PHOTO CREDIT | Apple Music
Read the JAN ISSUE #109 of Athleisure Mag and see 9PLAYLIST | Kendrick Lamar + SZA in mag.
Featured
PHOTO CEDIT | Andre D Wagner
GOVERNORS BALL 2023
As we mentioned last month, Governors Ball settled into it’s new home Jun 9th-11th at Flushing Meadows Corona Park in Queens. In our conversation with the founder of NYC’s music festival that kicks off the summer season. Last month Tom Russell shared with us how he created this 3-day festival and how this location is the best one that allows music enthusiasts to enjoy 3 stages of their favorite artists while being surrounded by a park environment! Over 100,00 people got to see the festival's new home completed with the iconic Unisphere. It’s exciting to see what upcoming years will look like as we continue to flock to this destination. This season there were so many options from enjoying the stages that showcased various genres of music, food and beverage that allowed for diverse appetites courtesy of food partners that includes Queen’s Night Market and of course, Instagramable moments that we’ll remember for many years to come.
As soon as we saw the lineup that included 60 artists, we started sketching out what we wanted to listen to as there was something for everyone whether you listen to hip-hop, EDM, and pop. We also knew that we wanted to see this immersive environment that really allowed you to feel that you transported to what we love most about attending music festivals! Here are some of the moments that we were excited about this took place over this weekend.
If you’ve caught Ice Spice perform, you know that she tends to have more of a relaxed presence when she’s on stage, but she definitely had a lot of energy when she hit the GoPuff stage on the 1st day of Governors Ball. As she rapped across the stage, she was in sync with her dancers and had a fluid show that was really a fun experience to watch.
Friday afternoon, we looked forward to hearing Eladio Carrion’s set. We enjoyed hearing his latest release Coco Chanel, as well as Mi Error and No Te Deseo el Mal.
When it comes to bringing drama to her performances with a side of education, Lizzo always makes it a point to take her time on the stage to share songs that we all enjoy while also providing a state of the union of sorts as she talked about anti-LGBT laws, the environment, and diversity.
We also enjoyed when Odesza hit the stage while the large crowd were entertained with this duo's set as well as digital and literal pyrotechnics. This larger than life performance was a perfect way for Saturday night's headliners to take their set to the next level!
Hands down, we were excited about seeing Kendrick Lamar as he closed out the 3rd night of the festival. He took his time on the stage to have a set that included songs that he has created across his career. His cousin, Baby Keem also came out to perform one of our favorites, Family Ties. Of course, at the conclusion of his set, fans were treated to fireworks and pyrotechnics to close out this successful festival.
In addition to these favorites, we're including some of our other favorite acts as well.
IG @govballnyc
PHOTOGRAPHY CREDITS | PG 112, 121 + 123 Roger Ho | PG 114 + 122 Deanie Chen | PG 116 Alive Coverage | PG 118 Charles Reagan | PG 120 Okay Nicolita | PG 124 Nick W NYC |
Read the JUN ISSUE #90 of Athleisure Mag and see GOVERNORS BALL 2023 in mag.
Featured
WELCOME HOME!
We love attending music festivals and here in NYC, Govenors Ball kicks off our summer season! This 3-day festival has a number of the hottest artists across 3 stages and a number of genres! Over the past few years, we've attended this event on Governors Island, Randall's Island, and Citi Field. This year, it settles into its new home in its 12th year at Flushing Meadow Corona Park in Queens from June 9th - 11th! This year's acts include Lizzo, Lil Nas X, Diplo, Kendrick Lamar, SOFI TUKKER, and Kim Petras to name a few! Over the 3 days, people can celebrate their favorite artists, have Instagram-worthy pictures, enjoy fabulous food and beverages and more!
We caught up Tom Russell, Co-Founder and Partner of Founders Entertainment who puts on Gov Ball from his vision of creating a music festival that also honors the spirit and diversity of NY! We wanted to find out how Tom got into the music festival industry, his passion for music, how Gov Ball was created, and what first-timers and veterans can expect when they come to the show this year! We delve into partnerships and the future of this festival. Make sure you read next month's JUN ISSUE #90 which will have our recap of this 3 days of music!
ATHLEISURE MAG: Before we delve into Governors Ball, how did you get into the business of music festivals?
TOM RUSSELL: I grew up in NYC and was obsessed with music from a young age and I was going to concerts at a young age starting in middle school. I got really into punk rock going to concerts on St. Marks Place. As I got older, I went to high school, got really into jam bands, went to New Orleans for college and got really into funk music and world music and all of that of course Hip-Hop since I was young.
I went to a festival called Bonnaroo and had the time of my life and I had the best time ever! I said to myself after that weekend, “I need to work in music festivals." This was my passion. I was living in New Orleans going to Tulane and I discovered that the company that did Bonnaroo was based in New Orleans. So, I wrote them an email, wrote them another email, and another one and they finally wrote me back.
I somehow managed to wiggle my way into there and get an internship. I did it for a semester and then they offered me another internship and then Hurricane Katrina happened and they evacuated their offices to NYC which is where I was born and raised. I was in NYC for that semester as well. They offered me a full-time job and I had to make a decision at that time. Did I want to go back to college, or did I want to take a job with the company that I wanted to do more than anything? I decided to drop out of school, drop out of college with 1 semester to go, and take a job with Superfly. I worked with them for 6 years until I hit my ceiling at Superfly, and I decided that it was time for me to leave to pursue my long life goal of bringing my hometown and beloved city a music festival that they could call its own.
At that time, you had Lollapalooza in Chicago, Austin City Limits in Austin, Outside Lands in San Francisco, but there was no cultural institution in NY and I felt that that was just wrong and it didn’t make sense to me. So I left Superfly to start Gov Ball with a couple of friends of mine. It was good timing and we really hit the nail on the head with our programming and we really tapped into this growing festival culture and this demand for really good live music in NYC. It was kind of off to the races from there!
AM: I love that and that is such a great story!
What I love about Governors Ball is that you have different types of genres that are playing in the same space across 3 different stages. You can obviously see artists that you enjoy that you're already fans of as well as other genres and artists that you weren't familiar with and you always leave adding more to your playlist after going which I think is really cool.
TR: Well that was a huge thing for us. We all looked at our Spotify, Apple playlist, iTunes what have you and we saw that we weren’t just listening to Hip-Hop, rock, or pop, we were listening to everything and it was important to us to put together lineups that had artists that we loved and that we knew were amazing live musicians, but also we had something for everybody. People just have tons of different tastes. We carry that on to this day where we’ll have an EDM headliner, a Hip-Hop headliner, and we’ll have a pop headliner, and everything in between. I think that it just speaks to the variety of tastes that not just music lovers have, but also New Yorkers because it’s such a diverse city.
AM: Absolutely.
What is your process like when you’re sketching out a year ahead or whatever in terms of the different types of artists that you’re bringing in?
TR: So we’re always looking for the biggest and the best. We certainly know what bands have new records coming out. We certainly know what bands have a desire to tour around the Gov Ball time. We know what bands we would love to have, but they’re definitely not touring and we kind of go for all of it and see what sticks. We start out with the headliners and there are artists that we have made offers to every single year in the hopes that it will pique their interests and sometimes we just throw something crazy out there and they come back to us and say yes. Other times, it goes nowhere and we just fall back on artists that really want to play the festival and are releasing a record around that time of year. But for us, it’s important to have the biggest and best things. Because one of the beautiful things about NYC is that New Yorkers have access to the best of everything. We have access to the best food, the best music, the best parks, and there’s so much to do, that it's essential for us to put together a lineup that is the best and that people just can’t say no to because there are so many other things to do in this city. We have to stand out. So, it’s always, how do we put together the biggest and best lineup that will get people to have a double take and say, fuck, there’s no way that I am missing that.
AM: Well this year, it’s going to be at Flushing Meadows, Corona Park. What is the thought process behind finding the ideal space because it is 3 massive stages, plus all of these other activations that are also on-site?
TR: I would say that for any great music festival, the venue is almost as important as the artist. It really defines the vibe of the overall event and for Gov Ball over the years, we’ve struggled to be honest. We’ve moved. We started out as a 1-day festival on Governors Island, we moved to Randall’s Island where we grew to a 3 day festival, and we moved over to Citi Field coming out of the pandemic. But we never really had a large greenspace venue that is iconic and lent itself well to live events and that led us to Flushing Meadows at Corona Park. A park that was built and designed for events many many decades ago. It’s easily accessible by subway and LIRR. It is full of iconic structures, museums, and tons of trees. It’s such a unique green space. We’re so excited for this year and for our fans to see it because the festival will take on a whole new life and a whole new vibe and one that we have really wanted to have since our start. You look at Lollapalooza, they’re in Grant Park. Austin City Limits is in Zilker Metropolitan Park. With Gov Ball, we haven’t had that yet. Flushing Meadows is truly an incredible and special place that we just can’t wait to bring it alive!
AM: I’m excited and looking forward to it!
Food is always a huge component of music festivals as well and you guys have incredible vendors such as our favorites: The Halal Guys, and Taqueria Diana as well as food partnerships by bringing in the Queens Night Market. Why was this important to have such a diverse series of foods?
TR: So for us, we wanted to have the best of everything! The best music lineup and of course, the best food. People need to be able to eat and drink and to listen to great music. With us being in Queens, we couldn’t not think of the Queens Night Market which is such an institution. It has such an amazing collection of vendors from all over the world. We reached out to John Wang, founder of Queens Night Market and he’s so brilliant and what he created there and it’s so special. So we said, “look, we’re coming to Flushing Meadows and you’ve been there for so long and we have created this amazing amazing event, we would love for you to be able to help us curate some vendors that really speak to Queens and speak to what you have built and to help us give more variety to what we are offering.” He was kind enough to make a number of introductions and help us to feature food that will really be additive to the festival and to get people super super excited to have food from around the world. From Mao's Bao to Twisted Potato, La Brasa for those folks that go to Queens Night Market like myself, it’s really going to be great. So they’re going to go from seeing one amazing act to having an amazing meal, to seeing another amazing act to having another amazing meal. What do people want in life? Good food, good music, and good drink. That’s all that you need.
AM: It’s a full experiential opportunity to have all of these things together. What are some things that are being added to this year’s event that may be different from last year? For those who go every year or may have missed a few, what can they expect?
TR: I think that the biggest thing this year is our new venue. I mean, this is going to be a Gov Ball experience that’s unlike any other because it's a brand new site which is full of lush trees and iconic elements like the Unisphere. How we’re bringing the park to life with lighting and décor and art installations. What we’re doing to enhance the trees, it’s really going to be super duper special and for those folks that have been to Gov Ball once, twice, 5 times or 10, they truly have no idea what they are in store for because this venue is a whole new ballgame and it’s so exciting. We just can’t wait for people to be able to see it and to experience what Gov Ball has wanted to be since it’s iteration.
AM: In addition to all of the things that take place on Gov Ball’s festival site, it’s great that you also have After Dark. We love the idea of people being able to continue the party and to see a number of the artists that are performing at other venues around the city and to expand your footprint. Why is this an element that you love including with Governors Ball?
TR: Well look, the festival ends at 10pm because the NYC Parks tell us we have to end at 10pm and I don’t want to go to bed at 10pm! It’s way too early, it’s summertime in the city on a Fri., Sat., and Sun. night. So we reach out to the artists that are playing the festival and we tell them that we want to work with them some more, feature them in an After Dark show, keep the party going and we know the fans will like it. So we have events with Saba, Metro Boomin’, SOFI TUKKER, and tons more. So, for us, it’s giving the people the opportunity to keep the party going. We’re predominantly a NY festival because most if the people going are from NYC and the tri-state area. But there are tons of people that come in from around the country and around the world. So we want to give people the opportunity to see the festival at the park, but also to experience these great venues in Manhattan and in Brooklyn and elsewhere.
AM: That’s smart!
TR: Yeah. We just want to be able to have something to fill out there whole weekend.
AM: For those that won’t be able to attend the festival themselves, is there a way that they would be able to listen to the lineup whether you partnered with a streaming platform or anything else like that?
TR: So we aren’t livestreaming the event this year. If you want to get a take on this year’s music, you can hop onto Spotify and look at our official playlist. But that’s what we have in store for this year and I can’t say enough about this venue and what we are doing there. For those folks that are on the fence for going this year, I can’t sell it enough. It’s going to be super special and super new and Gov Ball unlike any other.
AM: You also have an entire philanthropic component to Gov Ball that involves the community which is amazing. Can you tell us more about that and how you’re supporting these particular initiatives?
TR: Since we started the festival, we’ve always wanted to give back to the local community. When we were in Randall’s Island for years in East Harlem, it was important for us to work with local East Harlem institutions because we were impacting that community the most. The flow traffic from the festival was going right through the East Harlem neighborhood. We started to build these relationships with local non-profit partners.
When we moved over to Queens, we brought that same goal in mind. This year, working with super local organizations such as Chhaya and ECRC (Elmhurst/Corona Recovery Collective) we’re giving them the opportunity to expose their amazing causes to a brand new audience and we’re also giving our audience an opportunity to work towards tickets to the festival by volunteering at those organizations. So for a few hours of work and volunteering, you can get a Gov Ball ticket and we’re fundraising for these organizations. These are super small and local that truly need exposure. They truly need funding so for us to be able to give back to them, it’s a really important initiative of ours. Over the years, we have worked with really large organizations too such as Everytown and Planned Parenthood and we’ll continue to work with those bigger organizations, but it is always important for us to be hyperlocal and to help these smaller organizations that have these great causes who have less awareness and to give them a means to benefit.
AM: Just looking at the future, do you ever see Gov Ball to be the same as a Lollapalooza, an EDC or a Tomorrowland that pops up in other cities around the world? Do you ever think that that would be a journey that Gov Ball will take at some point?
TR: I don’t. I think that Gov Ball is NYC born and bread. I think that the ethos of the event is NYC, we feature NYC artists, it’s NYC food vendors, NYC graffiti artists, NYC contractors and vendors and non-profits. The whole vibe of the event is NYC and we don’t really have the desire to stray from that. I think that the NYC works in NYC. I don’t think that you could plop that down anywhere else and we just want to continue to be able to make Gov Ball the best that it can be and now with us at Flushing Meadows Corona Park. I think this is only the beginning and we’re just super excited to go down this path of this incredible new home and new venue that we’re bringing to life and to just continue to bring NYC the very best in lineups whether it’s food, music, or what have you that we can!
IG @govballnyc
PHOTOGRAPHY COURTESY | PG 100 Charles Reagan | PG 102 Aaron Ricketts | PG 105 Roger Ho | PG 106 Carter Khowe | PG 109 Downs |
Read the MAY ISSUE #89 of Athleisure Mag and read Welcome Home! in mag.
Featured
A LEGACY MANIFESTED | ADAM BLACKSTONE
When we watch our favorite performances, there are so many people involved that make these shows come together. The Music Director has a birds eye view and is integral in making sure the components come together, keeping all the teams in lockstep with one another and being able to translate the artist's vision to what we see.
When you have a MD that is also musician and can play across genres, you really have someone that is multi-talented! We caught up with Adam Blackstone a bassist who has performed with Jay-Z, Dave Chapelle's Block Party, Justin Timberlake, Janet Jackson and so much more. He has also been the MD for a number of the entertainers above including Nicki Minaj and Rihanna - sometimes playing with these artists and more. In addition, this man has been the MD behind the historic Pepsi Super Bowl LVI Halftime Show featuring Dr. Dre, Snoop Dogg, Kendrick Lamar, Mary J. Blige and Eminem and will be back again when for the Apple Music Super Bowl LVII Halftime Show with Rihanna hits the stage for this moment of sports meets music. In this position, he has helmed the OSCARS, NBA All Star Weekend, The Masked Singer and more.
In addiiton to being in the industry for decades with a coveted list of talent that he has worked with, he just released his debut album Legacy last fall and his single 'Round Midnight’ with Jazmin Sullivan has been nominated for a GRAMMY which takes place next month! To ensure that he can continue to grow his brand and fingerprint on the industry, he also talks about how he supplies an array of talent from musicians, engineers and background singers to our favorite artists through BASSic Black Entertainment.
With some busy days ahead, we wanted to find out about how he found his way into the music industry, his love for bass, being a musician as well as a MD and what he has coming up.
ATHLEISURE MAG: What was the moment when you fell in love with music?
ADAM BLACKSTONE: That’s a great question! I think from birth! With my family, I was always surrounded by music, my father is a musician. What we would call today, probably a wedding band singer, but he did weddings, bat mitzvahs, church services, banquets, and all of that. Then, growing up in Black church, my mom and my family was heavy into choir and music ministry. I think that early early African American church experience allowed me to see the power that the music played in the emotional and psyche of human beings in general. Fast forward to me going to high school and getting some jazz band awards and all of the accolades and the praise and being a little bit turned on by that as well. It made me want to excel and to show Black excellence. Of course, fast forward to really my first major major gig was Jay-Z on stage at Madison Square Garden. There was nothing like that feeling! So those 3 instances for me were very much spread out, but were very much so similar feelings you know?
AM: Yes. What drew you to wanting to play bass?
AB: Funny story, I started as a drummer. I think every little Black boy in church as a musician wants to play drums. When we moved to a suburb in town - Willingboro, NJ, again, the band teacher who was white, I’ll never forget when he said, “listen, I have 14 drummers. I heard about your family, I hear about your musical lineage that you have and our band is missing a bass player.” This was in 2nd grade and he said, “I would love if you would switch over.” I said, “hell naw, I’m not doing that bro!” This was back in the day when you had to walk to school and all of that and I wanted to walk with my drum sticks – I didn’t want to walk with a bass! He talked to my parents and we made the switch and honestly, it was one of the best decisions that I had ever made of course!
So that is what introduced me to bass and that instrument in general allows me to be the foundation and the root of all of the chords that are being played. I learned that a little later on. Drums is the rhythm, but bass is really the melody and it controls the chordal structure. Me being the future MD that I was, I think that I like a little bit of the control!
AM: I like how one decision really made all the difference!
You have worked with so many people from Rihanna, The Roots, Justin Timberlake, Maroon 5, Jay-Z and even across genres.
AB: Yes!
AM: How do you approach when you’re working on these projects as they all have different needs and different focuses in terms of when you’re coming in as the musician role.
AB: I think that the biggest thing is that they allow me to be able to be myself, to be creative, allow me to present them with ideas, but also knowing that I am protecting them. They know that I am taking their vision and just trying to enhance it a little bit. As musical director and crossing genres specifically, it’s not about my vision, it’s about the artists’ vision. We’re all a team. If they win, we win. If they’re hot on stage, if their tour is hot, it allows for more opportunities for me as well! So, I always pride myself on asking the artists what they need, what they want and how I can be a vessel to enhance that vision across genres, that respect is given and so they allow me to, you know, continue to be as successful as I am.
AM: Tell me about your debut album Legacy which came out last fall!
AB: Yessss Legacy, Legacy! It was a labor of love for sure! We all went through that pandemic, and you know, we lost some folks. I lost a couple of good friends of mine, I lost a cousin and going through to their services, I realized that I didn't want to leave this Earth with a laptop full of ideas – you know what I’m saying? I heard Jazzy Jeff say, “leave here empty.” So, I was really inspired by loss and I buckled down for about 40 - 45 days and returned to my roots and one of my first loves is jazz and really progressive jazz. I decided what songs I wanted to do and really saw which artists were being impacted by me for a long time and how they wanted to pay it back to me by hopping on my album. Everybody from Kirk Franklin to Mary Mary to Jazmine Sullivan to Jill Scott to Queen Latifah. The list goes on and on! I made that one phone call and they said, “absolutely, whatever you need,” because they know for the last 20 years, I have answered their phone calls and said the same thing. You know what I mean? It’s what I like to call, Relationship Equity! It’s been really cool. We went Billboard #1 on Legacy, the single got a GRAMMY nomination, we are Image Award nominee now for 2023 and going on tour opening for Jill Scott this spring. I’m very excited about that that Legacy continues to hopefully impact people and to become part of their legacy as well. I really did it to inspire.
AM: That is amazing and I really love when you are talking about Relationship Equity, as I have definitely dipped into that pool many times and let them know that for the times I reached back, I needed it for what I was working on.
AB: Even with that, to the right person, you don’t even have to say that because they know what you’ve done and the value that you have added to their legacy, you know what I’m saying? I’m very grateful for God giving me the foresight 20 years ago, didn’t know I would be here doing a record. I was nice to people, I was a good character person, I had integrity and so now when I make these calls, it’s been no issues. I’m super thankful for that!
AM: So are you thinking about your next album?
AB: Legacy 2, I’m definitely thinking about it for sure!
AM: In addition to being an artist and a musician, you’re a noted Music Director. Can you tell us what a Music Director does?
AB: No problem. As an MD, my job is to curate everything live music oriented from stage, to lighting, to choreography, to programming – basically build that live experience for the viewer. So it starts by me sitting with the artist and seeing what story that they want to tell through their set list. Sometimes we have 2 hours and then for things like the Super Bowl, we have 13 minutes, you know what I mean? From there, I do a lot of hiring of the band, backgrounds, engineers and then I rehearse the band and then it’s everything from me going to choreo rehearsal, lighting rehearsal to make sure that their cues line up with the music cues. So that gives that total overall experience and that’s essentially what a music director does from arranging, to scoring to creative on the stage.
AM: When you’re doing that, is it hard for you to wear two hats when you’re actually playing as well as being the Music Director?
AB: That’s a great question. I have to be honest and say, that it’s easier for me to be able to do the two hats because I speak through my instrument. That allows me to have a little bit more of a fluent language if we use that analogy, because I can get the ideas out while playing. Sometimes, if I’m just coming in to oversee and there is another band like Maroon 5 or something like that - when I do Tim McGraw, he has his own band, it’s like I have to adapt to their language. Either way it’s cool, but I have to say that the two hats actually because of my musicianship and I’m thankful for that, it lets the MD job be a little easier for me!
AM: It’s amazing to think about the fact that you were saying that whether someone is going on a tour, last year’s halftime show for the Super Bowl and you were also involved with The Masked Singer as well which is a TV show. That’s a lot of hats to juggle, so how do you say, ok if this is a tour – it’s this way and a TV show is another way and then when you’re doing the halftime show which was ridiculous –
AB: Thank you so much!
AM: We just watched the documentary, The Show: California Love, so being able to see the behind-the-scenes as someone who is a fashion stylist and the Co-Founder and Creative Director of Athleisure Mag, I have such an appreciation for how all of those things come together and it’s nice to see how that all took place.
AB: I think that the biggest difference is trusting myself and trusting the process. When it comes to the creative, I started as a touring guy so a lot of times, the touring aspect comes a little easier to me and I’m a fan of music. So I know what the viewer wants to see/hear. When it comes to the television show whether it’s The Masked Singer, The Four, BET Awards, The Voice – things like that, we’re making television so how do we want to sustain people’s interest by watching the show? How we do that is by making very impactful moments happen in a very short period of time. That’s different then the tour, because you want to elongate the moment so that you can stretch out people’s attention span – you get what I’m saying? It’s a different hat to wear, but at the end of the day, it’s about entertainment and I am happy to be a true entertainer in the sense of the musicianship of it.
AM: This year, you’re going to be back at it again with Rihanna’s halftime show for the Super Bowl. What can you tell us about this show and anything that you can share as we’re all so excited!
AB: No doubt, I’m excited to be a Co-Musical Director this year with my partner, Omar Edwards. He’s another Philly guy and we are going to set the world ablaze! Riri has had the superpower of all her career of being Anti, no pun intended! So, what that allows us to do is for us to think completely outside of the box. I can’t give you too many more details to be completely honest, but I will say that it’s going to be a whirlwind experience for that 13 mins for sure. I think that the people will love it for sure. I always like to call it the Super Bowl catalog of songs so I promise you that you will hear your favorites!
AM: Tell us about BASSic Black Entertainment and what it offers to those in the music industry.
AB: Absolutely, BBE we call it for short, BASSic Black Entertainment was founded by myself and my beautiful wife, Kaisha Blackstone. At a point in 2008/2009/2010, my stock as MD was rising and I was not able to be in multiple places at one time! So, the artists trusted me and said, “hey, even though you can’t be there. Can you set it up for me, hire the personnel?” I said of course and knowing that these people shared the same core values as me musically and personally, character and integrity as well – at one point, I had over 250 musicians, singers and engineers collectively out on the road with different tours. My wife said, “ok guy, hold on. Let’s figure this out.” How can we not just monetize because it wasn’t about that, it was about creating a structure for these people. I kind of was like calling them up, doing the music and then throwing them out with the wolves per se in my earlier career. But once we set up BASSic Black Entertainment, there is a structure, there are tour managers, there are rates in place and everything that allows people to be able to come to work and maximize their jobs for the potential to be a musician and to not have to worry that anybody will take advantage of them. They also know that the BBE brand is represented as well so it’s all with excellence.
Right now, we are a music staffing agency, we have now branched into the record label industry business as well with BBE Records and we will continue to not only put out music, and new artists, but also support tours. Right now, I have a BBE band out with Jeezy, a BBE band out with SZA, a BBE band out with Ari Lennox, we’re doing great! For myself, I’m opening this spring for Jill Scott, so that is going to be a great experience as well.
AM: I mean, you have so many plates that are spinning, all those projects, prepping for your spring tour, going to the GRAMMYs next month!
AB: Yesssss!
AM: Congratulations on that! You have the halftime show coming up – how do you take a moment for yourself in terms of self-care and making sure that you can kind of refill your cup or at least partially?
AB: I’m about to give you some exclusiveness! I like to just disappear from rehearsal for 3 days and to see my kids! Family first over everything to me! If I have their blessing to go out and be great, that allows me to remain creative and to operate in my most maximum genius. If the home structure is not cool, I’m coming home – you know what I’m saying? Even if home is cool and my stomach is not cool, or me missing my family and my wife is not cool, I’m coming home so that is how I replenish myself. I kiss my babies – I love on my family. I bring them out with me when I can. They support me in all I do, it’s been a sacrifice. It’s a sacrifice not only for me, but my wife as well. I’m just so thankful that I have a strong woman like that to hold the fort down, be at the crib – she knows that I’m out here building a legacy for our children. Hopefully, for her to be proud of as well. That’s how I replenish myself by filling myself up with love from my family.
AM: Once again, it was so much fun to research you for this piece as there were things that we already know, but it was a treasure trove of so many things like being the MD for All Star Basketball Weekend and the Oscars, you got an Emmy for last year’s halftime show for Oustanding Music Direction – you have done so much, you have worked with so many artists and now you have your own album, what do you want your legacy to be?
AB: My legacy should be that Adam Blackstone was a core value person, giving, selfless, loving and also did good music and made people laugh, made them dance through the melody. If that can be my legacy, that would be more then I could ever ask for. If my music is it then that is a plus, I promise you! I’ve been so thankful to see the impact that it has had through the accolades. The Emmy award was so so great, but I was hired to do a job, right. I was always going to do the best that I could do. I’m alsoways going to be the best me that I can be and an Emmy just validated that someone else thought that it was a good job as well. This GRAMMY nomination hit differently for me, because it’s an idea in my head – the music, it’s an idea in my gut, it’s an idea in my soul and it’s an idea in my heart. So, to see how that one idea can come to fruition and other people then latch on to that idea which was created by yourself, it just meant a whole different aspect for me with that. So the music thing has been such a great tool to show me the power of music, you know what I mean? I’m super excited for what’s to come and super thankful for that!
PHOTOGRAPHY COURTESY | Adam Blackstone
Read the JAN ISSUE #85 of Athleisure Mag and see A LEGACY MANIFESTED | Adam Blackstone in mag.
Featured
PHOTO COURTESY | Louis Vuitton
SS23 | LOUIS VUITtON MENS
If you have yet to check out Louis Vuitton Men’s SS23 show, it’s worth watching as not only does it show a number of looks from the house but it is also another tribute to Virgil Abloh. The show kicks off with HBCU FAMU’s Marching 100 who walks and performs (Enlightment, If You Are Not a Myth, Mighty Rattlers, Rattler to the Bone, Get Up, S.O.S.) from a rooftop to a “yellow brick road” which brings an array of models highlighting the looks for next season.
This collection and show focuses on the belief that imagination can heal, regenerate and uplift us all. The show takes place at the Cour Carrée of the Louvre. Kendrick Lamar performed Savior, Rich Spirit, Count Me Out, N95 seated next to Naomi Campbell s the looks hit the runway.
The balance between Louis Vuitton and culture in its impact on design has been one that has always existed with this fashion house.
OFFICIAL TRAILER OF PEPSI HALFTIME SHOW FOR SUPER BOWL LVI
When we heard who was going to perform at this year’s Super Bowl Halftime Show sponsored by Pepsi, we were already pumped and this trailer says everything we need to know with Snoop Dogg, Mary J Blige, Dr. Dre, Eminem and Kendrick Lamar! You can see the show live on CBS on Feb 13th.
Read the latest issue of Athleisure Mag.
Featured
9LIST ROUTIN3S | NYESHA ARRINGTON
FRIENDSGIVING FOR NO KID HUNGRY
Avid readers of Athleisure Mag know that we enjoy sharing a number of initiatives that are taking place with our friends at No Kid Hungry and have talked to a number of fascinating chefs that participate in various campaigns with them. Next month is Thanksgiving and as people think of attending and hosting this food filled holiday, Friendsgiving for No Kid Hungry allows you to spread love to those that are less fortunate. This campaign encourages people to add a fundraising component to their feasts by signing up to host and invite friends to fundraise in support of the effort to end childhood hunger in America.
In addition to signing up among your group of friends and family, No Kid Hungry has partnered with renowned chefs and culinary supporters to provide hosts with expertise, recipes and tips to ensure that their fundraising feasts are easy! We took some time to talk to two people who are key to dinners that will take place across tables in the states - Emily Elsen, Co-Founder of Four and Twenty Blackbirds pie shops, and Will Elliot, Bar Director of Maison Premiere - both in Brooklyn. We talked with them about how they got into the business, why they have partnered with No Kid Hungry for Friendsgiving and what the holiday season is like for their businesses.
ATHLEISURE MAG: Tell us your journey into the food industry and what led to the creation of Four and Twenty Blackbirds?
EMILY ELSEN: Melissa and I grew up working in our mother's restaurant from the time we were little girls. This laid the foundation for our keen interest in and ability to understand and be prepared for the demands of the food world. When Melissa moved in with me in NYC, we had already had aspirations of owning our own business - not necessarily a food business though! As it goes we gravitated back to our roots, and the inspiration for becoming pie makers came from our Grandmother Liz who was famous locally for her handmade pies. One thing led to another, and after a year of developing and planning and running a small home based pie company, we signed our first commercial lease and have never looked back! We sincerely set out to make the best pie in New York City, and to bring attention back to
pie in America.
AM: You and your sister work together - what are your roles/responsibilities and what are Melissa's?
EE: We both wear a lot of hats, and we do what needs to get done. Melissa has a degree in finance and I have a degree in sculpture and photography - so we naturally have gravitated to roles that employ our strengths.
AM: You have a number of locations, tell us about them and are you anticipating additional locations?
EE: Our original shop in Gowanus is a busy, comfy cozy pie shop that has customers in all day long - it's the flagship. Our Café + Pie Counter in the Brooklyn Public Library offers soups, sandwiches, salads and of course pie. Our seasonal shop in Orient, LI offers pie by the slice, breakfast snacks and treats, espresso and pie a la mode - it's a great summer destination. Our newest location, our Pie Counter + Bar in Prospect Heights is a 10 seat counter that offers beer, cider and wine pairings that compliment our pies. Our four thousand square foot production kitchen is where the magic of the pie making happens and we run nearly 24 hours. We will crank out 5000 pies in a week's time for Thanksgiving 2017. Having this kitchen has allowed us to grow into the wholesale market in NYC and to work with larger clients such as Shake Shack on nationwide distribution, Fresh Direct, and Wholefoods.
AM: With the holidays coming up, we can only imagine how busy a pie shop can be - what are the favorites among customers that we should keep on our radar?
EE: Our Thanksgiving menu has been the same since year two - our takes on the classics have become a tradition for many: Salted Caramel Apple, Brown Butter Pumpkin, Bittersweet Chocolate Pecan and our cult favorite, Salty Honey.
AM: We know that you have partnered with No Kid Hungry for Friendsgiving. Can you tell us about this initiative as well as how you are participating in this effort?
EE: We’re excited to help support No Kid Hungry’s efforts to encourage people to give back during the holidays. Their Friendsgiving for No Kid Hungry is a fun way to celebrate the season while helping others. You can sign-up to host a Friendsgiving on NoKidHungry.org and receive resources to assist with planning your celebration (from decor templates to recipes), as well as fundraising tips to help your family and friends support their work to address childhood hunger in the U.S. Melissa and I are honored to be in great company sharing recipes to help celebrate the season, with two of Four & Twenty Blackbirds’ most popular Thanksgiving pies, Brown Butter Pumpkin and Salted Caramel Apple.
AM: How long have you worked with No Kid Hungry and why is it an organization that you like being involved with?
EE: We’ve participated in other fundraisers for No Kid Hungry in the past, but this year we’re excited to do more as it speaks to the core of what we believe as a Brooklyn neighborhood business - that food brings communities together. No Kid Hungry is doing immensely valuable work in the food arena, from feeding kids in need directly through programs like school breakfast and summer meals, to teaching families how to shop for healthy food on a budget.
AM: Between running your locations, your book and teaching courses, how do you take time for yourself to stay fresh for the next thing?
EE: It can be very hard to make time for yourself in this industry. Everyone wants a piece of you and the requests are endless. Finding time to get out of town is important to me, I head to the Catskill Mountains to visit friends, or go to our shop in Orient to enjoy the coast during Summer months - and Melissa likes to make sure she keeps her Sundays free for her personal life without interruptions of calls and emails.
Getting enough sleep is hard, but important to try to - and I've learned that I need to work hard to keep a balanced diet and eat enough protein and veggies - when you are thinking about and around food all day every day, sometimes you forget to eat it yourself!
AM: How often do you change your menu as we love that you have some creative pies - what are 3 slices we should try?
EE: The menu changes regularly with the season - about every 3 to 4 weeks, depending upon availability of fruits.
Lemon Chess, Plum Streusel and Matcha Custard, oh and Black Bottom Oat.
AM: When you're making pies is there a playlist that you listen to and if so - what is on there now?
EE: We always have great music on in the kitchen - a huge variety of things get played. Lately, I personally have been listening to Isaiah Rashad, M.I.A., Kendrick Lamar, Joey Bada$$, Calvin Harris - but I love older hip-hop, Motown, reggae, a lot of pop dance music...anything with a good beat and lyrics.
AM: Tell us your journey into the hospitality industry and what led you to becoming a mixologist?
WILL ELLIOTT: I started when I was nineteen years old on a little island off the coast of Maine. I was in college filling all of the front of the house roles. I was the only bartender in the only restaurant on this tiny little island for about seven years. I was also a musician and as many stories go, I started realizing that I was spending more time in restaurants than
playing music and I gradually fell in love with not only cocktail-making, but food and restaurant culture in general.
AM: You head up the bar program at Maison Premiere tell us what this role entails and more about the restaurant.
WE: The role of Bar Director at Maison Premiere is that of wearing many different hats. Of course, my primary role is the menu development and ideation and creating all of the recipes for our cocktails. But beyond that it's being the bar manager, so choosing all of our liqueurs, making sure the bar is properly stocked, and doing all of the nitty gritty work that goes into running a restaurant! Maison Premiere is a really special place-- it's definitely New Orleans inspired, but also has a horseshoe bar like found in Paris. It makes it a very communal place because you interact a lot with people around you and with your bartender.
AM: What are your favorite signature fall cocktails at Maison Premiere?
WE: My favorite new cocktail for fall right now is our new Pimms Cup. It uses a cool aged plum eau de vie that is really reductive and oily and has such an intense representation of plum. It's just super aromatic and delicious. The drink also has a little bit of cardamom -- overall just textbook autumnal flavors of stone fruit and warm spices.
AM: With the holidays coming up, what are some warm cocktails that we should enjoy on our next visit to Maison Premiere?
WE: We have a few great warm drinks at Maison Premiere. Of course, the classic is the Maison Hot Toddy, which is pretty fantastic. It's one of those great recipes that works with many different spirits, so if you're not a whiskey person you can still enjoy it! I love the toddy made with Calvados, it's perfect for fall. We also have a delicious drink called the Lady Lyndon made with framboise eau de vie, a rose cream (rose flower water on top), pineau de charentes, germaine-robin absinthe which has a lovely tea-like flavor. It's really great.
AM: We know that you have partnered with No Kid Hungry for Friendsgiving. Can you tell us about this initiative as well as how you are participating in this effort?
WE: Friendsgiving for No Kid Hungry is a way to kick the holiday season off right by giving back. And it’s easy. Anyone can transform their next dinner party or holiday gathering into an opportunity to help others. I partnered up with No Kid Hungry to share two of my favorite signature cocktail recipes with people who sign up to host Friendsgiving.
AM: How long have you worked with No Kid Hungry and why is it an organization that you like being involved with?
WE: I partnered with No Kid Hungry a few years ago when I learned that one in six kids in America struggles with hunger. The relationship between No Kid Hungry and the culinary community is 30 years strong and makes sense. There isn’t a community more passionate about food and feeding people. Every $1 you raise can help connect a child with up to 10 meals. Every little bit counts.
AM: When you're not at Maison Premiere, how do you take time for yourself to recharge your batteries?
WE: Working in restaurants and bars can be challenging so to recharge I definitely focus on getting some actual rest, first and foremost. Second, I love to go out to restaurants with friends-- like Four Horsemen, Diner, and Spuyten Duyvil. All conveniently located near where I live in Williamsburg. Also, when I get the time I love to head upstate to relax-- Josh, one of the owners of Maison Premiere, has a great cabin upstate that I like to go up to and my family is from rural New Hampshire so those are both great escapes!
AM: How often do you update your cocktail list?
WE: It's not super regimented, but we generally like to update quarterly depending on the season. We're constantly working to have cocktails that we love and that fit the seasons!
AM: When you're creating cocktails prior to getting them on the menu, is there a playlist that you listen to and if so - what is on there now?
WE: As a musician, I am definitely inspired by music as part of my creative process-- I've been listening to a ton of post-disco/early 80s New York/Bronx-style music. It's super trippy stuff like Dr. Buzzards Original Savannah Band and Kid Creole and his Coconuts.
Read more from the Oct Issue and see Friendsgiving For No Kid Hungry in mag.
Featured Food
MARKET MAKER | SARA EISEN
Our cover girl is one busy lady as Sara Eisen is the Co-Anchor of not one, but two of CNBC's shows - Worldwide Exchange and Squawk on the Street! Sara joined the network in December 2013, as a correspondent focusing on the global consumer. You can see her each day as the Co-Anchor of "Squawk on the Street" at 10AM EST, which airs from Post 9 at the New York Stock Exchange. In January of last year, she was named Co-Anchor of the network's "Worldwide Exchange," which also airs daily from 5-6AM EST from CNBC's Global Headquarters in Englewood Cliffs, N.J.
Around Athleisure Mag, we have CNBC on throughout the day at the office and loved learning more about this financial powerhouse who brings us what's going on across verticals in such an inspired way.
ATHLEISURE MAG: Tell us your background and how you got into broadcasting and ultimately to CNBC?
SARA EISEN: After college at NYU, I went to journalism school at Northwestern's Medill School. While most students do a semester in DC, I went a different direction and spent the time in Hong Kong. I got an internship at Bloomberg TV in Asia and have been doing business news ever since. Initially, I worked as a production assistant, but kept raising my hand for on-air opportunities in my spare time on TV and radio. I went on to anchor the morning show in New York, Bloomberg Surveillance, before moving over to CNBC. But truth be told, I've wanted to be on TV ever since I grew up watching Oprah and taped a mock talk show at a local public access channel studio for a school project in high school.
AM: We know that you enjoy talking about finance, what is it about this industry that makes you so passionate about it and do you have a specific topic within it that you really enjoy focusing on?
SE: My favorite topic within finance is the currency market, because it's the largest, most important market in the world. It reflects economics, politics, deal transactions, geopolitics and more. It was actually my excitement around learning about currencies during a college internship at Forextv.com that led me to pursue financial journalism. My other area of focus is global consumer companies, with a particular interest in sports apparel and shoes: Nike, Adidas, Under Armour, Lululemon. I love how they touch pop culture, fashion, sports and consumer economics simultaneously.
AM: We love that when we're watching CNBC, you really are talking about a number of industries from fashion, tech, agriculture, etc. - and you have a fresh and fun way to present it to those of varying levels of understanding - how important is it to make these topics relatable to a wide, as well as a niche audience?
SE: It's very important! Ultimately, financial markets are just a reflection of all the real life things happening around us: whether it's shifting consumption from diet soda to healthier beverages, what trends work in online retail or just the styles of leggings that resonate with consumers each season. Those stories don't just matter to CNBC, but they're the everyday trends we all live each day. Investing and finance can be much more accessible if you focus on the areas you're interested in and understand.
AM: What would you tell young women to encourage them to get into the world of finance and specifically finance broadcasting?
SE: My number one tip: become an expert, whether that's in the world of finance or journalism... or any other discipline for that matter. Having a niche is very valuable. For instance, during the financial crisis, when I was an intern at Bloomberg, I raised my hand to tell stories about the foreign exchange market at a time when currencies were fluctuating wildly. I knew that subject well and eventually, my editors and others in the newsroom turned to me when currencies were the big market story of the moment, and they still do! Be the smartest person in the room about something, no matter how small the niche.
I'd also say: don't let traditionally male-led industries dissuade you. Sometimes, there's an instinct to compete with the women around you, but being supportive, finding female mentors and passing it forward can all be empowering and rewarding.
AM: Walk us through what it is like to prepare as a Co-Anchor for Squawk on the Street and Worldwide Exchange.
SE: I have a ton of support on both shows. We have a team of producers who work with me and my co-anchors to book guests and put together a plan for the next day's shows. By the time I'm off air one day, I have to start focusing on what we're doing tomorrow: planning the questions I want to ask guests, reading about the latest stories in finance, and politics we might want to include, and always talking to my producers about what we can be doing to fine tune the show before it starts. The hardest thing about prep: as much as you can be ready for everything planned, you also have to be ready to pivot on a dime to breaking news and the unexpected.
AM: As you do two shows every day, what is your day like?
SE: Well, my alarm goes off every day at 3:30am. I'm in the car on the way to CNBC HQ soon after, before getting my hair and makeup done ahead of the 5am start to my first show, “Worldwide Exchange.” In the car and the makeup chair, I'm reading the morning's news and emailing with my producers on the show lineup, the guests we have, the stories we're covering. I get off set at 6am and then travel from CNBC in New Jersey to the New York Stock Exchange ahead of my 10am show, “Squawk on the Street.” The hardest thing is maintaining a good eating schedule. I make sure to have cereal and coffee before the 5am show and then whole wheat toast with almond butter and bananas when I get down to the NYSE. At noon, I'm off air for the day. I fill my afternoons with networking meetings. It can be hard on my schedule to make evening plans during the week. Typically, my husband and I stay home to make dinner together and watch a little TV: no financial news, more like “The Bachelor.”
AM: What's your hectic time of year in terms of covering the world of finance?
SE: The financial news calendar can be similar to the school year: quiet during the winter holidays, quiet over the summer, busy all the other times. But particularly these days, with Britain leaving the EU and the excitement around the Trump presidency, there's never a slow day. I never take more than a week off for that reason. When my husband and I got married, he had to beg me to take off more time for our honeymoon.
AM: How do you maintain balance between such a hectic schedule, being a wife and taking personal time for yourself?
SE: Multi-tasking. 24 hours just aren't enough. I'll be making dinner plans during the commercial breaks of my shows. I'll be trying to book interviews in between exercises at the gym. It helps that my husband also works in the same industry. We don't get to talk about what we're each working on, but we're understanding of the pace and scheduling challenges of each other's jobs.
AM: What has been your favorite story to cover to date?
SE: When Japan suffered the devastation of the 2011 earthquake and ensuing tsunami, I traveled there to cover the aftermath of the disaster. Very quickly, the focus turned to the developing crisis at the Fukushima nuclear plant. I would spend the days reporting and the nights doing live segments for daytime programs in the U.S. It was scary, exhausting, but also an amazing opportunity to be part of an unfolding, uncertain story that the world was watching.
AM: Who have been some of your favorite guests that you chatted with on air?
SE: Steph Curry, for sure. I've spent a lot of time with him, talking about the brand he's helping to build at UnderArmour. He's incredibly thoughtful and down-to-earth for someone living an insane level of success and fame. I also love interviewing Christine Lagarde, the Managing Director of the IMF. She's smart, poised and an incredible example for women everywhere.
AM: When you're not on air, what can we find you doing?
SE: New York City will always be my favorite activity. I love to explore the city's restaurants, bars, shops and walk the streets as much as I can.
AM: What's your personal style on air and how does that differ when you're out and about with girlfriends or date night with your husband?
SE: Early on, I found it was easier for me to stick with dresses rather than piecing together shirts, tops and pants. I like bright colors, interesting necklines, usually knee length... and always pair them with (very) high heels. There's a great wardrobe team at CNBC that helps me pull it together.
Outside of work, I'm much more laid-back. Leggings and t-shirts on the weekends, with my favorite Yeezy sneakers. My husband is a bit of a sneakerhead, so he makes sure I'm always current on the latest trends. For going out on weekends to dinner with friends, I still try to keep it pretty casual: usually Rag & Bone jeans and Rebecca Taylor tops are my go-tos.
AM: What fitness studios do you enjoy going to?
SE: I belong to Equinox and try to get in to see my trainer as many times each week as I can. It can be hard to squeeze into my schedule. But the good news about waking up at 3:30am each day is that Equinox is relatively quiet at 2pm!
AM: What are three must-have beauty products that you swear by that keep your skin looking so great?
SE: Because I use so many products for my job on-air, I've recently been transitioning to more natural and chemical-free cosmetics. My favorite facial moisturizer is Belif Moisturizing Bomb. After scrubbing off a day's worth of camera makeup, this product leaves my skin feeling refreshed and moisturized, but not greasy. Speaking of scrubbing off a day's worth of camera makeup, Tarte Fresh Eyes makeup remover wipes are invaluable. Anyone who knows me knows my favorite beauty product is bronzer. Jane Iredale bronzing powder gives me a natural look.
AM: What's currently on your playlist for your summer soundtrack?
SE: I'm constantly listening to the new Kendrick Lamar album... especially some of the slower songs like “Love and Loyalty.” Then again, my summer playlist features many of my favorites from recent years like Robyn, Charli XCX and Kesha.
AM: Do you have charities or organizations that you support that you would like for us to know more about?
SE: Yes, I support the Simon Wiesenthal Center, an incredible organization that teaches the lessons of the Holocaust and confronts both anti-semitism and hate of all kinds. I have a personal connection as my grandparents were survivors of the Holocaust.
I also am involved with Room to Read, a remarkable charity that promotes girls' education and children's literacy in underserved communities in the developing world.
AM: If you weren't working in your current field, what occupation would you consider working in?
SE: If I wasn't covering finance and economics, I'd want to be working in finance and economics They're what I love. My ultimate dream would be to serve as a central banker. They're the most powerful people in the world!
Our shoot of Sara Eisen took place at 1185 Park Ave at Penthouse A. Currently on the market, we sat down with Louise Phillips Forbes to find out more about this property!
ATHLEISURE MAG: There are so many great aspects to this apartment from its layout to the INCREDIBLE views from the penthouse – what can you tell us about this property?
LOUISE PHILLIPS FORBES: What’s not to envy in this exceptional home?! Breathtaking panoramic skyline views as far south as the Empire State Building and the Freedom Tower, and stunning sunsets over Central Park, provide the backdrop to this expansive penthouse with 4-bedrooms, 1-staff room, and 4.5-bathrooms, plus a beautifully landscaped, private wrap-around terrace and large picture windows providing terrace views from every room. With more than 1,700 square feet of outdoor space alone, it's simply paradise. Sun-drenched, bright and cheerful, this one-of-a-kind home has an extensive floor plan with grand, open rooms for entertaining complemented by ceiling heights over 11-feet.
The bedroom wing offers a private escape with very spacious rooms. I’m especially enamored with the master bedroom suite! It’s really rare to find one as big as this one. The peaceful retreat in the corner of the home provides double exposures and is lined with elegant Venetian plastered walls. It contains two substantial walk-in closets and a private entrance to the terrace. The luxurious spa-like en-suite bathroom features gorgeous natural stone tiles, a custom vanity, free-standing deep soaking tub with Jacuzzi jets, and a glass rain shower. It’s what I call heaven on earth and the perfect escape!
AM: What amenities are offered in this building for residents (common areas, services, etc.)?
LPF: Located in a prestigious residential area, 1185 Park Avenue was designed in 1929 by the renowned architectural firm of Schwartz & Gross, boasting an impressive Gothic triple-arch entrance with a circular driveway. Today, this New York treasure is recognized as one of the few grand courtyard buildings left in Manhattan. The friendly and professional full-time staff provide an unparalleled level of white-glove service and the amenities, include 24-hour doormen and staff, concierge, state-of-the-art fitness center, children's playroom, courtyard garden, bike room, private storage, and a pet-friendly attitude.
AM: Tell us about the neighborhood that is directly around this building (Whole Foods, workout studios, eateries, etc.) and what neighborhood is this considered?
LFP: A premier residence nestled in the heart of Carnegie Hill, this elegant gem is conveniently located near Central Park and Museum Mile with easy access to world-class exhibits at the Metropolitan Museum of Art, the Frank Lloyd Wright-designed Guggenheim Museum, the Cooper Hewitt Smithsonian Design Museum, and the Jewish Museum, among others. Fifth Avenue and Madison Avenue beckon with high-end boutique shopping and fine art galleries, plus there is an abundance of distinguished restaurants, charming cafes, gourmet grocers, supermarkets, Equinox Fitness Club, the 92nd Street Y, and many popular retail destinations.
AM: For those that are interested in purchasing this unit, how can they find out more information?
LFP: It would be very easy to call this stunning apartment home given the grandeur of the rooms, an abundance of private outdoor space, and views throughout. To schedule an appointment, people can contact me directly and I will be happy to give them a private tour and discuss the purchasing details. I can be reached via email at lphillips@halstead.com or at 212-381-3329.
AM: Where can readers find out about additional properties that you represent?
LFP: Visit my website at and click on the tab for “My Listings”. You can view pictures, 3D floor plans, and videos along with detailed descriptions of each property I’m working with from downtown to uptown.
Read more from the July Issue and see Market Maker | Sara Eisen in mag.
Featured Fashion Editorial
COACHELLA | WEEKEND 1
The first weekend of Coachella takes place over Easter Weekend and if you can't be there or are anticipating what the next weekend will be like, you can listen for free via Youtube's channel! Although there are a number of great acts, we're excited for Radiohead (which will play on Fri of this week) as well as Kendrick Lamar on Sat.
Featured Music
