The neo-Western series Outer Range debuted in 2022 on Prime Video starring Josh Brolin (No Country For Old Men, Avengers franchise, Dune franchise), Imogen Poots (Roadies, Jimi: All Is By My Side, I Know This Much is True), Tom Pelphrey (Ozark, Love & Death, A Man In Full), and Lili Taylor (Six Feet Under, Manhunt, Perry Mason). In the 1st season we're in the present day and we watch as the Abbott family navigates the changing times of a farm and life that is always within moments of being pulled away from the family. In addition to these concerns, we realize that Royal Abbott (Josh Brolin) has found a portal that takes you through time, and we know that he has first hand experience with it. Throughout the first season, we learn more about this portal, what it does to the town, and how it brings additional people together and apart.
In the 2nd Season, the portal and its powers are even more evident and we see others who have become exposed to it and what it does to their lives. We also see how the Abbott's as a family come to terms with it as well! The importance of time, secrets, life and death converge in this epic story.
We sat down with the Showrunner and Executive Producer of Outer Range, Charles Murray (Sons of Anarchy, Luke Cage, The Devil You Know) to talk about the kinds of stroytelling he enjoys; how he came into the Season 2 of this show; his thoughts on this season; and what he hopes viewers takeaway from it.
If you have yet to watch Season 1 you can stream it now as well as the current season.
ATHLEISURE MAG: We have been a fan of your work since Sons of Anarchy, Luke Cage, The Devil You Know! What draws you to storytelling as a writer, producer, and showrunner?
CHARLES MURRAY: You know, oh thank you – I love this question!
AM: We know!
CM: I like stories that live in the crevice of society. What I mean by that is – one of my favorite movies is 12 Angry Men!
AM: Yes!
CM: That’s written by Reginald Rose (Crime in the Streets, Man in the West, Somebody Killed Her Husband) and directed by Sidney Lumet (Serpico, Network, Murder on the Orient Express). It’s about 12 guys sitting in a room trying to decide through their prejudices and biases and disbelief if a Puerto Rican kid killed his father. While that’s going on, right now, there is some case being decided right when you and I are having this conversation. They’re talking about things that are going to be seen worldwide. There’s a little spot where things like the stories that I’m drawn to exist at the same time. It’s that kind of stuff that draws me to storytelling.
AM: What drew you to this neo-western series Outer Range? What are the challenges that you navigated as you became the Executive Producer and Showrunner in Season 2? Were there things that you were mindful of since Season 1 already took place and you were coming into this one?
CM: You know, you’re mindful of being respectful of the audience that got you into Season 2 and you’re mindful of the larger narrative of whether you should follow it, shake it off, or try to do a combo of the two. Thankfully, we didn’t have to shake off anything because Season 1 set such good groundwork, it was just my job and the writer’s job to expand on what was already there. Because the narrative was left so open at the end of Season 1, I feel like we had a great shot, at expanding the show and still staying true to the larger story point was which was – here’s a guy that knows about this hole, not only knows about it, but came through it and he’s kept it a secret, but he can’t keep it a secret any longer! That to me, is good conflict.
AM: It was amazing. When we saw the first season when it debuted, it was gripping and compelling. We enjoyed watching all of the screeners ahead of chatting with you and it certainly didn’t disappoint!
While watching it, there were so many themes that kept coming up about the concept of time, the extent of freewill, and the weight of responsibility of those who come before you and after. What do you want viewers to be able to walk away with once they have finished Season 2?
CM: You know, this is going to sound strange. I think that a lot of the show on a metaphysical plane is how people deal with their own timeline. How you can get trapped by your timeline, how it can propel you, and how other people can live in the same space that you’re living in and see things completely differently. I think that the bigger question kind of spins off of Season 1 which is, what happens when you can’t keep secrets anymore? Secrets get a lot of people in trouble.
AM: Oh yes they do!
CM: So then it’s, how do you deal with it when you have to expose those secrets! That’s what Season 2 is about! Season 2 is about telling the truth and then burying the weight of telling the truth. It’s looking at what that could mean and at times, should you? Right?
AM: 100%.
CM: On a metaphysical plane and again on a spiritual plane, we all have to deal with that. What do therapists say? There’s a hole in each of us. Some of us have to fill it up and some people have to examine it. So, if you bring all of this stuff to light and you’re watching this show, I would say that by the time that you get to the last episode, you should be rooting for the main people, but you should also be saying, well – should he have told the truth or not?
AM: It was amazing. When we saw the first season when it debuted, it was gripping and compelling. We enjoyed watching all of the screeners ahead of chatting with you and it certainly didn’t disappoint!
While watching it, there were so many themes that kept coming up about the concept of time, the extent of freewill, and the weight of responsibility of those who come before you and after. What do you want viewers to be able to walk away with once they have finished Season 2?
CM: You know, this is going to sound strange. I think that a lot of the show on a metaphysical plane is how people deal with their own timeline. How you can get trapped by your timeline, how it can propel you, and how other people can live in the same space that you’re living in and see things completely differently. I think that the bigger question kind of spins off of Season 1 which is, what happens when you can’t keep secrets anymore? Secrets get a lot of people in trouble.
AM: Oh yes they do!
CM: So then it’s, how do you deal with it when you have to expose those secrets! That’s what Season 2 is about! Season 2 is about telling the truth and then burying the weight of telling the truth. It’s looking at what that could mean and at times, should you? Right?
AM: 100%.
CM: On a metaphysical plane and again on a spiritual plane, we all have to deal with that. What do therapists say? There’s a hole in each of us. Some of us have to fill it up and some people have to examine it. So, if you bring all of this stuff to light and you’re watching this show, I would say that by the time that you get to the last episode, you should be rooting for the main people, but you should also be saying, well – should he have told the truth or not?
After talking with Charles, we wanted to talk with Tamara Podemski (Reservation Dogs, Murdoch Mysteries, Monster High) who has been in both seasons of Outer Range. We have watched her character navigate town politics, her ambitions, and her personal life. We wanted to know what drew her to playing Sheriff Joy Hawk, where we catch up with her this season, and more.
ATHLEISURE MAG: It’s such a pleasure to connect with you! What drew you to Outer Range?
TAMARA PODEMSKI: It’s a crazy world that was so far away from my own world and so far away from anything that I had ever done. I felt my character to be quite challenging! Every time that you’re given on paper, someone who doesn’t really exist in real life, when you take an Indigenous queer woman that is a sheriff and put them in a small white town that is in mountain country – it’s just that she doesn’t exist. I looked around and I did the research, there is no one like her! So that’s always a really fun challenge as an actor to figure out how someone like that, ends up there.