point in my career, they want to work with you too! I know what I can bring to the table, but it’s almost like when you watch an improv comedy skit, you never know what’s going to happen. Like, “hey someone say an action – running, someone say a sport – wrestling,” and then you kind of take those moments and you just be free on where it will go. That journey is really exciting to come from that place. Of course, your intuition and experience in terms of how and the way you process and supply chain your music and the way you work your music – how you’re going to work all of that – it’s innately going to come out. Sometimes you need the structure, but I prefer having the blank slate for the most part. Unless if you’re on a time crunch – a time crunch is a whole other story. Because then I’m like, “ok I just need to have the hook.” From the hook, I’m able to build you know – I can build that idea. I generally start from there if I can’t get into the studio with the artist. I just need a hook. I just need that part that gets stuck in my head and I will allow that to just linger in my head for a long time and then melodies start coming out in the studio and then I pick the best one. You stay on that melody for a day or two to make sure that it’s the right melody – because sometimes the first time you’ve heard it, it’s the best thing that you have ever heard and then you realize a day later, “oh my God, it’s awful.”
AM: Definitely! What’s that like when you have something that’s already existed. We love Michael Jackson – Thriller (Steve Aoki Midnight Hour Remix) and I also like Steve Aoki & Darren Criss - Crash Into Me cover of Dave Matthews Band. When people already know the songs, do you have a different approach when you’re deconstructing it to make it your own?
SA: Yeah, yeah exactly. When I do remixes of my own tracks – like in the case of Crash Into Me with Darren Criss (Glee, Hollywood, The Assassination of Gianni Versace), I can’t play the original at my own shows because it’s too mellow. When I’m playing an EDM show, I need that energy bursting at the seams and I need that drop to do exactly that. I need the dance floor to be bouncing. It’s all about Darren’s voice, Dave Matthews incredible lyrics, the melody and you combine that with a huge drop that’s signature to my sound and people will just lose their minds you know? You want to push purposeful.
AM: Are there genres that you've yet to do that you want to place the Aoki touch on?
SA: Yes. I mean there is no genre that can limit me. I just – I want to work with every genre and I really want to keep spanning the globe. That’s the other thing to, I travel so much and I’m so fortunate to be able to hear and know and learn about not just what’s happening in different parts of the world that are already popular, but also like what’s brewing. What’s brewing in South Africa, when I was out there, I was listening to some music and it was like, “yo this is the next wave in South Africa.” I want to know about it and I want to meet them. I want to hear the songs and I want to get the vibe, the flow and the dance culture that’s with it. You know, music brings people together so you have to understand what kind of dance moves that they are doing to it. How are they bringing it to their culture. Basically, I just want to keep expanding, keep exploring and it’s limitless. There’s always something new out there.
AM: How did you feel being the first EDM artist to be included in the Smithsonian? How impactful was it to see your gear housed in the same space as DJ Bob Casey’s from the 50's as well as Grand Masterflash’s turntables and now you’re literally being enshrined in such a historical place?
SA: Even when you say that out loud …
AM: It’s mindblowing.
SA: It’s totally wild you know? I remember when I went to the Smithsonian after they asked if we would be part of it. I met with them and did the interview there and walked through it and I felt like I was leaving my body and watching myself and I was like, “holy shit!” I just freaked out. I mean, it’s incredible you know – an incredible feeling. It’s the kind of thing that you’ll say, “wow in 60 years someone is going to say in the 2010’s there was an Asian DJ and there was a thing called EDM and this is what people did when they went out to festivals. And here is a typical show.” It was really cool to think that wow, 60 or 70 years later, someone is going to look at that and say, “that’s cool.” And you know, in that regard to, I’m proud that you know, I’m representing for Asians in that way too.
AM: As someone who is as busy as you are, who does travel so much, why is fitness, health and wellness so important to you?
SA: Oh God, it’s so crucial and integral. You have to train your body and mind to be able to run the marathon over and over again. You can’t just wake up – before you get out and run, you have to stretch. Before you do anything – I mean, I’m stretching constantly and that stretch is mindfulness. And as I do more mindfulness, actively, and I start learning more about myself – my mind, my body rhythms – it’s really fun. When you’re sitting there meditating, some people think, “oh it’s so boring.” When you get into that space, you get into where you’re finally supposed to be – it’s incredible to get into that space where nothing else really matters. That phone call, that schedule – all these things in life – comparing yourself to this person to that person – that thing – the anxieties of the world. If you can calm all of those things, it’s a really wonderful place to learn to get to. I think that it’s not just for someone like me that was running around like I was prior to COVID-19 like I did, I think it’s really helpful for everybody. For me especially, I need to absolutely make sure that I’m on the practice and I just love having it.
AM: Just looking at your portfolio, it’s so expansive between your music, Pizzaoki, your label DIM MAK as well as DIM MAK En Fuego, your clothing lines, companies that you have invested in like Liquid I.V. which we are huge fans of. How important was it for you that regardless of the vertical, to diversify your portfolio beyond your industry that you work in whether it’s creating ventures or investing?
SA: I mean, yeah, in life, I think that diversification is always a positive. Of course, you know it says a lot when you see someone that dives into their craft 110%. I’ve seen that in Japan especially, with artists that’s into their craft whether it’s even sushi chefs that spend their entire life just focusing on that and I love that – I love that. I’m such a fan of that and I admire and I respect that. It’s important that I have that too because my main core the whole of my operation is music. Music creation, music production and playing – playing my music out to the world. That has to be grounded. That has to be an anchor and platform and if I don’t have that, I can’t diversify. I think what the important lesson is here – is that diversification is always positive. You need to have your main business, whatever it is, whatever your main passion is – it has to be grounded so deeply into what you do and you have to be a craftsman in that space. Once you have that, then you can start building outward. You know, we only have one life, experience it. Experience as much as you can. All of these different things that were created in all of these different worlds is extremely fun for me. I enjoy it. I love it and if I didn’t love it, I wouldn’t be doing it. You have to love what you do and you have to love the process – not what is actually going to be in the end result. It’s always about the process.
AM: With so many artists, because of COVID-19 doing their performances virtually and I know that you’re known as a Techno Futurist Optimist with an interest in the intersectionality between humanity and technology, how do you think this digital reliance will impact the industry long term once we’re able to get back into a new normal.
SA: I think that in a hopeful sense that we will all get back to what we all love. You can’t deny live experiences and live shows. There is nothing that compares to that. A virtual show is like 1/10th of the experience and not a 100% of the experience. That’s why they were so big all around the world. We’re social creatures and beings. We love being around people and experiencing things together. We’re not a solo species. We need to feel energy and those feelings with other people. You can’t deny that and I think that hopefully, there will be a vaccine that will be administered around the world where we don’t have to worry about COVID deaths and COVID tragedies that are happening. But until then, the digital space is what I had to do. I think that all of us have had to take that because now there is an infrastructure being built around the digital space of experience and it’s evolving quite quickly. You know, I just played an Oculus show where you put on an Oculus headset and you’re talking to people from all around the world. As a fan watching the show, you can look to your right and your left and there’s another fan watching that same show from a different country. You can actually socially engage with them. The infrastructure is being built in such a way that there’s going to be more of a catch and they will be able to bring more of a better experience. I think that once we get back to IRL shows, there will still be that people will want to do that and be apart of that. I think that at least with COVID and people being in that business, it has created a space for it to grow. But, you can’t compare that when you’re talking about a live show.
AM: Last year, you published your memoir Blue: The Color of Noise, why did you want to write this and what was that process like for you?
SA: It took me about 6 years. It took me a long long time. It definitely wasn’t like, “ok, I’m going to get this done – I just need to do this.” It was an ongoing process and it started out being like the history of DIM MAK first. So I was like, DIM MAK is going to hit 20 years – we’re at almost 25 now. I thought I would do the history of DIM MAK, a 20 year book and I started writing stories about when I started DIM MAK back in ’96 when I was in college. I wrote about the struggles and all of the good stuff that you want to read – incredible stories. Then I realized, this was more about a memoir about my life and DIM MAK is a part of my life. It’s a big part of my life, but I felt that I should expand more and at that point, a few years after as I was touching on the history of my label, I started talking about the harder things that were very difficult to open up about like the death of my father (editors note: Hiroaki "Rocky" Aoki, a wrestler and restaurateur who founded the restaurant chain Benihana), the death of some of my friends that made a huge impact on my life and then as I got deeper, I started seeing a therapist that helped me to actually bring out some more of my introspective feelings that had to be kind of unearthed. You know, it was therapeutic to be able to write the book and a lot of that went into it. I also – you know when a lot of people think about the history of Steve Aoki, they say, “oh yeah, he’s the guy that throws cakes at people at shows.” Well I just wanted people to know that there is a lot more than just that.
AM: You dropped Neon Future IV this spring which I know is part of the Neon Future series that you began in 2015, tell us about the series in general and what can you share about the 27 track album that you just dropped?
SA: Neon Future is a concept that I came up with and is exactly what you said earlier. I really look at the future as an optimist and I look at technology with an optimist lens. I look at tech in a way that can help us and enhance us to be more of a creative or imaginative species. At the end of the day, we want to save ourselves and saving ourselves will be saving our planet as well. With tech, we can advance that and become more of an intelligent species. That’s why Neon Future is a colorful future. And so really making sure that for me personally, the musical concept, I wanted to educate it by having scientists on the album. So it’s not just about having a collection of songs for each album, but to really validate my point, I reached out to scientists that were very difficult to get a hold of. Some of the people were harder to get a hold of than some of the biggest talents that I have worked with. I had to do a lot of explaining, fly and meet people and do a lot of work in that regard because I care so much about that space and I also love bridging the science community and the electronic dance music community in a way that hasn’t been done before.
Like Ray Kurzweil to Yuval Harari to J.J. Abrams to Bill Nye and so forth and so forth. It started off as one album and the second album was going and then I said, you know what, it’s too good to end. Then the third and then I built the studio between the second and the third and I call it Neon Future Cave and then between the third and the fourth album, I started creating the comic Neon Future with Tom Bilyeu because Neon Future really deserves to be graphically laid out with its storyline. Which presents a world that we can imagine and with every comic book story, you need to have conflict so we had to make it like a dystopia that we want to make it like a utopia instead of the opposite. It just kept on growing and it had a mind of it’s own and it became AI! It became its own thing. It’s almost funny that this project almost became it’s own powerhouse that I couldn’t even stop which is kind of cool. We’ll see. Because of my next project, this puts Neon Future IV as the last of the series so far. We’ll see if it continues as I have a few other concepts that I want to develop. My main baby is Neon Future that’s for sure.
IG @SteveAoki
PHOTOGRAPHY CREDITS
Athleisure Mag's virtual cover shoot was shot by Co-Founder + Celebrity Photographer Paul Farkas. Throughout this shoot, Paul used an iPhone XR, iPad Air 2, Facetime and Clos.
STYLE & GROOMING CREDITS
Athleisure Mag's Celeb Fashion Stylist, Co-Founder/Creative + Style Director Kimmie Smith and Groomer Sheena Zargari share what they used to create this fall menswear style editorial of Out & About Style, WFH and Fitness.
LOOK I | OUT & ABOUT STYLE
FRONT/BACK COVER PG 26 - 37 | DIM MAK COLLECTION X DIAMOND SUPPLY CO Denim Jacket | SIKSILK X STEVE AOKI S/S Oversized Essential Tee + Loose Fit Riot Denim | LACOSTE Storm 96 Lo Sneakers |
LOOK II | WFH
PG 22 - 25 | SIKSILK X STEVE AOKI Oversized Hoodie + Relaxed Short | LACOSTE Storm 96 Lo Textile Sneakers |
LOOK III | FITNESS
PG 16 -21 | ALPHA INDUSTRIES Apollo II Hoodie | DIM MAK COLLECTION Leggings | DECKERS X LAB S/S K-ST 21 Sneakers |
IG @PVFarkas
Hear DJ/Producer Steve Aoki on our show, #TRIBEGOALS - which is a part of Athleisure Studio, our multimedia companion podcast network! Subscribe to be notified when the episode drops. Listen on iHeartRadio, Spotify, Apple Podcasts, Amazon Music, Google Podcasts or wherever you enjoy your podcasts.
Read the Oct Issue #58 of Athleisure Mag and see The Drop with Steve Aoki in mag.
SHOT @ Desmond Childs Home | PHOTOGRAPHY Paul Farkas | STYLIST Kimmie Smith | MUA Nydia Figueroa | HAIR STYLIST Zullay Sevilla |
We end our year the way we began it - with NERVO, but this time, in addition to our interview, we hung out with them right before their Lavo NYC show to shoot the International EDM DJ duo. Liv and Mim have been traveling, DJing around the world, releasing new music and continuing to connect with their fans.
We brought them to Grammy winner and music icon, Desmond Child's home (we have an exclusive interview with Desmond following this interview), which was the perfect location for this shoot. We talked with them about what they're up to, who they've been working with, where they'd like to perform, their upcoming show for NYE at the W in Miami and what festivals you'll see them in during 2018.
ATHLEISURE MAG: We kicked off the year with an interview with you ladies and it's only fitting that we close it with you as well as you're gracing our Dec cover - what has been a snapshot of this year from what you were up to personally, musically, - whatever you wish to share.
NERVO: We have had a year of absolute madness. Lots of great things going on that we just need to pinch ourselves sometimes. We also are just doing our best to keep our heads above water and enjoy the little moments you know… We think all touring artists or just busy people, in general, are the same. There’s a lot of pressure mixed with a lot of adrenaline filled moments. It can be a lot sometimes!
AM: You ladies are multiple threats as you're DJ's, producers, songwriters, composers, models, brand ambassadors, etc., so it was only fitting to have you shoot in Desmond Child's home
- can you share some of your projects that you did this year or next year?
N: Tell us about it - Desmond Child is a total legend. What an honour to be shooting in his home! Love how we decked his house out.
So… We released a bunch of music this year, including a few collabs - one with New York based band Sofi Tukker and some others with more dance artists like DVBBS and Danny Avila, Oh, and then there’s the collab we wrote with Cheif Keef which was pretty special! We have been touring mainly Europe for the summer, but we also have our residency at Omnia in Las Vegas, which gets us over to The USA about 16 times a year.
We have a bunch of new songs in the works which we are focusing in on now. Quarters 4 and 1 are always for making new music and that means touring a bit less.
AM: What's the process like when you're creating your music and how is it different when you're creating something for another artist?
N: We’re more relaxed when we make music for others or even for a collaboration. Something about it being less pressure. When it’s your own record suddenly you feel like people are going
to hate on you if they don’t like it. It’s a part time job blocking out that noise!
AM: How do you go about finding inspiration for upcoming projects?
N: We are constantly inspired. To be honest we don’t have enough time to not be inspired. We have so many unfinished ideas that we just need an extra 2 days a week to finish. We must be
ADHD or something.
AM: What is a NERVO Christmas like - do you make it home to Australia for the holiday, do you guys cook and what gifts are you looking for this year?
N: It’s pretty low key and is the same every year. We have a huge lunch in our family home in Melbourne, then we all go to our Aunty Mary and Uncle Max’s home for more food, and then we
eventually pass out around 10pm with belly’s so full that we couldn’t dream of eating dinner! Leftovers are eaten for the next 4 days or so. We are Italian/Australian so there’s always SO
much food!
AM: This NYE, where are you playing and what about 2018 makes you excited to ring it in?
N: We are playing Miamiiiiiii! At the W Hotel. We can’t wait!! Miami is just the best for New Year's Eve. We think we might hang around a few days and have some beach time and Cuban food.
AM: What's on your playlist at the moment that gets you up and moving?
N: Massively inspired by what Jax Jones is doing at the moment. Sampling Booka Shade and flipping it into a 2017 anthem! Go JJ!
AM: Where are some festivals/cities that you'll be hitting this year that we can expect to see you performing at?
N: We are playing Tomorrowland in Belgium again. Always a yearly highlight! We are also playing Creamfields in South America. And of course, everyone can catch us at Ushuaia in Ibiza and Omnia/Hakkassan in The USA for our residencies.
AM: What is a gig that you would like to do ie. Super Bowl Half Time show, that you have yet to be asked to do but want to check off your bucket list?
N: Probably Coachella. It’s such a great festival and one of the only ones we have never been asked to play at. We don't think they like us. ha! Maybe we're too bubbly or mainstream or
something... We dunno. But we have been to the festival and it's such a great vibe. Always perfect weather.
AM: You're rocking a lot of fun styles throughout our Dec cover shoot, but what is your personal style when you head out to play a set for NYE versus when you're hanging out?
N: We like to dress things up when we play a gig. We love body suits, lycra, face jewels, creepers, teased up hair, more is more. When we are hanging out we’re a lot more chilled and casual - for example we are loving the Fenty clothes that we wore in the shoot for our travel/studio days!
AM: You guys travel a lot, what are your 3 musts that you take with you no matter what city you're rocking in to feel like you're at home?
N: Iijin snake skin silver and gold shoes (for Liv), Hairspray (for Mim), and our laptops (for both of us).
AM: The Winter Olympics are coming up and we're fans of curling, what teams/sports are you cheering for?
N: Ooohh we’ll have to check it out!! We do love to ski so that’s something we would like to watch. Does Australia even have a team? If Australia is competing then we would have to go for
them but if they don’t then we would go for Italy because that is where our parents were born :).
COVER + PG 14 | FENTY X PUMA Blocked Track Jacket + Blocked Taped Track Pant | OUTDOOR VOICES Sport Bra | FENTY X PUMA AnkleStrap Sneaker | FENTY X PUMA Monday Cap | FRAME Le Original Patch Jacket |
FENTY X PUMA Hooded Zip Front Leotard | FENTY X PUMA Printed Bra | RUBEN GALARRETA Legging Harness |
PG 16 | BLACK MILK Fatale Dress | LAGOS JEWELRY Black Beaded Caviar Bracelet | ARTISTS' OWN Wrapped Bracelet, Charm Bracelet, Watch + Hat |
PG 19 | MCM Shearling Bag | ARTISTS' OWN Bra, Shorts + Scarf |
PG 20 | SPLENDID Racerback Turtleneck Sport Bra | ELIZABETH ACKERMAN Palazzo Palm Pants | DIANA ROSH FUR Olive + Blue Fur Coat | LOVE KNITZ Hat |
PG 21 | DIANA ROSH FUR Multicolor Coat | HAT ATTACK Arm Warmers | MIRA RAE Velvet Leggings | MCM Shearling Hat |
PG 22 | ROMPLY Blush Wrap Romper | HAT ATTACK Hat | LAGOS JEWELRY Ring | ARTISTS' OWN Bra |
PG 25 | ROMPLY Navy/Gold Tapestry Romper | NINA JEWELRY Swarovski Bangle | MCM Polke Backpack in Starry Eyed Bunny | ARTISTS' OWN Marcher Jacket |
Athleisure Mag readers know that a number of our shoots take place in luxury apartments that have yet to be released to the public or are being sold. We tend to maintain the privacy of the homeowners; however, this shoot was perfectly aligned as it took place at Grammy-winning and Emmy-nominated songwriter/producer Desmond Child's home!
He is one of the most accomplished hit-makers, having written and produced more than eighty Billboard Top 40 hits spanning five decades including "Livin' On A Prayer”, “You Give Love A Bad Name”, “I Was Made For Lovin' You”, “Dude Looks Like A Lady”, “Livin’ La Vida Loca,” and “Waking Up In Vegas.” From Aerosmith to Zedd, his genre-defying collaborations also include Bon Jovi, KISS, Motley Crew, Joan Jett, Cher, Michael Bolton, Cyndi Lauper, Ricky Martin, Christina Aguilera, Kelly Clarkson, Carrie Underwood, Garth Brooks, Meat Loaf, Selena Gomez, Katy Perry, Sia, Mickey Mouse and Kermit the Frog, selling over 500 million records worldwide as well as downloads, YouTube views and streaming plays already in the billions. His upcoming autobiography LIVIN' ON A PRAYER: BIG SONGS BIG LIFE with David Ritz is scheduled for release the Fall 2018. Desmond Child was inducted into the Songwriters Hall of Fame in 2008 and serves on its Board of Directors as well as the Board of ASCAP. In 2012 he co-founded the Latin Songwriters Hall of Fame and serves as its Chairman/CEO. He is also Chairman of The Fountains of Musica Foundation, who’s mission is to complete Alan LeQuire's aquatic bronze masterpiece MUSICA located at the entrance to Nashville’s Music Row.
ATHLEISURE MAG: It was an honor to shoot in your beautiful home and NERVO was very excited to see that they were in your apartment. Please share with our readers about how you got into the music business and whom you have worked with.
DESMOND CHILD: My beautiful mother, the late Cuban poet and Bolero composer Elena Casals, was always writing her romantic and soulful songs at her old upright piano on the dairy farm in Hawthorn, Florida, where I was born in 1953. At that time, I didn’t know that most people don’t write songs as a natural expression of the ups and downs of ordinary life. I would sit on my mother's lap at the piano and bang out long unrepeatable classical sounding improvisations. As soon as I could sit upright, she would make me play for her bohemian friends sitting around on the floor smoking and drinking during the Mad Men era when that was actually still good for you.
Not being able to afford a gift, I wrote my first official pop song titled “Birthday Blues” at the age of 15 in 1968 as a birthday tribute to a beautiful girl I was trying to impress named Laura
Stern. After that, I never looked back and kept writing songs all the way into the Songwriters Hall of Fame, where I was inducted into in 2008. That only took 40 years. ;)
ATHLEISURE MAG: Your home is awesome and there were so many elements that were amazing, but we all enjoyed your piano - when did you decide that you would have these notable talents sign your piano, and are there signatures that you have yet to get, but still
want to have in there?
DC: It was a random day, and I was walking down 57th Street, and when I got to the Steinway showroom, I looked through the window and saw this gorgeous Steinway D lit up like it was on a stage. I went in, sat down at it, and it seemed to just play itself. I ended up buying it on the spot, but I had to put it in storage for 2 years while my apartment was being renovated. When the time finally came to move-in the piano, I had to hire a crane to lift it up on its side in a massive wooden crate and slip it through the living room window.
It was an incredible feat that tied up Fifth Avenue traffic and pissed-off a lot of people.
As soon as I started doing writing sessions with top stars or important visitors, I would ask them to write their names in the piano along with the date. It started to get crowded in there and some names are completely unrecognizable, so I guess I will have to create a map of the stars to keep track of them all.
These are the names I would love to have in the piano: Joni Mitchell, Sir Elton John, Aretha Franklin, Jennifer Hudson, Sade, Imogen Heap, Paul Stanley & Gene Simmons, Beyonce & Jay Z, Steven Tyler, and Joe Perry.
AM: Are there projects that you are working on that you can share with us?
DC: I am just putting the finishing touches on my auto-biography - LIVIN' ON A PRAYER: BIG SONGS BIG LIFE with David Ritz. I hope to release in the fall of 2018.
AM: What is currently on your playlist?
DC: I only play two records ever… AMOROSO by Jaoa Gilberto, produced by my dear late friend Tommy LiPuma, and Sade’s epic LOVE DELUX. Over the past 5 years I’ve added Concha Buika’s
rare but exquisite albums. Any other music I hear is by accident.
AM: With New Years Eve just around the corner, what's the perfect playlist that we should be creating to celebrate the end of 2017 and the start of 2018?
DC: Any of Amy Grants 5 Christmas albums. Amy is my husband Curtis’ favorite artist of all time…. It just ain’t Christmas without Amy Grant.
We enjoyed finding out more about Desmond Child and his home which is currently on the market. We sat down with Louise Phillips Forbes of Halstead properties to find out more about 1215 Fifth Avenue #8CD as well as the neighborhood it resides in.
ATHLEISURE MAG: There are so many great aspects to this apartment, from its layout to the INCREDIBLE views of Central Park - what can you tell us about this property?
LOUISE PHILIPS FORBES: What’s not to envy in this exceptional home?! It’s a full-floor combination apartment with panoramic views of Central Park that are breathtaking year-round, and an abundance of custom designer details like art-deco moldings and Venetian plaster walls. The grand and expansive formal living room is an entertainer’s dream with four large picture windows (manufactured by Hope's) facing west, high-beamed ceilings and a statuesque
wood-burning fireplace. Plus, the spectacular views carry through to the formal dining room. A peaceful retreat, the master suite also showcases the Central Park views and features superbly crafted built-ins and an oversized walk-in closet that resembles a luxury boutique. You can escape to the spa in the elegant Vitrolite tile and Terrazzo master bathroom with a deep soaking tub, double sink vanity, walk-in steam shower, and heated floors. But it's the park views that will transport you to another world. A culinary delight, the eat-in chef's kitchen is the heart of the home with an open design that includes a substantial casual dining/living and media area. Kitchen highlights are the sophisticated Terrazzo countertops, abundance of pantry storage cabinets, and high-end appliances. A coveted laundry room holds the side-by-side and full-size Miele washer and Asko dryer with a sink and storage. To top it off, there is a new state-of-the-art Lutron lighting system and Crestron integrated surround audio system with built-in
speakers all through the apartment. Two oversized bedrooms and a second full bathroom complete the home with through-wall AC's in every room and great closets throughout. It’s pretty close to perfect!
AM: What amenities are offered in this building for residents?
LFP: A pre-war treasure, the Brisbane House at 1215 Fifth Avenue was developed and built in 1928 by distinguished journalist and columnist for Hearst newspapers, Arthur Brisbane, and designed by the renowned architectural firm Schultze & Weaver. The beautiful 16-story limestone-and-caramel-brick building boasts an elegant lobby and full-service amenities, including 24-hour doorman, live-in superintendent, private courtyard, fitness area, central
laundry room, personal storage, bike storage, and pet-friendly attitude.
AM: Tell us about the neighborhood that is directly around this building and what neighborhood is this considered?
LFP: A premier residence nestled near Carnegie Hill, this elegant gem is conveniently located across from Central Park and along Museum Mile with easy access to world-class exhibits at the Metropolitan Museum of Art, the Frank Lloyd Wright-designed Guggenheim Museum, and the Cooper Hewitt Smithsonian Design Museum, among others. Fifth Avenue and Madison Avenue
beckon with high-end boutique shopping and fine art galleries, plus there is an abundance of distinguished restaurants, charming cafes, gourmet grocers, supermarkets, Equinox Fitness
Club, the 92nd Street Y, and many popular retail destinations.
AM: For those that are interested in purchasing this unit, how can they find out more information?
LFP: It would be very easy to call this stunning apartment home given the grandeur of the rooms, designer details throughout, and abundance of Central Park views! To schedule an appointment, simply contact me directly and I will be happy to give you a private tour and discuss the purchasing details. You can reach me via email at lphillips@halstead.com or at 212-381-3329.
AM: Where can readers find out about additional properties that you represent?
LFP: Visit my website and click on the tab for “My Listings”. You can view pictures, 3D floor plans, and videos along with detailed descriptions of each property I’m working with from
downtown to uptown. The available homes range from a three-bedroom loft apartment in Tribeca to a 6-story grand townhouse on the Upper East Side.
Read more from the Dec Issue and see NERVO YORK in mag.
Our cover girl is one busy lady as Sara Eisen is the Co-Anchor of not one, but two of CNBC's shows - Worldwide Exchange and Squawk on the Street! Sara joined the network in December 2013, as a correspondent focusing on the global consumer. You can see her each day as the Co-Anchor of "Squawk on the Street" at 10AM EST, which airs from Post 9 at the New York Stock Exchange. In January of last year, she was named Co-Anchor of the network's "Worldwide Exchange," which also airs daily from 5-6AM EST from CNBC's Global Headquarters in Englewood Cliffs, N.J.
Around Athleisure Mag, we have CNBC on throughout the day at the office and loved learning more about this financial powerhouse who brings us what's going on across verticals in such an inspired way.
ATHLEISURE MAG: Tell us your background and how you got into broadcasting and ultimately to CNBC?
SARA EISEN: After college at NYU, I went to journalism school at Northwestern's Medill School. While most students do a semester in DC, I went a different direction and spent the time in Hong Kong. I got an internship at Bloomberg TV in Asia and have been doing business news ever since. Initially, I worked as a production assistant, but kept raising my hand for on-air opportunities in my spare time on TV and radio. I went on to anchor the morning show in New York, Bloomberg Surveillance, before moving over to CNBC. But truth be told, I've wanted to be on TV ever since I grew up watching Oprah and taped a mock talk show at a local public access channel studio for a school project in high school.
AM: We know that you enjoy talking about finance, what is it about this industry that makes you so passionate about it and do you have a specific topic within it that you really enjoy focusing on?
SE: My favorite topic within finance is the currency market, because it's the largest, most important market in the world. It reflects economics, politics, deal transactions, geopolitics and more. It was actually my excitement around learning about currencies during a college internship at Forextv.com that led me to pursue financial journalism. My other area of focus is global consumer companies, with a particular interest in sports apparel and shoes: Nike, Adidas, Under Armour, Lululemon. I love how they touch pop culture, fashion, sports and consumer economics simultaneously.
AM: We love that when we're watching CNBC, you really are talking about a number of industries from fashion, tech, agriculture, etc. - and you have a fresh and fun way to present it to those of varying levels of understanding - how important is it to make these topics relatable to a wide, as well as a niche audience?
SE: It's very important! Ultimately, financial markets are just a reflection of all the real life things happening around us: whether it's shifting consumption from diet soda to healthier beverages, what trends work in online retail or just the styles of leggings that resonate with consumers each season. Those stories don't just matter to CNBC, but they're the everyday trends we all live each day. Investing and finance can be much more accessible if you focus on the areas you're interested in and understand.
AM: What would you tell young women to encourage them to get into the world of finance and specifically finance broadcasting?
SE: My number one tip: become an expert, whether that's in the world of finance or journalism... or any other discipline for that matter. Having a niche is very valuable. For instance, during the financial crisis, when I was an intern at Bloomberg, I raised my hand to tell stories about the foreign exchange market at a time when currencies were fluctuating wildly. I knew that subject well and eventually, my editors and others in the newsroom turned to me when currencies were the big market story of the moment, and they still do! Be the smartest person in the room about something, no matter how small the niche.
I'd also say: don't let traditionally male-led industries dissuade you. Sometimes, there's an instinct to compete with the women around you, but being supportive, finding female mentors and passing it forward can all be empowering and rewarding.
AM: Walk us through what it is like to prepare as a Co-Anchor for Squawk on the Street and Worldwide Exchange.
SE: I have a ton of support on both shows. We have a team of producers who work with me and my co-anchors to book guests and put together a plan for the next day's shows. By the time I'm off air one day, I have to start focusing on what we're doing tomorrow: planning the questions I want to ask guests, reading about the latest stories in finance, and politics we might want to include, and always talking to my producers about what we can be doing to fine tune the show before it starts. The hardest thing about prep: as much as you can be ready for everything planned, you also have to be ready to pivot on a dime to breaking news and the unexpected.
AM: As you do two shows every day, what is your day like?
SE: Well, my alarm goes off every day at 3:30am. I'm in the car on the way to CNBC HQ soon after, before getting my hair and makeup done ahead of the 5am start to my first show, “Worldwide Exchange.” In the car and the makeup chair, I'm reading the morning's news and emailing with my producers on the show lineup, the guests we have, the stories we're covering. I get off set at 6am and then travel from CNBC in New Jersey to the New York Stock Exchange ahead of my 10am show, “Squawk on the Street.” The hardest thing is maintaining a good eating schedule. I make sure to have cereal and coffee before the 5am show and then whole wheat toast with almond butter and bananas when I get down to the NYSE. At noon, I'm off air for the day. I fill my afternoons with networking meetings. It can be hard on my schedule to make evening plans during the week. Typically, my husband and I stay home to make dinner together and watch a little TV: no financial news, more like “The Bachelor.”
AM: What's your hectic time of year in terms of covering the world of finance?
SE: The financial news calendar can be similar to the school year: quiet during the winter holidays, quiet over the summer, busy all the other times. But particularly these days, with Britain leaving the EU and the excitement around the Trump presidency, there's never a slow day. I never take more than a week off for that reason. When my husband and I got married, he had to beg me to take off more time for our honeymoon.
AM: How do you maintain balance between such a hectic schedule, being a wife and taking personal time for yourself?
SE: Multi-tasking. 24 hours just aren't enough. I'll be making dinner plans during the commercial breaks of my shows. I'll be trying to book interviews in between exercises at the gym. It helps that my husband also works in the same industry. We don't get to talk about what we're each working on, but we're understanding of the pace and scheduling challenges of each other's jobs.
AM: What has been your favorite story to cover to date?
SE: When Japan suffered the devastation of the 2011 earthquake and ensuing tsunami, I traveled there to cover the aftermath of the disaster. Very quickly, the focus turned to the developing crisis at the Fukushima nuclear plant. I would spend the days reporting and the nights doing live segments for daytime programs in the U.S. It was scary, exhausting, but also an amazing opportunity to be part of an unfolding, uncertain story that the world was watching.
AM: Who have been some of your favorite guests that you chatted with on air?
SE: Steph Curry, for sure. I've spent a lot of time with him, talking about the brand he's helping to build at UnderArmour. He's incredibly thoughtful and down-to-earth for someone living an insane level of success and fame. I also love interviewing Christine Lagarde, the Managing Director of the IMF. She's smart, poised and an incredible example for women everywhere.
AM: When you're not on air, what can we find you doing?
SE: New York City will always be my favorite activity. I love to explore the city's restaurants, bars, shops and walk the streets as much as I can.
AM: What's your personal style on air and how does that differ when you're out and about with girlfriends or date night with your husband?
SE: Early on, I found it was easier for me to stick with dresses rather than piecing together shirts, tops and pants. I like bright colors, interesting necklines, usually knee length... and always pair them with (very) high heels. There's a great wardrobe team at CNBC that helps me pull it together.
Outside of work, I'm much more laid-back. Leggings and t-shirts on the weekends, with my favorite Yeezy sneakers. My husband is a bit of a sneakerhead, so he makes sure I'm always current on the latest trends. For going out on weekends to dinner with friends, I still try to keep it pretty casual: usually Rag & Bone jeans and Rebecca Taylor tops are my go-tos.
AM: What fitness studios do you enjoy going to?
SE: I belong to Equinox and try to get in to see my trainer as many times each week as I can. It can be hard to squeeze into my schedule. But the good news about waking up at 3:30am each day is that Equinox is relatively quiet at 2pm!
AM: What are three must-have beauty products that you swear by that keep your skin looking so great?
SE: Because I use so many products for my job on-air, I've recently been transitioning to more natural and chemical-free cosmetics. My favorite facial moisturizer is Belif Moisturizing Bomb. After scrubbing off a day's worth of camera makeup, this product leaves my skin feeling refreshed and moisturized, but not greasy. Speaking of scrubbing off a day's worth of camera makeup, Tarte Fresh Eyes makeup remover wipes are invaluable. Anyone who knows me knows my favorite beauty product is bronzer. Jane Iredale bronzing powder gives me a natural look.
AM: What's currently on your playlist for your summer soundtrack?
SE: I'm constantly listening to the new Kendrick Lamar album... especially some of the slower songs like “Love and Loyalty.” Then again, my summer playlist features many of my favorites from recent years like Robyn, Charli XCX and Kesha.
AM: Do you have charities or organizations that you support that you would like for us to know more about?
SE: Yes, I support the Simon Wiesenthal Center, an incredible organization that teaches the lessons of the Holocaust and confronts both anti-semitism and hate of all kinds. I have a personal connection as my grandparents were survivors of the Holocaust.
I also am involved with Room to Read, a remarkable charity that promotes girls' education and children's literacy in underserved communities in the developing world.
AM: If you weren't working in your current field, what occupation would you consider working in?
SE: If I wasn't covering finance and economics, I'd want to be working in finance and economics They're what I love. My ultimate dream would be to serve as a central banker. They're the most powerful people in the world!
Our shoot of Sara Eisen took place at 1185 Park Ave at Penthouse A. Currently on the market, we sat down with Louise Phillips Forbes to find out more about this property!
ATHLEISURE MAG: There are so many great aspects to this apartment from its layout to the INCREDIBLE views from the penthouse – what can you tell us about this property?
LOUISE PHILLIPS FORBES: What’s not to envy in this exceptional home?! Breathtaking panoramic skyline views as far south as the Empire State Building and the Freedom Tower, and stunning sunsets over Central Park, provide the backdrop to this expansive penthouse with 4-bedrooms, 1-staff room, and 4.5-bathrooms, plus a beautifully landscaped, private wrap-around terrace and large picture windows providing terrace views from every room. With more than 1,700 square feet of outdoor space alone, it's simply paradise. Sun-drenched, bright and cheerful, this one-of-a-kind home has an extensive floor plan with grand, open rooms for entertaining complemented by ceiling heights over 11-feet.
The bedroom wing offers a private escape with very spacious rooms. I’m especially enamored with the master bedroom suite! It’s really rare to find one as big as this one. The peaceful retreat in the corner of the home provides double exposures and is lined with elegant Venetian plastered walls. It contains two substantial walk-in closets and a private entrance to the terrace. The luxurious spa-like en-suite bathroom features gorgeous natural stone tiles, a custom vanity, free-standing deep soaking tub with Jacuzzi jets, and a glass rain shower. It’s what I call heaven on earth and the perfect escape!
AM: What amenities are offered in this building for residents (common areas, services, etc.)?
LPF: Located in a prestigious residential area, 1185 Park Avenue was designed in 1929 by the renowned architectural firm of Schwartz & Gross, boasting an impressive Gothic triple-arch entrance with a circular driveway. Today, this New York treasure is recognized as one of the few grand courtyard buildings left in Manhattan. The friendly and professional full-time staff provide an unparalleled level of white-glove service and the amenities, include 24-hour doormen and staff, concierge, state-of-the-art fitness center, children's playroom, courtyard garden, bike room, private storage, and a pet-friendly attitude.
AM: Tell us about the neighborhood that is directly around this building (Whole Foods, workout studios, eateries, etc.) and what neighborhood is this considered?
LFP: A premier residence nestled in the heart of Carnegie Hill, this elegant gem is conveniently located near Central Park and Museum Mile with easy access to world-class exhibits at the Metropolitan Museum of Art, the Frank Lloyd Wright-designed Guggenheim Museum, the Cooper Hewitt Smithsonian Design Museum, and the Jewish Museum, among others. Fifth Avenue and Madison Avenue beckon with high-end boutique shopping and fine art galleries, plus there is an abundance of distinguished restaurants, charming cafes, gourmet grocers, supermarkets, Equinox Fitness Club, the 92nd Street Y, and many popular retail destinations.
AM: For those that are interested in purchasing this unit, how can they find out more information?
LFP: It would be very easy to call this stunning apartment home given the grandeur of the rooms, an abundance of private outdoor space, and views throughout. To schedule an appointment, people can contact me directly and I will be happy to give them a private tour and discuss the purchasing details. I can be reached via email at lphillips@halstead.com or at 212-381-3329.
AM: Where can readers find out about additional properties that you represent?
LFP: Visit my website at and click on the tab for “My Listings”. You can view pictures, 3D floor plans, and videos along with detailed descriptions of each property I’m working with from downtown to uptown.
Read more from the July Issue and see Market Maker | Sara Eisen in mag.
SHOT AT 119 CHAMBERS ST | PHOTOGRAPHY Paul Farkas | STYLIST Kimmie Smith | MUA Natasha Smee | HAIR Selda Cortes | COVER STORY Alysia Reiner of Orange is the New Black
This month's cover is one of our faves - actress, producer, activist and SAG Award winner - Alysia Reiner. She has been in a number of TV shows and films and we have thoroughly enjoyed seeing her each season of Netflix's Orange is the New Black as the dynamic force Natalie "Fig" Figueroa.
In addition to our cover shoot in Tribeca, we sat down to find out more about what drew her to acting, upcoming roles that she will be in, the importance of staying connected to your significant other and family no matter your schedule and her role as an activist.
ATHLEISURE MAG: We had such an amazing time shooting with you for our June cover as we've been fans of yours for years! Tell us about your background and how you got into acting.
ALYSIA REINER: AWWW Shucks! I am a native Manhattan girl and had a hard time deciding if I wanted to be a scientist or an artist - I still love both, studying human behavior and why we are who we are - I'm just curious, I guess. I love to discover, to wonder, to research, it's the joyful part of acting, the discovery.
AM: You've had a number of roles in TV and in movies, but one of our favorites is Orange is the New Black. We binged the latest season, and as fans, tell us what the process was like in trying out for the part and what process you go through to take on the character of Natalie "Fig" Figueroa.
AR: I auditioned for Alex, then Polly, then they offered me Fig and I was over the moon. It was 3 lines and I just said yes. To take on Fig, I visited prisons, spoke to wardens, spoke to other prison officials and spoke to previously incarcerated women. I also watched a ton of documentaries about prisons.
AM: What are similarities and differences between you and your OITNB character?
AR: SIMILARITES: NONE!
DIFFERENCES: The list is endless - I am happily married, a momma, an artist, an activist...
AM: You play bad women really well - what role or person would you like to play that you have yet to do?
AR: The possibilities are endless!!!!!! Doing our photo shoot for this cover I picked up that book about style and had the hit that I want to do a biopic about DIANE VREELAND! I so want to play her, she's my style hero. Also, I want Lena Dunham to direct.
AM: This past year you not only starred in, but produced the film "EQUITY," which went to Sundance and got sold to Sony Pictures Classics. How does this role as a producer challenge you, and what are you looking to achieve?
AR: I was just reading Jill Soloway's essay in LENNY LETTER "Downtime Makes Me Anxious," and I'm the same way: I just love creating. I love producing because it challenges me and works different muscles than acting does. Just like parenting - or trapezing ( yes I have - check my Instagram) - I love trying new things and challenging myself. That’s why I went on Celebrity CHOPPED recently. I love telling stories, I love hiring more women and I love changing the
appalling statistics every time I do.
AM: Positive female role models is something that we are extremely focused on at Athleisure Mag - who were your role models that assisted you in being who you are today?
AR: I find new ones every day. I was about to give you a list of actresses, producers, amazing women I love and know, but really it's the people you don't know. Like my friend Allison's mom who had the coolest arts and crafts cabinet growing up. The woman on the subway who defended another woman when she was being sexually accosted. The every day strangers who stand up for what they believe in and are courageous and unique and amazing and inspire us.
They deserve so much love and admiration, they are my role models.
AM: Activism seems like a major cornerstone of your work (in the midst of everything else) - what organizations/platforms are you associated with and have any of them been because of roles that you have taken as an actor?
AR: I lost my dad to cancer and got very active with the Cancer Support Community - I love them so much. They provide free emotional, social, and psychological support for people with cancer and their friends and family. And yes I said FREE. I was so honored that they gave me and my husband this year's Founders Award For Support.
The Women's Prison Association became my "Fig's karma charity." I love working with them, have been volunteering with them for 5 years now, made a piece of jewelry with 100 of proceeds to them, working on a new idea with them now about employing formerly incarcerated women, and they gave me the Sarah Huntington Powell award. What the Geena Davis Institute does for women in the media is soooo crucial and I love supporting them every way I can. And there are so many others!!! This could be an entirely new article! ;)
AM: During the shoot, we loved incorporating a meditation shot into the cover story, how important is this practice to you and how did you get into it?
AR: I LOVE MEDITATION. ADMISSION: I did a lot more before I had a kid. But now, I do it with my daughter, I do it at home, on the subway, I have a meditation room at home. I listen to a meditation as I wind down from the day, floss my teeth etc. I always feel like I don't have time, but somehow if you make the time, time bends and gives you more, magically.
AM: What's your personal style when you're going to set, when you're going to dinner with your family and then hitting the red carpet for an event?
AR: I have no idea - you are the stylist - help!
AM: Who are your style icons?
AR: Diana Vreeland, DVF, Valentino, Vivianne Westwood, Jenna Lyons, Stacey from Alice & Olivia, Tilda Swinton, Cate Blanchett, Emma Watson, Livia Firth, Chloe Sevigny, Natasha Lyonne, I could go on.....
AM: What are 3 exercises or methods that you do to stay so fit?
AR: 30-60-90 by Kristi Molinaro, Soulcycle and INTENSATI TABATA
AM: When you're having a busy day running around in the city, what are 3 places in NYC that we may see you pop into for lunch?
AR: Ha! I never have time to go out to lunch!
AM: After hanging out with you, you have such a mindful nature about you that seems to permeate the way you approach life as well as living within it - how important is this to you from a mental, wellness, culinary and related lifestyle aspects?
AR: When we can incorporate mindfulness into everything, it just makes every moment sweeter. Everything is more beautiful - you even see art in a garbage pile. Rats become cute. And then, of course, people think you're crazy. I don’t care.
AM: A number of our readers either work with their significant others and/or are in the same field with them. What advice would you give to those readers to assist them in having couple time?
AR: MAKE DATE NIGHTS AND STICK TO THEM!
Appreciate each other. Write love notes. Talk about the relationship. Seek outside help before you need it.
AM: How do you take time for yourself as a wife and mother, actress, producer, activist etc?
AR: Ummm….I need to work on that. I really do. :)
AM: What projects can you share with us that are coming up that we may not know about?
AR: We just wrapped season 2 of BETTER THINGS - so excited! And I did guest stars on BROAD CITY, YOUNGER and ODD MOM OUT! I am headed to Chicago in a few weeks to shoot The Pages - a political thriller, and then shooting EGG in which I star with Christina Hendricks
and Anna Camp, and I could not be more excited! #LIFEISGOOD
Our shoot with Alysia Reiner of Orange is the New Black, took place in Tribeca in a historic building. We chatted with Louise Phillips Forbes, Licensed Senior Associate Real Estate Broker at Halstead Real Estate to find out more about this property, 119 Chambers St #2.
ATHLEISURE MAG: The layout of this apartment, as well as having an elevator that opens into the home, was definitely a great feature and made it fun to shoot our June celebrity cover - what can you tell us about this property?
LOUISE PHILLIPS FORBES: What’s not to love?! It’s the quintessential downtown New York apartment as depicted in TV and movies. A split-level loft boasting 2,240 square feet with 3 large bedrooms, 3.5 bathrooms, and soaring 14-foot wood beamed ceilings that take your breath away. Not to mention the awesome floor-to-ceiling windows facing south and the old-world exposed brick walls in the expansive great room that also has a wood-burning fireplace.
The open, contemporary kitchen is perfect for entertaining given the large marble-top breakfast bar, but it also features custom cabinetry and high-end, stainless steel appliances. A peaceful retreat, the master bedroom suite boasts a very large walk-in custom closet and serene spa-like bathroom with a double-sink vanity, deep soaking tub, and glass-enclosed shower. Stunning hardwood floors, recently purchased LG washer & dryer, ADT alarm system, and separate thermostats in each room
AM: What makes the building special and does it offer amenities for residents?
LPF: Built in 1858, the cast-iron building at 119 Chambers Street was fully renovated using high-end materials and finishes and converted to a condominium in 2008. It’s a boutique building with just 5 units total so privacy is assured. Each apartment has a substantial room-size
storage unit and there is a fitness room downstairs.
AM: Tell us about the neighborhood that is directly around this building.
LPF: Tribeca is a very diverse and friendly neighborhood where the big city feels more like a small town, and Chambers Street is in the heart of it all. Very walkable and also bike-friendly, this area is filled with charming cafes and fine dining options, boutique shops and luxury
retailers, galleries, fitness clubs, and several local parks. There’s even a Whole Foods just a few blocks away, and Starbucks is on the corner of the block. Plus public transportation is very convenient with many local and express subways nearby, and you have easy access to the
West Side Highway enabling you to get just about anywhere in the city efficiently. It’s an ideal location for New Yorkers.
AM: Tell us about who represents this property.
LPF: I am very honored to be the broker representing this exclusive listing. I have been working in residential real estate for more than 28 years and currently hang my hat at Halstead Real Estate’s Park Avenue office, where I’m proud to lead the firm’s #1 team. My portfolio of clients includes buyers, sellers, and luxury developers all over NYC, and my career sales are in excess of $3 Billion. I consider myself more of an educator, than a sales person, and it’s a privilege to be a part of this process with people, after all, your home is the base upon which the rest of your life is built.
AM: For those that are interested in purchasing this unit, how can they find out more information?
LPF: It would be very easy to call this lovely apartment home given that it’s move-in ready. Simply bring your toothbrush! To schedule an appointment, people can contact me directly and I will be happy to give them a private tour and discuss the purchasing details. I can be reached via email at lphillips@halstead.com or at 212-381-3329.
AM: Where can readers find out about additional properties that you represent?
LPF: Visit my website and click on the tab for “My Listings”. You can view pictures, 3D floor plans, and videos along with detailed descriptions of each property I’m working with from
downtown to uptown.
Read more from June Issue and see Our Fempire in mag with Alysia Reiner of Orange is the New Black.
We're very excited to have our cover star, Alysia Reiner who plays one of our favorite Boss Ladies, Natalie "Fig" Figueroa on Netflix's Orange is the New Black. Beyond being an amazing actress on this show and a number of roles in TV as well as in film, she is a producer, actress, wife and mother! You can learn more about her and see her rock some great looks that are perfect for the summer in Our Fempire.
In addition, we sat down and had a few sips with NFL/FOX Sports sideline reporter and Co-Host of ABC's Dancing with the Stars, Erin Andrews about her upcoming wedding as well as her favorite teams, we talk with Cassey Ho of Pop Pilates, innovative Creative Designer of Hermès and namesake Pierre Hardy and we also share The Body Shop's initiative on banning animal testing. Our contributor, Bonnie Halper tackles the issue of Water: Hot or Not and hydration continues with a Q&A with Treadwell Park's Beer Curator and Director. We also tackle items worth noting your bikini line with Shobha. This year, we were the Media Sponsors for NYC Pride and we recap a bit of the activities that took place earlier this month.
Of course, we have our ongoing features, Athleisure List which shares a subterranean spa and hot gym, Athleisure Beauty, our ingredient focused roundup on Avocado and Olive Oil, The Art of the Snack which focuses on Smitten Icecream - taking this treat to another level, Bingely Streaming, Bingely Books and #TribeGoals reccommendations for you and your tribe.
The UK 23-year old hybrid DJ, Harrison, is truly a man who can do it all as he can play a DJ set, produce the tracks, write his own songs and perform them all during his live sets! His energy is boundless, which is felt within his shows (and we felt it when we interviewed him at his studio via Skype). Harrison has collaborated with a who's who of an array of DJs which has included David Guetta (and his breakthrough track, 'Ain't A Party' in 2013), Steve Aoki, Dannic, Vinai, Laidback Luke, and Hardwell (which he notes is one of his favorite people to work with). As someone who has exploded into the EDM and progressive house charts, he has performed alongside these greats at a dizzying pace, produced tracks and is now focused on doing his solo projects to further his musical fingerprint. By working with so many notables, he was able to garner visibility to wide fan base that allowed him to excel quickly in notability.
Without a doubt, it is his uniqueness that skyrocketed his success and keeps him as a coveted DJ. This past summer has been a whirlwind of activities that included video releases (such as 'LA Girls') and playing a number of stages in Europe and Asia. With all of his collaborations and travels, he honors the process of being able to step back to ensure that his work receives the time needed to continue to engage his fans. His mastery of various genres of music keeps them guessing on what to expect next while also enjoying what is becoming the Harrison sound. When chatting with him about his influences he had an array of artists that included Sting, Phil Collins, Eminem and more. In addition, when we noted that our Style Director had worked with Nile Rodgers, his face lit up in appreciation of the iconic music producer and guitarist. His respect for the industry and its musical nuances is clear when speaking with him.
You get the sense that what you see is what you get when you're talking with Harrison. When asked about his personal style via his DJ style, he noted that, "at the end of the day, I like to wear dope shit and it's the same whether I'm on stage or just hanging out." He was so excited that he had to share a recent jacket that he purchased which included zipper detailing and straps. We wanted to know if he had a workout routine that we may need to know about and he laughed as his attention to his brand and craft is so attuned that when he's not on stage, he's in the studio and it's essential that he gives of himself in this way to produce the best music possible.
With the end of the year quickly approaching, we can't wait to see additional music that he is working on between collabs as well as his own and we'll keep an eye out for where we can see him next. We'll keep our fingers crossed that one of those tour dates will find its way to the states and right here in NYC of course!
Pictures courtesy of Harrison
See more from the Sept Issue.
PHOTOS COURTESY | DJ Drez
Whether he's on the stage or in the studio - DJ, producer, musical director and sound ambassador DJ Drez is about the journey into sound. By cutting and composing original tracks his sounds assist the body's movements when dancing or doing yoga asana.
He integrates elements of hiphop, world music, soul, funk, jazz, and reggae into his signature sound. He has worked with a number of top artists, including KRS 1, Black Eyed Peas and Macy Gray, as well as brands that include Adidas, X Games, and ABC to name a few. We talked with Drez to find out more about his style, his recent solo work and Alpine Swift.
ATHLEISURE MAG: How is a Yoga DJ different then other DJs that we're familiar with?
DJ DREZ: I actually don’t consider myself a “yoga DJ.” In that I dj all kinds of music in many different kinds of venues which include everything from a hip hop club and world music festivals to yoga studios and yoga festivals. I do play a huge range of world music that is appropriate for a practice. I think the fact that I practice yoga and have many related spiritual practices adds to my ability to connect the students and teacher in any given environment. If anything, that's what makes me a very good “yoga DJ.”
AM: What music do you focus on for yoga?
DJ DREZ: I play a lot of instrumental world music. I also produce specifically for the practice and again I draw upon my own experiences on the mat. Practicing yoga has helped me tremendously in how I am able to support students and teachers sonically. It is actually a careful play of energy between us all. I never have a set play list and instead let the music flow organically with what is actually happening in the room.
AM: What styles of music do you play/produce?
DJ DREZ: I come from a hip hop, soul, jazz and world background. So this always heavily influences anything I play and produce. You can hear my roots in the music I play. Even if it has elements of Africa or India you can feel the hip hop and soul, Vice Versa.
AM: 'Alpine Swift' recently dropped. What was its inspiration?
DJ DREZ: My literal travels, my mind travels, my family and my art. I realized how often I am on a plane, train or in a car. Starring out of a window. Meditating or imagining. Always in flight to create and do what I love, which is make and share music. My art. Traveling has been a big part of my career and journey, with pockets of touching down here and there. I wondered if there was a bird like that, always in flight and Alpine Swift came to mind. Did you know that bird can fly for hours, days, and months, while sleeping, and eating mid-flight. Its not by choice for me, but part of the unglamorous road I have to walk in order to do what I love to do and make a living. Now can you imagine what that feels like sometimes? Can you imagine what that might sound like? Alpine Swift.
AM: What other artists have you worked with and do you have a genre you like to work in?
DJ DREZ: I love working with my wife Marti Nikko. She is an amazing singer and we released an album last year called Dreaming in Sanskrit which is a sweet, boomin' mantra album supported by hip hop and reggae beats. It's really something special. We have already started working on its follow-up. I also work with many MCs, singers and some super fresh musicians. I really enjoy collaborating with others.
AM: What's your favorite music to listen to?
DJ DREZ: Thats difficult to answer. That's like asking which child do you love more. I love what I love, especially what is really done well. I don’t worry about boundaries and categories so much. If it sounds good, is well made and moves me then I can listen to it. I do come across music that sometimes isn't for me, but I can appreciate i because it's well done. No matter what, it has to have soul.
AM: With your busy schedule (solo projects, collaborations) of being a family man, working with a number of artists and sought after organizations, how do you stay grounded and balanced?
DJ DREZ: Yoga, mantra, breath, good nourishing food and great yummy sex! Those are all super important. I wouldn’t be able to work it at this level without those practices supporting me.
AM: When you're not working - what do you when you have time for yourself?
DJ DREZ: I try to spend my off-time with my family and in nature. I nurture them and they also nurture me. It's one of the reasons i do what I do. They inspire me to be the best me. Nature supports these qualities too, helping me to feel the earth under my feet. To be in quiet when I am alone and with them. I even hear my son differently in nature. So we try and take many nature walks and spend a lot of my off time at the beach or hiking up our mountain. Included in this are practices of yoga, mantra, breath, good nourishing food and great yummy sex!
1. Sound Ambassador - Anahata Ether
2. Bombay Dub Orchestra - Dust (Pigment of Your Imagination Mix)
3. Marti Nikko - I Am Love {Plum Mood edit)
4. Sound Ambassador - Anahata
5. Moby - Memory Gospel
6. Bonobo - Terrapin
7. DJ Drez - Light Me Up
8. Trevor Hall - Who Ya Gonna Turn To
9. DJ Drez - Sugar Drop 77
10. Domonic Dean Breaux - Morning
Read more from the Jun Issue.
