BINGELY STREAMING

THE GENTLEMEN: A GUY RITCHIE SERIES

Netflix Originals

Netflix

We enjoy watching films or series from Guy Ritchie (Lock, Stock and Two Smoking Barrels, Sherlock Holmes franchise, The Gentlemen) as they're always action filled, have locations that draw you in, and the characters have interesting arcs that showcase the dualities that they navigate!

His latest series The Gentlemen follows this formula as we enter an an aristocratic world where a second born son inherits the family estate! This estate also comes with an enterprise that has no interest in leaving and that his brother, who feels that his birthright has been taken from him has his own issues that leaves him dealing with the underworld.

APPLES NEVER FALL

Peacock Original

Peacock

We had been waiting for Apples Never Fall which is a bestselling novel of the same name. If you are not familiar with Liane Moriarty's work, you need to read her novel Nine Perfect Strangers which is also a series on Hulu as well as Big Little Lies which is also an amazing series on HBO that we can't wait for an additional season as it appears to be in the works!

The books turned series are known for having incredible casts of notable actors. In this series, we get an intimate look at a family who is known for producing and facilitating elite tennis stars through their brand of excellence. They are adored by their community; however, their tennis excellence and social standing has cracks as we see how the family finds their place, we are privy tomurderous undertones, the importance of family, and what happens when we are forced to see our true selves when we are no longer playing the roles that we want others to see us as! This series is a perfect weekend binge whether it's all at one time or you opt to split it over a couple of days!

SHŌGUN: THE OFFICIAL PODCAST

FX

Spotify

If we have said it once, we'll continue to keep saying it! We love a companion podcast! We have been enjoying Shōgun which is set in Japan in 1600 where Lord Roshii Toranaga (Hiroyuki Sanada) is fighting for his life while his enemies on the Council of Regents come together to ensure that he is no longer a threat to them.

But it is the arrival of a European ship that is found in a fishing village that upsets the balance of their plans which has war, passion, and power.

Shōgun The Official Podcast is hosted by Emily Yoshida who is also the show's staff writer. She talks with the creators, cast, and crew that bring the Sengoku Period to life in feudal Japan in a century-defining cival war. This podcast takes us behind that scenes as well as aligning it with historical references.

Read the MAR ISSUE #99 of Athleisure Mag and see BINGELY STREAMING in mag.

WHERE'S THE LINE | SEPIDEH MOAFI

This month we caught up with Sepideh Moafi who embodies her characters and really makes us see the world through her eyes and the storylines that they are involved in where it's thrillers such as USA's Falling Water, dramas that include HBO's The Deuce and Showtime's The L Word: Generation Q, and shows that look at our relationship with technology and who has the power to use them in our lives in her latest limited series, FX Class of '09!

You can currently binge the entire season of 8 episodes now on Hulu which looks at a group of FBI agents as we see them going through the academy in the past, in their present day in their career and in the future. We wanted to know more about how Sepideh came to being an actor, how she approaches her roles, and her thoughts on the paradigm between technology and humans intervention and those who decide how this is instituted.

ATHLEISURE MAG: When did you realize you wanted to be an actor?

SEPIDEH MOAFI: I think I was about 23. I graduated from San Francisco Conservatory of Music as a Vocal Performance major at 21 and had started my career as an opera singer. While opera was (and still is) my first passion and finding my voice as a singer completely changed my life, I was becoming more and more curious about theater and exploring the full potential of characters without having to worry about hitting that high C, for example. I enrolled in a straight acting class with Bobby Weinapple in San Francisco (he taught an acting for singers class that I had taken at the conservatory) and he said I had “it”, whatever “it” means. I decided to audition for some plays and started booking roles like Juliet in Romeo & Juliet and Luisa in The Fantasticks, so I decided to apply to grad school on a whim and ended up getting a full scholarship plus grants to UC Irvine’s MFA Acting program. So I went.

AM: I have been a fan of your work from Notorious, Falling Water, The Deuce, The L Word: Generation Q, and currently The Class of 09! You always play characters that are dynamic and continue to reveal themselves in various ways. What are you looking for when you decide that you want to play a character?

SM: Thank you for your kind words. I think the reasons for taking on a part have changed for me throughout the years. I was more character driven before, now I think I’m more story driven. At first I was just so eager to do anything I could get my hands on. I even loved getting to play characters who seemed pretty two dimensional on the page because that meant I got to find the things that many people may overlook or miss and bring all of the complexity and nuance and heart to these characters and make them feel like full, multi dimensional human beings. Taking on any character allows you to gain insight and empathy for a range of personality types — people that are similar to you, people who think completely different from you — you get to explore a variety of career paths and life choices that maybe you’ve never imagined before. Acting is a beautiful way to explore humanity and empathy, and I feel so lucky to be able to learn and grow so much from my work.

I fortunately haven’t had to deal with typecasting; most of the characters I’ve played both on stage and screen are completely different from one another and their racial backgrounds aren’t necessarily specified. I remember having a long conversation with Remi Aubuchon (24, Stargate Universe, Silo), the show runner for Falling Water after I got cast. He gave me the choice to change my character’s last name (Alex Simms) to an Iranian last name if I felt compelled. I thought about this deeply. Representation is so important, but I kept asking myself if it would be more impactful to change her name to say, Alex Mohammadi or keep it as Alex Simms. I spoke to friends who encouraged me to change the name to a Persian last name, but my mom's words echoed those in my gut. She said I should keep it as it because we need to be able to separate our judgements and assumptions about who a person is, their background and what they look like based on their name. So I kept her name Alex Simms.

Something that has changed is that the more political I’ve become and the more humanitarian work I’ve done throughout the last decade, the more important it has become for me to be part of projects that I feel align with my politics and core belief system. We need healthy, accurate stories and representation of women, the LGBTQIA+ community, people from the SWANA (Southwest Asian and North African) region, and all marginalized communities but not with a superficial, checkbox approach to diversity. My face on screen makes a statement whether I like it or not, so I’d rather take control of that to make statements I can get behind. It’s important that whatever project I decide to do doesn’t play into toxic narratives about marginalized people and doesn’t veer from the kinds of stories and representation I want to support and think we need more of.

AM: How do you approach getting into character to bring their authenticity forward?

SM: I think different characters require diff kinds of preparation. For example, for Lauren McCauley in Black Bird, I spent a good two months doing research by reading, listening to podcasts, watching documentaries, reviewing documents from the real life case, speaking to various FBI agents on a regular basis, and reading the script every day. I quickly discovered that there’s no way in hell I could be an FBI agent in real life (I find it too difficult to control my emotions!), so the extensive research helped me acquire the confidence I needed to step into her shoes. Dennis Lehane’s (The Wire, Boardwalk Empire, Bloodline) brilliant script gave me everything I needed to play her, the research just helped me gain the confidence I needed in order to embody her truthfully. For Gigi in The L Word: Generation Q, I did speak to a few of my real estate agent buddies to gain some insight into her day to day work life, but that was kind of the extent of the research. I think every character prep is different. I remember doing so much prep work for Niki in The Killing of Two Lovers but once I got to set with our director Robert Machoian (Mother Mother, Strong Enough, The Foundry) and opposite actors Clayne Crawford (CSI, 24, Graceland), Chris Coy (The Deuce, The Peripheral, Accused) and the kids, I felt like all that prep went out the window. One could argue the prep was there as my foundation but I honestly felt like I was in a trance for the entirety of that shoot. The energy on set was abundant and infectious; we were like animals in the jungle playing with abandon. No matter what, I always start with the words in the script and my gut response to them. From there, I identify the tone, the world in which the character lives (their socioeconomic status, their relationship to their ethnicity and background, their gender, etc.) and that usually informs what type of work and research is needed. My only goal is to give all of myself to every role. If by the end of a film or show or play there’s still something in the tank, I haven’t done my job.

AM: What drew you to want to be involved in Class of '09 and what do you think about the past, present and future format of the show?

SM: There are a number of reasons why I was drawn to this show. The character being able to explore the breadth of anyone’s life over the span of multiple decades is a fascinating, eye and heart opening endeavor. This character, Hour, specifically being from a family that had to flee Iran felt resonant to me and her constant grappling with the dilemma of identity and belonging. The themes of the show — exploring AI, technology, surveillance, the fragility of humanity, and this dance between security and liberty. And lastly the cast, I felt very lucky to be able to have this unique experience with some of my favorite actors and human beings. We formed life long bonds (we’re still constantly texting on our group text!)

AM: We've been watching this every week and really enjoy seeing how everyone is connected with one another and how they evolve over various periods of time. What are the takeaways that you want viewers to walk away with after watching this series?

SM: Class of ‘09 is a limited series so the story is contained within eight episodes. But I hope this encourages the audience to probe at these deeper questions around the nature of security, surveillance, and willingly or unwillingly living in a technocracy. Benjamin Franklin, one of the founding fathers, said “Those who would give up essential Liberty, to purchase a little temporary Safety, deserve neither Liberty nor Safety.” We are seeing increasing manifestations of major technological companies abusing their power with impunity and stealing our identities for profit. We’ve seen fuller expressions of this abuse in countries like China, Russia, Israel. We must always remember that our elected officials work for us and we cannot forget that it is our job to hold our elected officials and these major corporations accountable so that we don’t continue on this fast track towards a surveillance state.

AM: Are there upcoming projects that you're working on that you would like to share that we should keep an eye out for?

SM: Yes! There’s a film coming out called I’ll Be Right There with Edie Falco (The Sopranos, Impeachment: American Crime Story, Avatar: the Way of Water), Jeannie Berlin (The Night Of, Succession, The Fablemans), and Bradley Whitford (The West Wing, The Handmaids Tale, Get Out). I actually had the chance to work with Edie on one of my first jobs after getting my MFA. I booked a guest star role on Nurse Jackie a couple of months out of school and I flipped out because Edie was one of the reasons I decided to pursue acting. I remember telling myself to wait until the end of the episode with her to confess how big of a fan I was. I lasted about three hours before I exploded into tears and gushed about how much I loved and admired her. I felt like I totally humiliated myself but she was (and still is) one of the most gracious, humble, down to earth actors I’ve ever met. I’m part of an HBO Max animated series called Scavengers Reign coming out later this year too. I’ve wanted to be part of an animated project my entire life so this was one of those moments where the kid in me couldn’t believe it. Aside from that, there are a couple of other projects I’m developing, but I start work on a film called Wild Berries which will actually be my first Persian language speaking film, opposite award-winning Iranian actor Shahab Hosseini (The Salesman, Residents of Nowhere, Nargesi). It’s pretty much a two-hander so I’m very excited to dive into this world with Shahab and our director Soudabeh Moradian (Polaris, The Amber Thief, In Between).

IG @sepidehmoafi

PHOTOGRAPHY COURTESY | PG 98 + 101 9LIST STORI3S, PG 128 + PG 131 FX/Class of 09

Read the JUN ISSUE #90 of Athleisure Mag and see WHERE’S THE LINE | SEPIDEH MOAFI in mag.

END OF AN ERA | SARAH BOLGER

One of our shows that we can't wait to watch is FX's Mayans MC which is a spin-off of Sons of Anarchy! This series focuses on the Mayans biker club, the Galindo Cartel, complicated relationships that are generated in a number of ways and fighting to stay together by any means necessary!

We sat down with Sarah Bolger to talk about being part of this cast, the series finale, her character Emily Galindo, what she learned about being part of this show, what we can expect for the final season, about relationships that were established between cast and crew, and upcoming projects!

If you have not watched the previous seasons or have missed some of the episodes of this season, spoiler alert, we will be talking about plot points that include the previous seasons as well as up to episode 3 of this season. Catch up on Hulu and watch each week on FX.

ATHLEISURE MAG: What was the moment that you realized that you wanted to be an actor?

SARAH BOLGER: Oh my God, so I started acting – well, to answer your question, I don’t remember! I started acting when I was 5!

AM: Oh my God!

SB: My first feature film was a little Irish/UK co-pro film called, A Love Divided. That’s when I was 6 years old. That’s when we filmed it! But I will say that around the age of 13/14/15, when high school becomes more important and when it becomes a thing where one says, that one must be in school – one must pay attention – one must not miss class – it became really apparent to me that I missed acting. Like, this is every child. No child wants to be in school I’m sure; however, for me, it literally was a thing where I’ve never felt more at home in a place, than on a film set. That still remains true to this day as sort of woo woo as that sounds! It’s so true and it’s just one of those things that I have always felt really comfortable with and that I have always felt really confidant in. I have always felt that something about it was just the right place for me. So yeah, it was early on as mad as that sounds!

AM: We love hearing that and we love that even in doing it such a younger age, you were able to reconnect with it again which is awesome!

SB: Yeah, thankfully, I have been able to do a bunch of little parts back in the early days and then I did a film when I was around 10 that ended up bringing me to LA because it got nominated for a couple of fun things and proudly, that project was something that was really beloved and it was so interesting. I can look back on that today and it’s one of the few things, it was called In America, it’s one of the few things that I can actually rewatch because I’m so young in it! I don’t remember it and it’s a different person than me!

AM: You have been in some of my favorite shows from The Tudors, Once Upon a Time, Agent Carter, Counterpart and obviously, Mayans MC, what do you look for when you’re deciding on whether you’re going to audition for a role?

SB: I know when Mayans came along, there was a history of a couple of roles where I was playing a princess if I am going to be honest. I remember loving how opposite Mayans was to any of the worlds that I had been able to portray or to live in before artistically and I thought, this fascinates me. Not only in that the predecessor show was so amazing, it was more of that, “ok, this is just a world of violence and gangs and California, and modern day and family and culture! It’s just so wonderful and exciting and important – with Mayans in particular, it just felt so different than any other show that I was able to do before. Specifically, I didn’t have to wear a corset which I thought was great!

AM: That was a relief!

SB: Yeah, my ribs took a break, you know?

AM: Exactly!

You said that what attracted you to playing Emily. How do you approach playing her?

SB: Well I think that what’s so beautiful about having 5 seasons of a show is that every season, I have to approach her a little differently, because she has grown like I have grown! We all change and I’m not saying that we change so drastically year to year, but in circumstances to which Emily has lived in, being part of the Cartel which is stressful, I can only imagine how it is so stressful! It’s stressful to act in – not only to be in real life! Things like that and her having a child. These things that I personally as Sarah have not been something that I have experienced – it was just a lot to her that I felt that I had to do my research on and really learn her and change her as her circumstances changed as the stakes got higher. As it got higher and the show progressed, it got really clear that Emily was a person that was very dependent on changing herself to fit into whatever circumstance that was. Whether it was her ex-love, using people as crutches, whether it was hiding behind organizations, or her husband – I think that what happened with Emily which was so cool to be able to do is to remove herself from that sturdy position that she had put herself in and it kind of made her very wobbly and made her make a lot of mistakes and made her very unsteady and very uncertain. That’s kind of very cool and very human – very very human.

AM: How do you feel that she’s kind of connected between two very different characters – between EZ (JD Pardo) and Miguel (Danny Pino). How do you feel that she perceives that balance that she is always having to walk between the two because she’s inextricably tied to them constantly?

SB: Totally and well said! I think that for Emily it is the balancing act of secrecy and lies. She has this person, EZ, who is her childhood crush, who is the love of her life potentially, who by the way she knows that she can never be with. He’s progressed in an avenue of his life where she can no longer catch him. She has progressed to an avenue in her life that he couldn’t fit into. So it’s not like there is this long lost yearning for what could be.

I think that when it comes to EZ, Emily reverts to childhood, reverts to help me, she reverts to “I need you,” save me – she reverts to these things that happens to younger loves.

With Miguel, if people were to ask me if I think that she loved him, I think that she beyond loved him. I think that without him, she wouldn’t have Cristόbal (Obadiah and Benjamin Abel), her child and as much as she fears him or hates him, there is a constant and truthful admiration maybe for him, for the love that they shared in that pocket of time that gave them their family. It gave her hope, it gave her security, and that gave her a future.

I think that between the two, it’s like fragmented love. Emily has almost no lover for herself because she keeps part of her love for EZ and she keeps part of this love for Miguel, but really, she is lost in and of herself. So I think that if you were asking me, she is in between these two people, but it’s tearing her apart!

AM: Right!

SB: It’s only ruining her, it doesn’t ruin the other two.

AM: It’s so interesting to watch and we see your face and we see all the emotions!

SB: She’s just so sad!

AM: Last week’s episode was just oh my gosh – this is awful!

SB: I know! Are you up to episode 3?

AM: Yes, yes!

SB: I had to check ha!

AM: I mean on one level, they’re on the swing set together and they’re saying so much, but neither can go back because too much has been done!

SB: No! There is no going back for either of them. I know that I’m definitely pulling from history here in terms of the Emily and EZ story. Even though their story is very different, they have kind of had a little bit of a mirror life. They both had this trajectory of escapism, escaping their history, escaping their family, being together, going to college, getting degrees, getting jobs, and they were both crumped by EZ’s prison sentence. In truth, it sentenced them both to a life that they didn’t intend to lead. That’s not necessarily talked about because Emily – that’s not something that she has on her shoulders all the time. But me as Sarah looking from a distance, I’m looking at the show thinking that their actual trajectories are very very similar. They both have had to dig down and they feel that they are almost left with no choices right? Whether it’s the cartel of the MC, it’s these things that they had no intention of ever being involved in, but now they are so deeply involved in that the only way out is down!

AM: Yeah, it’s just heartbreaking because the puzzle pieces can’t fit.

SB: Right and of course, who knows how they will end, but I just know that for me, the storyline for me has not been about her trying to get back to EZ, but actually just having Emily get back to herself.

AM: Absolutely.

We’ve watched Emily do this over the past 5 seasons. For those readers that may need a bit of a refresher and to catch up, where did we leave Emily in season 4 and where are we picking her back up again this season?

SB: At the end of season 4, Emily had removed herself from her husband, had gone on the run, had taken – sort of kidnapped Cristόbal, her son, as it was and with the aid of her sister, was able to escape and with the help of her knowledge of certain criminal behavior, she was able to get a passport with a different name. She was able to steal Miguel’s additional cash and sort of go on the run and hide from him and people were convinced that Miguel had died, but she was never convinced of that. She took a job working in a restaurant, just so she could send money back to her sister and her child just to feed them. I think that the point of season 4 for Emily was that any life was so much better, even if it was a dingy apartment with cockroaches, it was so much better than that castle which was just a prison. She had been on the run and the final episode of season 4 is Miguel finding Cristόbal – killing – well we don’t know who necessarily kills her sister in terms of which hand, but the organization kills her sister and Emily being asked maniacally by Miguel to return home and that all is forgiven, and that they need to be a family again. Emily is without choice, she’s without options, without funds and without her child – so there was no other choice for her, but to return back to really just be close to her kid again.

AM: In looking at the 3rd episode of this season, it was really interesting because it’s looking at the complicated nature or relationships. Not just between Emily and EZ, Emily and Miguel, but more importantly you have Filipe and Miguel – there’s this whole crazy thing going on!

SB: I know! He has this whole thing for brothers.

AM: It’s crazy because at the end of the day, you ask yourself where does Cristόbal hang in the balance on all of this? It’s such a big family network, but it’s not a known family network yet – so it’s a lot of plot twists. What can you tell us about what we can expect as we continue to watch this season as I know you can’t really give spoilers, but what should we be looking out for?

SB: I think that family has always been a really big theme of the show. It’s been an important theme whether it’s the blood you come from or the blood you create. It tears us, it humanizes us, and humbles us and I think that knowing how important family is, I feel that this will be an important story developing from that, but also I think that even for Emily, I wonder if Emily ever gets all of that information and what would that do to her and her family? I guess we will see.

AM: We will see!

SB: We will see!

AM: What have you enjoyed the most about playing the part and also being part of this cast? What’s the biggest takeaway that you’re going to have once this show completely wraps?

SB: That day, my last day on set – I know that the end of a job is emotional for everyone. You’ve literally spent 16 hours a day, 5 days a week and mostly at midnight with this community and with this crew, and with this cast! They know when you didn’t sleep, they know if you have a headache, they know that the rain is miserable and we’re all soaked together or the heat is crazy and we’re all overheated together. There’s so much that you share and there is so much by osmosis that they learn about you and that you learn about them. There is just this element of the familiar – every day you’re like, “don’t worry, I’ll see you next year.”

Episode 10 wrapped and you’re like, we’ll get another season. There wasn’t that this year. Not being able to say, “hopefully, I’ll see you in 4 months,” was really gut wrenching for me. For both, our cast and our crew. I mean this so sincerely, our cast is insanely talented, but we have the best crew in the world! From the camera department to the AD, to the transpo unit, to costume – they work so hard! Again, we spend so much time together! I won’t have that tomorrow, I won’t have that next year. It makes me so sad because they were a huge part of my life for the last 6 years! It’s 5 seasons but it’s 6 annual years.

AM: Yeah, that’s a long time! It’s a significant chunk.

SB: Oh my God, I feel like, you know – we find ourselves in our mid to late 20’s – that’s when I started the show! I grew up there! I have become a woman who’s paid attention to taxes through the show!

AM: Facts!

Do you have any upcoming projects that we should keep an eye out for?

SB: You know, there’s a show that I am attached to and it’s called Rematch that is all secret except that I know that that piece of information has been released. It’s about Garry Kasparov who is a famous chess player and that’s the blurb that has been released so that’s all that one can say and hopefully that will be released sometime very soon. But that’s very excited and I really enjoyed filming that in Budapest.

IG @sarahbolger

PHOTOGRAPHY CREDITS | PG 156, 158, 161 + PG 176/179 63MIX ROUTIN3S FX/Mayans MC

Read the JUN ISSUE #90 of Athleisure Mag and see END OF AN ERA | Sarah Bolger in mag.

9LIST STORI3S | SEPIDEH MOAFI

Read the JUN ISSUE #90 of Athleisure Mag and see 9LIST STORI3S | Sepideh Moafi in mag.

ATHLEISURE MAG #90 | OVY ON THE DRUMS

In this month’s issue, our front and back cover story is with 4X Latin Grammy Award Nominated, 2X Billboard Latin Music Awards Nominated, Premios Juventud Winner, Producer, Composer, and Singer/Songwriter, Ovy on the Drums! We talk about how he got into the industry, being the producer for Karol G, and working with an array of artists from Steve Aoki, Becky G, Shakira, Future, and more! We also interview singer/songwriter and entertainer, INNA who has a number of songs that are known for feel-good vibes. We talk about how she got into the industry, how she approaches her songs, her collaborations with SOFI TUKKER, Alok, and many more.

We also took some time to talk with New York Yankees shortstop and second baseman, 2X All-Star player Gleyber Torres! We talk about how he took his passion for the game in Venezuela to join one of the most iconic MLB teams in the country. In addition, we talk about how he stays in shape, his passion for his family, and his collaboration with Kings Bred.

We caught up with Chef/Partner Charlie Mitchell of Clover Hill in Brooklyn. Recently, he received a Michelin 2022 NYC Young Chef Award - he is the first Black chef in NYC to receive Michelin recognition and only the second in the US! He was also a James Beard finalist this year as well. We talked about how he got into the industry, his passion for cooking, his approach to food and he gives us an inside scoop into the mind of a chef!

This month, our editorial was shot at Kimpton Eventi Hotel here in NYC. Because we live for a great weekend, our editorial WEEKEND VIBES ONLY is focused on a number of fun accessories and trends and we’re excited to introduce to you our new line, ATHLEISUREVERSE which is all about pieces that you can wear when you're out and about from various sweat sets that are paired with joggers and shorts. We're all about a number of colors, styles, having pieces that are genderful, matchy matchy when you want to wear them with your friends, family, and significant other, and more! We also talked with the property to find out more about the hotel, their location, and what we can enjoy there whether we're on vacation, staycation, traveling for business, etc.

We're fans of our favorites that are within Bachelor Nation and if you're like us, you're watching the current season with Charity Lawson for The Bachelorette! This month, we caught up with Jason Tartick who is engaged to Kaitlyn Bristowe to find out about his partnership with Wyndham Rewards and their Cubicle Caddie for those that want to stay connected and optimize their time on the golf course! He talks about this as well as his thoughts on Charity, hitting the course with Kaitlyn, and his upcoming projects with his podcast and book.

We chatted with Samuel Arnold who plays Julien in Netflix's Emily in Paris. We talk about how he connects with his roles, we ask him about the upcoming season and also being an ambassador for Jovē water and why hydration is so important to him.

We've been fans of Sepideh Moafi for years as she has been in a number of our favorite shows. This month, we find out about how she approaches her roles, her latest limited series, FX's Class of 09 with all episodes streaming now, and we talk about her upcoming projects.

Jordana Brewster of Fast X talks about her latest movie in the Fast and Furious franchise, her new movie Simulant, and how she approaches being a mom with kids in sports!

We have been fans of FX's Mayans MC which is the spinoff to Sons of Anarchy which is another favorite show of ours! As we are watching the final season of this series, we caught up with Sarah Bolger to talk about how she got into this industry, her roles previous to the show, what we can look forward to this season, and upcoming projects!

Last month, we had the pleasure of interviewing the founder of Governors Ball, Tom Russell who prepared us for what we could expect as they inaugurated their new home at Flushing Meadows Corona Park Queens. This month, we have a recap of our favorite moments from Governors Ball which took place Jun 9 - 11th.

This month’s 9PLAYLIST comes from singer/songwriter/entertainer INNA. This month's 9DRIP comes from EDM DJ producer/songwriter Ferry Corsten. Our 9LIST STORI3S comes from Sepideh Moafi of Class of 09 as well as Samuel Arnold of Emily in Paris. Our 63MIX ROUTIN3S comes from New York Yankees' Gleyber Torres and Mayans MC's Sarah Bolger.

Our monthly feature, The Art of the Snack shares our new drool-worthy restaurant, Goa New York. This month’s Athleisure List comes from Hakkasan Las Vegas and Restaurant Yuu in Brooklyn. As always, we have our monthly roundups of some of our favorite finds.

Read the JUN ISSUE #90 of Athleisure Mag.

BINGELY STREAMING

BEEF

Netflix Series

Netflix

BEEF is a must-binge that's perfect to enjoy over the weekend. All 10 episodes of this dark comedy starring Steven Yeun (Nope, Everything All at Once, Okja) and Ali Wong (Birds of Prey, American Housewife, Love, Victor) shows us what happens when a beef takes over your life and how it can completely change everything that you thought you knew about yourself and those around you! It even looks at how a beef can cross gender, class, and other demographics.

FIRED ON MARS

HBO Max Original

HBO

When you've gotten through a number of series on a designated streaming platform, you're always looking for the next item that you'll want to watch. We just found out about Fired on Mars, an animated workplace comedy on a Martian tech company which focuses on a guy who leaves Earth to work on Mars with a number of his colleagues from his office as well as others who are there to populate the planet. We watch him go about his job as a Graphic Designer and how he spends his days there while communicating with his girlfriend who works at the same company who is back on Earth. We can see that she is slated to be there at some point down the road.

As he navigates his days and nights, we also see that a new planet doesn't change the state of office politics, interesting coworkers and the need to fit in. One day, the world that he continues to adjust to is drastically altered and he is forced to try to find a new way to be involved in this new environment as well as to stay connected to the love of his life on Earth.

GREAT EXPECTATIONS

FX/Hulu Originals

Hulu

There's nothing like a classic retold and when it comes to FX and the way that they retell Charles Dickens pieces, we couldn't wait to see how this would be done with Great Expectations a 6-episode limited series.

The adaptation is written by Steven Knight (Spencer, See, Peaky Blinders) who is also an Executive Producer alongside Tom Hardy (Venom franchise, Legend, Inception), Ridley Scott (Kaleidoscope, House of Gucci, The Last Duel), Dean Baker (A Christmas Carol, Taboo, Driven to Extremes), David W. Zucker (Still Missing Morgan, Kaleidoscope, The Good Fight) and Kate Crowe (The Third Day, A Christmas Carol, Taboo).

This new look at this beloved classic brings us an orphan named Pip (Fionn Whitehead) who grew up as a blacksmith's apprentice. Suddenly, he receives a windfall from an unknown benefactor that allows him to travel to London and enter high society. His journey includes love, Miss Havisham (Olivia Colman) and more!

Read the APR ISSUE #88 of Athleisure Mag and see Bingely Streaming in mag.

THE LEGACY CONTINUES | TITUS WELLIVER

We've been fans of Prime Video's Bosch where we follow along as Harry Bosch solves a number of cases regardless of how many feathers he ruffles in the process. On May 6th, the story continues on Amazon FreeVee with Bosch: Legacy. We see how Bosch continues to fight for victims as his daughter Maddie Bosch continues to walk in her father's steps and how he will reconnect with former nemesis, Honey Chandler.

We enjoy the way Titus Welliver leans into his characters and draws us in. Whether it's his work in ABC's Lost, FX's Sons of Anarchy, HBO's Deadwood and countless other TV shows and movies, we know that Titus is going to leave quite a memory with us in the characters that he plays.

We talked with him about becoming an actor, working in the industry and taking on Bosch which comes from a series of books written by Michael Connelly.

ATHLEISURE MAG: What was the moment that you realized that you wanted to be an actor?

TITUS WELLIVER: Oh boy, you know, I think I was born acting. I don’t know about that, I think it’s difficult or I can say, it was right after I realized I didn’t want to be a firefighter or a policeman anymore like all little boys do.

Actually, there was a filmmaker named Rudy Burckhardt and he made some films and he asked me to be in a film of his when I was about 5 and it was a very simple little bit where I played a little boy that had a shiny penny in his pocket and he was walking down a road. He had a hole in his pocket and he lost the penny and the penny was stolen from him by this stingy old man. I remember sort of thinking that it was kind of fun, but I didn’t really consider it any further than that. I did some little bits in school plays and things like that.

I really was initially trained to be a painter – a fine artist, that’s really what I wanted to do. But I always had an interest certainly in film and I watched a lot of television. I was spending a summer with my mother – she was living in Boston, but I didn’t go to school there so I didn’t have any friends there and I didn’t know any kids there. She was living in an area where there just wasn’t that kind of accessibility and I was sort of left to my own devices which meant I was just going to the Cineplex – to the movies all day long. She signed me up at a place called The Actors Workshop in Boston and I was 14 years old. I was reluctant, I wasn’t a camp kid, I liked sports camps and things like that. I went and after the first day, I came back to my mother and asked her if I could do more days of that. I ended up doing 5 days a week and it was a professional school for both adult and kid actors. I did that and I spent the summer doing that, but I still stayed on the trajectory that I was going to go to art school and I painted and I studied and studied.

I did a few productions in high school and enjoyed doing that and after a year of art school, I was left kind of cold to a certain degree and I had a conversation with my father who very directly said to me, “you know, when you’re not thinking about girls and drinking beer, what do you think about?” I said, “I think about acting.” My father said, “so not painting?”and I said no. He told me that I needed to be an actor. That was kind of it!

AM: What’s your process like when you’re thinking of attaching yourself to projects? We’ve enjoyed seeing your in Deadwood, Sons of Anarchy and of course Bosch – what are you looking for?

TW: Well, when you’re starting out, it’s about paying your bills, but also gaining experience. I mean, I did a lot of teeny tiny parts in plays, in short films and things because I was just trying to learn and gain that experience. So there’s that, but I think that more then anything, it starts with the writing. I've read a lot of bad scripts and I have acted in a few. But when the material is good, then it’s on! Then you realize that you’re in the presence of some material that’s going to challenge you and also that it will hopefully teach you something. Because I always say, I like to be in a constant state of learning and getting better. I think that with time, age and experience, the hope is that we evolve and certainly as artists, otherwise, you get kind of bored and you go and do something else. I’ve been extraordinarily fortunate that I have worked with great writers, producers and directors over the years – David Milch (Deadwood, NYPD Blue, Hill Street Blues) and Steven Bochco (NYPD Blue, Doogie Howser, M.D., Brooklyn South) to name a few and here I landed with Michael Connelly (The Lincoln Lawyer, The Dark Hours, The Poet) and Eric Overmyer (The Wire, Boardwalk Empire, The Affair) and Tom Bernardo (Bosch, Bosch: Legacy) – a very gifted and dynamic group of people. To be given the opportunity to play this very iconic character, he’s kind of like Santa Claus for an actor, he goes down the chimney every time that I go to work and it’s nice.

AM: We’ve been a fan of Michael Connelly books for a number of years so when Bosch went to Prime Video it was exciting and then that you were going to play the title character, we knew that it was going to be so good. How did that come together for you to be part of this?

TW: Well, I was initially sent the script and I read it very quickly. I had only read one of the Bosch books many many years prior to. Unbeknownst to me, my younger brother had read and re-read the books and to this day possesses a kind of encyclopedic knowledge of Bosch as well as everything that Michael has written.

Through a series of mishaps, I kept trying to meet with Michael and the meetings kept getting pushed off and I was shooting Transformers: Age of Extinction which had me traveling all over the place in Chicago, Michigan and then Hong Kong. We just kept missing. I got a call a couple of months later from my manager who told me that I had a little window and Michael Connelly was in town and I would be able to meet with him. At that point, I thought that that boat had sailed as it had been a couple of months that had passed. I went in and met with him and the producers and the director and I was – as my grandmother would say, I was blessed at that moment. I left that audition feeling good, but you know, I have been doing this long enough and have enough humility to know that that’s all you can do. I got the call from my manager that I had been cast as Bosch and to say that I was thrilled was an understatement. It was just more realized after the first day of shooting that I knew I was part of something that was different. I’ve played other cop characters and I’ve done lots of procedural cop shows. Look, when you’re doing something from the ground up, it’s tricky but, when you have source material, like Michael Connelly’s books, you have to work really hard to mess it up. You know, in less capable hands, it could be very very messed up. The temptation to sex things up for a lack of a better word – to have him wearing Brioni suits, driving a fast car and jumping in and out of bed like James Bond, I was relieved that there was never any kind of consideration to do anything because I have always felt that if it ain’t broke, there’s no need to fix it.

Because of the ways that Amazon and the executives work which is at the beginning of the studios, they have a prime directive which is to get the material, but then to delegate the process to the creative people and not to micromanage. They delegated to people that they knew that they trusted. They really did that and they stood behind the show. When we needed things, they always showed up. Because we had such a great group of writers and producers, we were excited by the acceptance and the invitation into people’s homes for the show and the success of the show. But I think that we always felt that it speaks back to what I said in evolving and learning. I felt that the show just continued to get better and better and here we are now in Bosch: Legacy which is a continuation of the work we have been doing for all of these years.

AM: For those who might need a refresher, where did we leave Bosch in season 7 and where do we pick up with him again as we continue his saga in Bosch: Legacy?

TW: Well, Harry’s you know in the last season of Bosch, he’s so completely fed up and disenfranchised that he gives his badge to the Chief of Police and says he’s done. There’s a great line that Irving (Lance Reddick – Bosch, John Wick franchise, The Wire) says to him in that moment, he says, “who are you gonna be if you’re not a cop and you don’t have a badge, who are you going to be?” Harry says, “I guess we’ll find out.” In the final scenes for a little Easter egg scene, we find Harry filling out his paperwork to become a private investigator.

We pick up a little over a year later after that season and Harry is working as a private eye, but he’s doing divorce cases and things here and there. It’s not like he’s got this bustling business and Maddie (Madison Lintz – The Walking Dead, Bosch, Bosch: Legacy) has joined the force and has been on the force for awhile. She’s still working with a training officer, so she’s a boot and she’s trying to find her own legs, but she’s Harry’s daughter and it’s really in her DNA, she carries a lot of the work ethic and the same characteristics and has the same moral compass as well as independent thinker which places her at odds, but she’s out there doing it. We find Chandler (Mimi Rogers – Mad Men, Bosch, Bosch: Legacy) sort of reeling from the very serious PTSD from almost being killed and the person who orchestrated her attempted assassination and Maddie’s looks like he’s going to go free.

You find that everybody is in these states of being kind of fractured and broken. You know, Harry is untethered, he's kind of wandering and he's always been a kind of an isolated character, but he's more isolated than ever now. Maddie, as she’s navigating it, she’s also trying to come into her own because Harry’s legacy has cast a very, very big shadow and that’s not all great! Harry’s reputation was one of being a closer and a great detective, but he pissed a lot of people off because he was a very direct guy and not exactly user friendly. The name Bosch on her uniform is not necessarily a great thing and she doesn’t use her father’s reputation as commerce within the department. So we find these characters really navigating things at the same time and interacting so it doesn’t necessarily feel like it’s a triptych, everything intertwines. But it’s also not like you have Maddie, Chandler and Harry having dinner at the house together – it’s not contrived like that. They’re all living their different lives and they’re all finding their way.

AM: How excited are you in being able to continue this story?

TW: I’m very excited and the idea when we were shooting the final season of Bosch, there was a heaviness for everyone involved. We had become very very close like a family as productions do and we were all invested and were very, very connected and committed to our characters and to the show and so when the opportunity presented itself that we would continue, obviously with a smaller ensemble cast and the ability to focus more on 3 central characters, but still bring in the characters that people know and love that populate the Harry Bosch universe – it’s a thrill! I’m very excited for the show to come out there because the fans of the show that have been so incredibly supportive over the years are really eager and hungry and they want to see what it’s going to be like. I have confidence that we will meet and surpass their expectations.

IG @tituswelliverofficial

PHOTOGRAPHY CREDIT | PG 46 - 51 + 55 Prime Video/Bosch | PG 52 Amazon FreeVee/Bosch: Legacy |

Read the APR ISSUE #77 of Athleisure Mag and see THE LEGACY CONTINUES | Titus Welliver in mag.

ACTING CHOSE ME WITH CURTISS COOK

This month, our DEC ISSUE #72 is covered by Curtiss Cook who has appeared in a number of films that we enjoy including Shutter Island, Netflix's Roxanne Roxanne, and West Side Story to name a few. In addition to commanding the big screen and his work on stage, he has been in countless TV shows as well. He brings a dynamic force to his characters in Netflix's House of Cards and Manifest, NBC's Chicago Med, FX Mayans M.C. and Showtime's The Chi.

We talk with Curtiss about how he got into acting and how he approaches his characters. We also talk about the recent film West Side Story and we're keeping our fingers crossed that we will continue to see him as Douda in the critically acclaimed series The Chi and what led him to this role. We also talk about work behind the camera as well as his work in the upcoming QCODE podcast, The Burned Photo.

ATHLEISURE MAG: What was the moment when you realized that you wanted to be an actor?

CURTISS COOK: You know I don’t know if I can put an exact time on it, but what I can tell you is—I don’t feel like I chose acting, I feel as if it chose me. NO one in my family acted or performed for a living or even casually, so I didn’t have any direct role models, but once I found it, that freedom of being another person and being able to say things I wanted to but couldn’t, learning things about myself and the world… I never looked back!

AM: You have been in so many TV series from The Sopranos, The Bold Type, House of Cards, Mayans M.C., The Chi, as well as movies such as Shutter Island and been on Broadway for The Lion King and Miss Saigon. What are you looking for when you’re reading a character or the script overall in terms of deciding whether you want to be in it?

CC: Hmmm good question… It changes from project to project. Sometimes it may be, “Have I done this kind of role before?” and if I had, “Is there something I can improve upon?” Sometimes it’s, “Does this person move the story forward? If not, is there space for me to make that happen? Or, is this something I NEVER THOUGHT I could pull off?” Yes! So, let’s go for it. And then, it could be as simple as, “Do I like this person (character)? No? Why not? Let’s see if I can have empathy for him.”

AM: Is your approach to the work different depending on whether it’s on TV, a movie or on the stage?

CC: No, it’s pretty much the same. It’s just the time I get to prep for the character and how long I get to live with him that differs.

AM: We’ve seen you in a number of roles and always enjoy when we see you are attached to the project as there is a poise and bold quality that you bring to your work. What is the process that you go into when it comes to becoming the character that you will play?

CC: Well, thank you for the compliment! That really means a lot to me. I take what I do seriously knowing that it’s not serious… Finding the joy in what I do is important to me. This is not just what I do, it’s who I am. It’s a part of me—a HUGE part of me—So, I go all in and the devil is in the details.

AM: Do you find that when you’re finished playing a character that there’s a process in releasing him and is it harder when you’re in a series since you will have to pick him back up again?

CC: The short answer is yes. I definitely have to decompress when work is done. I’m getting better on the time it takes, but I make sure I take it.

AM: West Side Story is an iconic musical and this musical film adaption directed by Steven Spielberg has been very anticipated. You play Abe, a new character – which was created by Steven specifically for you – how did this come about and what did you draw from to bring him to life?

CC: Well, the character was created for someone like me, an addition to a classic that was needed and necessary. So, Mr. Spielberg and Mr. Kushner did that. I just so happen to be the one who got the gift of breathing life into Abe and hearing one of the greats say, “If Curtiss wants it, he can have it.” It means and meant the world to me.

AM: What was it like being part of this production?

CC: Nothing short of amazing!!!

AM: Being from the Midwest originally, I’m always intrigued about shows that focus on Chicago so when The Chi came out, I was hooked from the first show and I love how they showcase the lives of those that live in the community that spans a number of economical, aspirational and inspirational layers. When you came on as Douda, you bring such a dichotomy to the show. How did you get connected with this series and how would you describe your character?

CC: Once again, thank you! I auditioned—I self-taped actually. At the time, I was doing two other series and I thought there’s no way I’ll get three series at the same time and low in behold!!!

Douda is a complicated man like most of us are, that’s one of the beauties of this character. Just when you think you have him figured out, you don’t… and not because he's fooling you, but because he has so much to offer, so many layers, and he has a plan for himself and his community. Nothing is going to stop him from seeing that plan come to fruition.

AM: It feels like Douda continues to share new layers to him which we saw in Season 4 - how much influence do you have in shaping him and giving insights into how he will be portrayed?

CC: None really. I wait for the pages and try my damnedest not to mess it up. I just stay open, willing and adventurous. I get to act for a living... how glorious is that...

Mannnnn, this is all I’ve ever wanted to do and I get to do it on this level with this character on this show on this network and with these people. I HIT THE LOTTO!!!

AM: The Chi was renewed for a 5th season, are you getting ready to film and is there anything you can tell us about the upcoming season or are looking forward to?

CC: Well, I just hope Douda comes back. You saw what happened at the end of the season right? I just hope we get to see him again.

AM: You have worked with phenomenal people from Martin Scorsese, Steven Spielberg and Lena Waithe to name a few. You were the Executive Producer of Counselor and A Black Man Acting. Do you see yourself doing more projects behind the camera?

CC: Yes, I will and there’s something happening now. So, yes keep a look out for it.

AM: We love that in the past few months there have been phenomenal immersive podcasts that have top talent telling scripted stories. I think that QCODE does this in such an amazing way and am a fan of their shows regardless of the topic. You lent your talents to The Burned Photo which was a podcast that I enjoyed listening to and I can’t wait until the second season. Why did you want to be apart of this and what was it like creating it?

CC: Wow yeah, I had never done that before and I was curious to see if I could and how it would work. And let me tell you… it was WORK. Wait until you hear the second season! Boy-oh-boy, get ready.

AM: Do you have any upcoming projects that you can share with us that we should keep an eye out for?

CC: A great movie written and directed by Charles Murray with an amazing cast. Hopefully you’ll hear about a release date soon!

AM: When you’re not on set, it seems like you spend a fair amount of time at the gym. What are 3 things that you like to do when you’re working out?

CC: Yea, health is pretty important to me. My favorite work out is boxing, then I’ll do a little free weights, then end everything with core.

AM: How do you take personal time for yourself?

CC: I don’t know if I do… I need to get better at that.

IG @CurtissCook

PHOTOGRAPHY CREDITS | FRONT + BACK COVER, PG 16 -19 James Washington | PG 20 - 25 Evgeny Milkovich | PG 26 - 29 SHOWTIME/Parrish Lewis | PG 30 - 31 SHOWTIME/Elizabeth Sisson |

Read the DEC ISSUE #72 of Athleisure Mag and see Acting Chose Me with Curtiss Cook in mag.

BINGELY STREAMING

MAKING THE CUT

Amazon Originals

Amazon Prime Video

We have always loved the chemistry between Heidi Klum and Tim Gunn and in this new fashion competition, they take the concept behind finding the next designer who truly is a brand, to the next level. Viewers travel from NY, Paris and Tokyo to embark upon a number of challenges that are judged by fashion's icons.

MRS AMERICA

FX Originals for Hulu

Hulu

This month as we continue to #stayathome to #flattenthecurve, we have definitely increased how much we have been bingeing. When you think about the Women's Equality movement and the players that were involved, the second wave during the 70's focuses on the efforts by Shirley Chisholm, Gloria Steinem, Betty Friedan and more. The measures and stances taken here gave rise to the Moral Majority which shifted the political landscape. We see how this movement took place from their points of views from overall struggles to those that were specific issues that they wanted to push forward as well.

FX Original Series' Mrs. America tells the story of the movement to ratify the Equal Rights Amendment (ERA). We see how these figures blazed the trail in this movement, how they interacted with one another, their own individuality and the opposition they faced with their male counterparts, one another and the unexpected backlash that was led by conservative, Phyllis Schlafly, "the sweetheart" of the silent majority.

THE LAST DANCE

ESPN

ESPN + Netflix

We may not be able to watch the current season of our favorite sports teams; however, since April 19th, we've loved seeing 2 episodes each week in this 10 episode documentary of The Last Dance. This docuseries looks at the impact of Phil Jackson's 2 X 3-peat World Champion Chicago Bulls which included Michael Jordan, Scottie Pippen, Dennis Rodman and Steve Kerr. We delve into how each 3-peat came about, the childhoods of a number of the players that began their journey to this team, rivals, management's involvement in shaping the team and more.

In addition, we see these players and coaches with footage from those moments in time as well as hearing from them in the present day. Additional voices from former President Barack Obama, Nas, journalists and more also weigh in on this historic period in time. It's the fix that we needed as we continine to stay at home and wait for games to continue again.

Read the April Issue of Athleisure Mag and see Bingely Streaming in mag.

READY ON SET WITH FABIANA PASCALI

If you haven't watched FX's American Crime Story: The Assassination of Gianni Versace, now may be the time as there are a number of our favorite actors in this Ryan Murphy series. We caught up with Fabiana Pascali who plays the role of the Female Senior Designer to the house of Versace. Fabiana had some common ground with the great designer, shares how she prepared for her role, let's us in on her favorite spots as well as what it's like to be Creative Director of her line, Thinking Panties! Continue reading to find out about this dynamic show and make sure to catch up on this series as we find ourselves talking about it to a number of our friends who are looking for a new show to embrace.

ATHLEISURE MAG: How did you get into acting and what was the moment that took place that made you realize it was for you?

FABIANA PASCALI: As a child, I was quite the creative extrovert. It was always easy for me to get into character and give my family fictional performances. During middle school and high school, I was always involved in theatre. It was only after quitting dentistry school at 19 that I got offered to audition in an all-girls music group. I made the cut and joined the group! It was then I knew showbiz would be part of my life.

AM: Tell us about shows/movies that you have been in?

FP: Most of my career is based in hosting and commercial work, with shows airing at to local, national, and international community. I’ve had the pleasure of more than twenty years doing
what I love.

AM: You are currently in American Crime Story: The Assassination of Gianni Versace where you play the role of “Female Senior Designer” that worked with Gianni in the House of Versace, and who was also one of the right hands of Donatella! How did this part get offered to you, what was the process of getting this part and how did you prepare for this role?

FP: My theatrical agent, Jaime Ferrar, called saying he had a high-profile audition I should read for. Casting was looking someone to play an Italian designer. That’s all we knew. I had no idea what show it was or what it was about, let alone who were the actors involved! Looking back, the secrecy surrounding the audition was tight!

Preparing for the role was a bit different, given I knew little about the character or what I was reading for. I rehearsed, read the description of the character, and dressed by my gut instinct.

AM: In playing this character, you already had connections to the subject matter as you are a Creative Director of Thinking Panties, you're half Italian and your husband came from the same province as Gianni - how did that assist you in taking on this character?

FP: As you said there a number of commonalities with my character. When I booked the job and learned more about the character, I laughed because who they were describing was me! Speaking Italian didn’t hurt either! It gave me an insight into how to best approach the character. It’s much easier to bring a character to life when you can get inside their head!

AM: Tell us what it was like to film this TV show especially working beside Penelope Cruz, Ricky Martin and Edgar Ramirez?

FP: It was a phenomenal experience to be part of a series of this magnitude. What can I say?! Seeing my name on the call sheet along these giants makes one feel accomplished!

Most of my scenes were alongside Penelope [Cruz], who plays the role of ‘Donatella Versace’, which was a bit humbling. When Ricky [Martin] was playing ‘Antonio D’Amico’ (lover to Gianni Versace), he completely blew me away! All of them are completely cool-headed professionals that were an absolute pleasure to work with and learn from!

AM: Were you a fan of Versace prior to coming into this program and how was it to be immersed within this opulent world?

FP: Absolutely! I have always been a huge fan of Versace!

AM: The world of Versace is a different lifestyle than most everyone experiences.

FP: The fashion world is worlds away from everyday life. The life of Versace, the man and the brand, is an experience onto itself. You’re taking a world that’s in the limelight yet veiled from
prying eyes, then translating that into a show. In a way, it’s imitation of Versace. Talk about poetic.

AM: Tell us about Thinking Panties!

FP: I founded Thinking Panties in 2011 as a line of underwear with a fun concept for the creative type who wants to personalize everything. All you need is a marker and your imagination! The
idea was to give someone’s inner artist a chance to flourish and even be a fun gift to give someone.

You can find get a pair direct from www.thinkingpanties.com

AM: Where are your favorite spots to work out, grab a drink and eat and to shop in LA?

FP: I enjoy hiking in the mountains, with some go-to trails in the Arroyo Seco between LA and Pasadena, as well as those in Hollywood and Griffith Park. I love the feeling of releasing endorphins, breathing fresh air, and enjoying the warmth of sunrays touching my skin.

When it comes to the restaurant experience, I’m pretty biased (lol). Of course, I prefer Italian and Argentinean foods. If you’re going out for Italian, try Bestia in the Arts District, Terroni in Downtown, Eatalian in Culver City. For Argentinean, Carlitos Gardel near West Hollywood, Malbec and 1810 Argentinean in Pasadena.

To grab a drink I head over to visit my cousin Guillermo Zapata, owner of SUR Restaurant & Lounge, in West Hollywood.

Where do I shop? Everywhere, really! I always find great pieces of wardrobe at Anthropologie and Free People. There are a bunch of different boutiques and department stores around town I frequent. There are just too many to list!

AM: What is your personal style when you're running around LA, heading out to brunch and when you're heading out to meet your agent/go on a casting/do a table read?

FP: I love wearing a good pair of jeans and nice t-shirts/blouse with a leather jacket on top. Depending on the occasion, I’ll throw on boots, pumps, or Converse. I keep my color palette fairly neutral.

AM: What projects do you have coming up that you can tell us about?

FP: I’m currently focused on new design projects. A big part of me is always coming up with ideas in my design studio and seeing where it naturally progresses. There’s some hearsay on going back to TV hosting, which I would love to do.

AM: What ways do you give back to the community or provide philanthropy?

FP: For every pair of Thinking Panties purchased, I give another pair to women in need. Much like Tom’s shoes, who matches a pair for every pair purchased. I provide these to local shelters,
women’s organizations, and missions.

I also donate monthly to institutions such as St. Judes Children’s Hospital, Food for the Poor, Wounded Warriors, and Operation Smile.

I believe just a little help given with love can make a difference. If we all did a little, it would add up to a big change!

Read more from the Feb Issue and see Ready On Set with Fabiana Pascali in mag.

GOOD MORNING, MICHAEL

Michael Strahan is a true New York icon. We had the pleasure to chat with him about his new athleisure line, MSX by Michael Strahan; where we can see him next; and how he remains on top. We also caught up with Stuart Billingham, JCPenney Creative Director for Men's Private Label for more on the collection.

ATHLEISURE MAG: - Stylish active lifestyle sounds like a great ethos for you, you’re always looking good on-the-go – what’s an average day like for you?

MICHAEL STRAHAN: There really isn’t an “average day” for me. Every day is so different, especially during different seasons. For example, during football season, I’m traveling from New York to Los Angeles for NFL on FOX. On days that I’m on Good Morning America, I wake up around 5:30am. My afternoons are always different. Sometimes I’m taking meetings with my management and production company, SMAC Entertainment and other times I’m doing activities that I enjoy, like playing golf! I’ve been spending a lot time working on my athleisure line MSX and my clothing line Collection by Michael Strahan.

AM: When did you first decide to jump into a companion line for Collection by Michael Strahan?

MS: I had a lot of fun creating Collection by Michael Strahan with JCPenney and I realized that in addition to great tailored pieces, men also need comfortable, stylish clothes that can be worn anytime. MSX by Michael Strahan is inspired by my active lifestyle and provides men trendy, functional pieces that can be worn everywhere. I call it my EveryWEAR for everywhere. And best of all, it's all priced for a great value. I'm really excited to be part of what's happening in the overall athleisure movement and I'm excited for the future of MSX.

AM: Why do you think athleisure wear has become such a movement?

MS: The way people are living these days has changed. People are on the go much more than ever before. Wearing a comfortable, yet stylish tee and pants is not for lounging, it's for living! To be able to go throughout your day and not feel over or underdressed in any situation is crucial and that's where athleisure comes in.

AM: “Everywear for everywhere,” that’s catchy, what assortment does MSX currently offer?

MS: The line offers a wide range of clothes for every part of life. The chino pants are one of my personal favorites because they can easily go from the office to the golf course. Also the Henley three button shirts, the v necks and an assortment of short options. 

AM: What is it about MSX by Michael Strahan that makes it optimal for workouts and tackling tasks of the day after the studio/gym?

MS: The breathable fabrics are made to keep you cool and comfortable all day, when they are paired with the no-chafe stitching you’ll stay comfortable the entire day.

AM: Style, comfort and performance are key for activewear, what advanced technology and comfort features does MSX by Michael Strahan have?

MS: Every piece in the line has hidden details. We have the no-chafe seam details to keep you comfortable while you are moving or the UV protection so you will be protected all day long. My favorite details are the secret pockets. For example, I’m a golfer so I wanted the chino pants to looks stylish, yet be functional. We kept the left back pocket open so you can easily slip in your golf glove between swings and included a zipper on the right back pocket to keep valuables like wallet and phone.

AM: What are some of your must-haves that you keep in your secret pockets?

MS: I keep all the essentials in my pockets - money clip, keys, and sometimes my phone…when it’s not missing! haha

AM: Run us through some of your favorite routines when you’re in the gym. Have you carried over a lot from those grueling football practices? Do you take any studio classes to round out your training?

MS: I usually work out for an hour 5/6 days a week. I don't do the same workout I did as a football player. Now I do exercises that are more conducive to mobility and flexibility. I still lift weights, but the exercises and amount that I lift are definitely different.

AM: What are some of the jams or artists that are your go-to’s for your workout playlist? Anything new you just started listening to?

MS: I listen to Bill Wither’s “Lovely Day” every morning before work. It’s the best way to start the day! I’m a creature of habit. I like to work out to Hip-Hop. Whatever's hot I listen to.

AM: How do you stay on top of daily nutrition, what are some of you favorite meal combinations and snacks that keep you lean and mean? What is that one irresistible treat item that you just crave and enjoy?

MS: I eat a lot of fish, chicken and turkey and fresh vegetables without the butter and other things that add sneaking calories into my diet. I have protein smoothies and hard boiled eggs along with nuts as well. I have a weakness for chocolate in any form so I do crave chocolate chip cookies and ice cream, but I only indulge occasionally.

AM: You are an inspiration for work ethic across the board, what does “being 100% present” mean to you?

MS: It means waking up happy and putting your best foot forward each and every day. A good friend of mine always says “dress shoes.” It makes me laugh, but I like the meaning behind it because it’s about “putting your best foot forward…and if you’re going to do that, you should literally be putting your best foot forward". I have to remember to put away the phone and stay in the moment. That's a hard test for everyone in this age of technology, but it really helps you to stay present if you can do it.

AM: Your best-selling book, “Wake Up Happy: The Dream Big, Win Big Guide to Transforming Your Life” shares a lot of personal stories and advice for personal ambitions and going from good to great. What is a tip or two to be on top of one’s game and keep on track in active lifestyle?

MS: I draw upon the power of positive thinking often. Developing a routine always helps to keep you on track. And most of all, just remember to encourage yourself and give yourself a break if you need it. Don't be so hard on yourself if you're not perfect because none of us are.

AM: Hello Stuart, thanks for joining us. Tell our readers a bit about your background and how you came to be Creative Director, Men’s Private Label at JCPenney.

STUART BILLINGHAM: I have been in the industry for 15 years, both in the European & US markets, working on a variety of product ranging from surf/skate, outdoor, heritage and fast fashion. JCPenney was an amazing opportunity for me to work with a highly talented team and immerse myself in a number of different lifestyles through the amazing private labels exclusive to us here, including Arizona, Xersion and of course MSX by Michael Strahan.

AM: What are some of the lines that you have been able to create with personalities?

SB: MSX by Michael Strahan was the first line I have had the opportunity to collaborate with a major personality like Michael, so this idea of working with someone who had a strong idea that they wanted to bring to life was super exciting. 

AM: How did the collaboration with you and Michael Strahan come about and what is the process that goes into creating a line such as this?

SB: JCPenney and Michael have been working together on our suiting line, COLLECTION by MICHAEL STRAHAN so it felt natural to find something to balance that – with MSX we wanted comfort and performance attributes, but we didn't want to make it feel like a performance line. We want guys to wear it everyday, to integrate each piece into their lifestyle.

AM: How was it to work with Michael?

SB: Michael was heavily involved in the design process and showed so much foresight when it came to the product. He has great vision and is obsessed about the details like I am, so we had fun geeking out over new ideas.

AM: What are some of the inspirations behind the line?

SB: This is Michael Strahan’s second apparel line with JCPenney and we pulled inspiration from his personal style and his active lifestyle as a father and one of America’s most recognizable athletes and media personalities.

AM: We hear Michael says “everyone should get one of each,” where is a good place to begin to jumpstart their wardrobe with some core essentials?

SB: The true core of the collection comes in our performance jersey styles. Anyone can build on our tees offered in crew neck, V-neck or sleeveless muscle, all with our no-chafe seam details and quick drying technology, so you will be comfortable all day. We also have great layer-ups in fleece and 4-way stretch fabrications that offer great outfitting capabilities.

AM: What are additional styles that will be in future collections?

SB: Together with Michael, we are continuing to evolve the line with new product, and have some very exciting things coming for the MSX collection for Fall 16. Stay tuned.

Photo (P.41) courtesy of Jerry Coli. Photo (P.142/143) courtesy of Frank Jansky/ZUMA Wire.  Photo (144/145) courtesy of Lev Radin.

Read more from the July Issue

TWO IS BETTER THAN ONE WITH SOPHIE + ELOISE LOVELL ANDERSON

By Nisim Frank

Two is better than one-double trouble twins- especially when we're talking about  Sophie and Eloise Lovell Andersen. Dubbed the  "The L.A. Twins" originally from the United Kingdom, currently crossing over the pond and ready to take America by storm. Having just appeared on the FX hit series "The Bastard Executioner" (created by Kurt Sutter of "Sons of Anarchy") together, heads turned during their scene-stealing work, both by fans and amongst their veteran co-stars. Needing to learn more about them and their journey thus far into acting, we set up a Skype call while they were back in the UK to chat about all things Sophie and Eloise both as twins and as separate individuals. Bright, funny, and sarcastic, both Sophie and Eloise were ready to answer any and everything thrown their way. Find out which twin worked with legendary actor Anthony Stewart Head, who can't live without a "goddess headpiece", and what amazing work outs they both do to stay in the amazing shape that they are both in. Alone and together, they are ones to watch out for this year.

Nisim Frank: Tell us about how you decided to get into acting.

Eloise Lovell Andersen: Growing up, we were both vastly interested in film, I remember we used to do little plays together on camera- the first one we did was Indiana Jones, we had this natural gravitation towards film. We were at school and we did speech and drama, always in the plays together and it was inevitable that we were going to end up doing it as adults.

Sophie Andersen: We would act out our favorite films together and our dad would record us so we'd have a lot of home videos. We also did a lot of athletics and relay teams together, dance school, we got used to being a team and we both really had the same interests.

NF: Do you enjoy doing acting roles together or relish to do some work on your own?

SA: We love working together, it comes naturally to us. I know if I'm acting with Eloise, I always know that where I can bounce off with a person that I'm acting next to, which is always a great opportunity. It's a natural chemistry that we have and with other actors, it could take some more time to build that. It's always fantastic to utilize that but at the same time, we aren't the same person so it's nice to explore and experience life by yourself.

EA: I agree completely. It was super exciting for us to come together when we worked on "The Bastard Executioner". I relish the opportunity to work with my sister, I actually get most excited working with her because I think we can take it to this next level- which is a credit to her! We are both on this path and also embrace the opportunities we get as individuals collectively. 

NF: That's great! Have you guys ever competed for the same role?

::Both twins laugh:: 

EA: Yes!

NF: Do you want to talk about it? Is it weird?

EA: I feel like there are times when it comes up- not recently- but when it does, we look at it as two people who are in the same craft going for a job. It's inevitable that its going to happen and you don't make a big deal out of it. When I go into any audition, I try to put myself into a headspace that I need to concentrate on what I'm trying to do. 

:: Eloise to Sophie:: "I think you're the same."

SA: No no, I bring my hitman! 

::All Laugh::

EA: Oh wow! That's a different approach!

SA: I think the way to look at it as "Whatever will be, will be and life will turn out the way that it should." 

NF: Eloise, I know you've worked with Anthony Head (Buffy the Vampire Slayer, Little Britain, Merlin). Tell us a little bit about how it was working with the legendary British actor.

EA: I worked with him on "Here After," he just  switches it on! I remember he had this big speech and it was the first day we've met him, he had this giant monologue to go on for a lifetime and he was joking around with us all be-fore. He was even saying that he doesn't really know if he memorized it! He was just so professional and a lot of fun!

NF: Tell us a little bit about your personal style.

SA: I find that I've gone through phases but I feel like I'm mostly laid back but a bit paradoxical in my fashion sense. Half of me is very laid-back, tomboy, sportswear luxe, it's comfortable and bad ass at the same time! There is this other side of me that wants to wear a dress with the brightest color, so it's a bit of a strange mix ,at times but I try to keep the crazy side under control! I realize I can be a bit of a tomboy, so I feel the need to amp it up and go crazy and dress loud and fun.

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EA: Like Sophie, we're both really into sportswear and are very athletic. Sophie is into kickboxing, I am into Muay Thai and I think the sport luxe thing runs prevalent to that. I'm a sneaker freak so I love my Nike Trainers and in my leg warmers at home. Where we differ, I idolize this "warrior mixed with boho thrown in there" look, I prefer high boots when I go out and love a goddess head-dress- I'm always thinking what goddess head dress I could wear next!

NF: Tell us what type of style you would like on a man?

EA: Wow! ::laughs:: How honest do I have to be!? 

NF: As honest as you want to be.

EA: I love guys that have this sporty vibe to him. I love a guy that can look equally as good in the gym just around the house with their joggers on- preferably with no shirt on! Then I love somebody who is just really comfortable in their own skin. I think you can tell when the clothes are wearing them as opposed to rocking their own expression of themselves which is really powerful and sexy. I don't mind too much what a guy wears as much as it's incorporated into his personality and how comfortable they are with themselves.

SA: I feel like my type of guys style is "Rambo" at home but can put on a nice suit! I think that sums it up in one sentence! 

NF: Absolutely! Tell us what you guys are both doing with FX and your future plans.

SA: "The Bastard Executioner" is our big thing that we got to do together and it's been a platform for us to really get to act together all the time like when we were younger, it's really our driving force. We love together, this has been such a great job, working with Stephen Moyer, he's a fantastic actor. Kurt Sutter as a creative force behind it was incredible and an amazing overall experience.

EA: That being said, we have a couple of projects coming up that we're filming in the States. We can't say exactly yet. The next two projects are together as well. We're very excited and ready for everything coming up!

PHOTOGRAPHY COURTESY | Sophie + Eloise Lovell Anderson and FX Network

Nisim Frank is based in NYC and is the Co-Founder of Labeling Men.

Read more from the April Issue