MELODIES OF LIFE | TOBY GAD
We're heading towards the end of the year which always makes us think of our favorite songs! This month, we caught up with Toby Gad a Grammy-winning, multi-platinum songwriter/producer who has written some of our favorite songs from Beyoncé's If I Were a Boy, Fergie's Big Girls Don't Cry and Demi Lovato's Skyscraper to name a few! We wanted to know more about how he got into the industry, his passion for songwriting, collaborating with fellow entertainers and his legacy project, Piano Diaries!
ATHLEISURE MAG: When did you first fall in love with music?
TOBY GAD: First it’s so great to be able to talk with you and thank you for having me! I started with music when I was maybe 5/6/7 years old? My parents had a jazz band and probably when I was already in my mother’s womb, I heard all of these jazz songs that they did. They had a very limited repertoire so I always felt that one day I wanted to be able to write different songs because by age 3 I knew all 30 of the songs that they played!
AM: I love that!
How do you feel that your parents influenced you as jazz artists. My great-uncle was the late tenor saxophonist, Joe Henderson -
TG: Yes! Amazing amazing saxophonist!
AM: I love jazz, I love a lot of the elements of it. How did it influence your music?
TG: My mother always listened to Keith Jarrett, the piano player.
AM: Love Keith Jarrett!
TG: The Köln Concert by Keith Jarrett is probably the one record that I have listened to most in my entire life. It’s accompanied me my entire life and it always makes me feel like home. It’s such a great record and just how Keith Jarrett just improvises. He used to start concerts by just playing one note and then taking it from there without making any plans. He’s just very intuitive and just playing in the moment and I just thought that that was so special. I try – I mean, I’m not that good on the piano. I try to do it myself too sometimes and I lose myself in the piano playing. It’s just such a beautiful feeling when you just watch your hands take you places and explore.
AM: We saw Keith Jarrett a few years ago at Carnegie Hall here in NY and you’re right!
TG: I was there too! I saw him also in Carnegie!
AM: Yes! It was such an amazing show and I felt that I barely breathed during that concert, it was transformative! It was so beautiful and I’m so glad that I had a chance to see him because I had never seen him in person but have heard his records. Such a genius!
When did you realize that you wanted to work in the music industry?
TG: My brother and me, we always had ambitions. At first we emulated our parents and they rehearsed in the living room and when they were done, we would take over the instruments and pretend that we were musicians too. Then I think at the age of 6 or 7, we started to have our own set of a few Rock & Roll songs and we would play them in the intermissions of our parent’s jazz band. When our parents went back onstage, we went through the audience and collected money. That was our first experience of, “wow, we can actually make money with this.”
AM: Exactly!
You’re a music producer, you’re also a songwriter, what’s your creative process like and where do you start in terms of creating a song?
TG: It's very much lyric driven. It's always collaborative. I usually start with a conversation with the artist and see where they are at that time in their life. Are they heartbroken, are they in and out of love, angry, happy? What’s the mood of the day? And out of that conversation, sometimes, quite often something sticks – some line.
Like with BC Jean, when she said, because she was angry at someone, she said, “if I were a boy, I would kick his ass” and I was like, “what did you just say?” She said, If I Were a Boy (editor’s note: originally performed by BC Jean and later that year performed by Beyoncé) and I said let’s get back to the studio now and write this song. That’s often how it happens.
AM: Wow!
What do you love about being a songwriter?
TG: Well, it’s the feeling of coming full circle. Like you do something that starts so small with an artist and you record it and then if you’re lucky, it travels around the world. Then you hear it on the radio wherever you go. That is an incredible feeling when people know you by your song. It’s amazing and I love that.
AM: How do you get inspired and where does that part kick off for you?
TG: It’s always the artists that inspire me. If I know that I am going to work with someone, like recently I worked with James Arthur and Tom Walker and those are voices that I love. I love listening to their voices and working with them, I really looked forward to it and it inspired me to really work hard and to create some good music for them.
AM: You’ve had so many accomplishments from 3 Grammy Awards, Grammy nominations, and so many people that you have worked with. What do you look for when it comes to collaborating with an artist? Are there certain things that a person or group has to have in order to go forward?
TG: It's always important to me that the artists are kind of their own boss, they have something to say, they are driven to collaborate and to write their own lyric with someone like me. It’s very important that the artists are part of the creative process and that the music that they record somehow feels a bit autobiographical. Then of course, the voice. I love great voices. I worked with Celeste recently and there are just some singers who I could hear it day and night.
AM: I mean, when I was prepping for the interview, realizing the work that you have been on from Big Girls Don’t Cry, If I Were a Boy, I Do – these are songs that I really love! What have been some of your favorite projects that you have been part of?
TG: I think that Love Song to the Earth has been a song that we did for the Paris Climate Accord and that was a song that just meant a lot to me. At my heart, I’m an environmentalist as well. I care for the planet a lot and that was a little contribution that we could do and I wrote the song with Natasha Bedingfield, John Shanks, and Sean Paul. We got more and more artists on it and by the end, we got Paul McCartney on it as well. Jon Bon Jovi as well as a number of other big name artists wanted to be on this song too. So that was a great experience!
AM: Well, you have worked with a number of artists, but you have also crossed over into a number of genres in music. Does the process change for you when you’re working on an EDM song versus a pop song?
TG: I think that for me the core is that you can always play it on the piano. A lot of good EDM songs start with a good vocal and from there you can explore all different directions. Now, with Piano Diaries, it’s stripping these songs back down to the bones and it’s just for the vocal performance and the really marvelous piano and maybe a little string accompaniment and then the remixes which go all kinds of places and I just have fun with them. But I think that all of these songs at their core, if you can just play them at the piano, that’s great!
AM: What led you to want to create Piano Diaries and to embark on this legacy project?
TG: Well most of my career has been next song, next artist, next session and trying to get a hit, hit, hit! This is the first time in my life that I feel like I can take a breath, look back, and reflect a little bit. I’m happy to rediscover these songs, but I feel that I wanted to record them in a way – how I hear them today and with artists of today, but then I also want to hear the bones of it. For people to be able to hear how it could sound stripped down and just let the lyric carry it. Then of course, to have fun with these new originals and then make crazy remixes.
AM: I love that! I mean, what is it like to work on something that obviously we already know what it’s like, but now having to reimagine it? Is that stressful or is it almost like a sense of freedom?
TG: There’s a real challenge for the original version with piano vocal to create something that feels new.
AM: Yeah.
TG: And to make sure that the singers perform it in a way that feels very original. Like for instance, the next single, Skyscraper, will be with an artist, Camylio a Universal Republic artist with a very strong voice and he sounds so different from the Demi Lovato version, but he kills it.
The current single, Big Girls Don’t Cry, Victoria Justice has such a beautiful soft voice on it that sounds so different from how Fergie sang it when we did that song back then.
AM: I can imagine that that is such an interesting process.
What was it like working with Victoria Justice on that?
TG: Victoria and I, we go way back! Back when she had this very popular television show, Victorious, we had a song, All I Want is Everything that we wrote and she was 17 years old. Ever since, every few years, we would get together and write more songs. We did a song, Girl Up, to empower young females around the world for the United Nations. Love Song to the Earth, she was part of that. So over the years, we kept in touch and she’s such a precious soul and I love her. We actually, it wasn’t just the song, we spent days together just having fun climbing mountains, going surfing, and going through Downtown LA and we filmed a lot of that and put it on social media so we have 30 or 40 little clips on TikTok and Instagram of us talking, asking each other questions, and doing fun things together.
AM: You have your own record label, Kite Records, can you tell me about that?
TG: Well, about 10 years ago, I started Kite Records and we had several records out. But back in the day it meant that you had an imprint and that the record company takes over. But now, it’s such a new perspective that you can do so much on social media and on your own. I couldn’t wait to restart the label and to hire a few new amazing people. Now in the first 2 days we have almost 70,000 streams which I think is incredible that we can achieve that on our own! I’m so happy about this!
AM: That’s amazing!
Obviously you’re focused on Piano Diaries, but are there other projects that are coming up that you would like to share with our readers to know about?
TG: There is a Christmas single, LITTLE HOUSE IN THE SNOW, that came out on Nov 24th with Marisha Wallace, she is a musical star and I am working with her on an Etta James musical that is still going to be a year or two in the making. We decided to do a Christmas song. We’re promoting it in London, there will be shows in the Royal Festival Hall on Dec 15th and 17th and we’re performing with an orchestra. We get to do this song and there are a few TV and radio performances alongside that and that’s also on our label. So I’m very excited about this! Marisha is such a great singer!
AM: That’s fantastic and I can’t wait to hear more about the Etta James musical as I’m such a fan of her music.
When you’re not producing, writing, or doing other projects, how do you take time for yourself?
TG: That’s a learning process and I think that I am getting better with it after all of these years. I love surfing! Right now you can see where we are.
AM: Um that’s an amazing view! We just had Laird Hamilton and Gabby Reece as our OCT ISSUE #94 cover!
TG: I saw that! Incredible! I’m such a fan of Laird Hamilton and I think that it’s remarkable that early on, he decided that he never wanted to compete, he just wants to have his own experience with the gigantic waves out there with the natural forces. I have a lot of respect for this man!
AM: Do you go to Nazaré and surf big waves?
TG: Ha! I think that the biggest wave that I surfed was maybe 6 – 8 ft! To me that is very big!
AM: We also had Kai Lenny for our MAY ISSUE #89 this year as well on our cover who is also known for surfing those really epic waves! Watching him on HBO's 100 Foot Wave was insane! There’s no way I could do that, but watching him do it is so impressive!
TG: Kai Lenny is such a trailblazer with all of the other things like Foiling, Wing Folling and what he does at Nazaré is unbelievable! He does back flips on those 100 foot waves!
PHOTOGRAPHY COURTESY | Toby Gad
Read the NOV ISSUE #95 of Athleisure Mag and see MELODIES OF LIFE | Toby Gad in mag.
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RHYTHM + TIME 40TH ANNIVERSARY: CASIO'S G-SHOCK + J BALVIN
This month, we celebrated CASIO's G-SHOCK's 40th Anniversary which included a press conference to hear about its history as well as the future of this brand. We were able to hear about the brands' four decades of pushing the boundaries of watch design as well as technology. The Father of G-SHOCK and creator, Kikuo Ibe shared his story and the origins of the brand. He also shared the Dream Project #2 a new luxury, AI-designed timepiece, that will be auctioned off at PHILLIPS on Dec 9th and 10th that has a bold design that pays homage to the brand's heritage. This model includes the latest advancements in watchmaking technology.
The G-D001 is an 18K yellow gold for the case, bezel, and band. Hand polishing is applied throughout the piece to give the components the optimal lustre for this limited edition of one timepiece worldwide. This watch incorporates cutting edge AI technologies into its design process.
Prior to and after this press conference, a number of the brand's watches were showcased to see how the brand started, evolved and special collaborations that they have participated with as well.
The night concluded with a few words from international superstar, J Balvin on how he aligned with the brand growing up in Columbia and what it meant to him. Later in the evening, he also performed a private concert that took the night to the next level as he performed some of his major hits.
IG @gshock_us
PHOTOGRAPHY CREDITS | PG 114 - 115 + 118 - 127 Shutterstock/Andrew Walker + Adela Loconte | PG 116 Paul Farkas |
Read the NOV ISSUE #95 of Athleisure Mag and see RHYTHM + TIME 40TH ANNIVERSARY : Casio’s G-Shock + J Balvin in mag.
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POWER BOOK III: RAISING KANAN REALITIES OF LIFE MEKAI CURTIS, JOEY BADA$$, LONDON BROWN
Season 3 of STARZ's POWER BOOK III: Raising Kanan is back on Dec 1st at midnight on the STARZ app (all STARZ streaming and on-demand platforms) as well as on STARZ at 9pm ET every Friday night! We caught up with MeKai Curtis (Arrested Development, Girl Meets World, Milo Murphy's Law), Joey BadA$$ (Wu-Tang: An American Saga, Mr. Robot, Grown-ish), and London Brown (The Hustle, Ballers, American Soul) who are all back for the latest season. We wanted to find out about what we can expect for this season (season 4 is not only renewed but is already in production) as well as what we should be excited for!
MeKai plays Kanan Stark in the 90's in the origin story of the character played by Curtis "50 Cent" Jackson in POWER, the flagship series. We know he's the devoted son of Raquel "Raq" Thomas (Patina Miller) and as he searches for answers that he will ultimately evolve. We wanted to know how he approaches Kanan, what drew him to this series and what he is excited for.
ATHLEISURE MAG: It’s so exciting to be able to connect with you. How do you approach playing Kanan?
MEKAI CURTIS: You know, I approach it like any other character that I would approach and like how anybody would approach life. I take it line by line, scene by scene, day by day, reaction by reaction – I kind of just try to make it as organic as I can. That’s all acting it. It’s reacting.
AM: Where did we leave Kanan last season and where are we picking up with him again?
MC: I think that you’ll kind of find Kanan in the same spot that you left him at the end of season 2. He’s just trying to get a lot of answers to a lot of questions that he has and some of the answers that he’s getting aren’t necessarily adding up. So he dives deeper into finding those answers and then he builds his truth and his new world around that information! So you know, you’re just again finding an inquisitive young man trying to figure out what he is doing in life and who he is.
AM: What made you want to play this character as well as to join this amazing cast?
MC: Ah man, I mean, wanting to play this character, it stemmed from partially being a fan of the original franchise and then just wanting to push myself as an artist and to take on something new, to stretch my chops and to do something that I knew that I could. But even signing on, I had no idea in certain ways on what I was stepping into. I’m beyond grateful for it. I’m beyond ready for it. But even the magnitude of where we are and what we’re creating, it wasn’t so heavily on me at the time. It was just again about doing good work and getting to be part of the POWER franchise!
AM: What should fans be excited about as we come into the season as I can’t believe that it launches this Fri on Dec 1st!
MC: Ah wow! It is crazy! Oh wow, it is coming up on Fri!
AM: I know, right?
MC: Yo, time is moving – I mean time is just timing! It’s just happening. Everything is happening so fast! I mean, you just threw me for a loop with that one!
I mean it’s about just being able to watch the season! It’s about continuing the journey and continuing the ride with us. It’s about continuing to unfold and discover this world and these characters and what made the person – the original people that the fans of the original franchise are really able to get to understand. It’s about knowing the person that they saw from the original and new people that we have garnered and have started to bring onto the ship. They’re getting to enjoy just a really good story. It’s a coming of age story, a story of love, a story of forgiveness, a story of ups and downs and bonding. It’s about just trying to pave your way and making it do what it do every day that you’re allowed to!
We've been a fan of rapper and actor, Joey BadA$$ and the energy that he brings into playing playing notorious drug lord, Kadeem “Unique” Mathis, a character that continues to unveil his complexities from season to season. In addition to finding out how he brings this character to life, we also wanted to know what he loves about playing him as well as what drew him to the POWER universe.
ATHLEISURE MAG: How do you approach playing Unique?
JOEY BADA$$: Well you know, once I get suited and booted, it’s definitely like I get 5 points for that! You know what I mean? Just being in the attire! Also, it’s just more of the mental preparation than anything. You know, I’m thinking about what must be going on in the character’s mind, what are the current challenges that he’s facing and how can I bring that to life on the screen? How can I show that with my actions or my mannerisms or even my facial expressions.
AM: Where did we leave Unique last season and where are we picking up with him again this season?
JB: So you know, last season we saw the villain become the hero and I thought that that was very interesting. You know, I think that with this new season, historically, he was the guy that you hated that you loved or the guy that you loved that you hated. But now, I feel like people are going to see him in a new light this season because he’s in much more of a vulnerable space navigating this chemistry between him and Raq. So, you know his brother being back home and Ronnie’s (Grantham Coleman) not happy with what Unique has done. So there’s this work-life balance that Unique is facing and you know, I think that people are really going to see more of the human aspect of Unique more than anything this season so I’m excited about that!
AM: What made you want to play this character and be part of this phenomenal cast?
JB: Well I’ve been a fan of the original POWER series you know for a long time. When I saw that they were doing a spin-off, I just thought, look I just need a role. It don’t really matter which one it is, but once the role of Unique came and I auditioned for this character and it landed on my desk, I’m like, this is it – this is me. You know, by every means, this is me. I felt like I was born to play this character, you know what I’m saying? It’s been exciting to say the least and I’m super grateful to be part of this universe and to be part of the family.
AM: It’s always fun to see when you’re on screen! Are there any other upcoming projects that we should keep our eye out for that you can tell us about?
JB: Well, as we know, Raising Kanan Season 3 is coming. I’m working on a new album right now to put out at the top of next year. So I’m looking forward to that! Yeah and you know, more film stuff. I’m actually starting up a production company right now so I’m actually looking to get my hand involved in the executive level in this film industry so I am genuinely excited about that! I’ll be producing some of my own projects. I’m just looking forward to elevation and growth!
IG @joeybadass
Before the series premiere of this show, we caught up with London Brown who plays Marvin Thomas, who is Raq's older brother and Kanan's uncle. In that interview, he introduced us to POWER BOOK III, and it's great to now touchbase with him ahead of the 3rd season, to know more about his thoughts on the intracacies of Marvin, how he continues to approach him when playing him, why he enjoys bringing him to life and of course, what we need to know to be prepared for the upcoming season.
ATHLEISURE MAG: How do you approach playing Marvin?
LONDON BROWN: With a lot of concentration and focus in the sense that I just try to make sure that I try to create a lot of layers for Marvin so that he really becomes 3 dimensional and that he’s just not just some caricature, but more so a real person with real feelings. That way, the audience can go on a journey with me.
AM: Where did we leave Marvin last season, and where are we picking up with him again?
LB: We leave Marvin last season injured and in the middle of trying to repair relationships and we pick it up with him right there in the sense of he’s learned some lessons and now he is trying to apply those lessons to really become a better person. Not only for himself, but for those that he loves.
AM: We had the pleasure to catch up before the first season aired and so to talk with you again has been great. What do you enjoy about playing him across these seasons?
LB: The thing that I enjoy is experimenting with the arc of Marvin. That’s what I like! I don’t like for any character to stay in one thing and you can’t put Marvin in any kind of particular space because he’s doing different things. People can even experience that from the first season. This is true even from season to season. Even within a scene, you'll see Marvin go from one extreme to the next. So that’s been fun, just to get into the layers of playing Marvin.
AM: What should we expect from this season as we’re excited that this show is back!
LB: I think that people should expect plot twists and more specifically with Marvin. Just when people thought that they understood Marvin, they’re going to see a completely different side of Marvin that people can appreciate and whatever ideas that they thought that they had of Marvin in Season 1 like, “oh man, he did – oh wait – he is – he’s like this and like that!” But Marvin is still Marvin. So Marvin don’t start no issues, but if you cross him, he’ll finish them. So the undertone of Marvin is still there, but there are a lot of new notes to Marvin that we explored.
PHOTOGRAPHY COURTESY | STARZ/POWER BOOK III: Raising Kanan
Read the NOV ISSUE #95 of Athleisure Mag and see POWER BOOK III: Raising Kanan - Realities of Life | MeKai Curtis, Joey BadA$$, London Brown in mag.
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9PLAYLIST | TOBY GAD
Read the NOV ISSUE #95 of Athleisure Mag and see 9PLAYLIST | Toby Gad in mag.
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9LIST STORI3S | HONEYLUV
9LIST STORI3S | JESSE MCFADDIN
AWARDS SEASON | GRAMMYS 2024 NOMINEES
Earlier today, The Recording Academy shared the nominations for the 2024 GRAMMYs, which will take place Sunday, Feb. 4, at Crypto.com Arena in Los Angeles. As we do during Awards Season, we will predict who we think will win (bold) and in a future post, we’ll share the winners (italicized) and which ones we predicted correctly (bold italicized). The 2024 GRAMMYs, officially known as the 66th GRAMMY Awards, will air live (8:00-11:30 PM, LIVE ET/5:00-8:30 PM, LIVE PT) on the CBS Television Network and will stream on Paramount+ (live and on demand for Paramount+ with SHOWTIME subscribers, or on demand for Paramount+ Essential subscribers the day after the special airs).
1. Record Of The Year
Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.
Worship
Jon Batiste
Jon Batiste, Jon Bellion, Pete Nappi & Tenroc, producers; Serban Ghenea & Pete Nappi, engineers/mixers; Chris Gehringer, mastering engineer
Not Strong Enough
boygenius
boygenius & Catherine Marks, producers; Owen Lantz, Catherine Marks, Mike Mogis, Bobby Mota, Kaushlesh "Garry" Purohit & Sarah Tudzin, engineers/mixers; Pat Sullivan, mastering engineer
Flowers
Miley Cyrus
Kid Harpoon & Tyler Johnson, producers; Michael Pollack, Brian Rajaratnam & Mark "Spike" Stent, engineers/mixers; Joe LaPorta, mastering engineer
What Was I Made For? [From The Motion Picture "Barbie"]
Billie Eilish
Billie Eilish & FINNEAS, producers; Billie Eilish, Rob Kinelski & FINNEAS, engineers/mixers; Chris Gehringer, mastering engineer
On My Mama
Victoria Monét
Deputy, Dernst Emile II & Jeff Gitelman, producers; Patrizio Pigliapoco & Todd Robinson, engineers/mixers; Colin Leonard, mastering engineer
Vampire
Olivia Rodrigo
Dan Nigro, producer; Serban Ghenea, Michael Harris, Chris Kasych, Daniel Nigro & Dan Viafore, engineers/mixers; Randy Merrill, mastering engineer
Anti-Hero
Taylor Swift
Jack Antonoff & Taylor Swift, producers; Jack Antonoff, Serban Ghenea, Laura Sisk & Lorenzo Wolff, engineers/mixers; Randy Merrill, mastering engineer
Kill Bill
SZA
Rob Bisel & Carter Lang, producers; Rob Bisel, engineer/mixer; Dale Becker, mastering engineer
2. Album Of The Year
Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with 20% or more playing time of the album.
World Music Radio
Jon Batiste
Jon Batiste, Jon Bellion, Nick Cooper, Pete Nappi & Tenroc, producers; Jon Batiste, Pete Nappi, Kaleb Rollins, Laura Sisk & Marc Whitmore, engineers/mixers; Jon Batiste, Jon Bellion, Jason Cornet & Pete Nappi, songwriters; Chris Gehringer, mastering engineer
the record
boygenius
boygenius & Catherine Marks, producers; Owen Lantz, Will Maclellan, Catherine Marks, Mike Mogis, Bobby Mota, Kaushlesh "Garry" Purohit & Sarah Tudzin, engineers/mixers; Julien Baker, Phoebe Bridgers & Lucy Dacus, songwriters; Pat Sullivan, mastering engineer
Endless Summer Vacation
Miley Cyrus
Kid Harpoon, Tyler Johnson & Mike Will Made-It, producers; Pièce Eatah, Craig Frank, Paul David Hager, Stacy Jones, Brian Rajaratnam & Mark "Spike" Stent, engineers/mixers; Miley Cyrus, Gregory Aldae Hein, Thomas Hull, Tyler Johnson, Michael Len Williams II & Michael Pollack, songwriters; Joe LaPorta, mastering engineer
Did You Know That There's A Tunnel Under Ocean Blvd
Lana Del Rey
Jack Antonoff, Zach Dawes, Lana Del Rey & Drew Erickson, producers; Jack Antonoff, Michael Harris, Dean Reid & Laura Sisk, engineers/mixers; Jack Antonoff, Lana Del Rey & Mike Hermosa, songwriters; Ruairi O'Flaherty, mastering engineer
The Age Of Pleasure
Janelle Monáe
Sensei Bueno, Nate "Rocket" Wonder & Nana Kwabena, producers; Mick Guzauski, Nate "Rocket" Wonder, Jayda Love, Janelle Monáe & Yáng Tan, engineers/mixers; Jarrett Goodly, Nathaniel Irvin III, Janelle Monáe Robinson & Nana Kwabena Tuffuor, songwriters; Dave Kutch, mastering engineer
GUTS
Olivia Rodrigo
Daniel Nigro, producer; Serban Ghenea, Sterling Laws, Mitch McCarthy, Daniel Nigro, Dave Schiffman, Mark "Spike" Stent, Sam Stewart & Dan Viafore, engineers/mixers; Daniel Nigro & Olivia Rodrigo, songwriters; Randy Merrill, mastering engineer
Midnights
Taylor Swift
Jack Antonoff & Taylor Swift, producers; Jack Antonoff, Zem Audu, Serban Ghenea, David Hart, Mikey Freedom Hart, Sean Hutchinson, Ken Lewis, Michael Riddleberger, Laura Sisk & Evan Smith, engineers/mixers; Jack Antonoff & Taylor Swift, songwriters; Randy Merrill, mastering engineer
SOS
SZA
Rob Bisel, ThankGod4Cody & Carter Lang, producers; Rob Bisel, engineer/mixer; Rob Bisel, Cody Fayne, Carter Lang & Solána Rowe, songwriters; Dale Becker, mastering engineer
3. Song Of The Year
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
A&W
Jack Antonoff, Lana Del Rey & Sam Dew, songwriters (Lana Del Rey)
Anti-Hero
Jack Antonoff & Taylor Swift, songwriters (Taylor Swift)
Butterfly
Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
Dance The Night (From Barbie The Album)
Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt, songwriters (Dua Lipa)
Flowers
Miley Cyrus, Gregory Aldae Hein & Michael Pollack, songwriters (Miley Cyrus)
Kill Bill
Rob Bisel, Carter Lang & Solána Rowe, songwriters (SZA)
Vampire
Daniel Nigro & Olivia Rodrigo, songwriters (Olivia Rodrigo)
What Was I Made For? [From The Motion Picture "Barbie"]
Billie Eilish O'Connell & Finneas O'Connell, songwriters (Billie Eilish)
4. Best New Artist
This category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.
Gracie Abrams
Fred again..
Ice Spice
Jelly Roll
Coco Jones
Noah Kahan
Victoria Monét
The War And Treaty
5. Producer Of The Year, Non-Classical
A Producer's Award. (Artists names appear in parentheses.)
Jack Antonoff
• Being Funny In A Foreign Language (The 1975) (A)
• Did You Know That There's A Tunnel Under Ocean Blvd (Lana Del Rey) (A)
• Midnights (Taylor Swift) (A)
Dernst "D'Mile" Emile II
• JAGUAR II (Victoria Monét) (A)
Hit-Boy
• Bus Stop (Don Toliver Featuring Brent Faiyaz) (T)
• Just Face It (Dreamville With Blxst) (T)
• Kings Disease III (Nas) (A)
• Magic 3 (Nas) (A)
• Magic 2 (Nas) (A)
• Slipping Into Darkness (Hit-Boy & The Alchemist) (S)
• Surf Or Drown Vol. 1 (Hit-Boy) (A)
• Surf Or Drown Vol. 2 (Hit-Boy) (A)
• Victims & Villains (Musiq Soulchild & Hit-Boy) (A)
• Metro Boomin
• Am I Dreaming (Metro Boomin Featuring Roisee & A$AP Rocky) (S)
• Calling (Metro Boomin Featuring NAV, A Boogie Wit Da Hoodie & Swae Lee) (S)
• Creepin' (Metro Boomin Featuring 21 Savage & The Weeknd) (S)
• More M's (Drake & 21 Savage) (S)
• Oh U Went (Young Thug Featuring Drake) (S)
• Superhero (Heroes & Villains) (Metro Boomin, Future & Chris Brown) (S)
• Til Further Notice (Travis Scott Featuring James Blake & 21 Savage) (S)
• Trance (Metro Boomin Featuring Travis Scott & Young Thug) (S)
• War Bout It (Lil Durk Featuring 21 Savage) (S)
• Daniel Nigro
• Casual (Chappell Roan) (S)
• Divide (Dermot Kennedy) (S)
• Guts (Olivia Rodrigo) (A)
• Hot To Go! (Chappell Roan) (S)
• Kaleidoscope (Chappell Roan) (S)
• Red Wine Supernova (Chappell Roan) (S)
• Welcome To My Island (Caroline Polachek) (S)
6. Songwriter of the Year, Non-Classical
A Songwriter's Award. (Artists names appear in parentheses.)
Edgar Barrera
• Cuestion De Tiempo (Don Omar) (T)
• Falsa Alarma (En Vivo) (Grupo Firme) (T)
• Gucci Los Paños (Karol G) (T)
• La Despedida (Christian Nodal) (T)
• Mi Ex Tenía Razón (Karol G) (T)
• Que Vuelvas (Various Artists) (T)
• Un Cumbión Dolido (Christian Nodal) (T)
• un x100to (Grupo Frontera & Bad Bunny) (T)
• Yo Pr1mero (Rels B) (S)
Jessie Jo Dillon
• Buried (Brandy Clark) (T)
• Girl In The Mirror (Megan Moroney) (T)
• Halfway To Hell (Jelly Roll) (T)
• I Just Killed A Man (Catie Offerman) (S)
• Memory Lane (Old Dominion) (S)
• Neon Cowgirl (Dan + Shay) (T)
• screen (HARDY) (T)
• The Town In Your Heart (Lori McKenna) (T)
• Up Above The Clouds (Cecilia's Song) (Brandy Clark) (T)
Shane McAnally
• Come Back To Me (Brandy Clark) (S)
• Good With Me (Walker Hayes) (S)
• He's Never Gunna Change (Lauren Daigle) (S)
• I Should Have Married You (Old Dominion) (S)
• Independently Owned (Alex Newell & Original Broadway Cast of Shucked) (S)
• Never Grow Up (Niall Horan) (S)
• Start Nowhere (Sam Hunt) (S)
• Walmart (Sam Hunt) (S)
• We Don't Fight Anymore (Carly Pearce & Chris Stapleton) (S)
Theron Thomas
• All My Life (Lil Durk Featuring J. Cole) (S)
• Been Thinking (Tyla) (S)
• Cheatback (Chlöe & Future) (T)
• How We Roll (Ciara & Chris Brown) (S)
• Make Up Your Mind (Cordae) (S)
• Pretty Girls Walk (Big Boss Vette) (S)
• Seven (Jung Kook & Latto) (S)
• Told Ya (Chlöe & Missy Elliot) (T)
• You And I (Sekou) (T)
Justin Tranter
• Gemini Moon (Reneé Rapp) (T)
• Honey! (Are U Coming?) (Måneskin) (S)
• I Want More (Marisa Davila & Cast Of Grease: Rise Of The Pink Ladies) (S)
• Jersey (Baby Tate) (S)
• A Little Bit Happy (TALK) (S)
• Pretty Girls (Reneé Rapp) (S)
• River (Miley Cyrus) (S)
Field 1: Pop & Dance/Electronic Music
7. Best Pop Solo Performance
For new vocal or instrumental pop recordings. Singles or Tracks only.
Flowers
Miley Cyrus
Paint The Town Red
Doja Cat
What Was I Made For? [From The Motion Picture "Barbie"]
Billie Eilish
Vampire
Olivia Rodrigo
Anti-Hero
Taylor Swift
8. Best Pop Duo/Group Performance
For new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.
Thousand Miles
Miley Cyrus Featuring Brandi Carlile
Candy Necklace
Lana Del Rey Featuring Jon Batiste
Never Felt So Alone
Labrinth Featuring Billie Eilish
Karma
Taylor Swift Featuring Ice Spice
Ghost In The Machine
SZA Featuring Phoebe Bridgers
9. Best Pop Vocal Album
For albums containing greater than 75% playing time of new pop vocal recordings.
Chemistry
Kelly Clarkson
Endless Summer Vacation
Miley Cyrus
GUTS
Olivia Rodrigo
- (Subtract)
Ed Sheeran
Midnights
Taylor Swift
10. Best Dance/Electronic Recording
For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.
Blackbox Life Recorder 21F
Aphex Twin
Richard D James, producer; Richard D James, mixer
Loading
James Blake
James Blake & Dom Maker, producers; James Blake, mixer
Higher Than Ever Before
Disclosure
Cirkut, Guy Lawrence & Howard Lawrence, producers; Guy Lawrence, mixer
Strong
Romy & Fred again..
Fred again.., Stuart Price & Romy, producers; Fred again.. & Stuart Price, mixers
Rumble
Skrillex, Fred again.. & Flowdan
Fred again.. & Skrillex, producers; Skrillex, mixer
11. Best Pop Dance Recording
For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.
Baby Don't Hurt Me
David Guetta, Anne-Marie & Coi Leray
Johnny Goldstein, Toby Green, David Guetta & Mike Hawkins, producers; Serban Ghenea, mixer
Miracle
Calvin Harris Featuring Ellie Goulding
Burns & Calvin Harris, producers; Calvin Harris, mixer
Padam Padam
Kylie Minogue
Lostboy, producer; Guy Massey, mixer
One In A Million
Bebe Rexha & David Guetta
Burns & David Guetta, producers; Serban Ghenea, mixer
Rush
Troye Sivan
Styalz Fuego, Novodor & Zhone, producers; Alex Ghenea, mixer
12. Best Dance/Electronic Music Album
For vocal or instrumental albums. Albums only.
Playing Robots Into Heaven
James Blake
For That Beautiful Feeling
The Chemical Brothers
Actual Life 3 (January 1 - September 9 2022)
Fred again..
Kx5
Kx5
Quest For Fire
Skrillex
Field 2: Rock, Metal & Alternative Music
13. Best Rock Performance
For new vocal or instrumental solo, duo/group or collaborative rock recordings.
Sculptures Of Anything Goes
Arctic Monkeys
More Than A Love Song
Black Pumas
Not Strong Enough
Boygenius
Rescued
Foo Fighters
Lux Æterna
Metallica
14. Best Metal Performance
For new vocal or instrumental solo, duo/group or collaborative metal recordings.
Bad Man
Disturbed
Phantom Of The Opera
Ghost
72 Seasons
Metallica
Hive Mind
Slipknot
Jaded
Spiritbox
15. Best Rock Song
A Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
Angry
Mick Jagger, Keith Richards & Andrew Watt, songwriters (The Rolling Stones)
Ballad Of A Homeschooled Girl
Daniel Nigro & Olivia Rodrigo, songwriters (Olivia Rodrigo)
Emotion Sickness
Dean Fertita, Joshua Homme, Michael Shuman, Jon Theodore & Troy Van Leeuwen, songwriters (Queens Of The Stone Age)
Not Strong Enough
Julien Baker, Phoebe Bridgers & Lucy Dacus, songwriters (boygenius)
Rescued
Dave Grohl, Rami Jaffee, Nate Mendel, Chris Shiflett & Pat Smear, songwriters (Foo Fighters)
16. Best Rock Album
For albums containing greater than 75% playing time of new rock, hard rock or metal recordings.
But Here We Are
Foo Fighters
Starcatcher
Greta Van Fleet
72 Seasons
Metallica
This Is Why
Paramore
In Times New Roman...
Queens Of The Stone Age
17. Best Alternative Music Performance
For new vocal or instrumental solo, duo/group or collaborative Alternative music recordings.
Belinda Says
Alvvays
Body Paint
Arctic Monkeys
Cool About It
boygenius
A&W
Lana Del Rey
This Is Why
Paramore
18. Best Alternative Music Album
Vocal or Instrumental.
The Car
Arctic Monkeys
The Record
boygenius
Did You Know That There's A Tunnel Under Ocean Blvd
Lana Del Rey
Cracker Island
Gorillaz
I Inside The Old Year Dying
PJ Harvey
Field 3: R&B, Rap & Spoken Word Poetry
19. Best R&B Performance
For new vocal or instrumental R&B recordings.
Summer Too Hot
Chris Brown
Back To Love
Robert Glasper Featuring SiR & Alex Isley
ICU
Coco Jones
How Does It Make You Feel
Victoria Monét
Kill Bill
SZA
20. Best Traditional R&B Performance
For new vocal or instrumental traditional R&B recordings.
Simple
Babyface Featuring Coco Jones
Lucky
Kenyon Dixon
Hollywood
Victoria Monét Featuring Earth, Wind & Fire & Hazel Monét
Good Morning
PJ Morton Featuring Susan Carol
Love Language
SZA
21. Best R&B Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
Angel
Halle Bailey, Theron Feemster & Coleridge Tillman, songwriters (Halle)
Back To Love
Darryl Andrew Farris, Robert Glasper & Alexandra Isley, songwriters (Robert Glasper Featuring SiR & Alex Isley)
ICU
Darhyl Camper Jr., Courtney Jones, Raymond Komba & Roy Keisha Rockette, songwriters (Coco Jones)
On My Mama
Dernst Emile II, Jeff Gitelman, Victoria Monét, Kyla Moscovich, Jamil Pierre & Charles Williams, songwriters (Victoria Monét)
Snooze
Kenny B. Edmonds, Blair Ferguson, Khris Riddick-Tynes, Solána Rowe & Leon Thomas, songwriters (SZA)
22. Best Progressive R&B Album
For albums containing greater than 75% playing time of newly recorded progressive vocal tracks derivative of R&B.
Since I Have A Lover
6LACK
The Love Album: Off The Grid
Diddy
Nova
Terrace Martin And James Fauntleroy
The Age Of Pleasure
Janelle Monáe
SOS
SZA
23. Best R&B Album
For albums containing greater than 75% playing time of new R&B recordings.
Girls Night Out
Babyface
What I Didn't Tell You (Deluxe)
Coco Jones
Special Occasion
Emily King
JAGUAR II
Victoria Monét
CLEAR 2: SOFT LIFE EP
Summer Walker
24. Best Rap Performance
For a Rap performance. Singles or Tracks only.
The Hillbillies
Baby Keem Featuring Kendrick Lamar
Love Letter
Black Thought
Rich Flex
Drake & 21 Savage
SCIENTISTS & ENGINEERS
Killer Mike Featuring André 3000, Future And Eryn Allen Kane
Players
Coi Leray
25. Best Melodic Rap Performance
For a solo or collaborative performance containing both elements of R&B melodies and Rap.
Sittin' On Top Of The World
Burna Boy Featuring 21 Savage
Attention
Doja Cat
Spin Bout U
Drake & 21 Savage
All My Life
Lil Durk Featuring J. Cole
Low
SZA
26. Best Rap Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
Attention
Rogét Chahayed, Amala Zandile Dlamini & Ari Starace, songwriters (Doja Cat)
Barbie World [From Barbie The Album]
Isis Naija Gaston, Ephrem Louis Lopez Jr. & Onika Maraj, songwriters (Nicki Minaj & Ice Spice Featuring Aqua)
Just Wanna Rock
Mohamad Camara, Symere Woods & Javier Mercado, songwriters (Lil Uzi Vert)
Rich Flex
Brytavious Chambers, Isaac "Zac" De Boni, Aubrey Graham, J. Gwin, Anderson Hernandez, Michael "Finatik" Mule & Shéyaa Bin Abraham-Joseph, songwriters (Drake & 21 Savage)
SCIENTISTS & ENGINEERS
Andre Benjamin, Paul Beauregard, James Blake, Michael Render, Tim Moore & Dion Wilson, songwriters (Killer Mike Featuring André 3000, Future And Eryn Allen Kane)
27. Best Rap Album
For albums containing greater than 75% playing time of new rap recordings.
Her Loss
Drake & 21 Savage
MICHAEL
Killer Mike
HEROES & VILLIANS
Metro Boomin
King's Disease III
Nas
UTOPIA
Travis Scott
28. Best Spoken Word Poetry Album
For albums containing greater than 50% playing time of new spoken word poetry recordings.
A-You're Not Wrong B-They're Not Either: The Fukc-It Pill Revisited
Queen Sheba
For Your Consideration'24 -The Album
Prentice Powell and Shawn William
Grocery Shopping With My Mother
Kevin Powell
The Light Inside
J. Ivy
When The Poems Do What They Do
Aja Monet
Field 4: Jazz, Traditional Pop, Contemporary Instrumental & Musical Theater
29. Best Jazz Performance
For new vocal or instrumental solo, duo/group or collaborative jazz recordings.
Movement 18' (Heroes)
Jon Batiste
Basquiat
Lakecia Benjamin
Vulnerable (Live)
Adam Blackstone Featuring The Baylor Project & Russell Ferranté
But Not For Me
Fred Hersch & Esperanza Spalding
Tight
Samara Joy
30. Best Jazz Vocal Album
For albums containing greater than 75% playing time of new vocal jazz recordings.
For Ella 2
Patti Austin Featuring Gordon Goodwin's Big Phat Band
Alive At The Village Vanguard
Fred Hersch & Esperanza Spalding
Lean In
Gretchen Parlato & Lionel Loueke
Mélusine
Cécile McLorin Salvant
How Love Begins
Nicole Zuraitis
31. Best Jazz Instrumental Album
For albums containing greater than 75% playing time of new instrumental jazz recordings.
The Source
Kenny Barron
Phoenix
Lakecia Benjamin
Legacy: The Instrumental Jawn
Adam Blackstone
The Winds Of Change
Billy Childs
Dream Box
Pat Metheny
32. Best Large Jazz Ensemble Album
For albums containing greater than 75% playing time of new ensemble jazz recordings.
The Chick Corea Symphony Tribute - Ritmo
ADDA Simfònica, Josep Vicent, Emilio Solla
Dynamic Maximum Tension
Darcy James Argue's Secret Society
Basie Swings The Blues
The Count Basie Orchestra Directed By Scotty Barnhart
Olympians
Vince Mendoza & Metropole Orkest
The Charles Mingus Centennial Sessions
Mingus Big Band
33. Best Latin Jazz Album
For vocal or instrumental albums containing greater than 75% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.
Quietude
Eliane Elias
My Heart Speaks
Ivan Lins With The Tblisi Symphony Orchestra
Vox Humana
Bobby Sanabria Multiverse Big Band
Cometa
Luciana Souza & Trio Corrente
El Arte Del Bolero Vol. 2
Miguel Zenón & Luis Perdomo
34. Best Alternative Jazz Album
For vocal or instrumental albums containing greater than 75% playing time of new Alternative jazz recordings.
Love In Exile
Arooj Aftab, Vijay Iyer, Shahzad Ismaily
Quality Over Opinion
Louis Cole
SuperBlue: The Iridescent Spree
Kurt Elling, Charlie Hunter, SuperBlue
Live At The Piano
Cory Henry
The Omnichord Real Book
Meshell Ndegeocello
35. Best Traditional Pop Vocal Album
For albums containing greater than 75% playing time of new traditional pop recordings.
To Steve With Love: Liz Callaway Celebrates Sondheim
Liz Callaway
Pieces Of Treasure
Rickie Lee Jones
Bewitched
Laufey
Holidays Around The World
Pentatonix
Only The Strong Survive
Bruce Springsteen
Sondheim Unplugged (The NYC Sessions), Vol. 3
(Various Artists)
36. Best Contemporary Instrumental Album
For albums containing greater than 75% playing time of new contemporary instrumental recordings.
As We Speak
Béla Fleck, Zakir Hussain, Edgar Meyer, Featuring Rakesh Chaurasia
On Becoming
House Of Waters
Jazz Hands
Bob James
The Layers
Julian Lage
All One
Ben Wendel
37. Best Musical Theater Album
For albums containing greater than 51% playing time of new recordings. Award to the principal vocalist(s), and the album producer(s) of 50% or more playing time of the album. The lyricist(s) and composer(s) of 50 % or more of a score of a new recording are eligible for an Award if any previous recording of said score has not been nominated in this category.
Kimberly Akimbo
John Clancy, David Stone & Jeanine Tesori, producers; Jeanine Tesori, composer; David Lindsay-Abaire, lyricist (Original Broadway Cast)
Parade
Micaela Diamond, Alex Joseph Grayson, Jake Pedersen & Ben Platt, principal vocalists; Jason Robert Brown & Jeffrey Lesser, producers; Jason Robert Brown, composer & lyricist (2023 Broadway Cast)
Shucked
Brandy Clark, Jason Howland, Shane McAnally & Billy Jay Stein, producers; Brandy Clark & Shane McAnally, composers/lyricists (Original Broadway Cast)
Some Like It Hot
Christian Borle, J. Harrison Ghee, Adrianna Hicks & NaTasha Yvette Williams, principal vocalists; Mary-Mitchell Campbell, Bryan Carter, Scott M. Riesett, Charlie Rosen & Marc Shaiman, producers; Scott Wittman, lyricist; Marc Shaiman, composer & lyricist (Original Broadway Cast)
Sweeney Todd: The Demon Barber Of Fleet Street
Annaleigh Ashford & Josh Groban, principal vocalists; Thomas Kail & Alex Lacamoire, producers (Stephen Sondheim, composer & lyricist) (2023 Broadway Cast)
Field 5: Country & American Roots Music
38. Best Country Solo Performance
For new vocal or instrumental solo country recordings.
In Your Love
Tyler Childers
Buried
Brandy Clark
Fast Car
Luke Combs
The Last Thing On My Mind
Dolly Parton
White Horse
Chris Stapleton
39. Best Country Duo/Group Performance
For new vocal or instrumental duo/group or collaborative country recordings.
High Note
Dierks Bentley Featuring Billy Strings
Nobody's Nobody
Brothers Osborne
I Remember Everything
Zach Bryan Featuring Kacey Musgraves
Kissing Your Picture (Is So Cold)
Vince Gill & Paul Franklin
Save Me
Jelly Roll With Lainey Wilson
We Don't Fight Anymore
Carly Pearce Featuring Chris Stapleton
40. Best Country Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
Buried
Brandy Clark & Jessie Jo Dillon, songwriters (Brandy Clark)
I Remember Everything
Zach Bryan & Kacey Musgraves, songwriters (Zach Bryan Featuring Kacey Musgraves)
In Your Love
Tyler Childers & Geno Seale, songwriters (Tyler Childers)
Last Night
John Byron, Ashley Gorley, Jacob Kasher Hindlin & Ryan Vojtesak, songwriters (Morgan Wallen)
White Horse
Chris Stapleton & Dan Wilson, songwriters (Chris Stapleton)
41. Best Country Album
For albums containing greater than 75% playing time of new country recordings.
Rolling Up The Welcome Mat
Kelsea Ballerini
Brothers Osborne
Brothers Osborne
Zach Bryan
Zach Bryan
Rustin' In The Rain
Tyler Childers
Bell Bottom Country
Lainey Wilson
42. Best American Roots Performance
For new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including bluegrass, blues, folk or regional roots. Award to the artist(s).
Butterfly
Jon Batiste
Heaven Help Us All
The Blind Boys Of Alabama
Inventing The Wheel
Madison Cunningham
You Louisiana Man
Rhiannon Giddens
Eve Was Black
Allison Russell
43. Best Americana Performance
For new vocal or instrumental Americana performance. Award to the artist(s).
Friendship
The Blind Boys Of Alabama
Help Me Make It Through The Night
Tyler Childers
Dear Insecurity
Brandy Clark Featuring Brandi Carlile
King Of Oklahoma
Jason Isbell And The 400 Unit
The Returner
Allison Russell
44. Best American Roots Song
A Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
Blank Page
Michael Trotter Jr. & Tanya Trotter, songwriters (The War And Treaty)
California Sober
Aaron Allen, William Apostol & Jon Weisberger, songwriters (Billy Strings Featuring Willie Nelson)
Cast Iron Skillet
Jason Isbell, songwriter (Jason Isbell And The 400 Unit)
Dear Insecurity
Brandy Clark & Michael Pollack, songwriters (Brandy Clark Featuring Brandi Carlile)
The Returner
Drew Lindsay, JT Nero & Allison Russell, songwriters (Allison Russell)
45. Best Americana Album
For albums containing greater than 75% playing time of new vocal or instrumental Americana recordings.
Brandy Clark
Brandy Clark
The Chicago Sessions
Rodney Crowell
You're The One
Rhiannon Giddens
Weathervanes
Jason Isbell And The 400 Unit
The Returner
Allison Russell
46. Best Bluegrass Album
For albums containing greater than 75% playing time of new vocal or instrumental bluegrass recordings.
Radio John: Songs of John Hartford
Sam Bush
Lovin' Of The Game
Michael Cleveland
Mighty Poplar
Mighty Poplar
Bluegrass
Willie Nelson
Me/And/Dad
Billy Strings
City Of Gold
Molly Tuttle & Golden Highway
47. Best Traditional Blues Album
For albums containing greater than 75% playing time of new vocal or instrumental traditional blues recordings.
Ridin'
Eric Bibb
The Soul Side Of Sipp
Mr. Sipp
Life Don't Miss Nobody
Tracy Nelson
Teardrops For Magic Slim Live At Rosa's Lounge
John Primer
All My Love For You
Bobby Rush
48. Best Contemporary Blues Album
For albums containing greater than 75% playing time of new vocal or instrumental contemporary blues recordings.
Death Wish Blues
Samantha Fish And Jesse Dayton
Healing Time
Ruthie Foster
Live In London
Christone "Kingfish" Ingram
Blood Harmony
Larkin Poe
LaVette!
Bettye LaVette
49. Best Folk Album
For albums containing greater than 75% playing time of new vocal or instrumental folk recordings.
Traveling Wildfire
Dom Flemons
I Only See The Moon
The Milk Carton Kids
Joni Mitchell At Newport [Live]
Joni Mitchell
Celebrants
Nickel Creek
Jubilee
Old Crow Medicine Show
Seven Psalms
Paul Simon
Folkocracy
Rufus Wainwright
50. Best Regional Roots Music Album
For albums containing greater than 75% playing time of new vocal or instrumental regional roots music recordings.
New Beginnings
Buckwheat Zydeco Jr. & The Legendary Ils Sont Partis Band
Live At The 2023 New Orleans Jazz & Heritage Festival
Dwayne Dopsie & The Zydeco Hellraisers
Live: Orpheum Theater Nola
Lost Bayou Ramblers & Louisiana Philharmonic Orchestra
Made In New Orleans
New Breed Brass Band
Too Much To Hold
New Orleans Nightcrawlers
Live At The Maple Leaf
The Rumble Featuring Chief Joseph Boudreaux Jr.
Field 6: Gospel & Contemporary Christian Music
51. Best Gospel Performance/Song
This award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel or contemporary gospel single or track.
God Is Good
Stanley Brown Featuring Hezekiah Walker, Kierra Sheard & Karen Clark Sheard; Stanley Brown, Karen V Clark Sheard, Kaylah Jiavanni Harvey, Rodney Jerkins, Elyse Victoria Johnson, J Drew Sheard II, Kierra Valencia Sheard & Hezekiah Walker, songwriters
Feel Alright (Blessed)
Erica Campbell; Erica Campbell, Warryn Campbell, William Weatherspoon, Juan Winans & Marvin L. Winans, songwriters
Lord Do It For Me (Live)
Zacardi Cortez; Marcus Calyen, Zacardi Cortez & Kerry Douglas, songwriters
God Is
Melvin Crispell III
All Things
Kirk Franklin; Kirk Franklin, songwriter
52. Best Contemporary Christian Music Performance/Song
This award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track, (including pop, rap/hip-hop, Latin, or rock.)
Believe
Blessing Offor; Hank Bentley & Blessing Offor, songwriters
Firm Foundation (He Won't) [Live]
Cody Carnes
Thank God I Do
Lauren Daigle; Lauren Daigle & Jason Ingram, songwriters
Love Me Like I Am
for KING & COUNTRY Featuring Jordin Sparks
Your Power
Lecrae & Tasha Cobbs Leonard
God Problems
Maverick City Music, Chandler Moore & Naomi Raine; Daniel Bashta, Chris Davenport, Ryan Ellis & Naomi Raine, songwriters
53. Best Gospel Album
For albums containing greater than 75% playing time of newly recorded, vocal, traditional or contemporary/R&B gospel music recordings.
I Love You
Erica Campbell
Hymns (Live)
Tasha Cobbs Leonard
The Maverick Way
Maverick City Music
My Truth
Jonathan McReynolds
All Things New: Live In Orlando
Tye Tribbett
54. Best Contemporary Christian Music Album
For albums containing greater than 75% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip hop, Latin, or rock recordings.
My Tribe
Blessing Offor
Emanuel
Da' T.R.U.T.H.
Lauren Daigle
Lauren Daigle
Church Clothes 4
Lecrae
I Believe
Phil Wickham
55. Best Roots Gospel Album
For albums containing greater than 75% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.
Tribute To The King
The Blackwood Brothers Quartet
Echoes Of The South
Blind Boys Of Alabama
Songs That Pulled Me Through The Tough Times
Becky Isaacs Bowman
Meet Me At The Cross
Brian Free & Assurance
Shine: The Darker The Night The Brighter The Light
Gaither Vocal Band
Field 7: Latin, Global, Reggae & New Age, Ambient, or Chant
56. Best Latin Pop Album
For albums containing greater than 75% playing time of new Latin pop recordings.
La Cuarta Hoja
Pablo Alborán
Beautiful Humans, Vol. 1
AleMor
A Ciegas
Paula Arenas
La Neta
Pedro Capó
Don Juan
Maluma
X Mí (Vol. 1)
Gaby Moreno
57. Best Música Urbana Album
For albums containing greater than 75% playing time of new Música Urbana recordings.
SATURNO
Rauw Alejandro
MAÑANA SERÁ BONITO
Karol G
DATA
Tainy
58. Best Latin Rock or Alternative Album
For albums containing greater than 75% playing time of new Latin rock or alternative recordings.
MARTÍNEZ
Cabra
Leche De Tigre
Diamante Eléctrico
Vida Cotidiana
Juanes
De Todas Las Flores
Natalia Lafourcade
EADDA9223
Fito Paez
59. Best Música Mexicana Album (Including Tejano)
For albums containing greater than 75% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.
Bordado A Mano
Ana Bárbara
La Sánchez
Lila Downs
Motherflower
Flor De Toloache
Amor Como En Las Películas De Antes
Lupita Infante
GÉNESIS
Peso Pluma
60. Best Tropical Latin Album
For albums containing greater than 75% playing time of new tropical Latin recordings.
Siembra: 45º Aniversario (En Vivo en el Coliseo de Puerto Rico, 14 de Mayo 2022)
Rubén Blades Con Roberto Delgado & Orquesta
Voy A Ti
Luis Figueroa
Niche Sinfónico
Grupo Niche Y Orquesta Sinfónica Nacional de Colombia
VIDA
Omara Portuondo
MIMY & TONY
Tony Succar, Mimy Succar
Escalona Nunca Se Había Grabado Así
Carlos Vives
61. Best Global Music Performance
For new vocal or instrumental Global music recordings.
Shadow Forces
Arooj Aftab, Vijay Iyer & Shahzad Ismaily
Alone
Burna Boy
FEEL
Davido
Milagro Y Disastre
Silvana Estrada
Abundance In Millets
Falu & Gaurav Shah (Featuring PM Narendra Modi)
Pashto
Béla Fleck, Edgar Meyer & Zakir Hussain Featuring Rakesh Chaurasia
Todo Colores
Ibrahim Maalouf Featuring Cimafunk & Tank And The Bangas
62. Best African Music Performance
Amapiano
ASAKE & Olamide
City Boys
Burna Boy
UNAVAILABLE
Davido Featuring Musa Keys
Rush
Ayra Starr
Water
Tyla
63. Best Global Music Album
For albums containing greater than 75% playing time of new vocal or instrumental Global Music recordings.
Epifanías
Susana Baca
History
Bokanté
I Told Them...
Burna Boy
Timeless
Davido
This Moment
Shakti
64. Best Reggae Album
For albums containing greater than 75% playing time of new reggae recordings.
Born For Greatness
Buju Banton
Simma
Beenie Man
Cali Roots Riddim 2023
Collie Buddz
No Destroyer
Burning Spear
Colors Of Royal
Julian Marley & Antaeus
65. Best New Age, Ambient, or Chant Album
For albums containing greater than 75% playing time of new vocal or instrumental new age recordings.
Aquamarine
Kirsten Agresta-Copely
Moments Of Beauty
Omar Akram
Some Kind Of Peace (Piano Reworks)
Ólafur Arnalds
Ocean Dreaming Ocean
David Darling & Hans Christian
So She Howls
Carla Patullo Featuring Tonality And The Scorchio Quartet
Field 8: Children's, Comedy, Audio Books, Visual Media & Music Video/Film
66. Best Children's Music Album
For albums containing greater than 75% playing time of new musical or spoken word recordings that are created and intended specifically for children.
Ahhhhh!
Andrew & Polly
Ancestars
Pierce Freelon & Nnenna Freelon
Hip Hope For Kids!
DJ Willy Wow!
Taste The Sky
Uncle Jumbo
We Grow Together Preschool Songs
123 Andrés
67. Best Comedy Album
For albums containing greater than 75% playing time of new recordings.
I Wish You Would
Trevor Noah
I'm An Entertainer
Wanda Sykes
Selective Outrage
Chris Rock
Someone You Love
Sarah Silverman
What's In A Name?
Dave Chappelle
68. Best Audio Book, Narration, and Storytelling Recording
Big Tree
Meryl Streep
Boldly Go: Reflections On A Life Of Awe And Wonder
William Shatner
The Creative Act: A Way Of Being
Rick Rubin
It's Ok To Be Angry About Capitalism
Senator Bernie Sanders
The Light We Carry: Overcoming In Uncertain Times
Michelle Obama
69. Best Compilation Soundtrack For Visual Media
Award to the principal artist(s) and/or 'in studio' producer(s) of a majority of the tracks on the album. In the absence of both, award to the one or two individuals proactively responsible for the concept and musical direction of the album and for the selection of artists, songs and producers, as applicable. Award also goes to appropriately credited music supervisor(s).
AURORA
(Daisy Jones & The Six)
Barbie The Album
(Various Artists)
Black Panther: Wakanda Forever - Music From And Inspired By
(Various Artists)
Guardians of the Galaxy, Vol. 3: Awesome Mix, Vol. 3
(Various Artists)
Weird: The Al Yankovic Story
Weird Al Yankovic
70. Best Score Soundtrack For Visual Media (Includes Film And Television)
Award to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series, or other visual media.
Barbie
Mark Ronson & Andrew Wyatt, composers
Black Panther: Wakanda Forever
Ludwig Göransson, composer
The Fabelmans
John Williams, composer
Indiana Jones And The Dial Of Destiny
John Williams, composer
Oppenheimer
Ludwig Göransson, composer
71. Best Score Soundtrack for Video Games and Other Interactive Media
Award to Composer(s) for an original score created specifically for, or as a companion to, video games and other interactive media.
Call Of Duty®: Modern Warfare II
Sarah Schachner, composer
God Of War Ragnarök
Bear McCreary, composer
Hogwarts Legacy
Peter Murray, J Scott Rakozy & Chuck E. Myers "Sea", composers
Star Wars Jedi: Survivor
Stephen Barton & Gordy Haab, composers
Stray Gods: The Roleplaying Musical
Jess Serro, Tripod & Austin Wintory, composers
72. Best Song Written For Visual Media
A Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television, video games or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.)
Barbie World [From "Barbie The Album"]
Naija Gaston, Ephrem Louis Lopez Jr. & Onika Maraj, songwriters (Nicki Minaj & Ice Spice Featuring Aqua)
Dance The Night [From "Barbie The Album"]
Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt, songwriters (Dua Lipa)
I'm Just Ken [From "Barbie The Album"]
Mark Ronson & Andrew Wyatt, songwriters (Ryan Gosling)
Lift Me Up [From "Black Panther: Wakanda Forever - Music From And Inspired By"]
Ryan Coogler, Ludwig Göransson, Robyn Fenty & Temilade Openiyi, songwriters (Rihanna)
What Was I Made For? [From "Barbie The Album"]
Billie Eilish O'Connell & Finneas O'Connell, songwriters (Billie Eilish)
73. Best Music Video
Award to the artist, video director, and video producer.
I'm Only Sleeping
(The Beatles)
Em Cooper, video director; Jonathan Clyde, Sophie Hilton, Sue Loughlin & Laura Thomas, video producers
In Your Love
Tyler Childers
Bryan Schlam, video director; Kacie Barton, Silas House, Nicholas Robespierre, Ian Thornton & Whitney Wolanin, video producers
What Was I Made For
Billie Eilish
Billie Eilish, video director; Michelle An, Chelsea Dodson & David Moore, video producers
Count Me Out
Kendrick Lamar
Dave Free & Kendrick Lamar, video directors; Jason Baum & Jamie Rabineau, video producers
Rush
Troye Sivan
Gordon Von Steiner, video director; Kelly McGee, video producer
74. Best Music Film
For concert/performance films or music documentaries. Award to the artist, video director, and video producer.
Moonage Daydream
(David Bowie)
Brett Morgen, video director; Brett Morgen, video producer
How I'm Feeling Now
Lewis Capaldi
Joe Pearlman, video director; Sam Bridger, Isabel Davis & Alice Rhodes, video producers
Live From Paris, The Big Steppers Tour
Kendrick Lamar
Mike Carson, Dave Free & Mark Ritchie, video directors; Cornell Brown, Debra Davis, Jared Heinke & Jamie Rabineau, video producers
I Am Everything
(Little Richard)
Lisa Cortés, video director; Caryn Capotosto, Lisa Cortés, Robert Friedman & Liz Yale Marsh, video producers
Dear Mama
(Tupac Shakur)
Allen Hughes, video director; Joshua Garcia, Loren Gomez, James Jenkins & Stef Smith, video producers
Field 9: Package, Notes & Historical
75. Best Recording Package
The Art Of Forgetting
Caroline Rose, art director (Caroline Rose)
Cadenza 21'
Hsing-Hui Cheng, art director (Ensemble Cadenza 21')
Electrophonic Chronic
Perry Shall, art director (The Arcs)
Gravity Falls
Iam8bit, art director (Brad Breeck)
Migration
Yu Wei, art director (Leaf Yeh)
Stumpwork
Luke Brooks & James Theseus Buck, art directors (Dry Cleaning)
76. Best Boxed Or Special Limited Edition Package
The Collected Works Of Neutral Milk Hotel
Jeff Mangum, Daniel Murphy & Mark Ohe, art directors (Neutral Milk Hotel)
For The Birds: The Birdsong Project
Jeri Heiden & John Heiden, art directors (Various Artists)
Gieo
Duy Dao, art director (Ngot)
Inside: Deluxe Box Set
Bo Burnham & Daniel Calderwood, art directors (Bo Burnham)
Words & Music, May 1965 - Deluxe Edition
Masaki Koike, art director (Lou Reed)
77. Best Album Notes
Evenings At The Village Gate: John Coltrane With Eric Dolphy (Live)
Ashley Kahn, album notes writer (John Coltrane & Eric Dolphy)
I Can Almost See Houston: The Complete Howdy Glenn
Scott B. Bomar, album notes writer (Howdy Glenn)
Mogadishu's Finest: The Al Uruba Sessions
Vik Sohonie, album notes writer (Iftin Band)
Playing For The Man At The Door: Field Recordings From The Collection Of Mack McCormick, 1958–1971
Jeff Place & John Troutman, album notes writers (Various Artists)
Written In Their Soul: The Stax Songwriter Demos
Robert Gordon & Deanie Parker, album notes writers (Various Artists)
78. Best Historical Album
Fragments – Time Out Of Mind Sessions (1996-1997): The Bootleg Series, Vol. 17
Steve Berkowitz & Jeff Rosen, compilation producers; Steve Addabbo, Greg Calbi, Steve Fallone, Chris Shaw & Mark Wilder, mastering engineers (Bob Dylan)
The Moaninest Moan Of Them All: The Jazz Saxophone of Loren McMurray, 1920-1922 Colin Hancock, Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer; Richard Martin, restoration engineer (Various Artists)
Playing For The Man At The Door: Field Recordings From The Collection Of Mack McCormick, 1958–1971
Jeff Place & John Troutman, compilation producers; Randy LeRoy & Charlie Pilzer, mastering engineers; Mike Petillo & Charlie Pilzer, restoration engineers (Various Artists)
Words & Music, May 1965 - Deluxe Edition
Laurie Anderson, Don Fleming, Jason Stern, Matt Sulllivan & Hal Willner, compilation producers; John Baldwin, mastering engineer; John Baldwin, restoration engineer (Lou Reed)
Written In Their Soul: The Stax Songwriter Demos
Robert Gordon, Deanie Parker, Cheryl Pawelski, Michele Smith & Mason Williams, compilation producers; Michael Graves, mastering engineer; Michael Graves, restoration engineer (Various Artists)
Field 10: Production, Engineering, Composition & Arrangement
79. Best Engineered Album, Non-Classical
An Engineer's Award. (Artists names appear in parentheses.)
Desire, I Want To Turn Into You
Macks Faulkron, Daniel Harle, Caroline Polachek & Geoff Swan, engineers; Mike Bozzi & Chris Gehringer, mastering engineers (Caroline Polachek)
History
Nic Hard, engineer; Dave McNair, mastering engineer (Bokanté)
JAGUAR II
John Kercy, Kyle Mann, Victoria Monét, Patrizio "Teezio" Pigliapoco, Neal H Pogue & Todd Robinson, engineers; Colin Leonard, mastering engineer (Victoria Monét)
Multitudes
Michael Harris, Robbie Lackritz, Joseph Lorge & Blake Mills, engineers (Feist)
The Record
Owen Lantz, Will Maclellan, Catherine Marks, Mike Mogis, Bobby Mota, Kaushlesh "Garry" Purohit & Sarah Tudzin, engineers; Pat Sullivan, mastering engineer (boygenius)
80. Best Engineered Album, Classical
An Engineer's Award. (Artist names appear in parentheses.)
The Blue Hour
Patrick Dillett, Mitchell Graham, Jesse Lewis, Kyle Pyke, Andrew Scheps & John Weston, engineers; Helge Sten, mastering engineer (Shara Nova & A Far Cry)
Contemporary American Composers
David Frost & Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti & Chicago Symphony Orchestra)
Fandango
Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (Gustavo Dudamel, Anne Akiko Meyers, Gustavo Castillo & Los Angeles Philharmonic)
Sanlikol: A Gentleman Of Istanbul - Symphony For Strings, Percussion, Piano, Oud, Ney & Tenor
Christopher Moretti & John Weston, engineers; Shauna Barravecchio & Jesse Lewis, mastering engineers (Mehmet Ali Sanlikol, George Lernis & A Far Cry)
Tchaikovsky: Symphony No. 5 & Schulhoff: Five Pieces
Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)
Field 10: Production, Engineering, Composition & Arrangement
81. Producer Of The Year, Classical
A Producer's Award. (Artist names appear in parentheses.)
David Frost
The American Project (Yuja Wang, Teddy Abrams, Louisville Orchestra) (A)
Arc II - Ravel, Brahms, Shostakovich (Orion Weiss) (A)
Blanchard: Champion (Yannick Nézet-Séguin, Latonia Moore, Ryan Speedo Green, Eric Owens, Stephanie Blythe, Metropolitan Opera Chorus & Orchestra) (A)
Contemporary American Composers (Riccardo Muti & Chicago Symphony Orchestra) (A)
The Guitar Player (Mattias Schulstad) (A)
Mysterium (Anne Akiko Meyers, Grant Gershon & Los Angeles Master Chorale) (A)
Verdi: Rigoletto (Daniele Rustioni, Piotr Beczala, Quinn Kelsey, Rosa Feola, Varduhi Abrahamyan, Andrea Mastroni, The Metropolitan Opera Chorus & Orchestra) (A)
Morten Lindberg
An Old Hall Ladymass (Catalina Vicens & Trio Mediæval) (A)
Thoresen: Lyden Av Arktis - La Terra Meravigliosa (Christian Kluxen & Arktisk Filharmoni) (A)
The Trondheim Concertos (Sigurd Imsen & Baroque Ensemble Of The Trondheim Symphony Orchestra) (A)
Yggdrasil (Tove Ramlo-Ystad & Cantus) (A)
Dmitriy Lipay
Adès: Dante (Gustavo Dudamel & Los Angeles Philharmonic) (A) Fandango (Gustavo Dudamel, Anne Akiko Meyers & Los Angeles Philharmonic) (A)
Price: Symphony No. 4; Dawson: Negro Folk Symphony (Yannick Nézet-Séguin & Philadelphia Orchestra) (A)
Rachmaninoff: The Piano Concertos & Paganini Rhapsody (Yuja Wang, Gustavo Dudamel & Los Angeles Philharmonic) (A)
Walker: Lyric For Strings; Folksongs For Orchestra; Lilacs For Voice & Orchestra; Dawson: Negro Folk Symphony (Asher Fisch & Seattle Symphony) (A)
Elaine Martone
Ascenso (Santiago Cañón-Valencia) (A)
Berg: Three Pieces From Lyric Suite; Strauss: Suite From Der Rosenkavalier (Franz Welser-Möst & The Cleveland Orchestra) (A)
Between Breaths (Third Coast Percussion) (A)
Difficult Grace (Seth Parker Woods) (A)
Man Up / Man Down (Constellation Men's Ensemble) (A)
Prokofiev: Symphony No. 5 (Franz Welser-Möst & The Cleveland Orchestra) (A)
Rachmaninoff & Gershwin: Transcriptions By Earl Wild (John Wilson) (A)
Sirventés - Music From The Iranian Female Composers Association (Brian Thornton, Katherine Bormann, Alicia Koelz, Eleisha Nelson, Amahl Arulanadam & Nathan Petipas) (A)
Walker: Antifonys; Lilacs; Sinfonias Nos. 4 & 5 (Franz Welser-Möst & The Cleveland Orchestra) (A)
Brian Pidgeon
Fuchs: Orchestral Works, Vol. 1 (John Wilson & Sinfonia Of London) (A)
Music For Strings (John Wilson & Sinfonia Of London) (A)
Nielsen: Violin Concerto; Symphony No. 4 (James Ehnes, Edward Gardner & Bergen Philharmonic Orchestra) (A)
Pierre Sancan - A Musical Tribute (Jean-Efflam Bavouzet, Yan Pascal Tortelier & BBC Philharmonic) (A)
Poulenc: Orchestral Works (Bramwell Tovey & BBC Concert Orchestra) (A)
Rachmaninoff: Symphony No. 3; Voclaise; The Isle Of The Dead (John Wilson & Sinfonia Of London) (A)
Schubert: Symphonies, Vol. 3 (Edward Gardner & City Of Birmingham Symphony Orchestra) (A)
Shostakovich: Symphonies Nos. 12 & 15 (John Storgårds & BBC Philharmonic) (A)
Tchaikovsky: Orchestral Works (Alpesh Chauhan & BBC Scottish Symphony Orchestra) (A)
82. Best Remixed Recording
(A Remixer's Award. (Artists names appear in parentheses for identification.) Singles or Tracks only.)
Alien Love Call
BADBADNOTGOOD, remixers (Turnstile & BADBADNOTGOOD Featuring Blood Orange)
New Gold (Dom Dolla Remix)
Dom Dolla, remixer (Gorillaz Featuring Tame Impala & Bootie Brown)
Reviver (Totally Enormous Extinct Dinosaurs Remix)
Totally Enormous Extinct Dinosaurs, remixer (Lane 8)
Wagging Tongue (Wet Leg Remix)
Wet Leg, remixers (Depeche Mode)
Workin' Hard (Terry Hunter Remix)
Terry Hunter, remixer (Mariah Carey)
83. Best Immersive Audio Album
For vocal or instrumental albums in any genre. Must be commercially released for physical sale or on an eligible streaming or download service and must provide a new immersive mix of four or more channels. Award to the immersive mix engineer, immersive producer (if any) and immersive mastering engineer (if any).
Act 3 (Immersive Edition)
Ryan Ulyate, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Ryan Ulyate, immersive producer (Ryan Ulyate)
Blue Clear Sky
Chuck Ainlay, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Chuck Ainlay, immersive producer (George Strait)
The Diary Of Alicia Keys
George Massenburg & Eric Schilling, immersive mix engineers; Michael Romanowski, immersive mastering engineer; Alicia Keys & Ann Mincieli, immersive producers (Alicia Keys)
God Of War Ragnarök (Original Soundtrack)
Eric Schilling, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Kellogg Boynton, Peter Scaturro & Herbert Waltl, immersive producers (Bear McCreary)
Silence Between Songs
Aaron Short, immersive mastering engineer (Madison Beer)
84. Best Instrumental Composition
A Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.
Amerikkan Skin
Lakecia Benjamin, composer (Lakecia Benjamin Featuring Angela Davis)
Can You Hear The Music
Ludwig Göransson, composer (Ludwig Göransson)
Cutey And The Dragon
Gordon Goodwin & Raymond Scott, composers (Quartet San Francisco Featuring Gordon Goodwin's Big Phat Band)
Helena's Theme
John Williams, composer (John Williams)
Motion
Edgar Meyer, composer (Béla Fleck, Edgar Meyer & Zakir Hussain Featuring Rakesh Chaurasia)
85. Best Arrangement, Instrumental or A Cappella
An Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.
Angels We Have Heard On High
Nkosilathi Emmanuel Sibanda, arranger (Just 6)
Can You Hear The Music
Ludwig Göransson, arranger (Ludwig Göransson)
Folsom Prison Blues
John Carter Cash, Tommy Emmanuel, Markus Illko, Janet Robin & Roberto Luis Rodriguez, arrangers (The String Revolution Featuring Tommy Emmanuel)
I Remember Mingus
Hilario Duran, arranger (Hilario Duran And His Latin Jazz Big Band Featuring Paquito D'Rivera)
Paint It Black
Esin Aydingoz, Chris Bacon & Alana Da Fonseca, arrangers (Wednesday Addams)
86. Best Arrangement, Instruments and Vocals
An Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.
April In Paris
Gordon Goodwin, arranger (Patti Austin Featuring Gordon Goodwin's Big Phat Band)
Com Que Voz (Live)
John Beasley & Maria Mendes, arrangers (Maria Mendes Featuring John Beasley & Metropole Orkest)
Fenestra
Godwin Louis, arranger (Cécile McLorin Salvant)
In The Wee Small Hours Of The Morning
Erin Bentlage, Jacob Collier, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (säje Featuring Jacob Collier)
Lush Life
Kendric McCallister, arranger (Samara Joy)
Field 11: Classical
87. Best Orchestral Performance
Award to the Conductor and to the Orchestra.
Adès: Dante
Gustavo Dudamel, conductor (Los Angeles Philharmonic)
Bartók: Concerto For Orchestra; Four Pieces
Karina Canellakis, conductor (Netherlands Radio Philharmonic Orchestra)
Price: Symphony No. 4; Dawson: Negro Folk Symphony
Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)
Scriabin: Symphony No. 2; The Poem Of Ecstasy
JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)
Stravinsky: The Rite Of Spring
Esa-Pekka Salonen, conductor (San Francisco Symphony)
88. Best Opera Recording
Award to the Conductor, Album Producer(s) and Principal Soloists, and to the Composer and Librettist (if applicable) of a world premiere Opera recording only.
Blanchard: Champion
Yannick Nézet-Séguin, conductor; Ryan Speedo Green, Latonia Moore & Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
Corigliano: The Lord Of Cries
Gil Rose, conductor; Anthony Roth Costanzo, Kathryn Henry, Jarrett Ott & David Portillo; Gil Rose, producer (Boston Modern Orchestra Project & Odyssey Opera Chorus)
Little: Black Lodge
Timur; Andrew McKenna Lee & David T. Little, producers (The Dime Museum; Isaura String Quartet)
89. Best Choral Performance
Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.
Carols After A Plague
Donald Nally, conductor (The Crossing)
The House Of Belonging
Craig Hella Johnson, conductor (Miró Quartet; Conspirare)
Ligeti: Lux Aeterna
Esa-Pekka Salonen, conductor (San Francisco Symphony Chorus)
Rachmaninoff: All-Night Vigil
Steven Fox, conductor (The Clarion Choir)
Saariaho: Reconnaissance
Nils Schweckendiek, conductor (Uusinta Ensemble; Helsinki Chamber Choir)
90. Best Chamber Music/Small Ensemble Performance
For new recordings of works with chamber or small ensemble (twenty-four or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.
American Stories
Anthony McGill & Pacifica Quartet
Beethoven For Three: Symphony No. 6, 'Pastorale' And Op. 1, No. 3
Yo-Yo Ma, Emanuel Ax & Leonidas Kavakos
Between Breaths
Third Coast Percussion
Rough Magic
Roomful Of Teeth
Uncovered, Vol. 3: Coleridge-Taylor Perkinson, William Grant Still & George Walker
Catalyst Quartet
Field 11: Classical
91. Best Classical Instrumental Solo
Award to the Instrumental Soloist(s) and to the Conductor when applicable.
Adams, John Luther: Darkness And Scattered Light
Robert Black
Akiho: Cylinders
Andy Akiho
The American Project
Yuja Wang; Teddy Abrams, conductor (Louisville Orchestra)
Difficult Grace
Seth Parker Woods
Of Love
Curtis Stewart
92. Best Classical Solo Vocal Album
Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with greater than 50% playing time of new material.
Because
Reginald Mobley, soloist; Baptiste Trotignon, pianist
Broken Branches
Karim Sulayman, soloist; Sean Shibe, accompanist
40@40
Laura Strickling, soloist; Daniel Schlosberg, pianist
Rising
Lawrence Brownlee, soloist; Kevin J. Miller, pianist
Walking In The Dark
Julia Bullock, soloist; Christian Reif, conductor (Philharmonia Orchestra)
93. Best Classical Compendium
Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 50% playing time of the album, and to the Composer and Librettist (if applicable) with over 50% playing time of a world premiere recording only.
Fandango
Anne Akiko Meyers; Gustavo Dudamel, conductor; Dmitriy Lipay, producer
Julius Eastman, Vol. 3: If You're So Smart, Why Aren't You Rich?
Christopher Rountree, conductor; Lewis Pesacov, producer
Mazzoli: Dark With Excessive Bright
Peter Herresthal; Tim Weiss, conductor; Hans Kipfer, producer
Passion For Bach And Coltrane
Alex Brown, Harlem Quartet, Imani Winds, Edward Perez, Neal Smith & A.B. Spellman; Silas Brown & Mark Dover, producers
Sardinia
Chick Corea; Chick Corea & Bernie Kirsh, producers
Sculptures
Andy Akiho; Andy Akiho & Sean Dixon, producers
Zodiac Suite
Aaron Diehl Trio & The Knights; Eric Jacobsen, conductor; Aaron Diehl & Eric Jacobsen, producers
94. Best Contemporary Classical Composition
A Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.
Adès: Dante
Thomas Adès, composer (Gustavo Dudamel & Los Angeles Philharmonic)
Akiho: In That Space, At That Time
Andy Akiho, composer (Andy Akiho, Ankush Kumar Bahl & Omaha Symphony)
Brittelle: Psychedelics
William Brittelle, composer (Roomful Of Teeth)
Mazzoli: Dark With Excessive Bright
Missy Mazzoli, composer (Peter Herresthal, James Gaffigan & Bergen Philharmonic)
Montgomery: Rounds
Jessie Montgomery, composer (Awadagin Pratt, A Far Cry & Roomful Of Teeth)
Featured
9PLAYLIST | MILEY CYRUS
Read the OCT ISSUE #94 of Athleisure Mag and see 9PLAYLIST | Miley Cyrus in mag.
Featured
IN THE PRESENT | MIA MORETTI
We're excited that this month's issue is covered by DJ/Producer, songwriter, and poet, Mia Moretti. She sits at the intersectionality of music, nightlife, art, design, and fashion. She began her career spinning vinyl in LA before moving here to NYC in the LES. She has amassed a curated record collection that serves as the driving force behind her production. We have spent many nights listening to her play at our favorite clubs and events. Her approach to what she plays is due to her discerning taste, and is a foundation in performing at exclusive events in the halls of the Louvre, residences in Las Vegas, and composing runway shows for fashion designers. As an It Artist, we're always interested in seeing where she will pop up next, and what sounds she'll spin and produce.
Her ability to sample iconic house sounds from the US, while embracing strong women who are known to have something to say from all over the world, can be found in her debut single, You & Me; reworking the infectious South African disco bop Sweet Juju by Letta Mbulu; and collaborating with Colombia’s legendary Totó La Momposina on her highly anticipated debut dance EP, TAMBOR. We wanted to know more about how she fell in love with DJing, how she approaches her work, creating her tracks, and more.
ATHLEISURE MAG: We last saw you at Bungalow 8 and have enjoyed seeing you at a number of editor and special events. When did you first fall in love with music?
MIA MORETTI: When I was a kid my dad would play the guitar at the dinner table every night – they became my two greatest joys in life, food and music. It must be my way to keep him with me always.
AM: When did you realize that you wanted to be a DJ and how did you get your start initially?
MM: I remember the exact moment. I was at a club in Los Angeles called AD and DJ AM was playing. He wasn't on the dance floor like I had always seen DJs before, he was up in a booth that looked like it was floating over the crowd. He was in complete control of the room. He looked like a composer orchestrating the perfect journey for everyone under him. I wanted to do that.
AM: How do you approach your set list when you're doing an event?
MM: I don’t prepare a set list for an event unless it’s something very specific like a fashion show that I am curating the music for. For most of the shows I do have an idea of what I think I might play, but when I arrive I try to let that go and use my feelings a bit more. I like to see who is there and try to understand what sort of mood they are in. I like to see if they are coming from work, or coming from another party, or if they look like they are ready to stay all night, or just passing through - all these things make my job so different every night. Like life, you can't go around planning it, most of the time you just have to be present in it. That’s when it gets fun.
AM: Do you have any routines that you do prior to playing a set to get in the right frame of mind?
MM: Mmm that's an interesting question I always think I want all my friends with me or a big group around, but the truth is I really just like a few moments of silence so I can pull myself together and do that thing you know “get in the zone” - for me that means I give myself a mental check in. "I'm good, I got this, let's go to work now." It's really important for me to shake whatever day is left over on me and go into the booth clean and clear headed.
AM: Do you have any routines that you do after playing your set to come down?
MM: I love to go out and hear other DJs. I can't go to bed because my ears are ringing, so I may as well go out and absorb some creativity while all the portals are open. Also, pizza.
“For most of the shows I do I have an idea of what I think I might play, but when I arrive I try to let that go and use my feelings a bit more. I like to see who is there and try to understand what sort of mood they are in... Like life, you can’t go around planning it, most of the time you just have to be present in it. That’s when it gets fun.”
AM: Who are your musical inspirations?
MM: Strong females with strong voices. Artists with words they aren't afraid to use. All the women I sample, women that sing and pass down the traditional songs of their communities. Women that share those with us. Totó La Momposina, Petrona Martinez, Letta Mbulu, Crystal Waters. Those are the artists I sampled in the first 4 songs I produced. There are also many female voices in house music that were never credited, I am working on locating some of these lost voices, to make sure they get their credit, if it’s 30 years late.
AM: Where do you get inspiration to create your music as a DJ, producer, and songwriter?
MM: I've been a DJ for 20 years (!!!) I get all my inspiration in music. From collecting records, going to shows, traveling, meeting new people in every city I go, digging, trading, befriending local DJs, it's all there - the songs are already there, my job is 99% to find the right ones - the rest, anyone could do.
AM: We've been enjoying SWEET JUJU. We love the vibes of this song. Can you tell us about it and the vocal samples that were used?
MM: For my second release SWEET JUJU, I wanted to take it back to the origins of house: disco. In South Africa in the mid-80s musicians like Letta Mbulu were putting their own swing on the genre that had swept the globe. Mbulu’s music is funky, jazzy and brings everyone together. As a DJ, I have played Mbulu's record in many sets and always saw the crowd light up, so when I began this producing chapter of my career, I knew Sweet Juju was gonna be something I sampled. I hope this new single is as much an anthem of rhythm, love, joy, and "gettin' your man!" as it was in 1983.
AM: In addition to being a DJ, you're also a poet. Why do you want to share your creativity in this way and can you tell us about your collection of poems, Low Touch Economy?
MM: During the pandemic I found it very difficult to DJ at home. It was probably something I was going through personally, but djing to no audience felt soulless, not feeling and bouncing off of energy in the room made it nearly impossible for me to be creative and have fun with records. I stopped djing entirely for almost a year. I still craved connection to people, so I started writing poetry and sharing it online. I decided to gather all the little notes and pieces of scrap paper that I had random poems on from over the years and compile them into a book. I was listening to a business podcast that must have just shuffled into my rotation and the person speaking used the term
“Low Touch Economy” to describe the future of businesses. At this point, it being mid lockdown, I was pretty fragile like most of us, and I just sat there with that thought in my head horrified. I knew that would be the title of my poetry book because I wanted my poems to be that touch we all need. I ended up writing four volumes of poetry in the end. All four volumes of Low Touch Economy were letter pressed on 100% cotton paper and made here in Los Angeles.
AM: How would you describe your personal style?
MM: I don't take fashion very seriously even though it might seem that way. I don't overthink it, if it feels good when you put it on - go for it. That’s all that matters.
“[As to musical inspirations] Strong females with strong voices. Artists with words they aren’t afraid to use. All the women I sample, women that sing and pass down the traditional songs of their communities. Women that share those with us... There are also many female voices in house music that were never credited, I am working on locating some of these lost voices, to make sure they get their credit, if it’s 30 years late.”
AM: As someone that travels all over the globe, how do you find ways to make your environment feel like you're at home?
MM: Oh that isn't hard, every corner of the world has a bottle of wine. That’s just about all I need to feel at home.
AM: When you're not traveling or working on a project, how do you take time for yourself?
MM: Whenever I get home from a trip I go to the Korean Spa. I steam, sauna and cold plunge - I also love the himalayan sea salt room, it has the same relaxation properties as spending a day at the beach. The jade floor is also so nice. I'm pretty good at pampering myself, I have no qualms about going for a massage two or three days in a row.
AM: In terms of working out, meditation, etc how do you stay in shape?
MM: I have no self discipline and will only work out if I go to a personal trainer, so I go to my trainer Armando in Glendale. He stretches me out and massages me for the first half of the session, which is the only way he can get me to do anything. In general I prefer to exercise in my day to day life, I walk whenever possible, take the stairs instead of the elevator, carry shit all the time and just try to move around a bit. Dancing counts, too.
AM: If we were at your home for a dinner party, what music would you have to set the mood and what would you serve as we know you enjoy cooking?
MM: I have a beautiful Thorens turntable that I rarely get to enjoy, mostly because I'm too lazy or tired to get up and flip a record when I'm home alone, so when I have guests over, I always put something from my vinyl collection on, or I'll have a guest choose. I did quite a dig when I was recording in Colombia, so there is a beautiful Bullerengue selection that sets a perfect tone for a dinner party. I love to go to the Armenian market in Valley Village and get homemade lavash and spreads, if I'm having friends over it's usually 2 or 3, then 5 or 6, then 10 to 12, so I'll roast a big pan of vegetables, maybe grill some fish and put out loads of bowls with all the side dishes.
AM: What do you want your legacy to be?
MM: I want someone to dance to my music, feel the earth under their feet and remember where they came from.
IG @miamoretti
PHOTO CREDITS | Andrew Arthur
Read the SEP ISSUE #43 of Athleisure Mag and see IN THE PRESENT | Mia Moretti in mag.
Featured
TAKING THE STAGE | TIMMY TRUMPET
We've had the pleasure of hearing EDM DJ/Producer Timmy Trumpet play and love how he brings his passion for EDM and the trumpet together for an electrifying show! Since he recently performed here in NY at Electric Zoo over Labor Day Weekend, we wanted to find out more about his passion for music, how he connected with his unique style, his creative process, and his busy schedule this summer which includes his residencies as well as the festivals he's appeared at this season.
ATHLEISURE MAG: When did you first fall in love with music?
TIMMY TRUMPET: I can’t remember not ever being in love with it. My father taught me to play the trumpet when I was old enough to hold it. His father taught him. I’ve been blessed to have music be the soundtrack of my entire life and I owe it all to them.
AM: We enjoy jazz and love listening to Chet Baker, Thelonious Monk, and Gerry Mulligan to name a few. Our co-founder's great uncle was the late tenor saxophonist Joe Henderson which we listen to as well.
You began your career in jazz and are classically trained. You're known for blending jazz elements into dance music. Where did you get the idea to incorporate the trumpet into EDM as well as being a DJ?
TT: I was practicing in my room one afternoon as a teenager and Daft Punk came on the radio. I started jamming along to it and thought this sounds pretty cool. I started experimenting with electronic music from that day and learning about the genre by starting to listen to other artists. The rest as they say is history.
AM: How do you define the Timmy Trumpet sound?
TT: To me it’s such a powerful, unpredictable, and energetic instrument that cuts through, and I think that’s why it works so well with electronic music. It’s an undeniably live element that is raw and imperfectly perfect, like all good Jazz.
AM: When you're creating new music, how do you approach the creation process as you're integrating a number of elements together.
TT: I start from a place of what not to expect and then pull it back into a place where it makes sense and pleases the senses. I feel like that’s the goal for every great producer. To create something that no one has heard before. It’s much harder than it sounds, the constant struggle to push a sound forward in a new direction. We are all borrowing ideas, influences embedded into our subconscious.
AM: How do you get inspired when creating new music?
TT: I think we’re all inspired by everything that’s around us. Everywhere I’m looking, everywhere I’m walking, everything I’m feeling, everything around us is constantly inspiring me. I’m inspired by the artists I get to work with. I’m inspired by the artists making the best music today. I’m also inspired by artists that made music 100s of years ago. We’re all just borrowing ideas to make our own and move in a new direction. To me it’s all music. Life is music and life is beautiful. I just hope that I’m making music that people love and can share with the ones they love as well.
AM: You have worked with a number of our favorite artists from Dimitri Vegas & Like Mike, KSHMR, Steve Aoki, Dr. Phunk, Armin van Buuren, INNA, and Afrojack to name a few. What do you look for when you're collaborating with other artists?
TT: I love collaborating with other artists. It’s my favorite thing to do. You’ve both got ideas walking into the studio or bouncing stems and sending them back and forth from the other side of the world. Sometimes we just discuss ideas backstage at a show. You never know what’s going to come out of it. Some of my best friends are heroes of mine that I’ve always wanted to work with and I’m very blessed for the opportunity to work with them.
AM: Who are 3 artists that you have yet to work with that are on your bucket list?
TT: Ooooh that’s too hard to nail down to just 3 artists. Honestly, there are a million people that I’d love to work with, and I feel like I’m just getting started. I’ve got 3 artists I’d like to work with this year, I’ve got 3 I’d love to work with if I could wish for anything on this Earth and there is a hell of a lot of people between them. But I couldn’t name names.
AM: You've had a busy year with a number of singles that you dropped along with some of our favorite artists! Do you have any songs that are coming out that we should be adding to our playlists?
TT: I’m really excited about a record I’ve got coming out soon with Tinie Tempah and an amazing New York native by the name of Enisa. She’s an incredible vocalist who I only recently got introduced to. I absolutely love her voice. The 3 of us got to perform it together for the first time on the Tomorrowland Main Stage this year and I can’t wait for that one to drop. You’ll have to keep your eyes peeled for that.
AM: You've had a busy summer with your Ibiza residency, Ultra Europe, Tomorrowland and a number of performances globally. This summer you played Lollapalooza which has been on your bucket list for awhile! How was it to hit that stage?
TT: Lollapalooza was absolutely MENTAL! It has been on my bucket list for over a decade. Literally over a decade. I’ve been coming to America to play shows for about 10 or 12 years now. I started at the bottom, but Lollapalooza has always been up on the wall as the target. To be up on that stage was unreal. It was honestly one of the best shows this year. I’ll never forget looking out at that crowd and it looked like an endless sea of people. I’ve never seen a crowd go so crazy from the front to the back all jumping in sync like that before. It was a real thrill and one of the most nervous moments I’ve had before a show this year. It was amazing to feel those butterflies eating away at my stomach and playing a stage like that is not something I take for granted.
AM: Labor Day Weekend is always a busy time, why did you want to have Electric Zoo on your touring schedule?
TT: In the last 12 months New York has become my second home. The love I have for this city and the love it has shown me has been such a rewarding experience. Ever since NY Mets' Edwin Diaz chose to play my track Narco and New York welcomed me and my music and that song in particular into their arms, it’s become a really special place for me. I love everything about New York. So many people from so many walks of life - everyone’s exciting, everyone’s different. I love how it’s got a bit of everything. I love how it’s a city that never sleeps. Every time I come to New York I stay in Times Square because I love seeing all the craziness. Electric Zoo is just part of all of that. So, to bring it home and play a set there after the crazy year I’ve shared with that city is just unreal.
AM: Do you have any routines that you do prior to your performances that help you get ready?
TT: A few pushups, a couple shots of tequila and a quick speech with the team. I owe everything to those guys. They get me up on stage every single weekend. Once we roll out of that tunnel and get to the stage, it’s time to go.
AM: When you've finished performing how do you come down from all of the energy that was on stage?
TT: I’ve no idea how many calories I must burn up on the stage, but I always make sure I leave it all up there. Coming off that stage, most of the time I’m just catching my breath. It usually takes me about five minutes to get my heart rate back down. Then I usually spend about 10 minutes rehydrating. I probably drink 4 or 5 bottles of water as soon as I get of the stage. Once I’ve got over that, the team and I look back over the set and what went right or what we can improve on. We squeeze in a celebratory drink, but if it’s an early flight the next day, then it’s straight back to the hotel.
AM: As someone who is busy and on the go, what are 3 fitness routines that you do to stay in shape?!
TT: My trainer back home in Australia is right into calisthenics so it’s something that I’ve started getting into. The bodyweight exercises are awesome and something I can implement from wherever I am on the road. Especially if the gym in the hotel isn’t great. So, I’m enjoying that and being on stage in the summertime is a workout in itself. Sometimes I play four or five shows in a weekend and it is crazy up there, so it helps running around like a lunatic.
AM: As a musician, DJ, producer, and songwriter, what do you want your legacy to be in dance music?
TT: I want to know that I gave it my best. That I did everything I could to make sure people had the best experience possible at my shows. For one hour at a time I just want people to leave the world behind and rage with me, and the people that are most important to them…their friends. Their memories are more important than mine and if I can be a tiny part of that, then what an honor.
PHOTOGRAPHY CREDITS | PG 36 - PG 41 Andrew Rauner | PG 42 + PG 46 Timmy Trumpet | PG 45 + PG 47 Tomorrowland |
Read the SEP ISSUE #93 of Athleisure Mag and see TAKING THE STAGE | Timmy Trumpet in mag.
Featured
SOUNDS HIT YOUR SOUL | HONEYLUV
We caught up with EDM DJ, HoneyLuv who has been on the go for the past few months playing around the world! She has played alongside major artists including Chris Lake, Idris Elba, and Nicole Moudaber to name a few, and has been at a number of clubs and festivals sharing her sound and passion! We wanted to find out more about how she got into the industry, what she enjoys playing, her inspiration and what she has coming up!
ATHLEISURE MAG: When did you first fall in love with music?
HONEYLUV: From the earliest moment in my life from what I can remember; the day I was riding in my dad's purple mustang while he was playing Tony! Toni! Tone! It Never Rains I’m not sure why that exact moment stays in my mind, but I like to think it was because of that song.
AM: What do you love about dance music and why do you gravitate towards it?
H: I love dance music because it’s an open book. The music comes in so many colors, shapes and sizes, there is no ceiling when it comes to the music. I also love the fact that people come together on the dance floor to appreciate the art, whether it’s a happy story or a sad one, it’s all embraced and accepted. I believe I gravitated towards it because of my love for the music but also because it felt like home for me.
AM: Before you focused on music full time, you served in the navy. What are things you learned from your service that you have carried into your career as an artist?
H: Well I have always been a person that made a plan and executed what I had set out to accomplish and I feel being in the service just made me more disciplined and organized.
AM: When did you realize that you wanted to be a DJ?
H: I didn’t want to, my friends had forced me because they saw something in me that I didn’t and I’m happy they did. Once I saw how much I enjoyed it, i think that’s when it clicked that DJing was for me.
AM: What's your creative process like when you're creating music and what do you start with?
H: I have to have the inspiration for me to get into the studio and create. Which sometimes takes awhile to find that but when I do it’s game time. I usually start with a kick some drums and go from there.
AM: As a house DJ, where do you get your inspiration from?
H: Lately, I’ve been getting my inspiration from traveling, seeing the world and hearing all the different types of variations of house music that are out there; it has really sparked the fire inside me.
AM: When you're in the midst of crate-digging, what are you looking for?
H: I’m not looking for anything in particular, with digging you don’t know what you want. I know for myself, I am just exploring to see what sounds hit my soul in that process.
AM: You have performed at a number of clubs and festivals over the last few months from Coachella, EDC Vegas, Ushuaïa, Hï, Space Miami and more. What is it about getting in front of the crowd and being able to share your passion with them that you love?
H: I love that for those few hours I get to share a piece of my life with them. Music to me is life. I know a lot of people do it for that big check but I really appreciate the music, I appreciate the history, that people seem to forget and I’m more than happy to always remind them on that dance floor where this music comes from and feed their souls in the process. People love it and they just want to have a good time.
AM: You've played alongside Idris Elba, Chris Lake, Nicole Moudaber, and The Martinez Brothers to name a few. What does it mean to you to be able to perform with these artists?
H: It’s an honor to say the least. Truly blessed to be in the shoes that I’m in.
AM: What shows do you have on your schedule for this year that you're excited about?
H: I’m excited about all my shows especially the ones in Europe.
AM: What's your routine like when you're about to perform? Are there things that you do leading up to the show?
H: No routine really. Just chill vibes. Do some last minute crate digging and come into the show with an open mind.
AM: What do you do once you've finished your set as I'm sure there's still a lot energy there!
H: I will go say Hi and thank the people who came out to see me, take a few pictures, chat about life and after that go to my bed lol!
AM: Are there any projects or new music that we should keep an eye out for that you can share?
H: Yes, tons of new music is brewing; I have my own party 4 Tha Luv making its debut soon. Just have to keep your ears to the streets so you don’t miss anything.
IG @honeyluv
PHOTOGRAPHY COURTESY | PG 134 HoneyLuv | PG 136 - 137 Tomorrowland |
Read the SEP ISSUE #93 of Athleisure Mag and see SOUNDS HIT YOUR SOUL | HoneyLuv in mag.
63MIX ROUTIN3S | INNA
9PLAYLIST | CHRIS LAKE
Read the SEP ISSUE #93 of Athleisure Mag and see 9PLAYLIST | Chris Lake in mag.
Featured
DROPPING BANGERS | JOEL CORRY
We're always looking for the right vibes for music that will let us navigate our day from commuting, workflow, and nights out! This month, our cover is 5X platinum UK records, 5X BRIT Awards nominee, Joel Corry who has residencies at Ibiza Rocks, TAO Group Hospitality (Hakkasan, Marquee) and who has performed in an array of festivals from Creamfields, Ultra, Tomorrowland, EDC Las Vegas, and Lollapalooza to name a few. His remixes have been part of our playlists and have included collaborations with Saweetie, Charlie XCX, David Guetta, and Bryson Tiller as just a few of the highlights. His remixes have transformed tracks by Megan Thee Stallion, Ed Sheeran, Elton John, and Nina Simone. When it's about good vibes with beats that make you want to stay on the dance floor banger after banger, Joel always has something up his sleeve!
We caught up with him hours before the release of his latest single, Drinkin' with MK and Rita Ora which already has been on repeat for the past few days! This single as well as yet to be released and some of his epic records will be on the upcoming album, Another Friday Night which drips on Oct 6th. We wanted to know more about Joel from his passion for music, how raving in London grew to him collaborarting with artists and creating his music, and what he has coming up as he continues to make his mark.
We also wanted to know more about his approach to creating his music, working with his favorite artists, and more. We also wanted to find out about his time as a professional body builder, winning a number of competitions, and how he navigates his life while he's constantly on the go going from one city to the next.
ATHLEISURE MAG: When did you first fall in love with music?
JOEL CORRY: When I was a young boy that was 12 or 13, that’s when I got my first pair of turntables. My older brother was a DJ actually, he’s 3 years older than me so when I was growing up, the music that everyone was playing was garage music back in London. It was all part of the DJing and MCing scene so my brother, he was like an MC and his mates would come over and do DJing and I was like, I just wanted to be cool like my older brother basically. So I said, “mom, get me some decks, I want to do some garage music. I want to be a DJ as well!”
That’s how I started and then I got my decks and I would go into the record shop every weekend and find vinyls. It just became a hobby growing up and then eventually, I started DJing people’s parties and it developed from there!
AM: So, when did you realize that you wanted to do it professionally?
JC: So it was kind of like a slow progress over the years. So I was DJing in my bedroom, and then I started DJing at people’s birthday parties, weddings, and like even DJing at my mom’s friend’s, birthday parties – just wherever! I was sort of the DJ at school and then when I was 17/18, I started playing the nightclubs. You know, at one point in my early 20’s, I was doing 5 residencies a week around London so I was really busy around the circuit and then it was like, “right, I’m doing that thing that I love to do, I’m making money from it, how can I take it to the next level?” That’s what I started to focus on music production and started to release my own music and that’s how eventually – I mean it took awhile so fast forward another 10 years when I got my first hit record, that’s when it really took off to another level.
AM: How do you define your sound?
JC: My sound has changed over the years to be honest with you. It’s kind of been like a progression as I have been through the journey of my love of dance music. But I would say that the sound that people know me from for my productions from my first hit records would be commercial piano house, feel good vibes – you know, my records, I think that they have really defined my career so far, tracks like Head & Heart, BED, Lonely, Sorry – they’re all kind of piano house. Just really uplifting, feel good vibe records that have sort of connected with people, tracks that you want to hear on the dance floor and also tracks that sort of hit you in the feels as well. It’s that nice balance that are records that you want to dance to and also those that you want to put in your car when you’re driving alone and to have an emotional connection with.
AM: I love listening to it when I’m spinning.
JC: A lot of people actually use my records and my tracks for gym playlists. I get that all the time, but I love that, because I’m really into my gym stuff as well! So I’m glad that my tunes are helping people like get those extra reps or cycle those extra miles.
AM: What is your process in terms of when you’re creating music? Are there certain things that you focus on first?
JC: I’d say that there are 2 different ways that the creative process works. The 1st way would be that I’m in my studio and we have a songwriter or an artist come in for the day, we’ll just start with some basic chords going, some loops going, and I’ll just be vibing with the artists or the songwriter and a kind of an idea will come out of nothing. You’re kind of really starting from scratch and I love working that way, it’s so much fun!
Another way things happen is that I get sent a lot of music, so I get sent acappellas or song ideas or demos and if there is something that I hear in it that I really like, then I will take that and develop it myself. So then, I already have a starting point there. So there are 2 different ways really – and I love being in the studio though and sort of being there from the birth of an idea which is always great!
AM: Where do you get your inspiration from?
JC: I feel like I get my inspiration from the dance floor because I’m DJing so much. I’m always on tour and I’m always playing in front of crowds and I guess, taking crowds from a journey, trying to create those moments on a dance floor. So when it comes to my own music, I’m trying to make those records that people are going to dance to and have a great time to, you know? Being a DJ, it’s kind of staying ahead of the game of the trends that are going to work on the dance floor and kind of being on the pulse of those sort of things.
AM: Well, your remixes have included a number of amazing people from Tïesto, Charlie XCX, Elton John, Saweetie – how do you work on that when you’re working with material that already exists that you have the opportunity to present it in another way?
JC: As a DJ, I guess I have been remixing things since I was a teenager. I just use to make edits and mash ups and stuff like that. Crazy mad edits for my sets and remixing and creating my own versions of records is just an important part of DJing and it’s something that I have always done. It’s a way of me putting my own spin on something. So when I play it in my own sets, it’s right for my sound and how I envision that record and I love remixing! So, when I get asked to do a big remix with a big artist like Ed Sheeran, Tïesto – you know it’s such a pleasure to do those things. I’ll listen to the original record and I’ll just think, “what can I add to this to make it different and also to make it fit in with my sound?” Yeah, it just kind of naturally happens when I just hear something, I just kind of get that vision for it straight away and I go from there!
AM: Do you have artists on your bucket list that you would like to work with or do their remixes that you have yet to do?
JC: Well I just mentioned 2 and every time I get asked this question, I always say Ed Sheeran would be my dream collaboration because I am a huge fan of his. He did Bad Habits last year, which is kind of a dance record which I remixed, but I still don’t think that Ed has done a full on dance banger yet. I would love to do that with him! Ed Sheeran would definitely be someone that I would love to work with in the future as a dream! He’s the biggest pop star in the world! You just mentioned Tïesto, I have remixed with Tïesto, but I haven’t collaborated with him yet. But we’re really good friends and I actually played with him in Ibiza last week and I supported him in Ushuaïa and we have already talked about doing a record together so it’s just the timing that needs to be right and the record needs to be right. But I'm sure that that will happen in the future. He's a great guy and a great inspiration to me!
AM: I love his music and remember the first time I saw him was back in 2007 here in NY at the Limelight – he was amazing!
JC: Of yeah, he’s a G man!
AM: Absolutely!
You have your debut album coming out Another Friday Night, dropping Oct 6th. I love OUT OUT, 0800 Heaven, Head & Heart. Tell us about this album and what are you excited about it?
JC: The album is literally what I have been building towards for the last 4 or 5 years of my life. The album is going to have all of the records that you just mentioned on there, all of the hits from over the years, plus my new music like 0800 Heaven that you mentioned and my new single that comes out in a few hours (Aug 25th), Drinkin’ with Rita Ora and MK. It’s also got another 3 new tracks that are on there as well that will come out when the album comes out. So yeah, it’s going to have all the hits that people love, plus my new music, and I’m just really proud of this body of work that’s kind of been my life for the last 5 years. Coming together in one playlist of bangers!
AM: It’s amazing. Like you said, Drinkin’ is out in a few hours with you, Rita Ora and also MK, how did this come about? You performed it live last week in Ibiza at Ibiza Rocks. It’s such a fun song, I’ve played it at least 20 times today!
“I feel like I get my inspiration from the dance floor because I’m DJing so much. I’m always on tour and I’m always playing in front of crowds and I guess taking crowds from a journey, trying to create those moments on a dance floor. So when it comes to my own music, I’m trying to make those records that people are going to dance to and have a great time to, you know? Being a DJ, it’s king of staying ahead of the game of the trends that are going to work on the dance floor and kind of being on the pulse of those sort of things.”
JC: Aww thank you, thank you! Drinkin’ actually samples a Chance the Rapper record called All Night which is a banger! I started on this record about a year ago. When I flipped the sample and put that chorus over a house beat, it just sounded so sick for the pianos behind it and I was like, “oh my God, this just really works!”
At that point, it was very much a demo and we wrote like the verses and the pre chorus for it and kind of made this really cool sounding demo.
Me and MK had been chatting about doing a record together for ages and I’m a big fan of MK of course you know, he’s a legend in the game. I was like, “this tune sounds like an MK track.” So I sent it to him and I was like, "bro, what do you think of this?" He hit me back he said he loved it! He loved the sample, he loved the vibe of it, and I sent him my parts that I had done so far and then he did his work on it and then sent it back to me. What he added to it was sick and I was like, “yeah, this is kind of what I envisioned!” Then I was like, “right, now I need to get a vocalist on it.”
When I listened to the track, it just felt like a Rita Ora banger and me and Rita have been chatting for years actually. We had been mates and had worked together on other bits that didn’t quite materialize, but we both really wanted to do a track together. So I texted her and I said, “Rita, I think that I’ve got the one!” I sent it to her and straight away she said, “that’s me, I love it – let’s do it!” At the time, I remember when I texted her, I think that she was in India and then she had to fly to NY and she was like, “I’m going to fit in a day to get this recorded.” Then she ended up flying to London and she got into the studio Sun day afternoon and got the whole thing done. You know what? Fair play to Rita - I respect her so much. Her when you mentioned that we performed in Ibiza Rocks last week, she was on holiday and she took the whole day out of her holiday to do that with me. I love her for that and I’m so excited to be doing this record with her and MK. It’s a great feeling!
AM: That’s amazing!
Clearly, you’ve had a busy summer! All of your performances – you were just here in NY headlining at the Brooklyn Mirage which is awesome. What are some of your favorite cities to do your performances in?
JC: NY is definitely up there! I love NY, NY has always been a great spot for me over the last 3 years. I remember that my first headline show in Webster Hall sold out, then I did the Great Hall last year, I did Brooklyn Mirage this year. So every year, I have sort of stepped it up. The NY crowd always comes out for me. I absolutely love it.
I love Miami, Miami is such a good vibe. I feel that if I lived in America, that’s where I would choose to live. It’s just a bit of me. I love the outdoors, the sort of gym lifestyle as well, the good weather, and the clubs and the vibe. Dance music is just thriving in Miami.
Of course, I have to shout out Ibiza, where I am right now! This is like my second home, it’s a magical island and this place is just different man. It’s just something is special in the air here and I pray that I have a residency here in Ibiza when I’m past 80 years old!
So yeah, Ibiza, Miami, and NY. I love Australia – Australia is always a good time when I go out there on tour in Sydney and Melbourne. Last year, I did Japan for NYE in Tokyo which was a really good experience. So there’s a few good spots that I love.
AM: Next month you’re headlining at London’s iconic Ministry of Sound. How excited are you for this show?
JC: Yeah I’m so excited! I mean, obviously, I’m from London – that’s my home city. I haven’t had a headline show in London in over 2 years. The last one was Printworks back in 2021. It’s a big deal for me! Headlining a show in my own city and then in an iconic club like Ministry of Sound – this is a legendary club. I used to go there as a raver when I was 18 and I remember going to the Defected Records Raves there. So going back there and headlining my own show is so special. It’s also the week before my album comes out so a lot of friends are going to come, family, a lot of people from my label, and people from my label, and people that have worked on my projects over the last few years. I have invited everybody so it’s not just a headline show, I feel like it’s a celebration as well so I’m really excited!
AM: Do you have a set of routines that you do before you perform? Things that you just have to do to get into that mindset?
JC: What I like to do is like, in the hours building up to the show, I always like to have a bit of peace with my laptop, look over my set, listen to music that I am going to be playing in the set and to have a think about what the crowd might be like, how I think that the set is going to go and to just get into that mindset of mental preparation for the set. To get that clarity in my head, I need to be on my own for that and just with my music. When I feel like I’m prepared and I have my USBs loaded up, I get fresh – have a shower, do my hair, put on a twin set -
AM: King Twin Set!
JC: Haha you know that already! They call me the Twin Set King! I get to the show and maybe have a little bit of tequila and then I’m ready to go!
AM: Once the show is over, do you do anything to come down from all of that energy?
JC: I always like having a bubble bath watching some YouTube and maybe a bit of Gordon Ramsay or something – ha! It’s a bit weird I know! But I just feel like, after a show when you need to be able to go to bed, it’s kind of hard to switch off sometimes so you have to do just really normal things. Whether that's having a bath or putting something on on YouTube to just try to separate your mind from all of the madness that just happened and to get back to a normal level again!
AM: Absolutely!
Once again, you have so much going on that is so amazing to see. From the residencies in Ibiza, Tao Hospitality, what are some big upcoming projects besides the album coming out and obviously the Ministry of Sound that we should keep an eye out for?
JC: I guess aside from that, it would just be my touring. I’m back in America quite a lot between now and the end of the year. I’m also about to announce a big tour in Australia. I haven’t been to Australia since the start of 2021. So it’s going to be great to go back down under and also I have some more Asia dates coming up. I mean, I played in Tokyo for NYE, but that’s the only day that I have ever done in Asia so I’m going back to Tokyo and adding a few more in there as well. So between now and the end of the year, it’s like non-stop touring, we have the album coming out, it’s just going to be go go go go go and then I think in Jan, I might have a little week off – ha!
AM: Obviously at Athleisure Mag, we love fitness and you’re like a fitness king as well as you were a body builder before. How did you get into that and why did you want to do that?
JC: So going back to when I was a teenager, I was telling you about when I got my decks and I was DJing in my bedroom, I was also going to the gym a lot. They were my 2 hobbies. If I wasn’t on my decks tearing the house down with my mom screaming to turn the music off, I was down at the gym on the bench press lifting weights trying to get a 6-pack.
I just think that the gym became a hobby and I used to play football a lot. But then I started going to the gym and that became how my sort of love for fitness grew! It just slowly became more and more and more, when I started to see the results from training and I was becoming 18/19 years old, I really started seeing the results coming through, I just got hooked on it. I kind of I guess got obsessed with it as well. But I took it to another level. I wondered how I could take this thing that I loved and go a step further and it was like, I want to go on stage and compete. It was just something inside me saying that this was a box that I wanted to be able to tick off. I wanted to see how far I could push this thing that I loved doing. So in my early 20’s I was competing in male physique competitions. I did that for about 3 years and I did really well in them. I won quite a few of them. I won the Miami Pro, I won the Pure Elite Competition, I got a Pro Card in WBFF so I was really doing it seriously and getting into crazy condition for those shows. It got to a point where I was like, the music is going to be my career so I kind of had to put that competing on the back burner to really focus on the music. Because the thing with the body building and the competitions is that you have to be 100% all in and it’s so much commitment, dedication, and focus to do those competitions, that I didn’t have the capacity to then focus as much on the music. I had to make a decision where I said, “the music is my future, that’s my dream, that’s what I really want to do. I love to do the fitness thing, but I need to reign it in a bit,” and to enjoy it as a hobby and to focus on the music. I also felt like that I had completed what I wanted to do in fitness. I had won the competitions, I had done the cover of Muscle & Fitness Magazine, and I just thought that this is it now. I had done that and now let's focus back on music. But, it still remains a big part of my life. I still go to the gym everyday and it's more so the mental benefit now and the physical just helps me keep on point and keeps me feeling good while I’m touring.
“[After a show] “I always like having a bubble bath watching some YouTube and maybe a bit of Gordon Ramsay or something - ha! It’s a bit weird I know! But I just feel like, after a show when you need to be able to go to bed, it’s kind of hard to switch off...”
AM: What are 3 workouts for your abs that we should think about putting into our routines?
JC: So my favorite ab exercise is the hanging leg raise where you kind of hang up on a bar and you just lift your legs up and down. It’s the hardest one, but it’s definitely the best one. You can also kind of add a variation there by twisting your legs and really sort of hitting the obliques. So that has always been my favorite ab exercise. Also doing – you know when you have a bench and you lie down flat on it and then you put the dumbbell between your legs and you raise your legs up and down? I find that that one really hits your sort of lower abs because that’s always the hardest bit to get that bottom bit! That definitely targets that! What else do I do for my abs that I think is really good? Obviously, you’ve got your sit-ups and sort of decline crunches that you can mix that up by using a ball so you can come up further and then to be able to come down. So those are probably my top 3 ab workouts.
But you know what I would say is that definitely, to sort of get your abs to really start popping, it’s true what they say about abs being made in the kitchen – because they are! You can do all of the exercises that you want, but you have to get the diet on lock if you want to get the 6-pack.
AM: We mentioned before that you’re the Twin Set King, where does that come from that you love twin sets?
JC: I know, it’s an addiction – a twin set addiction! I love them! It’s easy! I mean, for boys, we sometimes don’t know what to wear! So if you get a twin set, you’ve got the bottom bit and the top bit! It matches and then it’s job done and you put a pair of trainers on and you know, when I’m touring around in the summer, it’s so hot a lot of the places that I go to. You can’t really wear trousers because it’s so hot so you need to wear a pair of shorts and if you have the top that matches, it's easy! It's become my thing as well isn't it?
AM: Oh yeah, when I was scrolling through your IG, I thought, “this man loves some twin sets.”
You do travel so much, what are 3 things that you always travel with?
JC: My Dyson hair dryer, so good!
AM: Love it!
JC: Obviously my headphones and my USB sticks – very, very important as a DJ and one other thing that I travel around with is a neck pillow! It’s an essential for the flights! Especially the sort of short flights where you’re sitting kind of like this for 3 hours – this is needed!
AM: How do you take time for yourself? Being so busy, how do you make sure that you get the reset that you need?
JC: Do you know what? That’s probably something that I need to work more on. There’s not really a lot of time to myself, but I think that with what I do, I’m kind of 100% all in on it. It’s my hobby, it’s my passion, and there’s not any work separation where it’s like, ok work is over for the day, I’m going to over and chill out. It never stops, it's around the clock, there's always something to do and I just feel like that in this industry, with what I want to do and where I want to get to, I really believe that what I put into it is what I am going to get out of it. I’ve learned that over the years. I’m always scared of taking my foot up off of the gas. I just feel like everyday that I need to be as productive as possible and keep going. I actually feel guilty inside if I have time off. I always feel like I should be working to try to get to that next step. So that’s probably something that I need to work on. My mom is always like, “Joel, you need to take holiday, you need to take a day off.” But I find that hard. I think that when you find something that you love to do, it’s not work, it’s just life! I enjoy it!
“I know, it’s an addiction - a twin set addiction! I love them! It’s easy! I mean, for boys, we sometimes don’t know what to wear! So if you get a twin set, you’ve got the bottom bit and the top bit! It matches and then it’s job done and you put a pair of trainers on ... It’s become my thing as well isn’t it?”
AM: What do you want your legacy to be in this industry?
JC: Oh, that’s a big question man! I guess I want to be able to look back and to be honest, I have already been able to achieve my dreams of having hit records, touring the world, and I just want to be able to keep it going and to take it as far as I can and I guess when I look back over the years, I want to be able to have these big moments with these big records records that really connected with people and made a difference in people’s lives.
There are certain records that I have released over the years and I get messages still to this day, like, this record meant so much to me, it came out at a time when I needed it, and I connected with it. When I read these messages, forget about chart positions or like statistics, to know that like the music that I worked on is connected to people and brought happiness to them means so much to me. I want to keep doing that for years and years and years! Then I can look back on all of these records that had special moments. I want to tour the world and I already am, but there are certain places that I have never been. I’ve never been to South America before, there’s so many places as well just starting to really being able to go into Asia, there’s still places in America that I haven’t been able to be in and states that I haven’t played in. I guess I want to be able to look back and be like, I toured the world, played at some of the biggest festivals, had these huge moments in front of massive crowds, played all of these records that I put my heart and soul into working on – I guess that kind of is the legacy isn’t it? It’s having that big career! When I think of some of my idols like Calvin Harris, David Guetta, and Tïesto – like we mentioned, when you look at their careers, it’s just years and years and years of doing it and big records and big moments and that’s just what I want!
“Oh that’s a big question man! I guess I want to be able to look back and to be honest, I have already been able to achieve my dreams of having hit records, touring the world, and I just want to be able to keep it going and to take it as far as I can ... have these big moments with these big records that really connected with people and make a difference in people’s lives.
I want to be able to look back and be like, I toured the world, played at some of the biggest festivals, had these huge moments in front of massive crowds, played all of these records that I put my heart and soul into working on ... it’s just years and years and years of doing it and big records and big moments and that’s just what I want!”
IG @joelcorry
PHOTOGRAPHY CREDITS | Front Cover, Back Cover, PG 36, 39 + PG 42 63MIX ROUTIN3S Courtesy of Joel Corry | PG 16, 20 - 35, 40, 63MIX ROUTIN3S PG42 + 9PLAYLIST PG 122 Ibiza Rocks/Gabriel Vazquez | PG 19 USHUAÏA IBIZA |
Read the AUG ISSUE #92 of Athleisure Mag and see DROPPING BANGERS | Joel Corry in mag.
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EZOO NYC: GOING INTO HYPERSPACE
From Sep 1 - 3rd on Labor Day Weekend, we're excited to make our way back to Randalls Island for Electric Zoo for 3 days of our favorite EDM artists that will be back in NY! This long weekend will allow us to listen to some of our favorite artists that we already listen to as well as those that are new to us! This year's theme is Hyperspace and we're looking forward to Tiësto, Kaskade, Kx5, Alec Monopoly, Major Lazer, Timmy Trumpet, and more.
This year, there are 6 stages which will be curated within a theme or genre and we're excited to navigate them to catch the sights and sounds. As usual, you will find an array of genres of EDM on full display to pay homage to dance music and its importance. We always enjoy checking out the installations which is always perfect for those Instagrammable moments with friends and fellow enthusiasts. There are also a number of vendors that will keep us fueled up for an intense 3 days from tasty meals across dietary interests, water stations and cocktails. We'll also head out to an array of after parties that include a number of venues from Webster Hall, Brooklyn Mirage, Marquee, Somewhere Nowhere, The Great Hall at Avant Gardner, and more.
You can check out available tickets and VIP packages if you have yet to firm up your plans.
PHOTO CREDIT | EC/Electric Zoo
Read the AUG ISSUE #92 of Athleisure Mag and see EZOO NYC: Going into Hyperspace in mag.
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9LIST STORI3S | INNA
63MIX ROUTIN3S | JOEL CORRY
63MIX ROUTIN3S | FERRY CORSTEN
9PLAYLIST | JOEL CORRY
Read the AUG ISSUE #92 of Athleisure Mag and see 9PLAYLIST | Joel Corry in mag.
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