BINGELY STREAMING

THE PENGUIN

HBO Original

HBO + MAX

We always love watching a good DC Comics and this limited series of The Pengiun definitely had us enthralled from the ffirst episode as we get to see Oswald "Oz" Cobb (Colin Farrell) who is navigating his current role and takes the next steps into his destiny to control Gotham City. We see the city in a bit of a state with seawall's collapse that Joker implemented. With a power vacuum that took place when Carmine Falcone died he must figure out to deal with his childrenSofia Falcone (Cristin Milioti) and Alberto Falcone (Michael Zegen) as well as dealing with the Maroni family who is helmed by Salvatore Maroni (Clancy Brown) who is in prison!

We also watch as he puts his empire together and we get to know more about his origin story! We're excited to enjoy the remainder of the season and we also enjoyed the companion podcast, The Penguin Official Podcast which drops new episodes every week immediately following the release of the TV series.

THE CIRCLE

Netflix Original

Netflix

Alert! S7 of The Circle, a social media competition is out now - send message! We have loved every episodes where we meet an array of contestants who come to the game without seeing one another and that only have the ability to communicate via Circle Chats. Whether they play as themselves, are catfish or are a hybrid of the two, they must interact with one another, build alliances, figure out how to navigate the game, rate one another, and eventually make it to he final round where one winner will be awarded $100,000 for their efforts! As is the case each season, we see our favorites, we enjoy seeing who connects with who, and it's always fun when they come together for their reunion to see the players put a face to the name of the people that they have interacted with.

THE PRESTIGE TV PODCAST

The Ringer

Spotify

We watch a number of shows and we love when it's prestige - these are shows of high quality that are known for their high production value as well as complex plots. Shows such as The Bear, Breaking Bad, The Sopranos, and more would be examples. What we love about The Prestige TV Podcast by the team at The Ringer is that they have a number of episodes where they break down some of the hottest shows to talk about what is taking place in the show, fan theories, interviews that include actors or creative teams that are involved and more! It's a great way to ensure that you're on track with what is going on in the series. It's always great to see if the show you're watching is being covered by their ever growing team.

Read the SEP ISSUE #105 of Athleisure Mag and see Bingely Streaming in mag.

INTEGRITY EXCELLENCE SUSTAINABILITY | CHEF FARIYAL ABDULLAHI

As the Summer comes to a close, we're looking ahead to the Fall and Holiday! We love being able to take time with friends and family and those that are in our inner circles to connect and many times, these gatherings take place in our favorite restaurants! It's within these 4 walls that memories are made, food is shared, and horizons are expanded. With the restaurant as the canvas, it is helmed by those give us the foundation for this exchange to take place.

This month's cover is Executive Chef Fariyal Abdullahi of Hav & Mar which is located in Chelsea's Art District in the Starrett-Lehigh Building. We talk about how a passion for food, fine dining, sustainability, and advancement led to a culinary career that has included phenomenal restaurants and a track record of integrity; her helming and being personally selected by Marcus Samuelsson (Red Rooster, Streetbird, MARCUS ADDIS) for this restaurant that is in the Marcus Samuelsson Group; being the Chef for and walking the Met Gala red carpet in 2021; being a judge on Food Network shows such as Chopped and Alex vs America, and being a James Beard Award 2024 Finalist! We wanted to know more about her culinary journey, her approach to food, sustainability, and changing restaurant culture.

ATHLEISURE MAG: It’s been such a fun day in being able to hangout at your baby, Hav & Mar and your cover editorial here with, a number of looks, and to see your restaurant and you in this way.

What was the first dish that you remember when you realized that you fell in love with food?

CHEF FARIYAL ABDULLAHI: Um, ok, so I grew up in Ethiopia and I am the youngest of 6 siblings. My mom would cook all of our meals herself – breakfast, lunch, and dinner. We were a family of 8, it didn’t matter. She always made it herself. You know, people say that their mom was a good cook, I can tell you objectively as a Chef that my mom was very talented and she didn’t have any formal training or anything. She was just very intuitive and very good at it. Because of that, everybody used to come to our house for food because her food was just that good! Holiday and everything, my uncles would be at the house. They were not at their wives homes with their cooking. They would be at the house and I noticed that at a very young age. I was like, “mom, you have to put me on!”

So it’s not a particular dish. But, she started me out with salad from the beginning. It was nothing that had to do with fire and stuff. I was a Garde Manger Queen (Editor’s Note: The pantry chef, commonly known as Garde Manger or Garmo is responsible for the preparation of cold dishes, salads, charcuterie, and appetizers in a commercial kitchen) when I was 6 years old. I was like, I want to do this, I want to do what you do. But it was also the process of – we’re very close to our food source. So, I have photos of me from when I was a kid making salad! We would go to the farm which was right around the corner from our house and they would grow the lettuce. So it was a whole process. I would go get the lettuce, the tomatoes, and all of that stuff and I would have the connection of seeing all of this stuff going from the soil, the farmers that grew it, and then I would go back home and it was literally a simple salad. Romaine Lettuce, Serrano Peppers, and Tomatoes – you didn’t even make a vinaigrette for it – it was just lime juice and salt.

AM: Oh wow!

CHEF FA: Yeah, that was my responsibility. It was very few ingredients, but it built my relationship that I had with food. It kind of made that first part where I had that connection with the people that grew my food. Then I turned what they did into something that was delicious to eat, and then everyone comes over - everyone pulls up. It was really that process where I was like, this is what I want. This is that thing that connects all of us.

AM: You graduated with a Bachelor’s in Clinical Child Psychology. When did you realize that you wanted to be a Chef as opposed to going down that track in terms of a graduate degree? You opted to go to the Culinary Institute of America in Nappa as opposed to staying on the psychology track.

CHEF FA: I always knew that I wanted to be in food. But, it’s the classic immigrant story where you leave your country and you go to America. The American Dream is that you are a doctor, lawyer, or engineer. Those are the 3 things. I would tell my mom when I was 14 or 16 that I wanted to cook and that I wanted to be a chef. And she would always tell me that that was a hobby and that it wasn’t a career. So when you’re a doctor, you can go home and cook as a hobby. That was your hobby, that was not a career. But I was like, “damn, that is really what I want to do!” As the youngest of 6 siblings, that’s what they did. So I have a sister that is a Neurosurgeon, my brother is an Immuno Oncologist – so he is doing cancer research, I have a brother and a sister that is doing Internal Medicine – so then it was my turn and I mean, I guess my second love is just knowing people and understanding behavior and that is why I went into Clinical

Psychology. But it never -

AM: It never really felt right.

CHEF FA: It didn’t! It really didn’t and I am a very empathetic person and so I got my Bachelor’s in Clinical Child Psychology and my sister who is in UCLA – both of my sisters are in UCLA, I went to go visit them and they said, “let’s show you the psych department.” They took me to where the children are and that’s what kind of changed me forever because I knew that I could not work with sick kids every day. I couldn’t do that and then go home with it! I knew that I would always go home with it! So that day, instead of applying to grad school, I applied to culinary school. I had my heart set on CIA because I had read 2 biographies from Grant Achatz and Anthony Bourdain and they both went to CIA and it is supposed to be the Harvard of culinary schools. I thought, hold on, if I get accepted to this school – this 1 culinary school, it’s go to be big right? So, I didn’t apply anywhere else, I just applied there.

AM: One shot!

CHEF FA: Yeah, one shot and I got accepted. So I told my mom, you have to let me do this.

AM: I used to have a teacher who felt that I should be a surgeon because in our labs when we were dissecting various animals, my precision in cutting was something that she loved. I had to explain to her many times that it wasn’t the work that I wanted to do, and that inspired me to find a piece that called back to that to bring it to this set. My mind will continue to run and replay a number of things and I can’t make my mind not work that way. I don’t know if I could take running a procedure in my head where something went wrong on that level and be ok.

CHEF FA: Yeah, I don’t know how they do it!

AM: So while you waited to hear about your application, you went to 18 countries and traveled for 3 months! What was it like to go to these places and for someone who already had an interesting palette already, how did you retrain that to take on all of these other areas that you had not previously been exposed to?

CHEF FA: So that was the purpose because I didn’t think that I had a palette. I don’t want to say advanced, but I didn’t think that I had a good palette yet. So the first 16 years of my life, I lived in Ethiopia, so I had a very high tolerance for spicy food, but also like very heavily spiced food. Things are very seasoned in Ethiopia so that is my threshold. I came to the States and my intro into American food became what I ate on campus.

I was like, “what is this flavorless, unseasoned – what is going on?” I swear that at 16, because I started college fulltime at 16, I used to walk around in my purse with Tabasco before Beyoncé said it, I swear to God that I had hot sauce in my bag! Because I was like, this ain’t it for me! It was just no flavor! It was that and the burritos, the burgers, and I’m in college. I kept thinking that there had to be an in between – hold on!

Yeah so, that was kind of the purpose behind my trip and I knew that there had to be more food out there. So it was 18 countries and now I’m on my 56th country. But in those 3 months, I did 18 countries and it was just to eat!

AM: That’s insane and amazing!

CHEF FA: It was cool because it’s like the whole 10,000 hours that Malcom Gladwell talks about (Editor’s Note: Malcolm Gladwell is a Canadian journalist, author and public speaker. He is known for his unique perspective on popular culture. He has been a staff writer with The New Yorker since 1996 and has published 7 books. He is also the podcast host of Revisionist History and the co-founder of the podcast company, Pushkin Industries. In his 2008 book Outliers, he states that, “10,000 hours is the magic number of greatness.” This theory means that to be considered elite or truly experienced with a certain craft you would need to practice it for 10,000 hours) it was the exposure of different flavors and textures that I would not have been exposed to if I had not traveled to these different countries. It became my little culinary school!

AM: Did you have a little travel journal and write down things as you navigated these countries?

CHEF FA: Yeah! I was solo too! I went by myself!

AM: Got it! Wow that’s a lot!

So what was it like to attend CIA and what were some of the kitchens that you trained in as you navigated to where you are here?

CHEF FA: So CIA, so I was responsible for my own tuition and that was the deal when I moved from Ethiopia. I did 8 hours of school a day, that’s how long our classes were – 8 hours, but then I would also work as a Teacher’s Assistant for the first 8 hours of my day. So that’s when I got into the 16 hour work day.

AM: Right!

CHEF FA: So, it was actually teaching me the work ethic that I needed honestly at the time, I didn’t know! I didn’t know how many hours people worked at restaurants. I had never worked in a restaurant before and there were no examples around me. So CIA in addition to obviously the culinary fundamentals, it was the first thing that taught me – ok, you can’t be tired. If you’re going to do this, you’re going to have to have the energy for this. I mean, it’s the Harvard of culinary schools and I do think that I got into Noma which was my first job ever – I mean Noma was the best restaurant in the world for 4 years in a row! It’s because I set myself up by going to the CIA!

AM: For sure!

CHEF FA: I felt like I was behind because when I was attending the CIA, my classmates were 18 years old and I was 25! I knew that I had to be on the fast track. Yeah, so it was essentially, a career change for me.

AM: Clearly, it all worked out as I’m sitting here talking with you in your restaurant!

CHEF FA: Yeah, I’m pretty much on a space ship and I’m on it.

AM: So, you were at Noma and I know that they are closing at the end of this year, but they will be more of a food laboratory and so that’s an interesting evolution with how they will continue their journey. So what are 3 things that you learned in your time of being at that restaurant? I mean when you hear of people who were at that restaurant, it’s no joke and it’s highly prestigious!

CHEF FA: I mean, especially with that being my first job ever! I remember when we were in culinary school getting ready to graduate and my classmates were like, we’re going to start off at this restaurant and then work our way up. I was like nah! I knew that I had to go straight to the top. They were like, you can’t do that. That’s not how the system is set up. You have to work your way up to Noma and I’m like, “cool, that’s what y’all are going to do.”

AM: But when you have a vision and you already feel like that you’re older than those that you have been with, you just can’t go at the same cadence because you have to make up for lost time.

CHEF FA: So the first thing that I learned at Noma is Integrity. Because my thing was that if I want to learn to be the best, I have to learn from the best! They were the best restaurant 4 years in a row and I was like, cool. What is it that makes them the best. It’s not always necessarily the food, what I learned there was Integrity is so high. Everybody was doing the right thing whether someone was looking or they weren’t looking. There’s no cutting corners. If this is how you’re shown how to do something, you do it. If there is something that is stopping you from doing it, you do it. Either way, you always do the right thing. That’s really powerful! So integrity!

10 years ago, the restaurant industry and kitchens are set up on this bully system I would call it. You get called all kinds of names, you get yelled at, that’s the relationship that you have with your Chef. The standard is always excellence and you will never reach that. So you're getting yelled at constantly every single day. So I was like, ok cool, this is how it is. If this is how it is, you just adjust to it. You learn how to have tough skin and you move on. But there is a changing area and I was getting ready to close out from the day and I heard René Redzepi (Editor’s Note: Danish chef and co-owner of 3-Michelin star Noma in the Christianshavn neighborhood of Copenhagen, Denmark) having a conversation with his leadership team and I guess there was this line cook that was being bullied and he just couldn’t take it anymore and he just left and he wasn’t answering anybody’s calls for 3 weeks.

AM: Oh wow!

CHEF FA: And people were like ok, whatever, if he’s gone, he’s gone. That day when I was getting ready to leave, I was in the changing area and I heard the conversation that René was having with his leadership team and he was telling them, “we have to shift the culture. How do you guys not care? What if this guy isn’t even alive right now? What is wrong with you?”

AM: That’s what I was wondering!

CHEF FA: He was really laying into them. He said, we have to be better. So he was like, “cool, you guys are going to go to his apartment, you’re going to find him and make sure that he is fed.” He was an intern so he wasn’t getting paid, but he was like, “do we need to pay him?” He wanted to find out all of this information. René’s wife was pregnant at the time and he thought that he was having a son and he was like, “if my son told me that he wanted to work in the kitchen, I would tell him no.” That’s because it is very abusive and we have to shift the culture and we need to be able to create a system where people want to come to work and that they feel appreciated and cared about. I was like, what is he talking about? That is not how kitchens run. Don't you just get yelled at and told that you ain’t shit?

AM: Yeah and you go into the corner and do a cry where no one can see you so you can get back in the game.

CHEF FA: Right? You go to the side, handle it and go right back out!

AM: Right? That’s how it was for me in fashion and that was just how it went!

CHEF FA: Yeah and I thought that it would be like that forever! But that was the first time that I had ever heard anybody talking about changing and shifting the industry! I thought, ok I guess that it could be different. So that sparked the biggest thing in me where it made me say that I run my kitchen with joy. I lead it with joy. I think that that is why we have such a high retention rate here. People want to stay working here.

AM: We have been here for a few hours and I haven’t seen anyone slacking, slinking off or even watching us do a photoshoot and having me interview you. Everyone is just focused!

CHEF FA: Yeah they have a very heavy prep list. They are super focused! They are totally fine! I am really proud of what I have built. It all stems from my Noma days. Build a workplace that people actually want to come to and I learned that from René and have integrity! Always do the right thing!

AM: You leave Noma and prior to Hav & Mar, what are some of the restaurants that you were working at between these 2 periods?

CHEF FA: Right after Noma, I went back to LA because that’s where my family lives and while I was there, I got a call from a Chef here in NYC and he was an Executive Chef at a restaurant called Caviar Russe which is a Michelin-starred restaurant and he called me and he was like, “hey, I need a prep cook." I was like, “damn, starting from the bottom. I just came from Noma!” But it made sense because there is such a huge gap in my resume because I went from culinary school to the best restaurant in the world and while I was at Noma – you know, that’s the third thing that I learned.

I learned that you determine your own growth in terms of how quickly you grow. Because I went as an intern and interns don’t really get to work the line especially prep, but I was out of the prep kitchen after a month and they put me on the line.

I remember that there was a huge symposium that they do called the MAD Symposium (Editor’s Note: René created the MAD Symposium which is considered the G20 of Food Industry Change) where they bring some of the best culinary minds and René would be on huge pins and needles and he was very anxious to make sure that service went well. Obviously, they had all the interns in the prep kitchen and he came upstairs and he said, “what are you doing here?” I was like, “Chef, this is where I was put.” And he told me that I was going to be working on the line. He put me on the line for one of the most important services that he was about to do. So I said, “got it Chef.” I just put my head down and I did the work.

AM: Inside, you must have been like, argh!

CHEF FA: Oh yeah! I mean, we’re extremely close, but he could be very intimidating. So, we always knew when he was in town because when he is in the kitchen, all you would hear (Chef Fariyal pulls her keys out of her pocket and puts her finger through the keyring and flips the keys over and over through the loop) is those keys and you would say, “Chef’s here.”

So he put me on a station with a Sous Chef from Finland and he was this massive guy! He said, ok you're going to work this station with him. The Sous Chef was like, “don’t say nothing. All you have to do is shuck these 200 year old clams and that’s it!” I mean, dude, they were the size of my palm. I’m like wow 200 year old clams, but I was like, “yes Chef.” He let me know that no matter how intense it got, all he needed me to do was to stay calm and just shuck these clams. So I said, “yes Chef.” 5mins into service, René comes around the corner and starts screaming at the Sous Chef and asking him why his station was dirty. It was not even dirty. “Why is your station dirty? You know what, stop, everyone come here. Look at how nasty his station is.” He kicks the Sous Chef out of the kitchen and now I am in the station by myself.

AM: Oh no!

CHEF FA: I said, “the Sous Chef told me to shut up and just keep shucking so I’m just going to shut up and keep shucking my clams!” So I learned to stay cool and to stay calm. So nothing gets me out of my zone.

AM: Nope!

CHEF FA: So that is my 3rd thing. You determine your growth because I was the only intern working the line on a shift that René kicked my Sous Chef off his station that I worked at and then it became mine. That was all because I put my head down and I put in the work.

AM: We also know that you accepted that job at Caviar Russe.

CHEF FA: Yes so Caviar Russe was the first job after Noma. They called me and I said sure, prep cook is kind of crazy, but sure. So I came and I moved to NY for that. Fine dining is my love and it’s what I love to do. But 6 months of doing that, making minimum wage and you’re in NYC – I was barely surviving – barely. I was like I don’t know how much longer I can sustain this. When I was in school, we always used to have job fairs and there would be this restaurant group, Hillstone.

AM: Oh yeah!

CHEF FA: They would always be in the school and try to recruit kids from the CIA. They have a few restaurants in NYC.

AM: Yeah, they had the spot at 53rd & Lex as I used to eat there quite a bit in my early days of living in NYC. That was my place at that time.

CHEF FA: I was never interested in working at a place like Hillstone. I was like, I’m a fine dining girl from CIA – what are you talking about? I’m not trying to make burger and fries! But then I was like, ok, fine dining is not cutting it. I’m literally a starving artist right now and I’m hungry and can’t even feed myself. I got recruited to Hillstone and I said, let me see what this is about. I went and I remember when I did my stage, I was like hold on, they may not be making the type of food that I am interested in, but the restaurant is run like a fine dining restaurant. So I thought hold on, maybe I can do this. They pay you a 6 figure salary right off the bat and I thought, I can do this and not be broke!

I was like, this is compromising the type of food that I love making, but it is done to the same standards. Also, the paycheck is cute and I did the switch from fine dining to Hillstone. I did that for about 5 years.

AM: That’s a long time.

CHEF FA: 5 years, 9 different restaurants, I moved 9 times to different cities, and I became the opener. That’s how I got my experience in opening restaurants. Anytime you are asked to open a restaurant as a Chef, that is a huge compliment because you’re laying the foundation.

AM: Yeah the standard.

CHEF FA: They’re saying that they want you to instill and to inject your work ethic and the trajectory of the restaurant is all based on -

AM: Your brand standard!

CHEF FA: Yeah so I opened 9 restaurants in 9 different cities with Hillstone.When I was with them, they had 53 restaurants in a number of major cities. It was a $650 million dollar restaurant. It was 1 owner, he did not go public.

AM: Oh wow!

CHEF FA: Huge!

AM: That’s a flex!

CHEF FA: That’s a flex! That is where I learned my leadership. That is 100% where I learned my leadership style. A lot of Chefs say that it is one of the best run restaurant groups in America. Hands down, easily.

So Caviar Russe to Hillstone and then I was like, I’m tired. By that time, I had been in the industry 8 years and there was never any Black women and even with Hillstone, I grew really quickly so after 9 months they gave me my own kitchen which was also very much so on the fast track. People had issues being led by a woman of color and they would make it very clear.

AM: Oh yeah.

CHEF FA: Like they would actually verbally say I’m not doing that. Why? Because you’re a woman and you’re Black. I would say, “cool, do you take a paycheck from a woman because guess who is writing your paychecks?” So if you’re cool with that, you’re going to do this task. But that was very exhausting. It felt like I was in a state of isolation. Because I was far away from my family, cities and states that I didn’t have friends or family in them. So I was very much so alone and then you go into work and they make it a point to feel even more alone. Even though I was Head Chef, you didn't really have much of a say. It wasn’t my food. I didn’t get to hire the people that I wanted. So I wasn’t making any of the changes that I wanted to make. I was tired and it was 2020 and I felt that I was done with the industry. I moved back to Ethiopia. I was like, “I’m done, this is wack and I’m not into it.”

Then I get a call from Marcus Samuelsson. “I was like, what the heck is happening right now?” He’s like, “Chef, it’s taken me quite awhile to track you down.” I was like, “what – what do you mean?“ I was so confused. He tells me about this restaurant. He told me that he was opening a restaurant in Chelsea and he wanted it to be run by me. I wanted to know more. He said that he wanted to build a sustainable menu and that he wanted it to be led by a woman of color as he felt that he had not put any spotlight on women of color.

So I was in Ethiopia for 6 months. I didn’t know what I was going to do. I was chilling. I still had my home and my brother still lives there – I was cool. There was no rush. So Marcus called and he said sustainable menu which really mattered to me a lot and having it led by women of color. I was like, “hold on, so I can make whatever food I want and I can hire whoever I want?” He was like, it’s you. It’s your restaurant. You can do what you want! So I was like, alright cool, I have to come back. Also, it didn’t feel like I was done with the industry.

AM: Right, you just needed the right fit.

CHEF FA: So this was my second chance at the industry. Then within a year and a half, we have had a stellar NY Times review, I’ve gotten my James Beard Nomination, all of this stuff and it’s like – wait, what?

AM: That’s so insane! You must have gotten off of the call and just been like – he’s been looking for me? I’m going to be working with this man?

CHEF FA: How? I mean – what? You’re looking for me? That don’t make no sense!

It was and it is and he is letting me do my thing. I’m really glad that I came back.

AM: It’s such a great story. I have had the pleasure of interviewing him before and I have also done a fun culinary video with him and seeing him at culinary events and competitions. Love his personality and his focus as well as everything about him is really amazing.

What does it mean to you for him to place you in this position and to have this massive responsibility as well as being able to chart your own path?

CHEF FA: It’s 2 things. There is that whole show that comes along with it. It’s a very public and media facing restaurant. I wouldn’t have known that I could be a voice for women of color in the culinary industry if he didn’t trust me with this you know? There is only 6% of women of color that are Executive Chefs which no wonder that we feel so lonely. I do know some women of color that are Executive Chefs, but they say that they don’t have to talk about it all the time. They feel that the more that you focus on race and all of that stuff, you’re taking away from your craft. But I’m like, people are making it a point to focus on it anyway.

AM: Exactly!

CHEF FA: Right, so why don’t you talk your shit?

AM: It’s intertwined!

CHEF FA: It is!

AM: You can’t do one without the other.

CHEF FA: People don’t want to separate it so I will talk about it. People immediately are only focused on the food. I am going to talk about it and he gave me the voice which I think really helps. Because now, so many women of color reach out to me and say, “Chef this is so inspiring. I almost gave up on the industry.”

But the other thing is that Marcus is the first and the only person to ever tell me this. When we first started opening the restaurant he could tell because I had never really worked for a restaurant where I was in charge that was this front facing. He started talking about that we would get reviewed in the first couple of months and I was like woah, “I have never had to deal with this.” I wasn’t sure if I could do it and he was the first person to ever tell me, “Chef, you’re here because you deserve to be. You know that right?” I’ll never forget those words. I’m like, “no actually. No one has ever said that to me. Not a single person has told me that you’re here because you deserve to be.” He told me that I worry about that way too much and that he brought me here because I made great food and I tell a great story. So he told me that, ”whoever walks through that door, if they don’t see you, that’s not your problem. You’re here because you deserve to be.” And that kind of felt like the shackles that I had the first 8 years of my career –“

AM: Broke.

CHEF FA: Yeah, it unlocked it. I was like, cool. I don’t have to prove myself to anyone. I’m here because I deserve to be. You know, you don’t see white men prove why they are there.

AM: No you don’t.

CHEF FA: Right, everyone just knows that that is what it is. They make the food, people see that is the chef and there isn’t anything else that has to be said or debated. So he gave that to me. He gave me the belief and the understanding that I am here because I deserve to be. He gave me that voice so it’s been very impactful. It’s the first time and I always tell my siblings that their job is important because they are literally saving lives. My job is not important and that is what I have been saying for the last 8 years, but now like I have been doing this for 12 years and it’s the first time that I have felt that what I do is important. I’m changing an entire industry in terms of how you can run a restaurant and also many people see that you need to bring more women of color into your restaurant.

AM: There are a lot of people out there in your space telling a story, but you need to also be out on platforms sharing how you’re rocking things too. To hear as you said that it’s less than 6%.

What can you tell us about this space, the ambiance, the design, and what can diners expect when they come here? I love how decadent it is when you look in. But there is a relaxing element to the space as well as whimsical with the Black mermaids which I love!

CHEF FA: Yeah! Well that’s all Derrick Adams! So when Marcus commissioned Derrick Adams to do the artwork here, he told him it was going to be a seafood restaurant and that it would be led by women of color. So immediately, Derrick Adams was like Black mermaids. He titled it, We Are From the Water Too.

AM: I love that!

CHEF FA: We Are From the Water Too! So Black mermaids. So Marcus always says, “when you lose the message of Hav, look at the mermaids.” Like, they will always bring you back to what our message is at Hav. Visually and aesthetically, the architects name is Zébulon Perron (Red Bull Music Academy, Broccolini Condo Store, Pancho) and he’s won awards for creating this space and he's actually amazing.

But I love how it looks simple, right? Which is why you can feel so relaxed and it doesn’t feel intimidating where you feel that you have to be buttoned up. But then you get into the details and it’s like woah, hold on!

AM: It’s very Matrix-y in some ways with the way that the fixtures are floating. There are sections and yet everything is still together. It’s mind trippy! A little bit like Salvador Dalí (Editor’s Note: A Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and his striking images. Major themes in his work included dreams, stretching and mixing realities, as well as the subconscious.)

There’s just a warmth.

CHEF FA: And you know, he wanted it to be an open kitchen obviously. So I always stand in the pass (Editor’s Note: This is where plates go for a final garnish or inspection before they’re sent to the dining room. It’s also where components of a dish that are prepped at different stations meet to be plated together,) so I am the first person that people see. If we’re going to have a restaurant led by a woman of color, we’re not going to hide her. We’re going to make sure that people know that she is at the helm of it all. So I take my position right there and we have guests that walk up. Sometimes people are like, “can we meet the Chef?”

AM: It’s like, hello!

CHEF FA: Haha yes, hello! Were you expecting someone or something different?

AM: Sometimes they are!

CHEF FA: Well most of the time they are!

We get so many people that come up! Little girls and they’re like, “I want to be a chef!” This space! When I first walked in, there was nothing! It was rubble – a pile of rubble! I was like, “I don’t know what y’all see!” They did it just like that – 2 months!

AM: Really?

CHEF FA: Yeah!

AM: Wow!

CHEF FA: I love it here. I spend 80 hours in this building so -

AM: You know it very well!

CHEF FA: It’s not a bad place to spend 80 hours.

AM: What is the meaning behind the name?

CHEF FA: So Marcus is both Ethiopian Swedish. Hav is Swedish for ocean and Mar is the Ethiopian word for honey. So we are from the Sweet Waters which is how he describes it. But, it’s to pay homage to both his Swedish and Ethiopian roots.

AM: So what would you say the cuisine is and what are the ingredients and the flavors that are indicative of it?

CHEF FA: So when we were first talking about how we could make a sustainable menu, we kept coming back to seafood. Initially, he wanted to do a vegan restaurant.

AM: Part of me thought that this would have been a vegan restaurant.

CHEF FA: Right because when you talk about sustainability, that tends to be the best route to go. But then we were like, gosh, it’s really hard to tell our story through just plants. So we landed at seafood. I like to describe it as seafood. When we first opened it was, seafood told through the lens of the African Diaspora because it was very heavily influenced by African ingredients. I’m Ethiopian born and raised so a lot of Ethiopian influence, but I did a lot of West African ingredients too. Then we evolved because I have a Sous Chef from the Philippines and a Sous Chef from Puerto Rico.

PF: Oooo

AM: Yeah, both of us just said ooo at the same time!

CHEF FA: Yeah as the Executive Chef, the menu is mine. One day, I was feeling under the weather and my Filipino Sous Chef made me a traditional Filipino soup called Sinigang. I was in the pass and she saw me struggling as I was saying fire for the dishes. She said, “Chef, I made this for you.” I was like what is this and why is this not on our menu? She explained that it was from the Philippines and that they have a traditional soup made with fish. I was like, “you know we have a seafood restaurant?" Then I was like, hold on, I think that we should start bringing in their voices to the menu too. I don’t have to gatekeep this.

So then we started incorporating their dishes and then I think that that’s when Pete Wells (Editor’s Note: Pete Wells was the restaurant critic at The New York Times from 2011 – August 2024) came in to do the review and I was like, oh my God, we don’t really have an identity besides the fact that we are a seafood restaurant. He was like, “Chef Fariyal uses her global influence –.“ I was like, that’s who we are - we are a seafood restaurant. Some people will come in and say this is not African and I’m like we’re a seafood restaurant with a global influence. That’s it and now it has all of their global identities.

We have Puerto Rican flavors, we have Middle Eastern flavors, Filipino flavors – we have everything!

AM: That’s amazing.

CHEF FA: But the vessel is seafood. The seafood tells our story in terms of sustainability. It’s what keeps me up at night.

So when I was designing the menu and we were creating these dishes, we need to use as much of the ingredient as possible. I want very little waste. So the thing about restaurants is that we are one of the highest contributors of the Climate Crisis because we produce so much food waste and that ends up in landfills and I’m like how can we avoid all the waste that we produce here ending up in landfills? So it’s about using as much of the ingredient as possible.

So we are getting really creative so I have something called Ash Oil. So I was like, can we do anything with all of these scraps with the skins of scallions, onion skins, scallion tops that we throw away, garlic, and all of that stuff. Things that you would throw away and I thought that there has to be flavor in here! So we just put it in the Hearth oven which goes up to 800° and it gives it a nice char and then I blended it into a salt and then I mix that with oil so it has this super...

AM: Smoky

CHEF FA: Yes smoky flavor! So I was like, hold on this is edible and it gives this whole other dimension to dishes. So I was like, alright cool lets get really creative like that. Let’s use parts of ingredients that normally get thrown away. So that was Step 1.

Step 2 was how do I make sure that – obviously you can’t use 100% of everything.

AM: Right.

CHEF FA: How do I make sure that this doesn’t end up in landfills? So I did some research and found 2 different organizations one is called Afterlife. They come and pick up our compost every day. They grow mushrooms with our compost.

AM: Oh wow!

CHEF FA: I built a dish around these mushrooms so it’s like a full 360 moment. But then, the most important thing is that after they are done growing these mushrooms they take the substrate which is the compost and they turn it into soil and they create something called Biochar. So Biochar is soil, but it has the ability to sink carbon for a 1,000 years.

AM: Wow so they are a Circular Farm.

CHEF FA: Right, so I was like hold on, this is really fly! So all of our compost goes to them. I work with them a lot and they are doing a lot of really amazing things.

AM: And they are based here in the city?

CHEF FA: Yeah! They do all of that and they make Biochar by using our compost and then they donate the Biochar to farmers and it helps them increase their yield. So farmers are getting better yield while making sure that we’re not increasing the output of Carbon Dioxide to the air. They also donate it to parks and it goes to Governors Island. So they do all of these wonderful things with our compost.

AM: Wow!

CHEF FA: And then the second company, they’re called Billion Oyster Project.

AM: That’s the host of the dinner we’re going to on Thursday at Governors Island (Editor’s Note: You can read the story about this dinner from Outstanding in the Field in this issue).

CHEF FA: No way!

AM: Yeah Le Jardinier is the culinary portion and we’re very excited.

CHEF FA: Ok, that makes sense!

They are my second partner. So what they do is they collect oysters from restaurants and they are basically reconstituting the oyster population in the Hudson and all of the rivers here. What that does is it gives us a good filtration system. So they take our oysters because I’m like, let’s not get lazy with it. Technically, you could throw everything into a compost, but I’m like are there things that we can separate within the compost that makes better use? So since we have been open, Billion Oyster Project has been in the loop.

That is the most important thing to me. We can get all of the best accolades in the world. But the thing is, If you are contributing to a worse planet, what are you really doing?

AM: We have to do something and to keep researching for new innovations.

CHEF FA: Exactly!

AM: Wow!

CHEF FA: I like talking about it because for example, Afterlife they have 20 restaurants that they have partnered with in NYC. Do you know how many restaurants there are in NYC? That’s wild that there are only 20 restaurants that participate!

I eventually want to end up in policy. I do work with Save the Children. I do a lot of advocacy work and I eventually want to end up there. But for now, if you can implement the stuff while you’re on the ground, that’s a great place to start.

AM: I can see you doing Food Advocacy work as Tom Colicchio and Todd English, both of them are doing what they can and making their voices heard.

CHEF FA: It’s important! Listen, I am a mushroom fiend! They are very tasty.

AM: In looking at the menu, the flow of it is really great! What are 3 dishes from your Raw & Cured that you would suggest for those coming in?

CHEF FA: Raw & Cured, so I am a little biased with my Tuna Tartare.

AM: I love a Tuna Tartare moment.

CHEF FA: It’s so good! Tuna Tartare is a must. Hamachi has been there since we have opened. It’s a ceviche that I use called the Black Ceviche which is non-traditional and I use the Ashe Oil in there. It’s very acidic, but that Ash Oil gives it that other dimension of what I was talking about when I was saying smoky. That’s not very traditional for a ceviche. I can never get rid of that. It will be on the menu forever. There are just some things – I mean we are a seasonal menu, but there are just some things that’s just like, there will be an uproar if we take that off the menu.

AM: People will be like, wait, is it even a restaurant if I can’t get this here? Forks raised in the air – where is it?

CHEF FA: For real – picketing! The Hamachi Ceviche and there is a dish called the Swediopian. So it is something that we have had since the beginning. Swediopian is our play on words where it’s Swedish and Ethiopian. So way before this restaurant opened, Marcus and I did an event for Pepsi and it was around the Super Bowl and he wanted a dish that represented both his Ethiopian and Swedish roots and he said to play around with the cured salmon. So I cured it using Swedish techniques, but then I used berbere which is an Ethiopian spice so it’s a twice cured salmon.

AM: Oh wow so it’s punchy.

CHEF FA: Yeah very actually. You guys need to come in and eat. Seriously.

AM: Oh we will, we want to be able to try that.

CHEF FA: So those three from the Raw & Cured are great!

AM: What are 3 Small Plates that you suggest that we should enjoy?

CHEF FA: Small Plates, we do a beautiful Scallop here.

AM: I love a Scallop.

CHEF FA: Yes, we have our Fall Menu coming in 3 weeks and so the format will change again.

Yes and the Salad is a big hit too! We always bring that in every Summer. I have this formula that I use. For this particular Salad I do a purée and it’s about what ingredient is at its best during the season? So for the Summer Salad, I do a corn purée then Heirloom tomatoes because you know and then I do a compressed watermelon.

AM: Wow!

CHEF FA: What could be more Summer than that? So I always say get the Summer Salad and the Scallops – those are my 2 favorites.

AM: What is Happy Hour like here?

CHEF FA: Happy Hour is from 5-7pm. We have a separate menu that we do and our General Manager Tia, a woman of color whose Jamaican, she’s a Somm and she does the Beverage Program here.

AM: Wow!

CHEF FA: So she wears many hats! So she makes awesome cocktails. We work in tandem and she takes ingredients from the kitchen that we are processed and done with and instead of throwing it away and making waste, she makes cocktails with it.

AM: Oh that’s smart and the sustainability continues.

So that means some of your cocktails are even a bit savory as well?

CHEF FA: Yup the Hav & Martini – so I make pickled red onions that I use as a garnish and I put beets in it to make that beautiful pink color. So when we're done pickling it, we used to toss out the juice. But she uses it in her Hav & Martini.

AM: I like that!

CHEF FA: Yeah it’s this beautiful pink hued beverage. She has this really beautiful way of explaining it because I don’t drink alcohol and I’m Muslim and I have never been in that world.

The way that she explains it she’s like this cocktail uses onions and this is why. I’m like, girl I don’t know, but it sounds good!

AM: It’s smart because there are a lot of studios in this area -

CHEF FA: Art studios.

AM: So you’re open for dinner every night. Do you ever foresee a lunch service? What was the decision behind this?

CHEF FA: So one thing that I love patting myself on the back for is because when you start getting to this whole thing – James Beard, Michelin, and all of that stuff – people equate how difficult it is to get into a restaurant with how successful that restaurant is. I always tell people – it’s not a competition, but when you look at and line up all of the restaurants, I have 140 seats. We are open 7 days a week and a lot of these restaurants are not open 7 days a week. They’re not and in this post COVID climate, it’s very challenging to have enough staff to be open and operating 7 days a week and that’s a really huge deal.

AM: Yup!

CHEF FA: And most of the restaurants, I mean this is a very big operation in terms of seats.

AM: When I walked in, I thought, they’re not playing.

CHEF FA: Yeah so 140 seats, 7 days a week. I’m like, you guys don’t understand – like when you guys are like who is the best chef? Look at the operation also, you know what I mean? I could run a 12 seat restaurant that’s open 4 days a week. I could run that very easily. So it already is doing the most because we are open 7 days a week in this restaurant. But Marcus does have pipe dreams of being open for lunch and I’m like, “Chef, where are these people? Where is the staff that I’m supposed to find?” I would say that that is the biggest challenge of being open for more service – it’s just not the same. The pool of people to hire is not the same at all.

AM: So speaking to that, what is an average day like?

CHEF FA: So the operating hours is that we are open from 5-10pm.

So there are 2 shifts. The AM team gets here at 8am. They are here from 8-4pm. They prep the food that all the guests are going to eat. So our rule is, “today’s food, for today’s guests.” So everything is made fresh inhouse every day. There is no rolling over. I have a Sous Chef, I have a Pastry Chef, 2 Prep Cooks, and a Dishwasher.

AM: Wow.

CHEF FA: So that’s who’s here from 8 – 4pm.

Then at 3pm, my line team gets here. So they are the ones that cook the food. So there is an hour overlap between the 2 of them. But they will be here from 3 – 11pm. So there is the prep team and the service team.

AM: Oh wow.

CHEF FA: I have to kind of be here for both.

So I get here between 12-2 and then I stay here until the last table leaves.

AM: So on your admin day, is that when you are touching base with the group?

CHEF FA: So with the group, we have weekly meetings every Wed. So we have our meetings with our Director of Operations. The only reason why she is here today is because our General Manager is in Chicago. But we have a meeting with her, our CEO, and our CFO every Wed. about our P&L. So I have to know every single penny that comes into this building and every single penny that leaves this building. So I always give them a presentation every single Wed. This is where we’re at, this is the goal, this is what my food cost is, this is what my labor cost is, and this is our bottom line. It’s every Wed. and I have to be prepared to talk about our numbers in and out.

But when I say admin stuff, it’s like every Mon. we do payroll. Bit every day, I process invoices. So there is always something. Or there is scheduling I do that every week.

AM: You are a woman of many hats.

CHEF FA: It never ends.

AM: So obviously we were talking about the Met Gala earlier during your shoot. You looked phenomenal on the red carpet. What did it mean to you to be part of that event in addition to obviously doing the menu itself? Just being in that apex of fashion.

CHEF FA: So in the moment, I obviously didn’t grasp how big it was!

Somehow in the end it looks like I’m a fashion forward person ...

That was important for me 1 – it was kind of my debut. We had done so many shoots with Vogue and a lot of stuff and it was like, Chef Fariyal, Chef Fariyal. I was always cooking behind the scenes and now it was like, people know me as a chef now. It was cool and that’s what kind of catapulted the whole TV and media. Because that is when I got a call from the President of Food Network. They were like, hold on, who are you and why are you not on TV? I was like what do you mean because I’m a Chef? What do you mean TV? But that is what catapulted it all. It was that Met Gala, that red carpet.

AM: You were on a lot of the main pages of a number of international editions of Vogue as well as the one here. It was like Lady Gaga what? I remember thinking wow and she’s a Chef on that red carpet – wow. It’s like that’s huge because I thought that she would be in the kitchen.

CHEF FA: I thought that I was going to cook, but no!

AM: What does it mean to your brand because you are doing Chopped as a judge or you’re on Alex vs. America as a judge, or you’re on your Roku show, Celebrity Family Food Battle, and you have done different kinds of things. What does that mean to you when you look at that particular component. Because it feels like being a Chef now – although you don’t have to do this – it has become elevated where you have to have these other touch points that includes TV.

CHEF FA: So it kind of goes hand-in-hand. One of the reasons that the restaurant has been successful is that obviously we’re blessed to have Marcus and his brand behind it and now it’s 50/50. Just as many people walk into the building to meet me as they do asking for Marcus and it’s because I do so many things and when they introduce me on TV they say, that is the Executive Chef from Hav & Mar. So it really helps and my brand is very closely tied to Hav & Mar. So we keep those butts in these seats.

AM: You’re rocking those 7 nights!

CHEF FA: Yeah!

AM: And being a finalist for James Beard. What does that mean to you?

CHEF FA: Oh my gosh, that was never – to me, it was one of those things like James Beard wasn’t even a North Star for me. It wasn’t something that I thought would ever be in my world or something that I could even attain. Then when I moved to Hav & Mar and we opened this restaurant, Marcus asked me what some of my goals were.

I was like, James Beard and he said, “oh, ok.” I was like, “what you mean?”

AM: And he was like what part did you not get? The O or the K?

CHEF FA: I want to be nominated for a James Beard. The other thing was Food & Wine Best Chef. I wanted to be in that category too. And he made me write a list and he said that these were all things that we could work towards. I didn’t think that it would come so fast within my first year of opening the restaurant.

So when I got my nomination for James Beard, I was on set at Chopped and the list came out. It was like right between takes and my phone because I always have it under my leg, it was going off. I was like is the restaurant on fire? What is going on? So I kind of snuck a look and I was like what? James Beard – whatever. And then in between, I read the first text and it was like, congratulations you are a nominated and I was like, what are they talking about? So I was with my co-judges and I was like, Tiffany, I just got nominated for a James Beard and everyone was like what that’s so cool! Then it was like, “and action!”

So literally this is happening in between takes and obviously everyone on set knew how big of a deal this was and what made it really special was that at some point, somebody went out and got flowers and a card. They made the entire team come out on set – every single person that works on Chopped came to give me flowers.

They announced it and said Chef Fariyal is a James Beard nominated Chef! It was very emotional.

AM: That is very cool!

CHEF FA: It was really emotional and how cool is that moment? I’m on the set of Chopped, we’re their celebrating a James Beard nomination and then of course, everyone was like wow just to be nominated is really important and a lot of people don’t even make it to the finals. The people were making sure that I didn’t get my hopes up. But sure enough, I made that shortlist too! It was like what? This is insane. So now, we’re really pulling up. We’re pulling up to the James Beard Awards – this is amazing. I thought that up until that moment that it was just the nomination that mattered to me.

But then, I am in the first category. I sat down, there was a quick presentation. First award of the night is the Emerging Chef Category. I had this super powerful and emotional speech written. I had envisioned it, I was going to go up there and Marcus had given me a pep talk and said that not that many people get it on their first nomination. So if they don't say your name, just try to find it within you to not be disappointed. Because the fact that you made it this far is insane.

AM: Yeah, it’s huge!

CHEF FA: Right so it’s my first nomination. I just remember that they didn’t say my name. I was like woah, I want that. But I didn’t know that I wanted to win. I thought – I mean my goal that I had written down was – I wanted to be nominated. But when they didn’t say my name, it was a 2 second thing where I said, I do want to win. Next year. Then afterwards, the President of James Beard came up to me and everyone was coming up to me and everyone was shocked. They thought that I really had this one. But they told me, you know you’re going to be here many, many, many more times.

AM: Exactly! And the dress you wore was amazing!

CHEF FA: That was like full on from my tribe! Because I did a little bit of it for Met Gala with the headband. But then I wore the full attire this time. That was part of the speech too! I was like gosh, I have to wear it every year now?

AM: Well, you set a little precedent for yourself.

CHEF FA: I did! But that was really important you know because I -

AM: Well representation!

CHEF FA: That’s the thing! I represent 4 voices in America – I’m Black, I’m a woman, I’m Muslim, and I’m an immigrant. 4 of the most underrepresented voices and I think about that every day. I just can’t carry myself like that – this stuff matters, you know what I mean? People are paying attention to me and I have to be very careful about how I speak, what I say, and it’s not all fun and games.

The reason why I was disappointed that I didn’t get it is because we talk about so much about how this is – I always talk about how we need to give women of color more opportunities in the kitchen. So when I got the nomination, it wasn’t just me, I was making a case and a point for why more people of color should be nominated in these things. Then when I didn’t win I was like, gosh, did I let everybody down? I don't know.

AM: No, not at all.

CHEF FA: I got us in the room.

AM: You got in the room and like you said, you will have many more opportunities.

Do you envision having your own cookbook? I know that you had a recipe that was included in a cookbook.

CHEF FA: They are on my case every day!

AM: Haha I can imagine.

CHEF FA: It’s definitely in the pipeline. It’s just a matter of me finding the time.

AM: Last year, we had the pleasure of covering the Food Network Wine Food Festival and this year, you are going to be participating. How excited are you to be part of it, is this your first time?

CHEF FA: This is my first time!

Well I’m doing -

AM: I know that you have a sit down dinner that you’re doing right?

CHEF FA: It’s a Hav & Mar X The Musket Room Brunch with the chefs from The Musket Room. So that’s Mary Attea and Camari Mick. How much more aligned can we get? Like Camari is also killing it in the game! So we got on the phone and we came up with the menu in like 3 seconds and we knew that this was going to be so fun. But I think that that will be so powerful. That should be fun so I’m excited.

I’m also doing the Blue Moon Burger Bash: Champions vs. Challengers presented by Pat LaFrieda and hosted by Rachael Ray.

That is going to be fun, a little burger competition.

AM: We loved the spread of coverage and the fact that you could to eat a number of amazing dishes, connect with people we have covered as well as to hang out with the food community, it’s a good time.

I love that we’re living in a time right now where people are understanding more and want to get a better awareness of the restaurant industry. That’s whether you’re watching Chopped, Top Chef, or The Bear.

CHEF FA: Oh yeah.

AM: I love The Bear!

On your IG, you’ve been talking about the industry, explaining terms, and giving people an inside scoop. Why do you also enjoy sharing this aspect so that people are able to know more about you, but also the industry?

CHEF FA: It was kind of a natural progression from people developing an interest from watching these programs. There are all these Food Network shows, but it’s not an insight into how restaurants are. I think it was The Bear that started this whole thing. People would start using kitchen terms and be like, “how does the pass work?” and I was like what? How did you know about the pass? Where did you -

AM: Carmy said it!

CHEF FA: Exactly, Carmy said it. Oh my gosh! But I am glad that if they’re going to take any information from a show, it’s The Bear because it’s 1000% accurate. Now obviously, there are some Hollywood liberties that they take so that it makes it more dramatic or whatever. But it is a very accurate representation of how restaurants are. So, it came from people being so interested and asking questions. Then on my end too, it’s like it was such a huge shift when the industry was shut down during the pandemic and then opening back up. I was like, people are going to be nice. Right? Because we’re all struggling collectively as humanity.

No, we would get people that were so mean to our servers and just being super mean, just like – beyond. So I thought, well maybe if you give people insight into how tough that it actually is to get the food to your table, you’d be more grateful for this experience.

AM: Tell me about Take Care of Home, why you created it, and what does it do?

CHEF FA: So it’s a non-profit that I started with my friends from Ethiopia. Education has always been at the forefront of my philanthropy work because my mom was set in an arranged marriage when she was 16. So she had to drop out of school in the 8th grade and she was married and started having kids at 16 and her only regret in life was that she didn’t finish school. She stressed that with us. She put all 6 of us thorough private school. It was really important to her. So it became important to me. In Ethiopia, there is a huge gap where in the capitol city, there are a number of schools. But in rural parts of the country, there aren’t actually that many schools because the government only has the funds to subsidize teacher’s salaries, but there are no physical structures because no one has the money to build these infrastructures. So on paper, the schools exist, but no one is going. You’re learning under a shed and under crazy circumstances.

So we were like if this is what is going on and all they need is funding to build the schools, why don’t we do that? So we created Take Care of Home just by the first year was just asking our friends. We were like, we could build a school with $20,000 US or $60,000 US depending on the size of the school. The first year we raised money just by asking our friends. Then it becamea formal thing. We became a non-profit, and we spent an entire year raising money and we just built our 9th school.

AM: Wow!

CHEF FA: We’ve been open for 7 years. We have also expanded our initiatives as well. The first school that we completed, we always go back and visit. We noticed that it was mostly boys that were attending school, but not girls. So when we started digging into that, we learned that in that part of the country, girls don’t really get to go to school because they have house things that they have to do. Especially, when it comes to getting water. None of these homes have direct access to water so the girls have to go to the river and it’s not always close or nearby. So they can’t go to school. So I said, what if we fix that problem?

So we started a second initiative where we build water pipelines to the homes. We started doing that and that freed the girls to start going to school. So we are learning as we go. We’re adding more initiatives in addition to building schools.

AM: 9 is huge!

CHEF FA: 9 schools and I’m very proud of it!

AM: Are there any upcoming projects that we should know about that are on your radar that you are comfortable in sharing with us?

CHEF FA: Not really – obviously you know that there are always talks like TV shows.

AM: How do you take time for yourself when you’re not doing all of the things at the restaurant or are on set for TV? How do you reset especially with the amount of hours you have for work?

CHEF FA: So my reset is if I do take 2 days off like a human being, and I am doing this next week, after I get off of work here, I go straight to the airport, hop on a redeye, to go be with my family for 36 hours and then come right back. So I usually catch the red eye coming back and I come here straight to work. I’m usually suitcase out and suitcase in. So my family is my reset.

AM: What do you want your legacy to be?

CHEF FA: See that’s an Oprah style question?

AM: Yes, she was my very first interview when I was 12.

CHEF FA: No way. But it makes sense. I’m not surprised!

Ok, what I want my legacy to be is the Chef that changed the culture.

AM: Yeah!

CHEF FA: Anybody could make good food honestly. I could give anybody the recipe and they could carry it out. But to make people feel seen and that they deserve to be here the same way that Marcus made me feel that I deserved to be here regardless of your race, gender, ethnicity, sexual orientation – none of that stuff matters when you’re making food. None of that stuff matters at all! But we have not created that yet and I think that that is what I have done with these guys. But I want it to go beyond these 4 walls. This should be how restaurants are run.

AM: 100%

CHEF FA: I’ve had these conversations with Chefs and they’re like, nope – it would never work. Like, if you want to make this kind of food, this is how you have to run the kitchens. Ok, but then why am I able to make it work here? It’s happening here now.

IG @cheffariyalabdul

@havandmar

INTEGRITY, EXCELLENCE, SUSTAINABILITY COVER EDITORIAL | TEAM CREDITS

PHOTOGRAPHER Paul Farkas | FASHION STYLIST Kimmie Smith | MUA Dru Coppin/Felicia Graham Beauty Team | HAIR STYLIST Lea DeLoy |

IG @pvfarkas

@shes.kimmie

@drewbydru

@feliciagrahambeautyteam

@hairbyleadeloy

INTEGRITY, EXCELLENCE, SUSTAINABILITY COVER EDITORIAL | CREDITS

NIGHT OUT LOOK FRONT COVER + PG 16, 34 - 43, + 62 | NORMA KAMALI Super OS BF NK Shirt/Body/True Navy + Shirred Mini Skirt/True Navy | LAGOS Long Superfine Diamond Drop Earrings | MIGNON FAGET Banana Leaf Cuff | GOLD STORIES Rani Cuff Ring with Sapphire + Rani Cuff Ring |

WFH LOOK BACK COVER + PG 18, 21 | SCOTCH & SODA Printed Maxi Cotton Voile Dress | PONO BY JOAN GOODMAN Evelyn Necklace Starlight | LAGOS Blue Ceramic Stainless Smart Caviar Watch, 18K Gold and Blue Ceramic Hoop Earrings, Small Ceramic Dynamic Stacking Ring, Ceramic Beaded Bracelet 9mm + Caviar Skull Bracelet 9mm |

OUT & ABOUT LOOK I PG 22, 25 | TOMMY HILFIGER The Letterman Cardigan | AIR AND ANCHOR Stainless Steel One of A Kind Kinda Necklace Neutral /14K Gold + Center of the Universe Necklace Set | GOLD STORIES Rani Cuff with Sapphire + Intertwined Bangle | PARKER THATCH Cross Your Heart Sling - Leather Butterscotch + Adjustable Crossbody Strap - Modernist |

OUT + ABOUT LOOK II PG 26, 29 | SCOTCH AND SODA Short Trucker Jacket in Multi Color Stripe + Relaxed Fit Cotton Linen Chino Joggers | LNA CLOTHING Essential Cotton Kaden V Neck | AIR AND ANCHOR Stainless Steel One of A Kind Kinda Necklace Neutral /14K Gold + Center of the Universe Necklace Set | GOLD STORIES Rani Cuff with Sapphire + Intertwined Bangle | CONVERSE Chuck 70 Canvas |

FITNESS LOOK PG 30 - 32 | NORMA KAMALI Hologram Foil Mini MotoJacket + Hologram Foil Cropped Leggings | MACHINES FOR FREEDOM Foundations Bra | HAMMITT Tony SML | GOOGLE Pixel Watch 3 45mm | PONO BY JOAN GOODMAN Colette Luce Bracelet | CARRERA Super Champion Italian Style Pilot Sunglasses | LAGOS Delicate 18K Gold Beaded Bracelet 3mm, 18K Gold Superfine Caviar Link Necklace + 18K Gold Karat Pendant | ATHLETIC PROPULSION LABS TechLoom Bliss |

Read the AUG ISSUE #104 of Athleisure Mag and see INTEGRITY EXCELLENCE SUSTAINABILITY | Chef Fariyal Abdullahi in mag.

BACK TO CHICAGO | THE BEAR

On June 26th 9pm ET, S3 of FX's The Bear released all episodes from this season which is available exclusively on Hulu in the U.S. and on Disney+ in all other territories! We had the pleasure of hearing from portions of the cast about this show that has truly been a phenomenon for those in the culinary industry, enthusiasts and more as we head back to Chicago it deals with the highs and lows of running a restaurant, navigating the industry as well as the complexities that take place FOH, BOH as well as outside of the four walls that they operate in!

The press conference included Executive Producer and Restaurateur Chef Matty Matheson (Craig of the Creek, It's Suppertime!, Workin' Moms), who also plays Neil Fak, Jeremy Alllen White (Shameless, Homecoming, The Iron Claw) who plays Carmy, Ayo Edebiri (Black Mirror, Abbott Elementary, Bottoms) who plays Sydney as well as who directed Episode 6 "Napkins" of this season, Ebon Moss-Bachrach (Girls, The Dropout, Andor) who plays Richie, Abby Elliott (Saturday Night Life, Odd Mom Out, Cheaper By The Dozen) who plays Natalie, Liza Colón-Zayas (In Treatment, Law & Order, Titans) who plays Tina, Lionel Boyce (Loiter Squad, Curb Your Enthusiasm, The Jellies) who plays Marcus, and Ricky Staffieri (Chicago P.D., Better Call Saul, This is Us) who plays Ted Fak.

If you have watched or caught up on the previous seasons of The Bear, we suggest that you watch as there will be light spoilers. In terms of S3 the conversation focuses on the trailer and how it ties into the previous seasons.

PRESS POOL: Matty, in addition to your playing Neil, you are an executive producer and from a menu creation perspective, what are the decisions that are involved in creating those dishes?

CHEF MATTY MATHESON: Yeah, like, Courtney Storer is also a producer, and she handles a lot of the menu development. I work with her and her team and ideation stuff of what Carmy and Syd would be thinking about and how to execute those types of dishes; and create; those types of menus; and who they are and how they would present themselves through a culinary lens. But yeah, a lot of the dishes—you know, we had some really good chefs, and Courtney is amazing at executing and creating that food and bringing that to life. And there were some dishes that were more difficult than others. A lot of the desserts that Lionel and Marcus were creating and storytelling were difficult. Pastry is very - you know, it's a lot of science, a lot of stuff going into that. But overall, I think just trying to make beautiful food and thoughtful food and pushing the envelope.

PP: What was it like cowriting the first episode, what that experience was like, what you brought to the table and also, what it did for you.

CHEF MM: I think a lot of people that have had amazing careers, like Carmy had or chefs in general, have worked under a lot of chefs. And there's little pieces that you grab onto throughout your life, and that's how and what makes you who you are, the good and the bad. And in culinary school, I had this chef that told us this story about how 30 chefs made who he was and told me this story about working under all of these chefs all over Europe and working with chefs and cooks and just learning all of these different trades. And you know, it is a trade. And so, I think picking up these little skills along the way - and you never stop learning - is who you are made of, you know? The people around you. And we kind of wanted to tell a story of what and how Carmy was kind of built in that way.

PP: It seems like Neil's role is increasing with every season and we're seeing more of him. Was this planned from the beginning or did it grow organically out of the way the character interacted with the other characters?

CHEF MM: I’m not too sure. I think they saw that I could remember a couple more lines. And then, I think Chris Storer (Ramy, On The Count of Three, Dickinson) kind of chucked me a couple lines, and then I think we'll keep it moving. But yeah, I don't know. I really don't know. I think happy to be here and then, you know—

JEREMY ALLEN WHITE: I think, yeah, I mean, I think Chris was responding to Matty's work on the show. Matty had never acted before the show, and it turns out he can do it so beautifully and he can be so funny and lovable. And so, I think Chris wanted to work with him more and more. And it's also like I've never seen Chris be more joyful...

EBON MOSS-BACHRACH: Yeah.

AYO EDEBIRI: It's true.

EMB: Yeah.

JAW: ...than when he's directing a scene with Matty and like throwing lines at him. It really is the most excited that I see Chris is working with Matty.

CHEF MM: What Jeremy Allen White said.

ATHLEISURE MAG: Jeremy, we got a taste of Carmy's mentality following the finale and how the walk-in incident impacted him in the trailer. But going into Season 3, how will that experience impact him and his employees at The Bear?

JAW: Yeah, I mean, you know, what happens, I do get out of the walk-in refrigerator and that's good. And then yeah, you know, I think Carmy does what he does, which is he sort of buries himself back into his work and really tries to challenge himself and in doing so, really challenges everybody around him and I think becomes quite challenging to be around, as well. A lot of challenges.

PP: Things were not in a great place between Richie and Carmy when we last saw them. How will their relationship move forward as the season progresses and can they overcome the differences that they have?

EMB: They're great now. They're great. They...

(Laughter.)

AE: Play pickleball on Wednesdays.

EMB: They wake up every morning, go for a jog. You know, a little coffee klatch. No, I mean, you've got to watch, I think, right?

JAW: Yeah. Yeah, yeah, yeah. I mean, yes, Carmy is like continuing to do what he does best, I think, which is like be incredibly avoidant of all the issues that he has going on.

AE: No. What?

JAW: And that's what you'll see, yeah.

AM: Last season Richie got to work at another restaurant which really softened him and informed him a lot. How did that inform you moving forward with the character and into Season 3?

EMB: Season 3 picks up I think not long after Season 2 ends. And I don't know, I think Richie is in a place where he's sort of seen...he's been exposed to maybe a more evolved way of being, and I think he kind of sees a path to head towards. But it's one thing to see the path and it's another thing to walk it. So, I think, like any kind of personal growth, it's forward and back and there's not a kind of clear and one-direction path.

PP: In the Season 3 trailer, Carmy presents Sydney with a partnership agreement. What does this promotion mean for your character and how does Sydney and Carmy's relationship evolve in Season 3?

AE: Well, I think that that's one of the things in the season that we sort of deal with is what it means to Sydney and what that next step would mean for her relationship with Carmy, who's somebody that I think she really has looked up to but now is sort of in the thick of doing business with. And it's I think a lot more chaotic than she might have idealized before they really started working together. So yeah, I think that's sort of something that you'll see.

JAW: Yeah. Yeah, I think for Carmen, he's not the best communicator, but he will often kind of make a sort of grand gesture like that to try and communicate to Syd or the kitchen or whomever. And I think that's his way of kind of reaching out. But oftentimes, I feel like people aren't prepared to sort of receive like - I think he's got a lot going on in his mind all the time, and people aren't always aware of exactly what's going on. And so, yeah, I guess...again, yeah, you'll see obviously how that affects Carmen and Syd's relationship. But I think Carmen's trying to welcome her in a little bit was the point of the partnership agreement, yeah.

PP: What is going on with Tina this season. And then Ayo, would love to hear what it was like directing an episode.

LIZA COLÓN-ZAYAS: What's up with Tina is she is struggling to, you know, be her best and the challenges and wrestling with the demons of her past and you know, white-knuckling.

AE: Yeah, directing was a blast. I really loved it. It's like a dream to get to work with our crew as an actor. And so then, I guess by extension of directing that feeling was only amplified. I was just so impressed and so moved every day. And then, I got to direct some of my favorite actors in the world, and it just felt like a bit of a master class, but also a gift. Like, I was just in the best circumstances of truly just masters of their craft beside me, and I just felt so lucky. I was kind of like this is maybe the best job in the world? Or tied for first place, at least, with the one of acting. Yeah, so it was really wonderful.

AM: Did you choose the script that you were going to direct or is it just a decision you made with Chris Storer?

AE: I mean, a little bit of both, I guess? Like, he had one in mind. We're lucky enough to read all the episodes as actors beforehand, and we'd been talking about it for a while. And I know that he had one in mind, and I think he and the other producers, like Joanna Calo (The Baby-Sitters Club, Hack, Beef), had talked about it a bit, about how the episodes would be distributed. Because I wasn't the only guest director this season. Our AD, Duccio Fabbri (She Said, The Whale, Native Son), also directed an episode. And so, I think they had in their minds who would go where a little bit. But then we had a conversation, and he was like, "Which scripts are you responding to?" And I was like, "I would literally give you my firstborn child, who does not exist yet, if I could do the Liza episode, because I would love to work with Liza in that way." And then, he was like, "Well, we have nice little parallel thinking." So, yeah.

PP: Grief seems to be kind of a river that runs through the entire connective tissue of the show. And no one has seemed to really deal with their grief related to Mikey's (Jon Bernthal) passing and also, it seems like there might be some grief for Marcus, as well, coming up. Will there be any reckonings with unprocessed grief throughout this season, and what does that mean for the restaurant as a whole?

ABBY ELLIOT: Yeah, I think with Natalie, she's processing her grief and she's about to become a mother. She's pregnant and so, she's grappling with the fact that her brother had this horrible demise and her relationship with her mom and her brother is not in a good place. So, I feel like, yeah, she's dealing with the grief in that way.

AE: Yeah, I feel like a lot of different characters have grief that touched them in different ways in how they're dealing with it. I mean, I think you said it very aptly. That's one of the connecting threads of the show, so I think it's in the process of being dealt with by different characters in different ways in this season.

EMB: I would say that it's even one of the strengths of the show and I think one of the reasons that it's connected with so many people is I think grief is the river that runs through all of us. And it's the one sort of - maybe one of the only common things that we all share in the human experience. And so, yeah, that continues, and everyone deals with it in their own way. Or not, you know.

IG @thebearfx

@mattymatheson

@jeremyallenwhitefinally

@ebonmossbacharach

@ayoedebiri

@lizacolonzayas_lcz

@lilcutieforever

PHOTOGRAPHY COURTESY | FX's The Bear

Read the JUN ISSUE #102 of Athleisure Mag and see BACK TO CHICAGO | The Bear in mag.

AWARDS SEASON | PEOPLE'S CHOICE AWARDS WINNERS

The People's Choice Awards announced this year’s winners on NBC, E!, and Peacock. This awards show allowed fans to cast a vote for their favorites and celebrate the best in movies, TV, music and pop culture. The show will be hosted by Simu Liu (Shang-Chi and the Legend of the Ten Rings, Simulant, Barbie) who is a Movie Performance of The Year Nominee for his role in Barbie. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

MOVIES

THE MOVIE OF THE YEAR

Barbie
Fast X
Guardians of the Galaxy Vol. 3
Oppenheimer
Spider-Man: Across the Spider-Verse
TAYLOR SWIFT | THE ERAS TOUR FILM
The Little Mermaid
The Super Mario Bros. Movie

THE ACTION MOVIE OF THE YEAR

Ant-Man and the Wasp: Quantumania
Fast X
Guardians of the Galaxy Vol. 3
John Wick: Chapter 4
Mission: Impossible - Dead Reckoning Part One
The Hunger Games: The Ballad of Songbirds & Snakes
The Marvels
Transformers: Rise of the Beasts

THE COMEDY MOVIE OF THE YEAR

80 for Brady
Anyone but You
Are You There God? It's Me, Margaret.
Asteroid City
Barbie
Cocaine Bear
No Hard Feelings
Wonka

THE DRAMA MOVIE OF THE YEAR

Creed III
Five Nights at Freddy's
Killers of the Flower Moon
Leave the World Behind
M3GAN
Oppenheimer
Scream VI
The Color Purple

THE MALE MOVIE STAR OF THE YEAR

Cillian Murphy, Oppenheimer
Chris Pratt, Guardians of the Galaxy Vol. 3
Keanu Reeves, John Wick: Chapter 4
Leonardo DiCaprio, Killers of the Flower Moon
Michael B. Jordan, Creed III
Ryan Gosling, Barbie
Timothée Chalamet, Wonka
Tom Cruise, Mission: Impossible - Dead Reckoning Part One

THE FEMALE MOVIE STAR OF 2023

Florence Pugh, Oppenheimer
Halle Bailey, The Little Mermaid
Jenna Ortega, Scream VI
Jennifer Lawrence, No Hard Feelings
Julia Roberts, Leave the World Behind
Margot Robbie, Barbie
Rachel Zegler, The Hunger Games: The Ballad of Songbirds & Snakes
Viola Davis, The Hunger Games: The Ballad of Songbirds & Snakes

THE ACTION MOVIE STAR OF THE YEAR

Brie Larson, The Marvels
Chris Pratt, Guardians of the Galaxy Vol. 3
Gal Gadot, Heart of Stone
Jason Momoa, Aquaman and the Lost Kingdom
Keanu Reeves, John Wick: Chapter 4
Rachel Zegler, The Hunger Games: The Ballad of Songbirds & Snakes
Tom Cruise, Mission: Impossible - Dead Reckoning Part One
Viola Davis, The Hunger Games: The Ballad of Songbirds & Snakes

THE COMEDY MOVIE STAR OF THE YEAR

Adam Sandler, You Are So Not Invited to My Bat Mitzvah
Glen Powell, Anyone but You
Jennifer Lawrence, No Hard Feelings
Margot Robbie, Barbie
Ryan Gosling, Barbie
Scarlett Johansson, Asteroid City
Sydney Sweeney, Anyone but You
Timothée Chalamet, Wonka

THE DRAMA MOVIE STAR OF THE YEAR

Cillian Murphy, Oppenheimer
Julia Roberts, Leave the World Behind
Fantasia Barrino, The Color Purple
Florence Pugh, Oppenheimer
Jacob Elordi, Priscilla
Jenna Ortega, Scream VI
Leonardo DiCaprio, Killers of the Flower Moon
Michael B. Jordan, Creed III

THE MOVIE PERFORMANCE OF THE YEAR

America Ferrera, Barbie
Charles Melton, May December
Danielle Brooks, The Color Purple
Jacob Elordi, Saltburn
Melissa McCarthy, The Little Mermaid
Natalie Portman, May December
Simu Liu, Barbie
Viola Davis, Air

TV

THE SHOW OF THE YEAR

Grey's Anatomy
Law & Order: Special Victims Unit
Only Murders in the Building
Saturday Night Live
Ted Lasso
The Bear
The Last of Us
Vanderpump Rules

THE COMEDY SHOW OF THE YEAR

Abbott Elementary
And Just Like That...
Never Have I Ever
Only Murders in the Building
Saturday Night Live
Ted Lasso
The Bear
Young Sheldon

THE DRAMA SHOW OF THE YEAR

Chicago Fire
Ginny & Georgia
Grey's Anatomy
Law & Order: Special Victims Unit
Outer Banks
Succession
The Last of Us
The Morning Show

THE SCI-FI/FANTASY SHOW OF THE YEAR

Ahsoka
American Horror Story: Delicate
Black Mirror
Ghosts
Loki
Secret Invasion
The Mandalorian
The Witcher

THE REALITY SHOW OF THE YEAR

90 Day Fiancé: Happily Ever After?
Below Deck
Jersey Shore Family Vacation
Selling Sunset
The Kardashians
The Real Housewives of Beverly Hills
The Real Housewives of New Jersey
Vanderpump Rules

THE COMPETITION SHOW OF THE YEAR

America's Got Talent
American Idol
Big Brother
Dancing with the Stars
RuPaul's Drag Race
Survivor
Squid Game: The Challenge
The Voice

THE BINGEWORTHY SHOW OF THE YEAR

Beef
Citadel
Jury Duty
Love Is Blind
Queen Charlotte: A Bridgerton Story
The Crown
The Night Agent
The Summer I Turned Pretty

THE MALE TV STAR OF THE YEAR

Chase Stokes, Outer Banks
Jason Sudeikis, Ted Lasso
Jeremy Allen White, The Bear
Kieran Culkin, Succession
Pedro Pascal, The Last of Us
Samuel L. Jackson, Secret Invasion
Steve Martin, Only Murders in the Building
Tom Hiddleston, Loki

THE FEMALE TV STAR OF THE YEAR

Ali Wong, Beef
Hannah Waddingham, Ted Lasso
Jennifer Aniston, The Morning Show
Mariska Hargitay, Law & Order: Special Victims Unit
Quinta Brunson, Abbott Elementary
Reese Witherspoon, The Morning Show
Rosario Dawson, Ahsoka
Selena Gomez, Only Murders in the Building

THE COMEDY TV STAR OF THE YEAR

Ali Wong, Beef
Bowen Yang, Saturday Night Live
Hannah Waddingham, Ted Lasso
Jason Sudeikis, Ted Lasso
Jeremy Allen White, The Bear
Quinta Brunson, Abbott Elementary
Selena Gomez, Only Murders in the Building
Steve Martin, Only Murders in the Building

THE DRAMA TV STAR OF THE YEAR

Bella Ramsey, The Last of Us
Chase Stokes, Outer Banks
Ice-T, Law & Order: Special Victims Unit
Jennifer Aniston, The Morning Show
Kieran Culkin, Succession
Mariska Hargitay, Law & Order: Special Victims Unit
Pedro Pascal, The Last of Us
Reese Witherspoon, The Morning Show

THE TV PERFORMANCE OF THE YEAR

Adjoa Andoh, Queen Charlotte: A Bridgerton Story
Ayo Edebiri, The Bear
Billie Eilish, Swarm
Jon Hamm, The Morning Show
Matt Bomer, Fellow Travelers
Meryl Streep, Only Murders in the Building
Steven Yuen, Beef
Storm Reid, The Last of Us

THE REALITY TV STAR OF THE YEAR

Ariana Madix, Vanderpump Rules
Chrishell Stause, Selling Sunset
Garcelle Beauvais, The Real Housewives of Beverly Hills
Kandi Burruss, The Real Housewives of Atlanta
Khloé Kardashian, The Kardashians
Kim Kardashian, The Kardashians
Kyle Richards, The Real Housewives of Beverly Hills
Mike "The Situation" Sorrentino, Jersey Shore Family Vacation

THE COMPETITION CONTESTANT OF THE YEAR

Anetra, RuPaul's Drag Race
Ariana Madix, Dancing with the Stars
Charity Lawson, The Bachelorette
Theresa Nist, The Golden Bachelor
Iam Tongi, American Idol
Keke Palmer, That's My Jam
Sasha Colby, RuPaul's Drag Race
Xochitl Gomez, Dancing with the Stars

THE DAYTIME TALK SHOW OF THE YEAR

Good Morning America
LIVE with Kelly and Mark
Sherri
The Drew Barrymore Show
The Jennifer Hudson Show
The Kelly Clarkson Show
The View
Today

THE NIGHTTIME TALK SHOW OF THE YEAR

Hart to Heart
Jimmy Kimmel Live!
Last Week Tonight with John Oliver
Late Night with Seth Meyers
The Daily Show
The Late Show with Stephen Colbert
The Tonight Show Starring Jimmy Fallon
Watch What Happens Live with Andy Cohen

THE HOST OF THE YEAR

Gordon Ramsay, Hell's Kitchen
Jimmy Fallon, That's My Jam
Nick Cannon, The Masked Singer
Padma Lakshmi, Top Chef
RuPaul, RuPaul's Drag Race
Ryan Seacrest, American Idol
Steve Harvey, Celebrity Family Feud
Terry Crews, America's Got Talent

MUSIC

THE MALE ARTIST OF THE YEAR

Bad Bunny
Drake
Jack Harlow
Jungkook
Luke Combs
Morgan Wallen
Post Malone
The Weeknd

THE FEMALE ARTIST OF THE YEAR

Beyoncé
Doja Cat
Karol G
Lainey Wilson
Miley Cyrus
Nicki Minaj
Olivia Rodrigo
Taylor Swift

THE MALE COUNTRY ARTIST OF THE YEAR

Chris Stapleton
Cody Johnson
HARDY
Jelly Roll
Kane Brown
Luke Combs
Morgan Wallen
Zach Bryan

THE FEMALE COUNTRY ARTIST OF THE YEAR

Ashley McBryde
Carly Pearce
Carrie Underwood
Gabby Barrett
Kelsea Ballerini
Lainey Wilson
Megan Moroney
Shania Twain

THE MALE LATIN ARTIST OF THE YEAR

Bad Bunny
Bizarrap
Feid
Manuel Turizo
Maluma
Peso Pluma
Rauw Alejandro
Ozuna

THE FEMALE LATIN ARTIST OF THE YEAR

Ángela Aguilar
Anitta
Becky G
Kali Uchis
Karol G
Rosalía
Shakira
Young Miko

THE POP ARTIST OF THE YEAR

Billie Eilish
Doja Cat
Dua Lipa
Jung Kook
Miley Cyrus
Olivia Rodrigo
Tate McRae
Taylor Swift

THE HIP-HOP ARTIST OF THE YEAR

Cardi B
Drake
Future
Jack Harlow
Latto
Nicki Minaj
Post Malone
Travis Scott

THE R&B ARTIST OF THE YEAR

Beyoncé
Brent Faiyaz
Janelle Monáe
SZA
Tems
The Weeknd
Usher
Victoria Monét

THE NEW ARTIST OF THE YEAR

Coi Leray
Ice Spice
Jelly Roll
Jung Kook
Noah Kahan
Peso Pluma
PinkPantheress
Stephen Sanchez

THE GROUP/DUO OF THE YEAR

Dan + Shay
Fuerza Regida
Grupo Frontera
Jonas Brothers
Old Dominion
Paramore
Stray Kids
TOMORROW X TOGETHER

THE SONG OF THE YEAR

"Dance The Night," Dua Lipa
"Fast Car," Luke Combs
"Flowers," Miley Cyrus
"Fukumean," Gunna
"greedy," Tate McRae
"Last Night," Morgan Wallen
"Paint The Town Red," Doja Cat
"Vampire," Olivia Rodrigo

THE ALBUM OF THE YEAR

Endless Summer Vacation, Miley Cyrus
For All The Dogs, Drake
Gettin' Old, Luke Combs
Guts, Olivia Rodrigo
Mañana Será Bonito, Karol G
Nadie Sabe Lo Que Va A Pasar Mañana, Bad Bunny
One Thing At A Time, Morgan Wallen
Pink Friday 2, Nicki Minaj

THE COLLABORATION SONG OF THE YEAR

"All My Life," Lil Durk Feat. J. Cole
"Barbie World," Nicki Minaj & Ice Spice With Aqua
"Ella Baila Sola," Eslabon Armado X Peso Pluma
"First Person Shooter," Drake Feat. J. Cole
"I Remember Everything," Zach Bryan Feat. Kasey Musgraves
"Seven," Jung Kook Feat. Latto
"TQG," Karol G, Shakira
"Un x100to," Grupo Frontera X Bad Bunny

THE CONCERT TOUR OF THE YEAR

+–=÷x Tour, Ed Sheeran
COLDPLAY MUSIC of the SPHERES WORLD TOUR
Love On Tour, Harry Styles
Luke Combs World Tour
Morgan Wallen One Night At A Time World Tour
P!nk Summer Carnival Tour
Renaissance World Tour, Beyoncé
TAYLOR SWIFT | THE ERAS TOUR

POP CULTURE

THE SOCIAL CELEBRITY OF THE YEAR

Britney Spears
Dwayne Johnson
Kim Kardashian
Kylie Jenner
Megan Thee Stallion
Nicki Minaj
Selena Gomez
Taylor Swift

THE COMEDY ACT OF THE YEAR

Baby J, John Mulaney
Emergency Contact, Amy Schumer
God Loves Me, Marlon Wayans
I'm An Entertainer, Wanda Sykes
Off The Record, Trevor Noah
Reality Check, Kevin Hart
Selective Outrage, Chris Rock
Someone You Love, Sarah Silverman

THE ATHLETE OF THE YEAR

Coco Gauff
Giannis Antetokounmpo
LeBron James
Lionel Messi
Sabrina Ionescu
Simone Biles
Stephen Curry
Travis Kelce

PEOPLE’S ICON | ADAM SANDLER

MUSIC ICON | LENNY KRAVITZ

Read the latest issue of Athleisure Mag.

AWARDS SEASON | PEOPLE'S CHOICE AWARDS

Earlier today, the People's Choice Awards announced their nominees which will be revealed on Feb 18th at 8pm ET which you can see on NBC, E!, and Peacock. This awards show allows you to cast a vote for your favorites and celebrate the best in movies, TV, music and pop culture. You have until Jan 19th to cast your vote. This show will be hosted by Simu Liu (Shang-Chi and the Legend of the Ten Rings, Simulant, Barbie) who is a Movie Performance of The Year Nominee for his role in Barbie. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

MOVIES

THE MOVIE OF THE YEAR

Barbie
Fast X
Guardians of the Galaxy Vol. 3
Oppenheimer
Spider-Man: Across the Spider-Verse
TAYLOR SWIFT | THE ERAS TOUR FILM
The Little Mermaid
The Super Mario Bros. Movie

THE ACTION MOVIE OF THE YEAR

Ant-Man and the Wasp: Quantumania
Fast X
Guardians of the Galaxy Vol. 3
John Wick: Chapter 4
Mission: Impossible - Dead Reckoning Part One
The Hunger Games: The Ballad of Songbirds & Snakes
The Marvels
Transformers: Rise of the Beasts

THE COMEDY MOVIE OF THE YEAR

80 for Brady
Anyone but You
Are You There God? It's Me, Margaret.
Asteroid City
Barbie
Cocaine Bear
No Hard Feelings
Wonka

THE DRAMA MOVIE OF THE YEAR

Creed III
Five Nights at Freddy's
Killers of the Flower Moon
Leave the World Behind
M3GAN
Oppenheimer
Scream VI
The Color Purple

THE MALE MOVIE STAR OF THE YEAR

Cillian Murphy, Oppenheimer
Chris Pratt, Guardians of the Galaxy Vol. 3
Keanu Reeves, John Wick: Chapter 4
Leonardo DiCaprio, Killers of the Flower Moon
Michael B. Jordan, Creed III
Ryan Gosling, Barbie
Timothée Chalamet, Wonka
Tom Cruise, Mission: Impossible - Dead Reckoning Part One

THE FEMALE MOVIE STAR OF 2023

Florence Pugh, Oppenheimer
Halle Bailey, The Little Mermaid
Jenna Ortega, Scream VI
Jennifer Lawrence, No Hard Feelings
Julia Roberts, Leave the World Behind
Margot Robbie, Barbie
Rachel Zegler, The Hunger Games: The Ballad of Songbirds & Snakes
Viola Davis, The Hunger Games: The Ballad of Songbirds & Snakes

THE ACTION MOVIE STAR OF THE YEAR

Brie Larson, The Marvels
Chris Pratt, Guardians of the Galaxy Vol. 3
Gal Gadot, Heart of Stone
Jason Momoa, Aquaman and the Lost Kingdom
Keanu Reeves, John Wick: Chapter 4
Rachel Zegler, The Hunger Games: The Ballad of Songbirds & Snakes
Tom Cruise, Mission: Impossible - Dead Reckoning Part One
Viola Davis, The Hunger Games: The Ballad of Songbirds & Snakes

THE COMEDY MOVIE STAR OF THE YEAR

Adam Sandler, You Are So Not Invited to My Bat Mitzvah
Glen Powell, Anyone but You
Jennifer Lawrence, No Hard Feelings
Margot Robbie, Barbie
Ryan Gosling, Barbie
Scarlett Johansson, Asteroid City
Sydney Sweeney, Anyone but You
Timothée Chalamet, Wonka

THE DRAMA MOVIE STAR OF THE YEAR

Cillian Murphy, Oppenheimer
Julia Roberts, Leave the World Behind
Fantasia Barrino, The Color Purple
Florence Pugh, Oppenheimer
Jacob Elordi, Priscilla
Jenna Ortega, Scream VI
Leonardo DiCaprio, Killers of the Flower Moon
Michael B. Jordan, Creed III

THE MOVIE PERFORMANCE OF THE YEAR

America Ferrera, Barbie
Charles Melton, May December
Danielle Brooks, The Color Purple
Jacob Elordi, Saltburn
Melissa McCarthy, The Little Mermaid
Natalie Portman, May December
Simu Liu, Barbie
Viola Davis, Air

TV

THE SHOW OF THE YEAR

Grey's Anatomy
Law & Order: Special Victims Unit
Only Murders in the Building
Saturday Night Live
Ted Lasso
The Bear
The Last of Us
Vanderpump Rules

THE COMEDY SHOW OF THE YEAR

Abbott Elementary
And Just Like That...
Never Have I Ever
Only Murders in the Building
Saturday Night Live
Ted Lasso
The Bear
Young Sheldon

THE DRAMA SHOW OF THE YEAR

Chicago Fire
Ginny & Georgia
Grey's Anatomy
Law & Order: Special Victims Unit
Outer Banks
Succession
The Last of Us
The Morning Show

THE SCI-FI/FANTASY SHOW OF THE YEAR

Ahsoka
American Horror Story: Delicate
Black Mirror
Ghosts
Loki
Secret Invasion
The Mandalorian
The Witcher

THE REALITY SHOW OF THE YEAR

90 Day Fiancé: Happily Ever After?
Below Deck
Jersey Shore Family Vacation
Selling Sunset
The Kardashians
The Real Housewives of Beverly Hills
The Real Housewives of New Jersey
Vanderpump Rules

THE COMPETITION SHOW OF THE YEAR

America's Got Talent
American Idol
Big Brother
Dancing with the Stars
RuPaul's Drag Race
Survivor
Squid Game: The Challenge
The Voice

THE BINGEWORTHY SHOW OF THE YEAR

Beef
Citadel
Jury Duty
Love Is Blind
Queen Charlotte: A Bridgerton Story
The Crown
The Night Agent
The Summer I Turned Pretty

THE MALE TV STAR OF THE YEAR

Chase Stokes, Outer Banks
Jason Sudeikis, Ted Lasso
Jeremy Allen White, The Bear
Kieran Culkin, Succession
Pedro Pascal, The Last of Us
Samuel L. Jackson, Secret Invasion
Steve Martin, Only Murders in the Building
Tom Hiddleston, Loki

THE FEMALE TV STAR OF THE YEAR

Ali Wong, Beef
Hannah Waddingham, Ted Lasso
Jennifer Aniston, The Morning Show
Mariska Hargitay, Law & Order: Special Victims Unit
Quinta Brunson, Abbott Elementary
Reese Witherspoon, The Morning Show
Rosario Dawson, Ahsoka
Selena Gomez, Only Murders in the Building

THE COMEDY TV STAR OF THE YEAR

Ali Wong, Beef
Bowen Yang, Saturday Night Live
Hannah Waddingham, Ted Lasso
Jason Sudeikis, Ted Lasso
Jeremy Allen White, The Bear
Quinta Brunson, Abbott Elementary
Selena Gomez, Only Murders in the Building
Steve Martin, Only Murders in the Building

THE DRAMA TV STAR OF THE YEAR

Bella Ramsey, The Last of Us
Chase Stokes, Outer Banks
Ice-T, Law & Order: Special Victims Unit
Jennifer Aniston, The Morning Show
Kieran Culkin, Succession
Mariska Hargitay, Law & Order: Special Victims Unit
Pedro Pascal, The Last of Us
Reese Witherspoon, The Morning Show

THE TV PERFORMANCE OF THE YEAR

Adjoa Andoh, Queen Charlotte: A Bridgerton Story
Ayo Edebiri, The Bear
Billie Eilish, Swarm
Jon Hamm, The Morning Show
Matt Bomer, Fellow Travelers
Meryl Streep, Only Murders in the Building
Steven Yuen, Beef
Storm Reid, The Last of Us

THE REALITY TV STAR OF THE YEAR

Ariana Madix, Vanderpump Rules
Chrishell Stause, Selling Sunset
Garcelle Beauvais, The Real Housewives of Beverly Hills
Kandi Burruss, The Real Housewives of Atlanta
Khloé Kardashian, The Kardashians
Kim Kardashian, The Kardashians
Kyle Richards, The Real Housewives of Beverly Hills
Mike "The Situation" Sorrentino, Jersey Shore Family Vacation

THE COMPETITION CONTESTANT OF THE YEAR

Anetra, RuPaul's Drag Race
Ariana Madix, Dancing with the Stars
Charity Lawson, The Bachelorette
Theresa Nist, The Golden Bachelor
Iam Tongi, American Idol
Keke Palmer, That's My Jam
Sasha Colby, RuPaul's Drag Race
Xochitl Gomez, Dancing with the Stars

THE DAYTIME TALK SHOW OF THE YEAR

Good Morning America
LIVE with Kelly and Mark
Sherri
The Drew Barrymore Show
The Jennifer Hudson Show
The Kelly Clarkson Show
The View
Today

THE NIGHTTIME TALK SHOW OF THE YEAR

Hart to Heart
Jimmy Kimmel Live!
Last Week Tonight with John Oliver
Late Night with Seth Meyers
The Daily Show
The Late Show with Stephen Colbert
The Tonight Show Starring Jimmy Fallon
Watch What Happens Live with Andy Cohen

THE HOST OF THE YEAR

Gordon Ramsay, Hell's Kitchen
Jimmy Fallon, That's My Jam
Nick Cannon, The Masked Singer
Padma Lakshmi, Top Chef
RuPaul, RuPaul's Drag Race
Ryan Seacrest, American Idol
Steve Harvey, Celebrity Family Feud
Terry Crews, America's Got Talent

MUSIC

THE MALE ARTIST OF THE YEAR

Bad Bunny
Drake
Jack Harlow
Jung Kook
Luke Combs
Morgan Wallen
Post Malone
The Weeknd

THE FEMALE ARTIST OF THE YEAR

Beyoncé
Doja Cat
Karol G
Lainey Wilson
Miley Cyrus
Nicki Minaj
Olivia Rodrigo
Taylor Swift

THE MALE COUNTRY ARTIST OF THE YEAR

Chris Stapleton
Cody Johnson
HARDY
Jelly Roll
Kane Brown
Luke Combs
Morgan Wallen
Zach Bryan

THE FEMALE COUNTRY ARTIST OF THE YEAR

Ashley McBryde
Carly Pearce
Carrie Underwood
Gabby Barrett
Kelsea Ballerini
Lainey Wilson
Megan Moroney
Shania Twain

THE MALE LATIN ARTIST OF THE YEAR

Bad Bunny
Bizarrap
Feid
Manuel Turizo
Maluma
Peso Pluma
Rauw Alejandro
Ozuna

THE FEMALE LATIN ARTIST OF THE YEAR

Ángela Aguilar
Anitta
Becky G
Kali Uchis
Karol G
Rosalía
Shakira
Young Miko

THE POP ARTIST OF THE YEAR

Billie Eilish
Doja Cat
Dua Lipa
Jung Kook
Miley Cyrus
Olivia Rodrigo
Tate McRae
Taylor Swift

THE HIP-HOP ARTIST OF THE YEAR

Cardi B
Drake
Future
Jack Harlow
Latto
Nicki Minaj
Post Malone
Travis Scott

THE R&B ARTIST OF THE YEAR

Beyoncé
Brent Faiyaz
Janelle Monáe
SZA
Tems
The Weeknd
Usher
Victoria Monét

THE NEW ARTIST OF THE YEAR

Coi Leray
Ice Spice
Jelly Roll
Jung Kook
Noah Kahan
Peso Pluma
PinkPantheress
Stephen Sanchez

THE GROUP/DUO OF THE YEAR

Dan + Shay
Fuerza Regida
Grupo Frontera
Jonas Brothers
Old Dominion
Paramore
Stray Kids
TOMORROW X TOGETHER

THE SONG OF THE YEAR

"Dance The Night," Dua Lipa
"Fast Car," Luke Combs
"Flowers," Miley Cyrus
"Fukumean," Gunna
"greedy," Tate McRae
"Last Night," Morgan Wallen
"Paint The Town Red," Doja Cat
"Vampire," Olivia Rodrigo

THE ALBUM OF THE YEAR

Endless Summer Vacation, Miley Cyrus
For All The Dogs, Drake
Gettin' Old, Luke Combs
Guts, Olivia Rodrigo
Mañana Será Bonito, Karol G
Nadie Sabe Lo Que Va A Pasar Mañana, Bad Bunny
One Thing At A Time, Morgan Wallen
Pink Friday 2, Nicki Minaj

THE COLLABORATION SONG OF THE YEAR

"All My Life," Lil Durk Feat. J. Cole
"Barbie World," Nicki Minaj & Ice Spice With Aqua
"Ella Baila Sola," Eslabon Armado X Peso Pluma
"First Person Shooter," Drake Feat. J. Cole
"I Remember Everything," Zach Bryan Feat. Kasey Musgraves
"Seven," Jung Kook Feat. Latto
"TQG," Karol G, Shakira
"Un x100to," Grupo Frontera X Bad Bunny

THE CONCERT TOUR OF THE YEAR

+–=÷x Tour, Ed Sheeran
COLDPLAY MUSIC of the SPHERES WORLD TOUR
Love On Tour, Harry Styles
Luke Combs World Tour
Morgan Wallen One Night At A Time World Tour
P!nk Summer Carnival Tour
Renaissance World Tour, Beyoncé
TAYLOR SWIFT | THE ERAS TOUR

POP CULTURE

THE SOCIAL CELEBRITY OF THE YEAR

Britney Spears
Dwayne Johnson
Kim Kardashian
Kylie Jenner
Megan Thee Stallion
Nicki Minaj
Selena Gomez
Taylor Swift

THE COMEDY ACT OF THE YEAR

Baby J, John Mulaney
Emergency Contact, Amy Schumer
God Loves Me, Marlon Wayans
I'm An Entertainer, Wanda Sykes
Off The Record, Trevor Noah
Reality Check, Kevin Hart
Selective Outrage, Chris Rock
Someone You Love, Sarah Silverman

THE ATHLETE OF THE YEAR

Coco Gauff
Giannis Antetokounmpo
LeBron James
Lionel Messi
Sabrina Ionescu
Simone Biles
Stephen Curry
Travis Kelce

Read the latest issue of Athleisure Mag.

AWARDS SEASON | CREATIVE ARTS EMMYS WINNERS

The 75th Creative Arts Emmy took place over 2 days! Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

Outstanding Actor in a Short Form Comedy or Drama Series

Kevin Hart - Die Hart 2: Die Harter (The Roku Channel)
Tim Robinson - I Think You Should Leave With Tim Robinson (Netflix)
Ben Schwartz - Die Hart 2: Die Harter (The Roku Channel)

Outstanding Actress in a Short Form Comedy or Drama Series

Nathalie Emmanuel - Die Hart 2: Die Harter (The Roku Channel)
Jasmine Guy - Chronicles of Jessica Wu (Tubi)
Paula Pell - Die Hart 2: Die Harter (The Roku Channel)

Outstanding Casting for a Comedy Series

Abbott Elementary - Wendy O'Brien and Chris Gehry (ABC)
Jury Duty - Susie Farris (Amazon Freevee)
Only Murders in the Building - Bernard Telsey, Destiny Lilly, and Tiffany Little Canfield (Hulu)
Ted Lasso - Theo Park (Apple TV+)
The Bear - Jeanie Bacharach, Mickie Paskal, Jennifer Rudnicke, and AJ Links (FX)

Outstanding Casting for a Drama Series

Bad Sisters - Nina Gold and Lucy Amos (Apple TV+)
Succession - Avy Kaufman (HBO Max)
The Crown - Robert Sterne (Netflix)
The Last of Us - Victoria Thomas, Jennifer Page and Corinne Clark (HBO Max)
The White Lotus - Meredith Tucker, Barbara Giordani and Francesco Vedovati (HBO Max)
Yellowjackets - Junie Lowry Johnson, Corinne Clark, Libby Goldstein and Jennifer Page (Showtime)

Outstanding CasTing for a Limited or Anthology Series or Movie

Beef - Charlene Lee and Claire Koonce (Netflix)
Dahmer - Robert J. Ulrich, Carol Kritzer and Eric Dawson (Netflix)
Daisy Jones and the Six - Justine Arteta and Kim Davis-Wagner (Prime Video)
Fleishman is in Trouble - Laura Rosenthal and Jodi Angstreich (FX)
Weird: The Al Yankovic Story - Wendy O'Brien (The Roku Channel)

Outstanding Choreography for Scripted Programming

Blindspotting - Routines: "The History" / "San Quentin Blues" (Starz), Jon Boogz, Choreographer
Grease: Rise of the Pink Ladies - Routines: "New Cool" / "Hand Jive" / "The Boom"(Paramount+), Jamal Sims, Choreographer
Grease: Rise of the Pink Ladies - Routines: "Pulling Strings" / "Hit Me Again" / "High Rollin" (Paramount+), Jeffrey Mortensen and Louise Hradsky, Choreographers
Schmigadoon! - Routines: "Bells and Whistles" / "Good Enough to Eat" / "Bustin' Out" (Apple TV+), Christopher Gattelli, Choreographer
The Marvelous Mrs. Maisel - Routines: "Trash Man" / "Dream Kitchen" (Prime Video), Marguerite Derricks, Choreographer

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)

The Last Of Us • Infected • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog John Paino, Production Designer Don Macaulay, Art Director Paul Healy, Set Decorator

Poker Face • The Orpheus Syndrome • Peacock • T-Street, MRC Television, Animal Pictures
Judy Rhee, Production Designer Martha Sparrow, Art Director Cathy Marshall, Set Decorator

Succession • America Decides • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Stephen H. Carter, Production Designer Molly Mikula, Art Director George Detitta Jr., Set Decorator

Ted Lasso • Sunflowers • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television Paul Cripps, Production Designer Iain White, Art Director Kate Goodman, Set Decorator

Wednesday • Wednesday's Child Is Full Of Woe • Netflix • A Netflix Series / An MGM Television Production Mark Scruton, Production Designer Adrian Curelea, Art Director Robert Hepburn, Set Decorator

The White Lotus • Ciao • HBO Max • HBO in association with Rip Cord and The District Cristina Onori, Production Designer Gianpaolo Rifino, Art Director Letizia Santucci, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE HOUR OR MORE)

Daisy Jones & The Six • Track 10: Rock ‘N’ Roll Suicide • Prime Video • Hello Sunshine, Amazon Studios Jessica Kender, Production Designer Brian Grego, Art Director Lisa Clark, Set Decorator Andi Brittan, Set Decorator

Guillermo Del Toro's Cabinet Of Curiosities • Netflix • Netflix / Double Dare You Tamara Deverell, Production Designer Brandt Gordon, Art Director Shane Vieau, Set Decorator

House Of The Dragon • The Heirs Of The Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Jim Clay, Production Designer Dominic Masters, Art Director Claire Nia Richards, Set Decorator

The Marvelous Mrs. Maisel • Susan • Prime Video • Amazon Studios Bill Groom, Production Designer Neil Prince, Art Director Ellen Christiansen, Set Decorator

Perry Mason • Chapter Eleven • HBO Max • HBO in association with Team Downey and AMBEG Screen Products Keith P. Cunningham, Production Designer Ian Scroggins, Art Director Halina Siwolop, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
The Bear • System • FX • FX Productions Sam Lisenco, Production Designer Eric Dean, Art Director Emily Carter, Set Decorator

How I Met Your Father • The Reset Button • Ride Or Die • Daddy • Hulu • 20th Television Glenda Rovello, Production Designer Conny Boettger-Marinos, Art Director Amy Beth Feldman, Set Decorator

Only Murders In The Building • Sparring Partners • I Know Who Did It • Hulu • 20th Television Patrick Howe, Production Designer Jordan Jacobs, Art Director Rich Murray, Set Decorator

Schmigadoon! • Famous As Hell • Apple TV+ • Broadway Video / Universal Television in association with Apple Jamie Walker McCall, Production Designer Ryan Garton, Art Director Gregory Clarke, Art Director Carol Lavallee, Set Decorator

What We Do In The Shadows • The Night Market • FX • FX Productions Shayne Fox, Production Designer Aaron Noël, Art Director Kerri Wylie, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A VARIETY OR REALITY SERIES
A Black Lady Sketch Show • Peek-A-Boob, Your Titty’s Out • HBO Max • HBO in association with For Better or Words, Inc., HooRAE, 3 Arts Entertainment and Jax Media Cindy Chao, Production Designer Michele Yu, Production Designer Lizzie Boyle, Set Decorator

Last Week Tonight With John Oliver • Museums • HBO Max • HBO in association with Sixteen String Jack Productions and Avalon Television Eric Morrell, Production Designer Sabrina Lederer, Art Director

Queer Eye • Speedy For Life • Netflix • Scout Productions Inc. and ITV Entertainment LLC for Netflix Thomas Rouse, Production Designer Tyka Edwards, Art Director

RuPaul's Drag Race • Blame It On The Edit • MTV • World of Wonder Gianna Costa, Production Designer Brad Bailey, Art Director

Saturday Night Live • Host: Steve Martin & Martin Short • Host: Jenna Ortega • NBC • SNL Studios in association with Universal Television and Broadway Video Akira Yoshimura, Production Designer Keith Ian Raywood, Production Designer Andrea Purcigliotti, Production Designer Danielle Webb, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A VARIETY SPECIAL

The Apple Music Super Bowl LVII Halftime Show Starring Rihanna • FOX • Jesse Collins Entertainment, DPS and Roc Nation Bruce Rodgers, Production Designer Shelley Rodgers, Art Director Lindsey Breslauer, Art Director Maria Garcia, Art Director Lily Rodgers, Art Director

Carol Burnett: 90 Years Of Laughter + Love • NBC • Silent House Productions Tamlyn Wright, Production Designer Travis Deck, Art Director

Encanto At The Hollywood Bowl • Disney+ • Fulwell 73 Productions Misty Buckley, Production Designer Joe Celli, Art Director Raquel Tarbet, Set Decorator

The 65th Annual Grammy Awards • CBS • Fulwell 73 Julio Himede, Production Designer Kristen Merlino, Art Director

The Oscars • ABC • Academy of Motion Picture Arts and Sciences Misty Buckley, Production Designer Alana Billingsley, Production Designer John Zuiker, Art Director

OUTSTANDING CINEMATOGRAPHY FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE

Black Bird • Hand To Mouth • Apple TV+ • Apple Studios Natalie Kingston, Director of Photography

Boston Strangler • Hulu • 20th Century Studios Ben Kutchins, Director of Photography

Dead Ringers • One • Prime Video • AnnaPurna Pictures, Amazon Studios Jody Lee Lipes, ASC, Director of Photography

George & Tammy • Stand By Your Man • Showtime • MTV Entertainment Studios, 101 Studios, Freckle Films, Blank Films Inc, Mad Chance, Brolin Productions, Aunt Sylvia's Moving Picture Company Igor Martinovic, Director of Photography

Guillermo Del Toro's Cabinet Of Curiosities • The Autopsy • Netflix • Netflix / Double Dare You
Anastas Michos, ASC, GSC, Director of Photography

Outstanding Cinematography for a Series (Half-Hour)

Atlanta - Christian Sprenger (FX)
Barry - Carl Herse (HBO Max)
How I Met Your Father - Gary Baum (Hulu)
Only Murders in the Building - Chris Teague (Hulu)
Schmigadoon! - Jon Joffin (Apple TV+)
The Mandalorian - Dean Cundey (Disney+)

Outstanding Cinematography for a Series (One Hour)

Andor - Damián García (Disney+)
House of the Dragon - Catherine Goldschmidt (HBO Max)
The Crown - Adriano Goldman (Netflix)
The Marvelous Mrs. Maisel - M. David Mullen (Prime Video)
The Old Man - Sean Porter (FX)
Wednesday - David Lanzenberg (Netflix)

OUTSTANDING CINEMATOGRAPHY FOR A NONFICTION PROGRAM

100 Foot Wave • Chapter VI - Force Majeure • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Antoine Chicoye, Cinematography by Mikey Corker, Cinematography by Vincent Kardasik, Cinematography by Alexandre Lesbats, Cinematography by Chris Smith, Cinematography by Laurent Pujol, Cinematography by João Vidinha, Cinematography by Michael Darrigade, Cinematography by

Secrets Of The Elephants • Desert • National Geographic • Oxford Scientific Films LTD and Earthship Productions for National Geographic Toby Strong, Director of Photography James Boon, Director of Photography Bob Poole, Director of Photography

The 1619 Project • Justice • Hulu • Onyx Collective, Lionsgate Productions in association with One Story Up Productions, Harpo Films and The New York Times Jerry Henry, Director of Photography

Stanley Tucci: Searching For Italy • Calabria • CNN • CNN Original Series, RAW Andrew Muggleton, Director of Photography

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio C. Kim Miles, CSC, ASC, MySC, Director of Photography Clair Popkin, Cinematography by Julia Liu, Cinematography by

The Territory • National Geographic • National Geographic Documentary Films Presents a Documist and Associação Jupaú Film in association with Time Studios, Xtr, Doc Society Climate Story Fund / A Production of Protozoa Pictures, Passion Pictures, Real Lava Alex Pritz, Cinematography by Tangãi Uru-eu-wau-wa, Cinematography by

OUTSTANDING CINEMATOGRAPHY FOR A REALITY PROGRAM
The Amazing Race • Series Body Of Work • CBS • WorldRace Productions, Inc. Joshua Gitersonke, Director of Photography Bryan T. Adams, Camera Kathryn Barrows, Camera Josh Bartel, Camera Kurt Carpenter, Camera David D'Angelo, Camera Matthew Di Girolamo, Camera Adam Haisinger, Camera Robert Howsam, Camera Kevin Johnson, Camera Jay Kaufman, Camera Ian Kerr, CSC, Camera Daniel Long, Camera Lucas Kenna Mertes, Camera Ryan Shaw, Camera
Alan Weeks, Camera

Deadliest Catch • Call Of A New Generation • Discovery Channel • Original Productions, LLC for the Discovery Channel David Reichert, Director of Photography Charlie Beck, Director of Photography Bryan Miller, Director of Photography Todd Stanley, Director of Photography Shane Moore, Director of Photography Nathan Garofalos, Director of Photography David Arnold, Director of Photography

Life Below Zero • The Pursuit • National Geographic • BBC Studios Danny Day, Director of Photography Simeon Houtman, Director of Photography Jason Hubbell, Director of Photography Ben Mullin, Director of Photography Zach Vincent, Director of Photography

Survivor • Series Body Of Work • CBS • MGM Television Peter Wery, Director of Photography Scott Duncan, Director of Photography Russ Fill, Director of Photography George Andrews, Camera Tim Barker, Camera Marc Bennett, Camera Paulo Castillo, Camera Rodney Chauvin, Camera Chris Ellison, Camera Nixon George, Camera Matthias Hoffmann, Cinema Toby Hogan, Camera Derek Holt, Camera Efrain "Mofi" Laguna, Camera Ian Miller, Camera Nico Nyoni, Camera Paul Peddinghaus, Camera Jeff Phillips, Camera Nejc Poberaj, Camera Daniel Powell, Camera Louis Powell, Camera Jovan Sales, Camera Erick Sarmiento, Camera Dirk Steyn, Camera John Tattersall, Camera Holly Thompson, Camera Paulo Velozo, Camera Cullum Andrews, Camera Christopher Barker, Director of Aerial Photography Granger Scholtz, Director of Aerial Photography Nic Van Der Westhuizen, Aerial Camera Operator Dwight Winston, Aerial Camera Operator

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Alastair McKevitt, Director of Photography Craig Hastings, Director of Photography Leighton Cox, Director of Photography Jason Bulley, Director of Photography

OUTSTANDING PERIOD COSTUMES FOR A SERIES
The Crown • Mou Mou • Netflix • Left Bank Pictures and Sony Pictures Television for Netflix
Amy Roberts, Costume Designer Sidonie Roberts, Associate Costume Designer Christof Roche-Gordon, Costume Supervisor

The Great • Choose Your Weapon • Hulu • Civic Center Media, MRC Sharon Long, Costume Designer Claire Tremlett, Assistant Costume Designer Basia Kuznar, Assistant Costume Designer Anna Lau, Costume Supervisor

The Marvelous Mrs. Maisel • Susan • Prime Video • Amazon Studios Donna Zakowska, Costume Designer Katie Hartsoe, Assistant Costume Designer Ben Philipp, Assistant Costume Designer Amanda Seymour, Assistant Costume Designer Claire Aquila, Costume Supervisor Marie Seifts, Costume Supervisor

Perry Mason • Chapter Ten • HBO Max • HBO in association with Team Downey and AMBEG Screen Products Catherine Adair, Costume Designer David J. Matwijkow, Assistant Costume Designer Nanrose Buchman, Costume Supervisor

Queen Charlotte: A Bridgerton Story • Crown Jewels • Netflix • A Netflix Series in association with shondalandmedia Lyn Elizabeth Paolo, Costume Designer Laura Frecon, Co-Costume Designer Jovana Gospavic, Assistant Costume Designer Alex Locke, Costume Supervisor

OUTSTANDING PERIOD COSTUMES FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
Dahmer - Monster: The Jeffrey Dahmer Story • Please Don't Go • Netflix • Ryan Murphy Productions for Netflix Rudy Mance, Costume Designer Monica Chamberlain, Assistant Costume Designer Desmond Smith, Assistant Costume Designer Suzy Freeman, Costume Supervisor

Daisy Jones & The Six • Track 8: Looks Like We Made It • Prime Video • Hello Sunshine, Amazon Studios Denise Wingate, Costume Designer Derek Sullivan, Costume Supervisor

George & Tammy • We're Gonna Hold On • Showtime • MTV Entertainment Studios, 101 Studios, Freckle Films, Blank Films Inc, Mad Chance, Brolin Productions, Aunt Sylvia's Moving Picture Company Mitchell Travers, Costume Designer Mitchel Wolf, Assistant Costume Designer Laurel Rose, Assistant Costume Designer Aileen Abercrombie, Assistant Costume Designer Susan Russell, Costume Supervisor Charles Carter, Costume Supervisor

Guillermo Del Toro's Cabinet Of Curiosities • Dreams In The Witch House • Netflix • Netflix / Double Dare You Luis Sequeira, Costume Designer Ann Steel, Assistant Costume Designer Heather Crepp, Costume Supervisor

Welcome To Chippendales • Leeches • Hulu • 20th Television Peggy Schnitzer, Costume Designer
Derek Bulger, Assistant Costume Designer Julie Heath, Costume Supervisor

OUTSTANDING FANTASY/SCI-FI COSTUMES
Hocus Pocus 2 • Disney+ • Walt Disney Pictures Salvador Perez, Costume Designer Elizabeth Shelton, Assistant Costume Designer Gala Autumn, Costume Supervisor

House Of The Dragon • The Heirs Of The Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Jany Temime, Costume Designer Katherine Burchill, Assistant Costume Designer Paul Yeowell, Assistant Costume Designer Rachel George, Assistant Costume Designer Joanna Lynch, Costume Supervisor

The Lord Of The Rings: The Rings Of Power • A Shadow Of The Past • Prime Video • Amazon Studios Kate Hawley, Costume Designer Libby Dempster, Assistant Costume Designer Lucy McLay, Assistant Costume Designer Jaindra Watson, Assistant Costume Designer Pip Lingard, Costume Supervisor Jenny Rushton, Costume Supervisor

The Mandalorian • Chapter 22: Guns For Hire • Disney+ • Lucasfilm Ltd. Shawna Trpcic, Costume Designer Elissa Alcala, Assistant Costume Designer Julie Robar, Costume Supervisor Julie Yang Silver, Costume Supervisor

Obi-Wan Kenobi • Part I • Disney+ • Lucasfilm Ltd. Suttirat Anne Larlarb, Costume Designer Stacia Lang, Assistant Costume Designer Lynda Foote, Costume Supervisor

What We Do In The Shadows • The Wedding • FX • FX Productions Laura Montgomery, Costume Designer Barbara Cardoso, Assistant Costume Designer Judy Laukkanen, Costume Supervisor

OUTSTANDING CONTEMPORARY COSTUMES FOR A SERIES

Emily In Paris • What's It All About... • Netflix • MTV Entertainment Studios, Darren Star Productions, and Jax Media for Netflix Marylin Fitoussi, Costume Designer Herehau Ragonneau, Assistant Costume Designer Daniela Telle, Associate Costume Designer Marie Fremont, Costume Supervisor

The Last Of Us • Endure And Survive • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog
Cynthia Ann Summers, Costume Designer Kelsey Chobotar, Assistant Costume Designer Rebecca Toon, Assistant Costume Designer Michelle Carr, Costume Supervisor

Only Murders In The Building • Framed • Hulu • 20th Television Dana Covarrubias, Costume Designer Abby Geoghegan, Assistant Costume Designer Kathleen Gerlach, Wardrobe Supervisor

Succession • Church And State • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Michelle Matland, Costume Designer Jonathan Schwartz, Assistant Costume Designer Mark Agnes, Wardrobe Supervisor

Wednesday • Wednesday's Child Is Full Of Woe • Netflix • A Netflix Series / An MGM Television Production Colleen Atwood, Costume Designer Mark Sutherland, Co-Costume Designer Robin Soutar, Assistant Costume Designer Claudia Littlefield, Costume Supervisor Adina Bucur, Costume Supervisor

The White Lotus • That's Amore • HBO Max • HBO in association with Rip Cord and The District
Alex Bovaird, Costume Designer Brian Sprouse, Assistant Costume Designer Margherita Zanobetti, Costume Supervisor

OUTSTANDING CONTEMPORARY COSTUMES FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE

BEEF • The Birds Don't Sing, They Screech In Pain • Netflix • A Netflix Series / An A24 Production Helen Huang, Costume Designer Austin Wittick, Assistant Costume Designer YJ Hwang, Assistant Costume Designer Mark Anthony Summers, Costume Supervisor

Dolly Parton's Mountain Magic Christmas • NBC • Warner Bros. Television in association with Magnolia Hill Productions and Sandollar Productions Provi Fulp, Costume Designer Jose Ramos, Costume Supervisor Steve Summers, Dolly's Wardrobe by

Fleishman Is In Trouble • Me-Time • FX • ABC Signature Leah Katznelson, Costume Designer Angel Peart, Assistant Costume Designer Katie Novello, Assistant Costume Designer Deidre Wegner, Assistant Costume Designer Anne Newton-Harding, Costume Supervisor

Swarm • Honey • Prime Video • Amazon Studios Dominique Dawson, Costume Designer Brittny Chapman, Assistant Costume Designer Mashal Khan, Costume Supervisor

The Watcher • Welcome, Friends • Netflix • A Netflix Series / Jam Tart Films / Prospect Films / Ryan Murphy Television Lou Eyrich, Costume Designer Rudy Mance, Costume Designer Catherine Crabtree, Assistant Costume Designer Zakiya Dennis, Costume Supervisor

Outstanding Contemporary Hairstyling

Abbott Elementary (ABC)
Emily in Paris (Netflix)
Only Murders in the Building (Hulu)
P-Valley (Starz)
Ted Lasso (Apple TV+)
The Last of Us (HBO Max)
The White Lotus (HBO Max)

Outstanding Contemporary Makeup (Non-Prosthetic)

American Horror Stories (FX)
Emily in Paris (Netflix)
Star Trek: Picard (Paramount+)
The Last of Us (HBO Max)
The White Lotus (HBO Max)
Wednesday (Netflix)

Outstanding Fantasy/Sci-Fi Costumes

Hocus Pocus 2 (Disney+)
House of the Dragon (HBO Max)
Obi-Wan Kenobi (Disney+)
The Lord of the Rings: The Rings of Power (Prime Video)
The Mandalorian (Disney+)
What We Do in the Shadows (FX)

Outstanding Guest Actor in a Comedy Series

Jon Bernthal - The Bear (FX)
Luke Kirby - The Marvelous Mrs. Maisel (Prime Video)
Nathan Lane - Only Murders in the Building (Hulu)
Pedro Pascal - Saturday Night Live (NBC)
Oliver Platt - The Bear (FX)
Sam Richardson - Ted Lasso (Apple TV+)

Outstanding Guest Actor in a Drama Series

Murray Bartlett - The Last of Us (HBO Max)
James Cromwell - Succession (HBO Max)
Lamar Johnson - The Last of Us (HBO Max)
Arian Moayed - Succession (HBO Max)
Nick Offerman - The Last of Us (HBO Max)
Keivonn Montreal Woodard - The Last of Us (HBO Max)

Outstanding Guest Actress in a Comedy Series

Becky Ann Baker - Ted Lasso (Apple TV+)
Quinta Brunson - Saturday Night Live (NBC)
Taraji P. Henson - Abbott Elementary (ABC)
Judith Light - Poker Face (Peacock)
Sarah Niles - Ted Lasso (Apple TV+)
Harriet Walter - Ted Lasso (Apple TV+)

Outstanding Guest Actress in a Drama Series

Hiam Abbass - Succession (HBO Max)
Cherry Jones - Succession (HBO Max)
Melanie Lynskey - The Last of Us (HBO Max)
Storm Reid - The Last of Us (HBO Max)
Anna Torv - The Last of Us (HBO Max)
Harriet Walter - Succession (HBO Max)

OUTSTANDING PICTURE EDITING FOR A DRAMA SERIES

Better Call Saul • Saul Gone • AMC • High Bridge, Crystal Diner, Gran Via Productions and Sony Pictures Television Skip Macdonald, ACE, Editor

The Last Of Us • Endure And Survive • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Timothy A. Good, ACE, Editor Emily Mendez, Editor  

Succession • America Decides • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Jane Rizzo, ACE, Editor

Succession • Connor's Wedding • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Bill Henry, ACE, Editor

Succession • With Open Eyes • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Ken Eluto, ACE, Editor

The White Lotus • Abductions • HBO Max • HBO in association with Rip Cord and The District
Heather Persons, ACE, Editor

The White Lotus • Arrivederci • HBO Max • HBO in association with Rip Cord and The District
John M. Valerio, ACE, Editor

OUTSTANDING PICTURE EDITING FOR A MULTI-CAMERA COMEDY SERIES

Call Me Kat • Call Me Consciously Uncoupled • FOX • That's Wonderful Productions, Sad Clown Productions and BBC Studios in association with Warner Bros. Television and FOX Entertainment
Pamela Marshall, Editor

How I Met Your Father • Daddy • Hulu • 20th Television Russell Griffin, ACE, Editor

Night Court • Pilot • NBC • After January Productions in association with Warner Bros. Television and Universal Television Kirk Benson, Editor Chris Poulos, Editor

The Upshaws • Duct Up • Netflix • Savannah Sweet Productions and Push It Productions for Netflix Russell Griffin, ACE, Editor Angel Gamboa Bryant, Editor

The Upshaws • Off Beat • Netflix • Savannah Sweet Productions and Push It Productions for Netflix Angel Gamboa Bryant, Editor

OUTSTANDING PICTURE EDITING FOR A SINGLE-CAMERA COMEDY SERIES

Barry • wow • HBO Max • HBO in association with Alec Berg and Hanarply Franky Guttman, Editor Ali Greer, ACE, Editor

The Bear • System • FX • FX Productions Joanna Naugle, Editor

Only Murders In The Building • The Last Day Of Bunny Folger • Hulu • 20th Television Peggy Tachdjian, ACE, Editor

Ted Lasso • Mom City • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television A.J. Catoline, ACE, Editor Alex Szabo, Editor

Ted Lasso • So Long, Farewell • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television Melissa McCoy, ACE, Editor Francesca Castro, Additional Editor

What We Do In The Shadows • Go Flip Yourself • FX • FX Productions Yana Gorskaya, ACE, Editor Dane McMaster, ACE, Editor
 

OUTSTANDING PICTURE EDITING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE

BEEF • Figures Of Light • Netflix • A Netflix Series / An A24 Production Nat Fuller, Editor Laura Zempel, Editor

Dahmer - Monster: The Jeffrey Dahmer Story • The Good Boy Box • Netflix • Ryan Murphy Productions for Netflix Stephanie Filo, ACE, Editor

Ms. Marvel • Generation Why • Disney+ • Marvel Studios Nona Khodai, ACE, Editor Sabrina Plisco, ACE, Editor

Obi-Wan Kenobi • Part VI • Disney+ • Lucasfilm Ltd. Kelley Dixon, ACE, Editor Josh Earl, ACE, Editor

Prey • Hulu • 20th Century Studios Angela M. Catanzaro, ACE, Editor Claudia Castello, Editor

Weird: The Al Yankovic Story • The Roku Channel • The Roku Channel, Funny or Die, Tango Entertainment Jamie Kennedy, ACE, Editor

OUTSTANDING PICTURE EDITING FOR VARIETY PROGRAMMING

A Black Lady Sketch Show • My Love Language Is Words Of Defamation • HBO Max • HBO in association with For Better or Words, Inc., HooRAE, 3 Arts Entertainment and Jax Media Stephanie Filo, ACE, Supervising Editor Malinda Zehner Guerra, Editor Taylor Joy Mason, Editor

Carol Burnett: 90 Years Of Laughter + Love • NBC • Silent House Productions Mike Polito, Offline Editor Timothy Schultz, Offline Editor

The Daily Show With Trevor Noah • Jordan Klepper Shows Trump Supporters January 6th Hearing Clips • Comedy Central • Central Productions, LLC Storm Choi, Editor Eric Davies, Editor Tom Favilla, Editor Lauren Beckett Jackson, Editor Nikolai Johnson, Editor Ryan Middleton, Editor Mark Paone, Editor Erin Shannon, Editor Catherine Trasborg, Editor Einar Westerlund, Editor

History Of The World, Part II • III • Hulu • 20th Television and Searchlight Television Angel Gamboa Bryant, Editor Stephanie Filo, ACE, Editor Daniel Flesher, Editor George Mandl, Editor

Saturday Night Live • HBO Mario Kart Trailer (Segment) • NBC • SNL Studios in association with Universal Television and Broadway Video Ryan Spears, Editor Christopher Salerno, Editor

OUTSTANDING PICTURE EDITING FOR A NONFICTION PROGRAM
 
Moonage Daydream • HBO Max • Neon Presents, Universal Pictures Presents, BMG, Live Nation Productions, Public Road Productions Present, in association with HBO Documentary Films Brett Morgen, Editor

100 Foot Wave • Chapter III - Jaws • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Alex Bayer, Editor Alex Keipper, Editor Quin O'Brien, Editor

Pretty Baby: Brooke Shields • Hulu • ABC News Studios, Bed By 8, Matador Content, Drifting Cloud Productions David Teague, Supervising Editor Sara Newens, Editor Anne Yao, Editor

The 1619 Project • Justice • Hulu • Onyx Collective, Lionsgate Productions in association with One Story Up Productions, Harpo Films and The New York Times Ephraim Kirkwood, Editor
Jesse Allain-Marcus, Additional Editor Adriana Pacheco, Additional Editor

Stanley Tucci: Searching For Italy • Calabria • CNN • CNN Original Series, RAW Liz Roe, Editor

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio Michael Harte, ACE, Editor

OUTSTANDING PICTURE EDITING FOR A STRUCTURED REALITY OR COMPETITION PROGRAM
The Amazing Race • Body Of Work • CBS • WorldRace Productions, Inc. Eric Beetner, Editor Kevin Blum, Editor Trevor Campbell, Editor Kellen Cruden, Editor Jay Gammill, Editor Katherine Griffin, Editor Jason Groothuis, Editor Darrick Lazo, Editor Ryan Leamy, Editor Josh Lowry, Editor Paul Nielsen, Editor Steve Mellon, Editor

Queer Eye • Speedy For Life • Netflix • Scout Productions Inc. and ITV Entertainment LLC for Netflix Toni Ann Carabello, Lead Editor Nova Taylor, Editor Jason Szabo, Editor Widgie Nikia Figaro, Editor Sean Gill, Editor Kimberly Pellnat, Editor

RuPaul's Drag Race • Wigloose: The Rusical! • MTV • World of Wonder Jamie Martin, Lead Editor Paul Cross, Editor Ryan Mallick, Editor Michael Roha, Editor

Survivor • Telenovela • CBS • MGM Television Bill Bowden, Supervising Editor Evan Mediuch, Supervising Editor Francisco Santa Maria, Editor Plowden Schumacher, Editor Andrew Bolhuis, Editor Jacob Teixeira, Editor James Ciccarello, Editor

Top Chef • Body Of Work • Bravo • Magical Elves Steve Lichtenstein, Lead Editor Ericka Concha, Editor Blanka Kovacs, Editor Eric Lambert, Editor Matt Reynolds, Editor Jay M. Rogers, Editor Brian Freundlich, Additional Editor Brian Giberson, Additional Editor Malia Jurick, Additional Editor Brian Kane, Additional Editor Daniel Ruiz, Additional Editor Anthony J. Rivard, Additional Editor Annie Tighe, Additional Editor Tony West, Additional Editor

OUTSTANDING PICTURE EDITING FOR AN UNSTRUCTURED REALITY PROGRAM
Deadliest Catch • Call Of A New Generation • Discovery Channel • Original Productions, LLC for the Discovery Channel Rob Butler, Supervising Editor Isaiah Camp, Supervising Editor Alexandra Moore, Editor Alexander Rubinow, Editor Ian Olsen, Editor Hugh Elliot, Editor Joe Mikan, Additional Editor

Life Below Zero • A Storm To Remember • National Geographic • BBC Studios Michael Swingler, Editor Tony Diaz, Additional Editor Matt Edwards, Additional Editor Jennifer Nelson, ACE, Additional Editor Tanner Roth, Additional Editor

RuPaul's Drag Race: Untucked • The Daytona Wind 2 • MTV • World of Wonder Matthew D. Miller, Lead Editor Kellen Cruden, Editor

Vanderpump Rules • Lady And The Glamp • Bravo • Evolution Media Jesse Friedman, Editor Tom McCudden, Editor Ramin Mortazavi, Editor Christian Le Guilloux, Editor Paul Peltekian, Editor Sax Eno, Editor Robert Garry, Editor

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Mohamed El Manasterly, Editor Curtis McConnell, Editor Michael Brown, Editor Charles Little, ACE, Editor Bryan Rowland, Additional Editor

OUTSTANDING EMERGING MEDIA PROGRAM
For All Mankind Season 3 Experience • Apple TV+ • Apple TV+ in association with Tall Ship Productions Apple TV+ Tall Ship Productions Antibody Elastic

Gorillaz Presents • Google • Nexus Studios, Google, Eleven Management Nexus Studios Google
Eleven Management

MLK: Now Is The Time • Oculus • Time Studios, Meta, Flight School Studio Amy Seidenwurm, Executive Producer Ian Orefice, Executive Producer Matthew O'Rourke, Producer/Executive Producer Sulivan Parker, Producer Limbert Fabian, Director

The Notorious B.I.G. Sky's The Limit: A VR Concert Experience • Facebook & Meta Horizon Worlds • A Gunpowder & Sky Production Gunpowder & Sky The Notorious B.I.G. Estate Alex Coletti, Executive Producer Elliot Osagie, Executive Producer

You Destroy. We Create | The War On Ukraine's Culture • Meta Quest TV • NowHere Media, Meta Quest VR for Good NowHere Media

OUTSTANDING LIGHTING DESIGN/LIGHTING DIRECTION FOR A VARIETY SERIES
America's Got Talent • Episode 1717 • NBC • Fremantle and Syco Entertainment Noah Mitz, Lighting Designer Will Gossett, Lighting Director Ryan Tanker, Lighting Director Patrick Brazil, Lighting Director Jay Koch, Lighting Director Matt Benson, Lighting Director Scott Chmielewski, Lighting Director Kevin Faust, Video Controller

American Idol • Top 20 • ABC • Fremantle and 19 Entertainment Tom Sutherland, Lighting Designer Bobby Grey, Lighting Director Nathan Files, Lighting Director James Coldicott, Lighting Director Hunter Selby, Lighting Director Scott Chmielewski, Lighting Director Luke Chantrell, Video Controller Ed Moore, Video Controller

Dancing With The Stars • Semi Finals • Disney+ • BBC Studios Los Angeles Productions Noah Mitz, Lighting Designer Michael Berger, Lighting Director Patrick Brazil, Lighting Director Andrew Law, Lighting Director Matt Benson, Lighting Director Matt McAdam, Lighting Director Luke Chantrell, Video Controller

So You Think You Can Dance • Starry Starry Night • FOX • The Intellectual Property Corporation (IPC) and Dick Clark Productions (DCP) Robert Barnhart, Lighting Designer Matt Firestone, Lighting Director Pete Radice, Lighting Director Patrick Boozer, Lighting Director Jeff Behm, Lighting Director Christopher Gray, Video Controller

The Voice • Live Finale, Part 2 • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. Oscar Dominguez, Lighting Designer Ronald Wirsgalla, Lighting Director Erin Anderson, Lighting Director Andrew Munie, Lighting Director Jeff Shood, Lighting Director Daniel Boland, Lighting Director Terrance Ho, Video Controller

OUTSTANDING LIGHTING DESIGN/LIGHTING DIRECTION FOR A VARIETY SPECIAL
Encanto At The Hollywood Bowl • Disney+ • Fulwell 73 Productions Al Gurdon, Lighting Designer Harry Forster, Lighting Director Bobby Grey, Lighting Director Darien Koop, Lighting Director James Coldicott, Lighting Director Chris Hill, Video Controller Ed Moore, Video Controller

The 65th Annual Grammy Awards • CBS • Fulwell 73 Noah Mitz, Lighting Designer Andy O'Reilly, Lighting Director Patrick Boozer, Lighting Director Ryan Tanker, Lighting Director Madigan Stehly, Lighting Director Bryan Klunder, Lighting Director Erin Anderson, Lighting Director Will Gossett, Lighting Director Matthew Cotter, Lighting Director Terrance Ho, Video Controller Guy Jones, Video Controller

2022 Rock And Roll Hall Of Fame Induction Ceremony • HBO Max • A Tenth Planet Production
Allen Branton, Lighting Designer Darren Langer, Lighting Director Felix Peralta, Lighting Director Kevin Lawson, Lighting Director Alex Flores, Lighting Director Bianca Moncada, Lighting Director Chuck Reilly, Video Controller Guy Jones, Video Controller
 
75th Annual Tony Awards • CBS • White Cherry Entertainment Robert Dickinson, Lighting Designer Noah Mitz, Lighting Director Harry Sangmeister, Lighting Director Tyler Ericson, Lighting Director Richard Beck, Lighting Director Jason Rudolph, Lighting Director JM Hurley, Video Controller Ka Lai Wong, Video Controller

The Weeknd Live At SoFi Stadium • HBO Max • HBO Jason Baeri, Lighting Designer Joe Bay, Lighting Director Kille Knoble, Lighting Director Mark Butts, Lighting Director Loren Barton, Lighting Director

OUTSTANDING MAIN TITLE DESIGN

Guillermo Del Toro's Cabinet Of Curiosities • Netflix • Netflix / Double Dare You Mike Schaeffer, Creative Director Chet Hirsch, Director David Rowley, Art Director Akshay Tiwari, Designer

Hello Tomorrow! • Apple TV+ • MRC in association with Apple Ronnie Koff, Creative Director Lexi Gunvaldson, Editor Christoph Gabathuler, 3D Artist Juan Monasterio, Animator Lindsey Mayer-Beug, Illustrator Fernando Lazzari, Animator

The Last Of Us • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Andy Hall, Creative Director Nadia Tzuo, Creative Director Gryun Kim, 3D Artist Min Shi, Designer Jun Kim, 3D Artist Xiaolin (Mike) Zeng, Designer

The Lord Of The Rings: The Rings Of Power • Prime Video • Amazon Studios Katrina Crawford, Director Mark Bashore, Director Anthony Vitagliano, Creative Director Fernando Domínguez Cózar, Animation Director

Wednesday • Netflix • A Netflix Series / An MGM Television Production Aaron Becker, Creative Director Joseph Ahn, Designer James Ramirez, Animator Lee Nelson, Animator Eric Keller, 3D Artist Hsien Lun Su, Animator

The White Lotus • HBO Max • HBO in association with Rip Cord and The District Katrina Crawford, Director/Creative Director/Photographer Mark Bashore, Director/Editor Lezio Lopes, Illustrator Cian McKenna, Animator

Outstanding Motion Design

Ms. Marvel (Disney+)

Outstanding Music Composition for a Limited or Anthology Series, Movie or Special (Original Dramatic Score)

A Small Light: "What Can Be Saved" - Ariel Marx (National Geographic)
Hocus Pocus 2 - John Debney (Disney+)
Ms. Marvel: "Time and Again" - Laura Karpman (Disney+)
Prey - Sarah Schachner (Hulu)
Weird: The Al Yankovic Story - Leo Birenberg and Zach Robinson (The Roku Channel)

Outstanding Music Composition for a Series (Original Dramatic Score)

Andor: "Rix Road" - Nicholas Britell (Disney+)
Succession: "Connor's Wedding" - Nicholas Britell (HBO Max)
The Last of Us: "Long, Long Time" - Gustavo Santaolalla (HBO Max)
The White Lotus: "In the Sandbox" - Cristobal Tapia de Veer (HBO Max)
Wednesday: "Woe is the Loneliest Number" - Danny Elfman and Chris Bacon (Netflix)

Outstanding Music Supervision

Daisy Jones & the Six: "Track 8: Looks Like We Made It" - Frankie Pine (Prime Video)
Stranger Things: "Chapter Nine: The Piggyback" - Nora Felder (Netflix)
Ted Lasso: "So Long, Farewell" - Tony Von Pervieux and Christa Miller (Apple TV+)
The Marvelous Mrs. Maisel: "Four Minutes" - Robin Urdang (Prime Video)
The White Lotus: "Bull Elephants" - Gabe Hilfer (HBO Max)

Outstanding Original Main Title Theme Music

Andor - Nicholas Britell (Disney+)
Guillermo del Toro's Cabinet of Curiosities - Holly Amber Church (Netflix)
Ms. Marvel - Laura Karpman (Netflix)
The Lord of the Rings: The Rings of Power - Howard Shore (Prime Video)
Wednesday - Danny Elfman (Netflix)

Outstanding Original Music and Lyrics

Ginny & Georgia: "Hark! Darkness Descends!" - "Marriage is a Dungeon" by Lili Haydn and Ben Bromfield (Netflix)
Ted Lasso: "Mom City" - "Fought and Lost" by Tom How, Sam Ryder, and Jamie Hartman (Apple TV+)
Ted Lasso: "So Long, Farewell" - "A Beautiful Game" by Ed Sheeran, Max Martin, and Foy Vance (Apple TV+)
The L Word: Generation Q: "Questions for the Universe" - "All About Me" by Heather McIntosh, Allyson Newman and Taura Stinson (Showtime)
The Marvelous Mrs. Maisel: "Susan" - "Your Personal Trash Man Can" by Curtis Moore and Thomas Mizer (Prime Video)
Weird: The Al Yankovic Story: "Now You Know" by Al Yankovic (The Roku Channel)

Outstanding Period and/or Character Hairstyling

Dahmer - Monster: The Jeffrey Dahmer Story (Netflix)
Queen Charlotte: A Bridgerton Story (Netflix)
The Crown (Netflix)
The Mandalorian (Disney+)
The Marvelous Mrs. Maisel (Prime Video)

Outstanding Period and/or Character Makeup (Non-Prosthetic)

Dahmer - Monster: The Jeffrey Dahmer Story (Netflix)
Daisy Jones & the Six (Prime Video)
House of the Dragon (HBO Max)
Stranger Things (Netflix)
The Mandalorian (Disney+)
The Marvelous Mrs. Maisel (Prime Video)

Outstanding Period Costumes for a Series

Perry Mason (HBO Max)
Queen Charlotte: A Bridgerton Story (Netflix)
The Crown (Netflix)
The Great (Hulu)
The Marvelous Mrs. Maisel (Prime Video)

Outstanding Period Costumes for a Limited or Anthology Series or Movie

Dahmer - Monster: The Jeffrey Dahmer Story (Netflix)
Daisy Jones & the Six (Prime Video)
George & Tammy (Showtime)
Guillermo del Toro's Cabinet of Curiosities (Netflix)
Welcome to Chippendales (Hulu)

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
Andor • The Eye • Disney+ • Lucasfilm Ltd. David Acord, Co-Supervising Sound Editor/Sound Designer Margit Pfeiffer, Co-Supervising Sound Editor Richard Quinn, Dialogue Editor Jonathan Greber, ADR Editor J.R. Grubbs, Sound Effects Editor John Finklea, Music Editor Shaun Farley, Foley Editor Shelley Roden, Foley Artist John Roesch, Foley Artist

The Boys • The Instant White-Hot Wild • Prime Video • Sony Pictures Television, Amazon Studios
Wade Barnett, MPSE, Supervising Sound Editor Chris Kahwaty, MPSE, Dialogue Editor Ryan Briley, Supervising ADR Editor Jeffrey A. Pitts, Sound Efffects Editor/Sound Designer Pete Nichols, Sound Effects Editor Christopher Brooks, Music Editor James Howe, Foley Editor

House Of The Dragon • The Black Queen • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Al Sirkett, Supervising Sound Editor Tim Hands, Dialogue Editor Adele Fletcher, Supervising ADR Editor Paula Fairfield, MPSE, Sound Designer David Klotz, Music Editor Timeri Duplat, Music Editor Mathias Schuster, Foley Editor Barnaby Smyth, Foley Artist Paula Boram, Foley Artist

The Last Of Us • When You're Lost In The Darkness • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Michael J. Benavente, Supervising Sound Editor Joe Schiff, Dialogue Editor Christopher Battaglia, Sound Designer Chris Terhune, Sound Designer Mitchell Lestner, Sound Effects Editor Jacob Flack, Sound Effects Editor Matt Yocum, MPSE, Sound Effects Editor Maarten Hofmeijer, Music Editor Randy Wilson, Supervising Foley Editor Justin Hele, Foley Editor David Aquino, Foley Editor Stefan Fraticelli, Foley Artist Jason Charbonneau, Foley Artist William Kellerman, Foley Artist
 
The Lord Of The Rings: The Rings Of Power • Udûn • Prime Video • Amazon Studios Robert Stambler, MPSE, Co-Supervising Sound Editor Damian Del Borrello, Co-Supervising Sound Editor Ailene Roberts, Dialogue Editor Stefanie Ng, Dialogue/ADR Editor Paula Fairfield, Sound Designer Chris Terhune, Sound Editor James Miller, Sound Editor Michael Baber, Music Editor Jason Smith, Music Editor Amy Barber, Foley Editor Jonathan Bruce, Foley Artist

Stranger Things • Chapter Nine: The Piggyback • Netflix • Monkey Massacre Productions & 21 Laps Entertainment for Netflix Craig Henighan, MPSE, Co-Supervising Sound Editor William Files, MPSE, Co-Supervising Sound Editor Jill Purdy, Dialogue Editor Lee Gilmore, Sound Effects Editor Ryan Cole, MPSE, Sound Editor Korey Pereira, Sound Editor Angelo Palazzo, MPSE, Sound Editor Katie Halliday, MPSE, Sound Editor David Klotz, Music Editor Lena Glikson-Nezhelskaya, Music Editor Ken McGill, MPSE, Sound Effects/ Foley Editor Steve Baine, Foley Artist

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

Barry • wow • HBO Max • HBO in association with Alec Berg and Hanarply Sean Heissinger, Co-Supervising Sound Editor Matthew E. Taylor, Co-Supervising Sound Editor John Creed, Dialogue Editor Rickley W. Dumm, MPSE, Sound Effects Editor Deron Street, Sound Editor Clay Weber, Sound Editor Michael Brake, MPSE, Music Editor Darrin Mann, Foley Editor Alyson Dee Moore, Foley Artist Chris Moriana, Foley Artist

The Bear • Review • FX • FX Productions Steve "Major" Giammaria, Supervising Sound Editor Evan Benjamin, Dialogue Editor Jonathan Fuhrer, Sound Effects Editor Annie Taylor, Foley Editor Chris White, Foley Editor Leslie Bloome, Foley Artist Shaun Brennan, Foley Artist

The Mandalorian • Chapter 24: The Return • Disney+ • Lucasfilm Ltd. Matthew Wood, Co-Supervising Sound Editor Trey Turner, Co-Supervising Sound Editor Brad Semenoff, Dialogue Editor David W. Collins, Sound Designer Luis Galdames, Sound Effects Editor Stephanie McNally, Music Editor Nicholas Fitzgerald, Music Editor Joel Raabe, Foley Editor Shelley Roden, Foley Artist  

Reservation Dogs • This Is Where The Plot Thickens • FX • FX Productions Patrick Hogan, Supervising Sound Editor David Beadle, Sound Editor Sonya Lindsay, Sound Editor Michael Sana, Sound Editor Daniel Salas, Sound Editor Amber Funk, Music Editor Lena Krigen, Foley Editor

What We Do In The Shadows • The Night Market • FX • FX Productions Steffan Falesitch, Supervising Sound Editor Chris Kahwaty, MPSE, Dialogue Editor David Barbee, MPSE, Sound Effects Editor Steve Griffen, Music Editor John Guentner, Foley Editor Sam Lewis, Foley Editor Ellen Heuer, Foley Artist

OUTSTANDING SOUND EDITING FOR A LIMITED OR ANTHOLOGY SERIES, MOVIE OR SPECIAL

Dahmer - Monster: The Jeffrey Dahmer Story • God Of Forgiveness, God Of Vengeance • Netflix • Ryan Murphy Productions for Netflix Gary Megregian, MPSE, Supervising Sound Editor Borja Sau, Dialogue Editor Bruce Tanis, MPSE, Sound Effects Editor David Klotz, Music Editor Sam Munoz, Foley Editor Noel Vought, Foley Artist

Guillermo Del Toro's Cabinet Of Curiosities • The Autopsy • Netflix • Netflix / Double Dare You Nelson Ferreira, MPSE, Supervising Sound Editor Jill Purdy, Dialogue Editor Paul Davies, Sound Designer Bernard O’Reilly, Sound Effects Editor Paul Germann, Sound Effects Editor Tom Jenkins, Sound Editor Robert Hegedus, Music Editor Rose Gregoris, Foley Editor Goro Koyama, Foley Artist

Mrs. Davis • Mother Of Mercy: The Call Of The Horse • Peacock • Warner Bros. Television, Little Bug, White Rabbit Bryan Parker, Supervising Sound Editor Kristen Hirlinger, Dialogue Editor Nathan Efstation, Dialogue Editor Roland Thai, Sound Designer Matt Decker, Music Editor Sam Lewis, Supervising Foley Editor Sam Munoz, Foley Editor Ellen Heuer, Foley Artist Nancy Parker, Foley Artist

Obi-Wan Kenobi • Part VI • Disney+ • Lucasfilm Ltd. Matthew Wood, Co-Supervising Sound Editor Trey Turner, Co-Supervising Sound Editor Angela Ang, Dialogue/ADR Editor Ryan Cota, Dialogue/ADR Editor Jon Borland, Sound Designer/Sound Effects Editor Tim Farrell, Sound Effects Editor Michael Levine, Sound Effects Editor Ramiro Belgardt, Music Editor Nicholas Fitzgerald, Music Editor Thom Brennan, Foley Editor Ronni Brown, Foley Artist Sean England, Foley Artist

Prey • Hulu • 20th Century Studios Chris Terhune, Co-Supervising Sound Editor William Files, MPSE, Co-Supervising Sound Editor Jessie Anne Spence, Dialogue/ADR Editor James Miller, Sound Designer Diego Perez, Sound Effects Editor Lee Gilmore, Sound Effects Editor Christopher Bonis, Sound Effects Editor Daniel DiPrima, Music Editor Stephen Perone, Music Editor Leslie Bloome, Foley Artist Shaun Brennan, Foley Artist

OUTSTANDING SOUND EDITING FOR A NONFICTION OR REALITY PROGRAM (SINGLE OR MULTI-CAMERA)

Love, Lizzo • HBO Max • Warner Music Entertainment and Live Nation Productions, Atlantic Film Productions in association with Boardwalk Pictures and Diamond Docs Vanessa Flores, Sound Editor Jessie Brewer, Sound Editor

Moonage Daydream • HBO Max • Neon Presents, Universal Pictures Presents, BMG, Live Nation Productions, Public Road Productions Present, in association with HBO Documentary Films John Warhurst, Co-Supervising Sound Editor / Music Editor Nina Hartstone, Co-Supervising Sound Editor Jens Rosenlund Petersen, Dialogue Editor Samir Foco, Sound Effects Editor James Shirley, Sound Effects Editor Elliott Koretz, Sound Effects Editor Amy Felton, Sound Effects Editor Louise Burton, Foley Editor Brett Morgen, Music Editor

100 Foot Wave • Chapter V - Lost At Sea • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Max Holland, Dialogue Editor / Sound Editor Eric Di Stefano, Sound Effects Editor / Sound Designer Kevin Senzaki, Sound Designer

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio Michael Feuser, Dialogue Editor Rich Bologna, Sound Effects Editor Wyatt Sprague, Sound Effects Editor Heather Gross, Foley Editor Bill Bernstein, Music Editor

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Will Harp, Dialogue Editor Jon Schell, Sound Effects Editor Shaun Cromwell, Sound Effects Editor

OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)

Better Call Saul • Saul Gone • AMC • High Bridge, Crystal Diner, Gran Via Productions and Sony Pictures Television Larry Benjamin, Re-Recording Mixer Kevin Valentine, Re-Recording Mixer Phillip W. Palmer, CAS, Production Mixer

The Last Of Us • When You're Lost In The Darkness • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Marc Fishman, CAS, Re-Recording Mixer Kevin Roache, CAS, Re-Recording Mixer Michael Playfair, CAS, Production Mixer

The Marvelous Mrs. Maisel • The Testi-Roastial • Prime Video • Amazon Studios Ron Bochar, Re-Recording Mixer Mathew Price, CAS, Production Mixer Stewart Lerman, Scoring Mixer George A. Lara, Foley Mixer

Stranger Things • Chapter Nine: The Piggyback • Netflix • Monkey Massacre Productions & 21 Laps Entertainment for Netflix Craig Henighan, CAS, Re-Recording Mixer William Files, CAS, Re-Recording Mixer Mark Paterson, Re-Recording Mixer Michael P. Clark, CAS, Production Mixer

Succession • Connor's Wedding • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Andy Kris, Re-Recording Mixer Nicholas Renbeck, Re-Recording Mixer Ken Ishii, Production Mixer Tommy Vicari, Scoring Mixer

The White Lotus • Arrivederci • HBO Max • HBO in association with Rip Cord and The District
Christian Minkler, Re-Recording Mixer Ryan Collins, Re-Recording Mixer Vincenzo Urselli, Production Mixer

OUTSTANDING SOUND MIXING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
BEEF • The Great Fabricator • Netflix • A Netflix Series / An A24 Production Penny Harold, Re-Recording Mixer Andrew Garrett Lange, Re-Recording Mixer Sean O'Malley, Production Mixer

Dahmer - Monster: The Jeffrey Dahmer Story • Lionel • Netflix • Ryan Murphy Productions for Netflix Laura Wiest, Re-Recording Mixer Jamie Hardt, Re-Recording Mixer Joe Barnett, Re-Recording Mixer Amanda Beggs, Production Mixer

Daisy Jones & The Six • Track 10: Rock ‘N’ Roll Suicide • Prime Video • Hello Sunshine, Amazon Studios Lindsay Alvarez, CAS, Re-Recording Mixer Mathew Waters, CAS, Re-Recording Mixer Chris Welcker, Production Mixer Mike Poole, Music Mixer

Obi-Wan Kenobi • Part VI • Disney+ • Lucasfilm Ltd. Danielle Dupre, Re-Recording Mixer Scott Lewis, Re-Recording Mixer Bonnie Wild, Re-Recording Mixer Julian Howarth, CAS, Production Mixer

Weird: The Al Yankovic Story • The Roku Channel • The Roku Channel, Funny or Die, Tango Entertainment Tony Solis, Re-Recording Mixer Richard Bulloock, Production Mixer Brian Magrum, ADR Mixer Phil McGowan, Score Mixer

OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

Barry • wow • HBO Max • HBO in association with Alec Berg and Hanarply Elmo Ponsdomenech, CAS, Re-Recording Mixer Teddy Salas, Re-Recording Mixer Scott Harber, CAS, Production Mixer Aaron Hasson, ADR Mixer
 
The Bear • Review • FX • FX Productions Steve "Major" Giammaria, Re-Recording Mixer Scott D. Smith, CAS, Production Mixer

The Mandalorian • Chapter 24: The Return • Disney+ • Lucasfilm Ltd. Scott R. Lewis, Re-Recording Mixer Tony Villaflor, Re-Recording Mixer Shawn Holden, CAS, Production Mixer Chris Fogel, Scoring Mixer

Only Murders In The Building • The Tell • Hulu • 20th Television Penny Harold, Re-Recording Mixer Andrew Lange, Re-Recording Mixer Joseph White Jr., CAS, Production Mixer Alan DeMoss, Scoring Mixer

OUTSTANDING SOUND MIXING FOR A VARIETY SERIES OR SPECIAL
Bono & The Edge: A Sort Of Homecoming With Dave Letterman • Disney+ • Disney+ Presents an Imagine Documentaries, Tremolo Productions and Worldwide Pants Inc. Production Phil DeTolve, Re-Recording Mixer Brian Riordan, Re-Recording Mixer Alastair McMillan, Music Mixer

Elton John Live: Farewell From Dodger Stadium • Disney+ • Disney+ Presents in association with Rocket Entertainment / A Fulwell 73 Production Michael Abbott, Broadcast Production Mixer Eric Schilling, Music Mixer Matt Herr, FOH Mixer Alan Richardson, Monitor Mixer

The 65th Annual Grammy Awards • CBS • Fulwell 73 Thomas Holmes, Production Mixer John Harris, Music Mixer Eric Schilling, Music Mixer Jeffery Peterson, FOH Production Mixer Ron Reaves, FOH Music Mixer Mike Parker, FOH Music Mixer Andres Arango, Monitor Mixer Eric Johnston, Supplemental Mixer Christian Schrader, Supplemental Mixer Kristian Pedregon, Re-Recording Mixer Juan Pablo Velasco, Playback Mixer Aaron Wall, Playback Mixer

Saturday Night Live • Co-Hosts: Steve Martin & Martin Short • NBC • SNL Studios in association with Universal Television and Broadway Video Robert Palladino, Production Mixer Ezra Matychak, Production Mixer Frank Duca Jr, FOH Production Mixer Caroline Sanchez, FOH Music Mixer Josiah Gluck, Broadcast Music Mixer Jay Vicari, Broadcast Music Mixer Tyler McDiarmid, Playback Mixer Christopher Costello, Monitor Mixer Teng Chen, Supplemental Mixer William Taylor, Supplemental Mixer Geoff Countryman, Supplemental Mixer Devin Emke, Post Audio Mixer

Taylor Hawkins Tribute Concert • Paramount+ • EP-PIC Films & Creative and MTV Entertainment Studios Bob Clearmountain, Music Mixer Ollie Nesham, Audio Engineer Darrell Thorp, Audio Engineer Chris Kalcov, Audio Engineer Steve Massey, Audio Engineer Eduardo Puhl, Audio Engineer Will Langdale, Audio Engineer Antony King, FOH Audio Mix Engineer Ian Beveridge, Monitors Audio Mix Engineer

OUTSTANDING SOUND MIXING FOR A NONFICTION PROGRAM (SINGLE OR MULTI-CAMERA)
Moonage Daydream • HBO Max • Neon Presents, Universal Pictures Presents, BMG, Live Nation Productions, Public Road Productions Present, in association with HBO Documentary Films Paul Massey, Re-Recording Mixer David Giammarco, Re-Recording Mixer

100 Foot Wave • Chapter V - Lost At Sea • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Keith Hodne, Re-Recording Mixer

The Sound Of 007 • Prime Video • MGM Richard Davey, Re-Recording Mixer Jonny Horne, Production Mixer Simon Norman, Production Mixer Francesco Corazzi, Production Mixer

Stanley Tucci: Searching For Italy • Calabria • CNN • CNN Original Series, RAW Matt Skilton, Re-Recording Mixer Christopher Syner, Production Mixer

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio Skip Lievsay, Re-Recording Mixer Benjamin Berger, Production Mixer Martin Kittappa, Production Mixer Lily van Leeuwen, Production Mixer

OUTSTANDING SOUND MIXING FOR A REALITY PROGRAM (SINGLE OR MULTI-CAMERA)
The Amazing Race • The Only Leg That Matters • CBS • WorldRace Productions, Inc. Jim Ursulak, Lead Production Mixer Troy Smith, Re-Recording Mixer The Production Mixing Team, Production Mixer

Deadliest Catch • Call Of A New Generation • Discovery Channel • Original Productions, LLC for the Discovery Channel Jared Robbins, Re-Recording Mixer

RuPaul's Drag Race • Wigloose: The Rusical! • MTV • World of Wonder Erik Valenzuela, Re-Recording Mixer Sal Ojeda, Re-Recording Mixer David Nolte, Production Mixer Gabe Lopez, Music Mixer

The Voice • Live Top 10 • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. Michael Abbott, Production Mixer Randy Faustino, Broadcast Music Mixer Tim Hatayama, Re-Recording Mixer

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Mark Jensen, CAS, Re-Recording Mixer

OUTSTANDING SPECIAL VISUAL EFFECTS IN A SEASON OR A MOVIE
Andor • Disney+ • Lucasfilm Ltd. Mohen Leo, Visual Effects Supervisor TJ Falls, Visual Effects Producer Richard Van Den Bergh, Special Effects Supervisor Neal Scanlan, Creature Effects & Droid Supervisor Liyana Mansor, Lead Visual Effects Editor Scott Pritchard, ILM Visual Effects Supervisor Joseph Kasparian, Hybride Visual Effects Supervisor Jelmer Boskma, Scanline Visual Effects Supervisor Jean-Clément Soret, Colorist

House Of The Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Angus Bickerton, Visual Effects Supervisor Nikeah Forde, VFX Producer
Thomas Horton, VFX Producer Sven Martin, VFX Supervisor Mark Spindler, VFX Co-Supervisor
Mark Dauth, Virtual Production Supervisor Sebastian Meszmann, VFX Producer Mike Bell, VFX Supervisor Tobias Graa Winblad, VFX Producer

The Last Of Us • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Alex Wang, Overall Visual Effects Supervisor Sean Nowlan, Overall Visual Effects Producer Joel Whist, Production SFX Supervisor Stephen James, Visual Effects Supervisor, DNEG Nick Marshall, Digital Effects Supervisor, DNEG Simon Jung, Visual Effects Supervisor, WETA FX Dennis Yoo, Animation Supervisor, WETA FX Espen Nordahl, Visual Effects Supervisor, Storm Studios Jonathan Mitchell, Visual Effects Supervisor, Distillery FX

The Lord Of The Rings: The Rings Of Power • Prime Video • Amazon Studios Ron Ames, VFX Producer Jason Smith, VFX Supervisor Nigel Sumner, VFX Supervisor, Industrial Light & Magic Ara Khanikian, VFX Supervisor, Rodeo FX Dean Clarke, SFX Supervisor Ken McGaugh, VFX Supervisor, Wētā FX Tom Proctor, VFX Supervisor, DNEG Greg Butler, VFX Supervisor, Method Studios Joe Henderson, Visualization Creative Supervisor, The Third Floor, Inc.

The Mandalorian • Disney+ • Lucasfilm Ltd. Grady Cofer, Visual Effects Supervisor, Production Abbigail Keller, Visual Effects Producer Paul Kavanagh, Animation Supervisor, Production Cameron Neilson, Assoc. Visual Effects Supervisor Scott Fisher, Special Effects Supervisor Hal Hickel, Animation Supervisor, Production J. Alan Scott, Legacy Effects Supervisor Victor Schutz IV, ILM Visual Effects Supervisor Bobo Skipper, Important Looking Pirates Visual Effects Supervisor

OUTSTANDING SPECIAL VISUAL EFFECTS IN A SINGLE EPISODE
Five Days At Memorial • Day Two • Apple TV+ • ABC Signature in association with Apple Eric Durst, VFX Supervisor Matthew Whelan, VFX Supervisor Danny McNair, VFX Producer Goran Pavles, VFX Supervisor, Stormborn Studios Rafael Solórzano, VFX Supervisor, El Ranchito John MacGillivray, SFX Coordinator Viktor Muller, VFX Supervisor, UPP Manuel Tausch, VFX Supervisor, Stormborn Studios Gonzalo Escudero, VFX Producer, El Ranchito

The Nevers • It's A Good Day • Tubi • HBO, Mutant Enemy Productions Johnny Han, Visual Effects Supervisor Jack Geist, Visual Effects Producer Damon Fecht, Visual Effects Editor Alexandre Prod'homme, On-Set VFX Supervisor Emanuel Fuchs, Visual Effects Supervisor Gaia Bussolati, Visual Effects Supervisor Ed Bruce, Visual Effects Supervisor Brian Ali Harding, Visual Effects Artist Takashi Takeoka, Visual Effects Artist

Shadow And Bone • Rusalye • Netflix • 21 Laps Entertainment and Chronology for Netflix Ante Dekovic, VFX Supervisor Helen Jen, VFX Producer Richard Macks, VFX Production Manager Gergely Galisz, On-Set VFX Supervisor Juri Stanossek, VFX Supervisor Adam Balentine, VFX Supervisor Jane Byrne, VFX Supervisor Håvard Munkejord, VFX Supervisor Angel Rico, VFX Supervisor

Ted Lasso • Mom City • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television James MacLachlan, On-Set VFX Supervisor Bill Parker, Compositing Supervisor Lenny Wilson, CG Supervisor Gretchen Bangs, VFX Producer Brian Hobert, Compositing Lead Sherry Li, Compositing Lead Kenneth Armstrong, Compositing Lead Ying Lin, Compositor Neil Taylor, CG Modeler

The Umbrella Academy • Marigold • Netflix • UCP for Netflix Everett Burrell, Senior VFX Supervisor Phillip Hoffman, VFX Producer Dave Axford, On-Set VFX Supervisor Maria Satzetaki, VFX Coordinator Sophie Vertigan, Special Effects Coordinator Jeff Campbell, VFX Supervisor Laurent Spillemaecker, VFX Supervisor Chris White, VFX Supervisor Ryan Freer, VFX Supervisor

Wednesday • A Murder Of Woes • Netflix • A Netflix Series / An MGM Television Production Tom Turnbull, VFX Supervisor Kent Johnson, VFX Producer Jesse Kawzenuk, VFX On-Set Supervisor Oana Barden, VFX Coordinator Craig Calvert, VFX Supervisor Ed Englander, VFX Supervisor John Coldrick, VFX Supervisor Brodie McNeill, VFX Supervisor Jason Troughton, Special Effects Supervisor 

OUTSTANDING TECHNICAL DIRECTION AND CAMERAWORK FOR A SERIES
American Idol • Season Finale • ABC • Fremantle and 19 Entertainment Charles Ciup, Technical Director David Bernstein, Technical Director Bert Atkinson, Camera Danny Bonilla, Camera Mike Carr, Camera Kary D'Alessandro, Camera Keith Dicker, Camera Curtis Eastwood, Camera Jimmy Garcia, Camera Bruce Green, Camera Nathanial Havolm, Camera Ron Lehman, Camera Bettina Levesque, Camera Adam Margolis, Camera Rob Palmer, Camera Brian Reason, Camera Daryl Studebaker, Camera Damien Tuffereau, Camera Easter Xua, Camera

Dancing With The Stars • Finale • Disney+ • BBC Studios Los Angeles Productions Charles Ciup, Technical Director David Bernstein, Technical Director Bert Atkinson, Camera Terry Clark, Camera
Karyn D'Alessandro, Camera James Garcia, Camera Nathanial Havholm, Camera Mark Koonce, Camera Tim Lee, Camera Ron Lehman, Camera Bettina Levesque, Camera Dave Levisohn, Camera Adam Margolis, Camera Derek Pratt, Camera Brian Reason, Camera Philo Solomon, Camera Daryl Studebaker, Camera Marc Stumpo, Camera Damien Tuffereau, Camera Cary Symmons, Camera

The Masked Singer • New York Night • FOX • FOX Alternative Entertainment Christine Salomon, Technical Director Cary Symmons, Camera Bert Atkinson, Camera Brett Crutcher, Camera Kary D'Allesandro, Camera Jimmy Garcia, Camera John Goforth, Camera Sean Flannery, Camera Bettina Levesque, Camera Adam Margolis, Camera Mark Koonce, Camera Daryl Studebaker, Camera James Sullivan, Camera Rob Palmer, Camera

The Problem With Jon Stewart • Trump Indicted • Apple TV+ • Busboy / EDEN in association with Apple Dave Saretsky, Technical Director Marc Bloomgarden, Camera Franco Coello, Camera Nick Fayo, Camera Kevin Murphy, Camera John Pry, Camera Tim Quigley, Camera Rich York, Camera

The Voice • Live Top 10 Performances • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. Allan Wells, Technical Director Danny Bonilla, Camera Mano Bonilla, Camera Martin J. Brown Jr., Camera Robert Burnette, Camera Suzanne Ebner, Camera Guido Frenzel, Camera Alex Hernandez, Camera Scott Hylton, Camera Kathrine Iacofano, Camera Scott Kaye, Camera Steve Martynuk, Camera Jofre Rosero, Camera Nick Tramontano, Camera Dann Webb, Camera

OUTSTANDING TECHNICAL DIRECTION AND CAMERAWORK FOR A SPECIAL
The Apple Music Super Bowl LVII Halftime Show Starring Rihanna • FOX • Jesse Collins Entertainment, DPS and Roc Nation Eric Becker, Technical Director David Alfano, Camera Rob Balton, Camera Danny Bonilla, Camera Kary D'Alessandro, Camera Keith Dicker, Camera Sean Flannery, Camera Kevin French, Camera Shaun Harkins, Camera Helena Jackson, Camera Tayler Knight, Camera Toré Livia, Camera Allen Merriweather, Camera Eann Potter, Camera Jofre Rosero, Camera Keyan Safyari, Camera Casey Roche, Camera Christopher Rybitski, Camera Rod Wardell, Video Control

Elton John Live: Farewell From Dodger Stadium • Disney+ • Disney+ Presents in association with Rocket Entertainment / A Fulwell 73 Production Emmett Loughran, Technical Director Robert Del Russo, Camera Mark Britt, Camera David Driscoll, Camera Tim Farmer, Camera Pete Forest, Camera Andrew Georgopoulos, Camera Pat Gleason, Camera Bruce Green, Camera Shaun Harkins, Camera Jay Kulick, Camera Kevin Murphy, Camera Lyn Noland, Camera Jimmy O’Donnell, Camera Rob Palmer, Camera Jesse Placky, Camera David Plakos, Camera George Prince, Camera Mark Renaudin, Camera David Rudd, Camera Austin Rock, Camera Keyan Safyari, Camera Ed Staebler, Camera Rob Vuona, Camera Mark Whitman, Camera Rich York, Camera Jeff Lee, Camera Michael Taylor, Camera Brian Lataille, Camera Loic Maheas, Camera Chris Schuster, Camera

Encanto At The Hollywood Bowl • Disney+ • Fulwell 73 Productions Christine Salomon, Technical Director Shanele Alvarez, Camera Dominic Bendijo, Camera Bonnie Blake, Camera Danny Bonilla, Camera Kary D’Alessandro, Camera Sean Flannery, Camera Shaun Harkins, Camera Charlie Henry, Camera Cory Hunter, Camera George Reasner, Camera Jofre Rosero, Camera David Rudd, Camera Ryan Schultz, Camera Aymae Sulick, Camera

2022 Rock And Roll Hall Of Fame Induction Ceremony • HBO Max • A Tenth Planet Production Toby Santos, Technical Director Danny Bonilla, Camera Kary D'Alessandro, Camera Keith Dicker, Camera Dave Eastwood, Camera Guido Frenzel, Camera Andrew Georgopoulos, Camera Jeff Johnson, Camera Zac Jones, Camera Brian Lataille, Camera Dave Levisohn, Camera Sean Mark Mckelvey, Camera Steve Martyniuk, Camera Rob Palmer, Camera Dave Plakos, Camera Dave Rudd, Camera Dylan Sanford, Camera Matt Trujillo, Camera Roy Walker, Camera Andrew Waresewski, Camera Easter Xua, Camera

The Weeknd Live At SoFi Stadium • HBO Max • HBO Toby Santos, Technical Director Brandon Smith, Technical Director Scott Acosta, Camera Dominic Bendijo, Camera Manny Bonilla, Camera Mano Bonilla, Camera Justin Danzansky, Camera Austin Ellsworth, Camera Chris Ferguson, Camera Jeremy Freeman, Camera Andrew Georgopoulos, Camera Randy Gomez, Camera Jonny Harkins, Camera Shaun Harkins, Camera Travis Hays, Camera Coy Hunter, Camera
Oliver Lanzenberg, Camera Ron Lehman, Camera Andrew McMillan, Camera Dee Nichols, Camera Connor O’Brien, Camera Josh Perry, Camera Rob Pittman, Camera Keyan Safyari, Camera Daniel Schade, Camera Austin Straub, Camera Josh Turner, Camera Justin Umphenour, Camera Joe Victoria, Camera Vince Warburton, Camera Drew Welker, Camera

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AWARDS SEASON | COSTUME DESIGNERS GUILD AWARDS NOMINESS

Earlier today, The 26th Costume Designers Guild Awards (CDGA) announced today TV category nominees for the 29th Annual Critics Choice Awards. The Costume Designers Guild, Local 892, is a union of professional costume designers, assistant costume designers, and illustrators working in film, television, commercials and other media. Winners will be announced on Feb 21, 2024. Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

Excellence in Contemporary Film

American Fiction – Rudy Mance
May December – April Napier
Nyad – Kelli Jones
Renfield – Lisa Lovaas 
Saltburn – Sophie Canale 

Excellence in Period Film

Killers of the Flower Moon – Jacqueline West
Maestro – Mark Bridges
Napoleon – Janty Yates & Dave Crossman
Oppenheimer – Ellen Mirojnick
Poor Things – Holly Waddington

Excellence in Sci-Fi/Fantasy Film

Barbie – Jacqueline Durran
Haunted Mansion – Jeffrey Kurland
The Hunger Games: The Ballad of Songbirds & Snakes – Trish Summerville
The Little Mermaid – Colleen Atwood & Christine Cantella
Rebel Moon – Part One: A Child of Fire – Stephanie Porter

Excellence in Contemporary Television

The Bear: Fishes – Courtney Wheeler
Beef: The Birds Don’t Sing, They Screech in Pain – Helen Huang
The Last of Us: Endure and Survive – Cynthia Ann Summers
The Morning Show: The Kármán Line – Sophie de Rakoff & Debra McGuire
Poker Face: The Orpheus Syndrome – Trayce Gigi Field

Excellence in Period Television

The Crown: Ritz – Amy Roberts
Daisy Jones & the Six: Track 8: Looks Like We Made It – Denise Wingate
George & Tammy: Two Story House – Mitchell Travers
The Gilded Age: You Don’t Even Like Opera – Kasia Walicka Maimone & Patrick Wiley
The Great: Choose Your Weapon – Sharon Long

Excellence in Sci-Fi/Fantasy Television

Ahsoka: Part Eight: The Jedi, the Witch, and the Warlord – Shawna Trpcic
Loki: 1893 – Christine Wada
The Mandalorian: Chapter 22: Guns for Hire – Shawna Trpcic
What We Do in the Shadows: Pride Parade – Laura Montgomery
The Witcher: The Art of the Illusion – Lucinda Wright

Excellence in Variety, Reality-Competition, Live Television

A Black Lady Sketch Show: Peek-A-Boob, Your Titty’s Out – Michelle Page Collins
Dancing with the Stars: Monster Night – Steven Norman Lee & Daniela Gschwendtner
The Masked Singer: ’80s Night – Tim Chappel
The Masked Singer: One Hit Wonders Night – Marina Toybina & Steven Norman Lee
Saturday Night Live: Aubrey Plaza Host – Tom Broecker, Christina Natividad & Ashley Dudek 

Excellence in Short Form Design 

American Horror Story: Delicate | Official Teaser (Commercial) – Paula Bradley 
Blink-182 – Dance with Me (Music Video) – Julie Vogel 
Great Acting or Great Taste – Pepsi (Commercial) – Heather Allison 
Jack’s New Angle (Doritos Superbowl) (Commercial) – Trayce Gigi Field 
Madonna X Vanity Fair – The Enlightenment (Short Film) – B. Åkerlund 

Excellence in Costume Illustration

1923: War and the Turquoise Tide – Maggie S. Chan
Haunted Mansion – Barbra Araujo
The Hunger Games: The Ballad of Song Songbirds & Snakes – Oksana Nedavniaya
Loki: 1893 – Felipe Sanchez
Rebel Moon – Part One: A Child of Fire – Jason Pastrana

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AWARDS SEASON | CREATIVE ARTS EMMYS NOMINATIONS

The 75th Creative Arts Emmy announced the nominees for this awards show that takes place over 2 days! Our predictions are in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics.

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)

The Last Of Us • Infected • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog John Paino, Production Designer Don Macaulay, Art Director Paul Healy, Set Decorator

Poker Face • The Orpheus Syndrome • Peacock • T-Street, MRC Television, Animal Pictures
Judy Rhee, Production Designer Martha Sparrow, Art Director Cathy Marshall, Set Decorator

Succession • America Decides • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Stephen H. Carter, Production Designer Molly Mikula, Art Director George Detitta Jr., Set Decorator

Ted Lasso • Sunflowers • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television Paul Cripps, Production Designer Iain White, Art Director Kate Goodman, Set Decorator

Wednesday • Wednesday's Child Is Full Of Woe • Netflix • A Netflix Series / An MGM Television Production Mark Scruton, Production Designer Adrian Curelea, Art Director Robert Hepburn, Set Decorator

The White Lotus • Ciao • HBO Max • HBO in association with Rip Cord and The District Cristina Onori, Production Designer Gianpaolo Rifino, Art Director Letizia Santucci, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE HOUR OR MORE)

Daisy Jones & The Six • Track 10: Rock ‘N’ Roll Suicide • Prime Video • Hello Sunshine, Amazon Studios Jessica Kender, Production Designer Brian Grego, Art Director Lisa Clark, Set Decorator Andi Brittan, Set Decorator

Guillermo Del Toro's Cabinet Of Curiosities • Netflix • Netflix / Double Dare You Tamara Deverell, Production Designer Brandt Gordon, Art Director Shane Vieau, Set Decorator

House Of The Dragon • The Heirs Of The Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Jim Clay, Production Designer Dominic Masters, Art Director Claire Nia Richards, Set Decorator

The Marvelous Mrs. Maisel • Susan • Prime Video • Amazon Studios Bill Groom, Production Designer Neil Prince, Art Director Ellen Christiansen, Set Decorator

Perry Mason • Chapter Eleven • HBO Max • HBO in association with Team Downey and AMBEG Screen Products Keith P. Cunningham, Production Designer Ian Scroggins, Art Director Halina Siwolop, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PROHRAM (HALF-HOUR)
The Bear • System • FX • FX Productions Sam Lisenco, Production Designer Eric Dean, Art Director Emily Carter, Set Decorator

How I Met Your Father • The Reset Button • Ride Or Die • Daddy • Hulu • 20th Television Glenda Rovello, Production Designer Conny Boettger-Marinos, Art Director Amy Beth Feldman, Set Decorator

Only Murders In The Building • Sparring Partners • I Know Who Did It • Hulu • 20th Television Patrick Howe, Production Designer Jordan Jacobs, Art Director Rich Murray, Set Decorator

Schmigadoon! • Famous As Hell • Apple TV+ • Broadway Video / Universal Television in association with Apple Jamie Walker McCall, Production Designer Ryan Garton, Art Director Gregory Clarke, Art Director Carol Lavallee, Set Decorator

What We Do In The Shadows • The Night Market • FX • FX Productions Shayne Fox, Production Designer Aaron Noël, Art Director Kerri Wylie, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A VARIETY OR REALITY SERIES
A Black Lady Sketch Show • Peek-A-Boob, Your Titty’s Out • HBO Max • HBO in association with For Better or Words, Inc., HooRAE, 3 Arts Entertainment and Jax Media Cindy Chao, Production Designer Michele Yu, Production Designer Lizzie Boyle, Set Decorator

Last Week Tonight With John Oliver • Museums • HBO Max • HBO in association with Sixteen String Jack Productions and Avalon Television Eric Morrell, Production Designer Sabrina Lederer, Art Director

Queer Eye • Speedy For Life • Netflix • Scout Productions Inc. and ITV Entertainment LLC for Netflix Thomas Rouse, Production Designer Tyka Edwards, Art Director

RuPaul's Drag Race • Blame It On The Edit • MTV • World of Wonder Gianna Costa, Production Designer Brad Bailey, Art Director

Saturday Night Live • Host: Steve Martin & Martin Short • Host: Jenna Ortega • NBC • SNL Studios in association with Universal Television and Broadway Video Akira Yoshimura, Production Designer Keith Ian Raywood, Production Designer Andrea Purcigliotti, Production Designer Danielle Webb, Set Decorator

OUTSTANDING PRODUCTION DESIGN FOR A VARIETY SPECIAL

The Apple Music Super Bowl LVII Halftime Show Starring Rihanna • FOX • Jesse Collins Entertainment, DPS and Roc Nation Bruce Rodgers, Production Designer Shelley Rodgers, Art Director Lindsey Breslauer, Art Director Maria Garcia, Art Director Lily Rodgers, Art Director

Carol Burnett: 90 Years Of Laughter + Love • NBC • Silent House Productions Tamlyn Wright, Production Designer Travis Deck, Art Director

Encanto At The Hollywood Bowl • Disney+ • Fulwell 73 Productions Misty Buckley, Production Designer Joe Celli, Art Director Raquel Tarbet, Set Decorator

The 65th Annual Grammy Awards • CBS • Fulwell 73 Julio Himede, Production Designer Kristen Merlino, Art Director

The Oscars • ABC • Academy of Motion Picture Arts and Sciences Misty Buckley, Production Designer Alana Billingsley, Production Designer John Zuiker, Art Director

OUTSTANDING CINEMATOGRAPHY FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
Black Bird • Hand To Mouth • Apple TV+ • Apple Studios Natalie Kingston, Director of Photography

Boston Strangler • Hulu • 20th Century Studios Ben Kutchins, Director of Photography

Dead Ringers • One • Prime Video • AnnaPurna Pictures, Amazon Studios Jody Lee Lipes, ASC, Director of Photography

George & Tammy • Stand By Your Man • Showtime • MTV Entertainment Studios, 101 Studios, Freckle Films, Blank Films Inc, Mad Chance, Brolin Productions, Aunt Sylvia's Moving Picture Company Igor Martinovic, Director of Photography

Guillermo Del Toro's Cabinet Of Curiosities • The Autopsy • Netflix • Netflix / Double Dare You
Anastas Michos, ASC, GSC, Director of Photography

OUTSTANDING CINEMATOGRAPHY FOR A NONFICTION PROGRAM
100 Foot Wave • Chapter VI - Force Majeure • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Antoine Chicoye, Cinematography by Mikey Corker, Cinematography by Vincent Kardasik, Cinematography by Alexandre Lesbats, Cinematography by Chris Smith, Cinematography by Laurent Pujol, Cinematography by João Vidinha, Cinematography by Michael Darrigade, Cinematography by

Secrets Of The Elephants • Desert • National Geographic • Oxford Scientific Films LTD and Earthship Productions for National Geographic Toby Strong, Director of Photography James Boon, Director of Photography Bob Poole, Director of Photography

The 1619 Project • Justice • Hulu • Onyx Collective, Lionsgate Productions in association with One Story Up Productions, Harpo Films and The New York Times Jerry Henry, Director of Photography

Stanley Tucci: Searching For Italy • Calabria • CNN • CNN Original Series, RAW Andrew Muggleton, Director of Photography

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio C. Kim Miles, CSC, ASC, MySC, Director of Photography Clair Popkin, Cinematography by Julia Liu, Cinematography by

The Territory • National Geographic • National Geographic Documentary Films Presents a Documist and Associação Jupaú Film in association with Time Studios, Xtr, Doc Society Climate Story Fund / A Production of Protozoa Pictures, Passion Pictures, Real Lava Alex Pritz, Cinematography by Tangãi Uru-eu-wau-wa, Cinematography by

OUTSTANDING CINEMATOGRAPHY FOR A REALITY PROGRAM
The Amazing Race • Series Body Of Work • CBS • WorldRace Productions, Inc. Joshua Gitersonke, Director of Photography Bryan T. Adams, Camera Kathryn Barrows, Camera Josh Bartel, Camera Kurt Carpenter, Camera David D'Angelo, Camera Matthew Di Girolamo, Camera Adam Haisinger, Camera Robert Howsam, Camera Kevin Johnson, Camera Jay Kaufman, Camera Ian Kerr, CSC, Camera Daniel Long, Camera Lucas Kenna Mertes, Camera Ryan Shaw, Camera
Alan Weeks, Camera

Deadliest Catch • Call Of A New Generation • Discovery Channel • Original Productions, LLC for the Discovery Channel David Reichert, Director of Photography Charlie Beck, Director of Photography Bryan Miller, Director of Photography Todd Stanley, Director of Photography Shane Moore, Director of Photography Nathan Garofalos, Director of Photography David Arnold, Director of Photography

Life Below Zero • The Pursuit • National Geographic • BBC Studios Danny Day, Director of Photography Simeon Houtman, Director of Photography Jason Hubbell, Director of Photography Ben Mullin, Director of Photography Zach Vincent, Director of Photography

Survivor • Series Body Of Work • CBS • MGM Television Peter Wery, Director of Photography Scott Duncan, Director of Photography Russ Fill, Director of Photography George Andrews, Camera Tim Barker, Camera Marc Bennett, Camera Paulo Castillo, Camera Rodney Chauvin, Camera Chris Ellison, Camera Nixon George, Camera Matthias Hoffmann, Cinema Toby Hogan, Camera Derek Holt, Camera Efrain "Mofi" Laguna, Camera Ian Miller, Camera Nico Nyoni, Camera Paul Peddinghaus, Camera Jeff Phillips, Camera Nejc Poberaj, Camera Daniel Powell, Camera Louis Powell, Camera Jovan Sales, Camera Erick Sarmiento, Camera Dirk Steyn, Camera John Tattersall, Camera Holly Thompson, Camera Paulo Velozo, Camera Cullum Andrews, Camera Christopher Barker, Director of Aerial Photography Granger Scholtz, Director of Aerial Photography Nic Van Der Westhuizen, Aerial Camera Operator Dwight Winston, Aerial Camera Operator

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Alastair McKevitt, Director of Photography Craig Hastings, Director of Photography Leighton Cox, Director of Photography Jason Bulley, Director of Photography

OUTSTANDING PERIOD COSTUMES FOR A SERIES
The Crown • Mou Mou • Netflix • Left Bank Pictures and Sony Pictures Television for Netflix
Amy Roberts, Costume Designer Sidonie Roberts, Associate Costume Designer Christof Roche-Gordon, Costume Supervisor

The Great • Choose Your Weapon • Hulu • Civic Center Media, MRC Sharon Long, Costume Designer Claire Tremlett, Assistant Costume Designer Basia Kuznar, Assistant Costume Designer Anna Lau, Costume Supervisor

The Marvelous Mrs. Maisel • Susan • Prime Video • Amazon Studios Donna Zakowska, Costume Designer Katie Hartsoe, Assistant Costume Designer Ben Philipp, Assistant Costume Designer Amanda Seymour, Assistant Costume Designer Claire Aquila, Costume Supervisor Marie Seifts, Costume Supervisor

Perry Mason • Chapter Ten • HBO Max • HBO in association with Team Downey and AMBEG Screen Products Catherine Adair, Costume Designer David J. Matwijkow, Assistant Costume Designer Nanrose Buchman, Costume Supervisor

Queen Charlotte: A Bridgerton Story • Crown Jewels • Netflix • A Netflix Series in association with shondalandmedia Lyn Elizabeth Paolo, Costume Designer Laura Frecon, Co-Costume Designer Jovana Gospavic, Assistant Costume Designer Alex Locke, Costume Supervisor

OUTSTANDING PERIOD COSTUMES FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
Dahmer - Monster: The Jeffrey Dahmer Story • Please Don't Go • Netflix • Ryan Murphy Productions for Netflix Rudy Mance, Costume Designer Monica Chamberlain, Assistant Costume Designer Desmond Smith, Assistant Costume Designer Suzy Freeman, Costume Supervisor

Daisy Jones & The Six • Track 8: Looks Like We Made It • Prime Video • Hello Sunshine, Amazon Studios Denise Wingate, Costume Designer Derek Sullivan, Costume Supervisor

George & Tammy • We're Gonna Hold On • Showtime • MTV Entertainment Studios, 101 Studios, Freckle Films, Blank Films Inc, Mad Chance, Brolin Productions, Aunt Sylvia's Moving Picture Company Mitchell Travers, Costume Designer Mitchel Wolf, Assistant Costume Designer Laurel Rose, Assistant Costume Designer Aileen Abercrombie, Assistant Costume Designer Susan Russell, Costume Supervisor Charles Carter, Costume Supervisor

Guillermo Del Toro's Cabinet Of Curiosities • Dreams In The Witch House • Netflix • Netflix / Double Dare You Luis Sequeira, Costume Designer Ann Steel, Assistant Costume Designer Heather Crepp, Costume Supervisor

Welcome To Chippendales • Leeches • Hulu • 20th Television Peggy Schnitzer, Costume Designer
Derek Bulger, Assistant Costume Designer Julie Heath, Costume Supervisor

OUTSTANDING FANTASY/SCI-FI COSTUMES
Hocus Pocus 2 • Disney+ • Walt Disney Pictures Salvador Perez, Costume Designer Elizabeth Shelton, Assistant Costume Designer Gala Autumn, Costume Supervisor

House Of The Dragon • The Heirs Of The Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Jany Temime, Costume Designer Katherine Burchill, Assistant Costume Designer Paul Yeowell, Assistant Costume Designer Rachel George, Assistant Costume Designer Joanna Lynch, Costume Supervisor

The Lord Of The Rings: The Rings Of Power • A Shadow Of The Past • Prime Video • Amazon Studios Kate Hawley, Costume Designer Libby Dempster, Assistant Costume Designer Lucy McLay, Assistant Costume Designer Jaindra Watson, Assistant Costume Designer Pip Lingard, Costume Supervisor Jenny Rushton, Costume Supervisor

The Mandalorian • Chapter 22: Guns For Hire • Disney+ • Lucasfilm Ltd. Shawna Trpcic, Costume Designer Elissa Alcala, Assistant Costume Designer Julie Robar, Costume Supervisor Julie Yang Silver, Costume Supervisor

Obi-Wan Kenobi • Part I • Disney+ • Lucasfilm Ltd. Suttirat Anne Larlarb, Costume Designer Stacia Lang, Assistant Costume Designer Lynda Foote, Costume Supervisor

What We Do In The Shadows • The Wedding • FX • FX Productions Laura Montgomery, Costume Designer Barbara Cardoso, Assistant Costume Designer Judy Laukkanen, Costume Supervisor

OUTSTANDING CONTEMPORARY COSTUMES FOR A SERIES
Emily In Paris • What's It All About... • Netflix • MTV Entertainment Studios, Darren Star Productions, and Jax Media for Netflix Marylin Fitoussi, Costume Designer Herehau Ragonneau, Assistant Costume Designer Daniela Telle, Associate Costume Designer Marie Fremont, Costume Supervisor

The Last Of Us • Endure And Survive • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog
Cynthia Ann Summers, Costume Designer Kelsey Chobotar, Assistant Costume Designer Rebecca Toon, Assistant Costume Designer Michelle Carr, Costume Supervisor

Only Murders In The Building • Framed • Hulu • 20th Television Dana Covarrubias, Costume Designer Abby Geoghegan, Assistant Costume Designer Kathleen Gerlach, Wardrobe Supervisor

Succession • Church And State • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Michelle Matland, Costume Designer Jonathan Schwartz, Assistant Costume Designer Mark Agnes, Wardrobe Supervisor

Wednesday • Wednesday's Child Is Full Of Woe • Netflix • A Netflix Series / An MGM Television Production Colleen Atwood, Costume Designer Mark Sutherland, Co-Costume Designer Robin Soutar, Assistant Costume Designer Claudia Littlefield, Costume Supervisor Adina Bucur, Costume Supervisor

The White Lotus • That's Amore • HBO Max • HBO in association with Rip Cord and The District
Alex Bovaird, Costume Designer Brian Sprouse, Assistant Costume Designer Margherita Zanobetti, Costume Supervisor

OUTSTANDING CONTEMPORARY COSTUMES FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE

BEEF • The Birds Don't Sing, They Screech In Pain • Netflix • A Netflix Series / An A24 Production Helen Huang, Costume Designer Austin Wittick, Assistant Costume Designer YJ Hwang, Assistant Costume Designer Mark Anthony Summers, Costume Supervisor

Dolly Parton's Mountain Magic Christmas • NBC • Warner Bros. Television in association with Magnolia Hill Productions and Sandollar Productions Provi Fulp, Costume Designer Jose Ramos, Costume Supervisor Steve Summers, Dolly's Wardrobe by

Fleishman Is In Trouble • Me-Time • FX • ABC Signature Leah Katznelson, Costume Designer Angel Peart, Assistant Costume Designer Katie Novello, Assistant Costume Designer Deidre Wegner, Assistant Costume Designer Anne Newton-Harding, Costume Supervisor

Swarm • Honey • Prime Video • Amazon Studios Dominique Dawson, Costume Designer Brittny Chapman, Assistant Costume Designer Mashal Khan, Costume Supervisor

The Watcher • Welcome, Friends • Netflix • A Netflix Series / Jam Tart Films / Prospect Films / Ryan Murphy Television Lou Eyrich, Costume Designer Rudy Mance, Costume Designer Catherine Crabtree, Assistant Costume Designer Zakiya Dennis, Costume Supervisor

OUTSTANDING PICTURE EDITING FOR A DRAMA SERIES
Better Call Saul • Saul Gone • AMC • High Bridge, Crystal Diner, Gran Via Productions and Sony Pictures Television Skip Macdonald, ACE, Editor

The Last Of Us • Endure And Survive • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Timothy A. Good, ACE, Editor Emily Mendez, Editor  

Succession • America Decides • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Jane Rizzo, ACE, Editor

Succession • Connor's Wedding • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Bill Henry, ACE, Editor

Succession • With Open Eyes • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Ken Eluto, ACE, Editor

The White Lotus • Abductions • HBO Max • HBO in association with Rip Cord and The District
Heather Persons, ACE, Editor

The White Lotus • Arrivederci • HBO Max • HBO in association with Rip Cord and The District
John M. Valerio, ACE, Editor

OUTSTANDING PICTURE EDITING FOR A MULTI-CAMERA COMEDY SERIES
Call Me Kat • Call Me Consciously Uncoupled • FOX • That's Wonderful Productions, Sad Clown Productions and BBC Studios in association with Warner Bros. Television and FOX Entertainment
Pamela Marshall, Editor

How I Met Your Father • Daddy • Hulu • 20th Television Russell Griffin, ACE, Editor

Night Court • Pilot • NBC • After January Productions in association with Warner Bros. Television and Universal Television Kirk Benson, Editor Chris Poulos, Editor

The Upshaws • Duct Up • Netflix • Savannah Sweet Productions and Push It Productions for Netflix Russell Griffin, ACE, Editor Angel Gamboa Bryant, Editor

The Upshaws • Off Beat • Netflix • Savannah Sweet Productions and Push It Productions for Netflix Angel Gamboa Bryant, Editor

OUTSTANDING PICTURE EDITING FOR A SINGLE-CAMERA COMEDY SERIES
Barry • wow • HBO Max • HBO in association with Alec Berg and Hanarply Franky Guttman, Editor Ali Greer, ACE, Editor

The Bear • System • FX • FX Productions Joanna Naugle, Editor

Only Murders In The Building • The Last Day Of Bunny Folger • Hulu • 20th Television Peggy Tachdjian, ACE, Editor

Ted Lasso • Mom City • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television A.J. Catoline, ACE, Editor Alex Szabo, Editor

Ted Lasso • So Long, Farewell • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television Melissa McCoy, ACE, Editor Francesca Castro, Additional Editor

What We Do In The Shadows • Go Flip Yourself • FX • FX Productions Yana Gorskaya, ACE, Editor Dane McMaster, ACE, Editor
 

OUTSTANDING PICTURE EDITING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
BEEF • Figures Of Light • Netflix • A Netflix Series / An A24 Production Nat Fuller, Editor Laura Zempel, Editor

Dahmer - Monster: The Jeffrey Dahmer Story • The Good Boy Box • Netflix • Ryan Murphy Productions for Netflix Stephanie Filo, ACE, Editor

Ms. Marvel • Generation Why • Disney+ • Marvel Studios Nona Khodai, ACE, Editor Sabrina Plisco, ACE, Editor

Obi-Wan Kenobi • Part VI • Disney+ • Lucasfilm Ltd. Kelley Dixon, ACE, Editor Josh Earl, ACE, Editor

Prey • Hulu • 20th Century Studios Angela M. Catanzaro, ACE, Editor Claudia Castello, Editor

Weird: The Al Yankovic Story • The Roku Channel • The Roku Channel, Funny or Die, Tango Entertainment Jamie Kennedy, ACE, Editor

OUTSTANDING PICTURE EDITING FOR VARIETY PROGRAMMING

A Black Lady Sketch Show • My Love Language Is Words Of Defamation • HBO Max • HBO in association with For Better or Words, Inc., HooRAE, 3 Arts Entertainment and Jax Media Stephanie Filo, ACE, Supervising Editor Malinda Zehner Guerra, Editor Taylor Joy Mason, Editor

Carol Burnett: 90 Years Of Laughter + Love • NBC • Silent House Productions Mike Polito, Offline Editor Timothy Schultz, Offline Editor

The Daily Show With Trevor Noah • Jordan Klepper Shows Trump Supporters January 6th Hearing Clips • Comedy Central • Central Productions, LLC Storm Choi, Editor Eric Davies, Editor Tom Favilla, Editor Lauren Beckett Jackson, Editor Nikolai Johnson, Editor Ryan Middleton, Editor Mark Paone, Editor Erin Shannon, Editor Catherine Trasborg, Editor Einar Westerlund, Editor

History Of The World, Part II • III • Hulu • 20th Television and Searchlight Television Angel Gamboa Bryant, Editor Stephanie Filo, ACE, Editor Daniel Flesher, Editor George Mandl, Editor

Saturday Night Live • HBO Mario Kart Trailer (Segment) • NBC • SNL Studios in association with Universal Television and Broadway Video Ryan Spears, Editor Christopher Salerno, Editor

OUTSTANDING PICTURE EDITING FOR A NONFICTION PROGRAM
 
Moonage Daydream • HBO Max • Neon Presents, Universal Pictures Presents, BMG, Live Nation Productions, Public Road Productions Present, in association with HBO Documentary Films Brett Morgen, Editor

100 Foot Wave • Chapter III - Jaws • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Alex Bayer, Editor Alex Keipper, Editor Quin O'Brien, Editor

Pretty Baby: Brooke Shields • Hulu • ABC News Studios, Bed By 8, Matador Content, Drifting Cloud Productions David Teague, Supervising Editor Sara Newens, Editor Anne Yao, Editor

The 1619 Project • Justice • Hulu • Onyx Collective, Lionsgate Productions in association with One Story Up Productions, Harpo Films and The New York Times Ephraim Kirkwood, Editor
Jesse Allain-Marcus, Additional Editor Adriana Pacheco, Additional Editor

Stanley Tucci: Searching For Italy • Calabria • CNN • CNN Original Series, RAW Liz Roe, Editor

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio Michael Harte, ACE, Editor

OUTSTANDING PICTURE EDITING FOR A STRUCTURED REALITY OR COMPETITION PROGRAM
The Amazing Race • Body Of Work • CBS • WorldRace Productions, Inc. Eric Beetner, Editor Kevin Blum, Editor Trevor Campbell, Editor Kellen Cruden, Editor Jay Gammill, Editor Katherine Griffin, Editor Jason Groothuis, Editor Darrick Lazo, Editor Ryan Leamy, Editor Josh Lowry, Editor Paul Nielsen, Editor Steve Mellon, Editor

Queer Eye • Speedy For Life • Netflix • Scout Productions Inc. and ITV Entertainment LLC for Netflix Toni Ann Carabello, Lead Editor Nova Taylor, Editor Jason Szabo, Editor Widgie Nikia Figaro, Editor Sean Gill, Editor Kimberly Pellnat, Editor

RuPaul's Drag Race • Wigloose: The Rusical! • MTV • World of Wonder Jamie Martin, Lead Editor Paul Cross, Editor Ryan Mallick, Editor Michael Roha, Editor

Survivor • Telenovela • CBS • MGM Television Bill Bowden, Supervising Editor Evan Mediuch, Supervising Editor Francisco Santa Maria, Editor Plowden Schumacher, Editor Andrew Bolhuis, Editor Jacob Teixeira, Editor James Ciccarello, Editor

Top Chef • Body Of Work • Bravo • Magical Elves Steve Lichtenstein, Lead Editor Ericka Concha, Editor Blanka Kovacs, Editor Eric Lambert, Editor Matt Reynolds, Editor Jay M. Rogers, Editor Brian Freundlich, Additional Editor Brian Giberson, Additional Editor Malia Jurick, Additional Editor Brian Kane, Additional Editor Daniel Ruiz, Additional Editor Anthony J. Rivard, Additional Editor Annie Tighe, Additional Editor Tony West, Additional Editor

OUTSTANDING PICTURE EDITING FOR AN UNSTRUCTURED REALITY PROGRAM
Deadliest Catch • Call Of A New Generation • Discovery Channel • Original Productions, LLC for the Discovery Channel Rob Butler, Supervising Editor Isaiah Camp, Supervising Editor Alexandra Moore, Editor Alexander Rubinow, Editor Ian Olsen, Editor Hugh Elliot, Editor Joe Mikan, Additional Editor

Life Below Zero • A Storm To Remember • National Geographic • BBC Studios Michael Swingler, Editor Tony Diaz, Additional Editor Matt Edwards, Additional Editor Jennifer Nelson, ACE, Additional Editor Tanner Roth, Additional Editor

RuPaul's Drag Race: Untucked • The Daytona Wind 2 • MTV • World of Wonder Matthew D. Miller, Lead Editor Kellen Cruden, Editor

Vanderpump Rules • Lady And The Glamp • Bravo • Evolution Media Jesse Friedman, Editor Tom McCudden, Editor Ramin Mortazavi, Editor Christian Le Guilloux, Editor Paul Peltekian, Editor Sax Eno, Editor Robert Garry, Editor

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Mohamed El Manasterly, Editor Curtis McConnell, Editor Michael Brown, Editor Charles Little, ACE, Editor Bryan Rowland, Additional Editor

OUTSTANDING EMERGING MEDIA PROGRAM
For All Mankind Season 3 Experience • Apple TV+ • Apple TV+ in association with Tall Ship Productions Apple TV+ Tall Ship Productions Antibody Elastic

Gorillaz Presents • Google • Nexus Studios, Google, Eleven Management Nexus Studios Google
Eleven Management

MLK: Now Is The Time • Oculus • Time Studios, Meta, Flight School Studio Amy Seidenwurm, Executive Producer Ian Orefice, Executive Producer Matthew O'Rourke, Producer/Executive Producer Sulivan Parker, Producer Limbert Fabian, Director

The Notorious B.I.G. Sky's The Limit: A VR Concert Experience • Facebook & Meta Horizon Worlds • A Gunpowder & Sky Production Gunpowder & Sky The Notorious B.I.G. Estate Alex Coletti, Executive Producer Elliot Osagie, Executive Producer

You Destroy. We Create | The War On Ukraine's Culture • Meta Quest TV • NowHere Media, Meta Quest VR for Good NowHere Media

OUTSTANDING LIGHTING DESIGN/LIGHTING DIRECTION FOR A VARIETY SERIES
America's Got Talent • Episode 1717 • NBC • Fremantle and Syco Entertainment Noah Mitz, Lighting Designer Will Gossett, Lighting Director Ryan Tanker, Lighting Director Patrick Brazil, Lighting Director Jay Koch, Lighting Director Matt Benson, Lighting Director Scott Chmielewski, Lighting Director Kevin Faust, Video Controller

American Idol • Top 20 • ABC • Fremantle and 19 Entertainment Tom Sutherland, Lighting Designer Bobby Grey, Lighting Director Nathan Files, Lighting Director James Coldicott, Lighting Director Hunter Selby, Lighting Director Scott Chmielewski, Lighting Director Luke Chantrell, Video Controller Ed Moore, Video Controller

Dancing With The Stars • Semi Finals • Disney+ • BBC Studios Los Angeles Productions Noah Mitz, Lighting Designer Michael Berger, Lighting Director Patrick Brazil, Lighting Director Andrew Law, Lighting Director Matt Benson, Lighting Director Matt McAdam, Lighting Director Luke Chantrell, Video Controller

So You Think You Can Dance • Starry Starry Night • FOX • The Intellectual Property Corporation (IPC) and Dick Clark Productions (DCP) Robert Barnhart, Lighting Designer Matt Firestone, Lighting Director Pete Radice, Lighting Director Patrick Boozer, Lighting Director Jeff Behm, Lighting Director Christopher Gray, Video Controller

The Voice • Live Finale, Part 2 • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. Oscar Dominguez, Lighting Designer Ronald Wirsgalla, Lighting Director Erin Anderson, Lighting Director Andrew Munie, Lighting Director Jeff Shood, Lighting Director Daniel Boland, Lighting Director Terrance Ho, Video Controller

OUTSTANDING LIGHTING DESIGN/LIGHTING DIRECTION FOR A VARIETY SPECIAL
Encanto At The Hollywood Bowl • Disney+ • Fulwell 73 Productions Al Gurdon, Lighting Designer Harry Forster, Lighting Director Bobby Grey, Lighting Director Darien Koop, Lighting Director James Coldicott, Lighting Director Chris Hill, Video Controller Ed Moore, Video Controller

The 65th Annual Grammy Awards • CBS • Fulwell 73 Noah Mitz, Lighting Designer Andy O'Reilly, Lighting Director Patrick Boozer, Lighting Director Ryan Tanker, Lighting Director Madigan Stehly, Lighting Director Bryan Klunder, Lighting Director Erin Anderson, Lighting Director Will Gossett, Lighting Director Matthew Cotter, Lighting Director Terrance Ho, Video Controller Guy Jones, Video Controller

2022 Rock And Roll Hall Of Fame Induction Ceremony • HBO Max • A Tenth Planet Production
Allen Branton, Lighting Designer Darren Langer, Lighting Director Felix Peralta, Lighting Director Kevin Lawson, Lighting Director Alex Flores, Lighting Director Bianca Moncada, Lighting Director Chuck Reilly, Video Controller Guy Jones, Video Controller
 
75th Annual Tony Awards • CBS • White Cherry Entertainment Robert Dickinson, Lighting Designer Noah Mitz, Lighting Director Harry Sangmeister, Lighting Director Tyler Ericson, Lighting Director Richard Beck, Lighting Director Jason Rudolph, Lighting Director JM Hurley, Video Controller Ka Lai Wong, Video Controller

The Weeknd Live At SoFi Stadium • HBO Max • HBO Jason Baeri, Lighting Designer Joe Bay, Lighting Director Kille Knoble, Lighting Director Mark Butts, Lighting Director Loren Barton, Lighting Director

OUTSTANDING MAIN TITLE DESIGN
Guillermo Del Toro's Cabinet Of Curiosities • Netflix • Netflix / Double Dare You Mike Schaeffer, Creative Director Chet Hirsch, Director David Rowley, Art Director Akshay Tiwari, Designer

Hello Tomorrow! • Apple TV+ • MRC in association with Apple Ronnie Koff, Creative Director Lexi Gunvaldson, Editor Christoph Gabathuler, 3D Artist Juan Monasterio, Animator Lindsey Mayer-Beug, Illustrator Fernando Lazzari, Animator

The Last Of Us • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Andy Hall, Creative Director Nadia Tzuo, Creative Director Gryun Kim, 3D Artist Min Shi, Designer Jun Kim, 3D Artist Xiaolin (Mike) Zeng, Designer

The Lord Of The Rings: The Rings Of Power • Prime Video • Amazon Studios Katrina Crawford, Director Mark Bashore, Director Anthony Vitagliano, Creative Director Fernando Domínguez Cózar, Animation Director

Wednesday • Netflix • A Netflix Series / An MGM Television Production Aaron Becker, Creative Director Joseph Ahn, Designer James Ramirez, Animator Lee Nelson, Animator Eric Keller, 3D Artist Hsien Lun Su, Animator

The White Lotus • HBO Max • HBO in association with Rip Cord and The District Katrina Crawford, Director/Creative Director/Photographer Mark Bashore, Director/Editor Lezio Lopes, Illustrator Cian McKenna, Animator

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
Andor • The Eye • Disney+ • Lucasfilm Ltd. David Acord, Co-Supervising Sound Editor/Sound Designer Margit Pfeiffer, Co-Supervising Sound Editor Richard Quinn, Dialogue Editor Jonathan Greber, ADR Editor J.R. Grubbs, Sound Effects Editor John Finklea, Music Editor Shaun Farley, Foley Editor Shelley Roden, Foley Artist John Roesch, Foley Artist

The Boys • The Instant White-Hot Wild • Prime Video • Sony Pictures Television, Amazon Studios
Wade Barnett, MPSE, Supervising Sound Editor Chris Kahwaty, MPSE, Dialogue Editor Ryan Briley, Supervising ADR Editor Jeffrey A. Pitts, Sound Efffects Editor/Sound Designer Pete Nichols, Sound Effects Editor Christopher Brooks, Music Editor James Howe, Foley Editor

House Of The Dragon • The Black Queen • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Al Sirkett, Supervising Sound Editor Tim Hands, Dialogue Editor Adele Fletcher, Supervising ADR Editor Paula Fairfield, MPSE, Sound Designer David Klotz, Music Editor Timeri Duplat, Music Editor Mathias Schuster, Foley Editor Barnaby Smyth, Foley Artist Paula Boram, Foley Artist

The Last Of Us • When You're Lost In The Darkness • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Michael J. Benavente, Supervising Sound Editor Joe Schiff, Dialogue Editor Christopher Battaglia, Sound Designer Chris Terhune, Sound Designer Mitchell Lestner, Sound Effects Editor Jacob Flack, Sound Effects Editor Matt Yocum, MPSE, Sound Effects Editor Maarten Hofmeijer, Music Editor Randy Wilson, Supervising Foley Editor Justin Hele, Foley Editor David Aquino, Foley Editor Stefan Fraticelli, Foley Artist Jason Charbonneau, Foley Artist William Kellerman, Foley Artist
 
The Lord Of The Rings: The Rings Of Power • Udûn • Prime Video • Amazon Studios Robert Stambler, MPSE, Co-Supervising Sound Editor Damian Del Borrello, Co-Supervising Sound Editor Ailene Roberts, Dialogue Editor Stefanie Ng, Dialogue/ADR Editor Paula Fairfield, Sound Designer Chris Terhune, Sound Editor James Miller, Sound Editor Michael Baber, Music Editor Jason Smith, Music Editor Amy Barber, Foley Editor Jonathan Bruce, Foley Artist

Stranger Things • Chapter Nine: The Piggyback • Netflix • Monkey Massacre Productions & 21 Laps Entertainment for Netflix Craig Henighan, MPSE, Co-Supervising Sound Editor William Files, MPSE, Co-Supervising Sound Editor Jill Purdy, Dialogue Editor Lee Gilmore, Sound Effects Editor Ryan Cole, MPSE, Sound Editor Korey Pereira, Sound Editor Angelo Palazzo, MPSE, Sound Editor Katie Halliday, MPSE, Sound Editor David Klotz, Music Editor Lena Glikson-Nezhelskaya, Music Editor Ken McGill, MPSE, Sound Effects/ Foley Editor Steve Baine, Foley Artist

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

Barry • wow • HBO Max • HBO in association with Alec Berg and Hanarply Sean Heissinger, Co-Supervising Sound Editor Matthew E. Taylor, Co-Supervising Sound Editor John Creed, Dialogue Editor Rickley W. Dumm, MPSE, Sound Effects Editor Deron Street, Sound Editor Clay Weber, Sound Editor Michael Brake, MPSE, Music Editor Darrin Mann, Foley Editor Alyson Dee Moore, Foley Artist Chris Moriana, Foley Artist

The Bear • Review • FX • FX Productions Steve "Major" Giammaria, Supervising Sound Editor Evan Benjamin, Dialogue Editor Jonathan Fuhrer, Sound Effects Editor Annie Taylor, Foley Editor Chris White, Foley Editor Leslie Bloome, Foley Artist Shaun Brennan, Foley Artist

The Mandalorian • Chapter 24: The Return • Disney+ • Lucasfilm Ltd. Matthew Wood, Co-Supervising Sound Editor Trey Turner, Co-Supervising Sound Editor Brad Semenoff, Dialogue Editor David W. Collins, Sound Designer Luis Galdames, Sound Effects Editor Stephanie McNally, Music Editor Nicholas Fitzgerald, Music Editor Joel Raabe, Foley Editor Shelley Roden, Foley Artist  

Reservation Dogs • This Is Where The Plot Thickens • FX • FX Productions Patrick Hogan, Supervising Sound Editor David Beadle, Sound Editor Sonya Lindsay, Sound Editor Michael Sana, Sound Editor Daniel Salas, Sound Editor Amber Funk, Music Editor Lena Krigen, Foley Editor

What We Do In The Shadows • The Night Market • FX • FX Productions Steffan Falesitch, Supervising Sound Editor Chris Kahwaty, MPSE, Dialogue Editor David Barbee, MPSE, Sound Effects Editor Steve Griffen, Music Editor John Guentner, Foley Editor Sam Lewis, Foley Editor Ellen Heuer, Foley Artist

OUTSTANDING SOUND EDITING FOR A LIMITED OR ANTHOLOGY SERIES, MOVIE OR SPECIAL

Dahmer - Monster: The Jeffrey Dahmer Story • God Of Forgiveness, God Of Vengeance • Netflix • Ryan Murphy Productions for Netflix Gary Megregian, MPSE, Supervising Sound Editor Borja Sau, Dialogue Editor Bruce Tanis, MPSE, Sound Effects Editor David Klotz, Music Editor Sam Munoz, Foley Editor Noel Vought, Foley Artist

Guillermo Del Toro's Cabinet Of Curiosities • The Autopsy • Netflix • Netflix / Double Dare You Nelson Ferreira, MPSE, Supervising Sound Editor Jill Purdy, Dialogue Editor Paul Davies, Sound Designer Bernard O’Reilly, Sound Effects Editor Paul Germann, Sound Effects Editor Tom Jenkins, Sound Editor Robert Hegedus, Music Editor Rose Gregoris, Foley Editor Goro Koyama, Foley Artist

Mrs. Davis • Mother Of Mercy: The Call Of The Horse • Peacock • Warner Bros. Television, Little Bug, White Rabbit Bryan Parker, Supervising Sound Editor Kristen Hirlinger, Dialogue Editor Nathan Efstation, Dialogue Editor Roland Thai, Sound Designer Matt Decker, Music Editor Sam Lewis, Supervising Foley Editor Sam Munoz, Foley Editor Ellen Heuer, Foley Artist Nancy Parker, Foley Artist

Obi-Wan Kenobi • Part VI • Disney+ • Lucasfilm Ltd. Matthew Wood, Co-Supervising Sound Editor Trey Turner, Co-Supervising Sound Editor Angela Ang, Dialogue/ADR Editor Ryan Cota, Dialogue/ADR Editor Jon Borland, Sound Designer/Sound Effects Editor Tim Farrell, Sound Effects Editor Michael Levine, Sound Effects Editor Ramiro Belgardt, Music Editor Nicholas Fitzgerald, Music Editor Thom Brennan, Foley Editor Ronni Brown, Foley Artist Sean England, Foley Artist

Prey • Hulu • 20th Century Studios Chris Terhune, Co-Supervising Sound Editor William Files, MPSE, Co-Supervising Sound Editor Jessie Anne Spence, Dialogue/ADR Editor James Miller, Sound Designer Diego Perez, Sound Effects Editor Lee Gilmore, Sound Effects Editor Christopher Bonis, Sound Effects Editor Daniel DiPrima, Music Editor Stephen Perone, Music Editor Leslie Bloome, Foley Artist Shaun Brennan, Foley Artist

OUTSTANDING SOUND EDITING FOR A NONFICTION OR REALITY PROGRAM (SINGLE OR MULTI-CAMERA)

Love, Lizzo • HBO Max • Warner Music Entertainment and Live Nation Productions, Atlantic Film Productions in association with Boardwalk Pictures and Diamond Docs Vanessa Flores, Sound Editor Jessie Brewer, Sound Editor

Moonage Daydream • HBO Max • Neon Presents, Universal Pictures Presents, BMG, Live Nation Productions, Public Road Productions Present, in association with HBO Documentary Films John Warhurst, Co-Supervising Sound Editor / Music Editor Nina Hartstone, Co-Supervising Sound Editor Jens Rosenlund Petersen, Dialogue Editor Samir Foco, Sound Effects Editor James Shirley, Sound Effects Editor Elliott Koretz, Sound Effects Editor Amy Felton, Sound Effects Editor Louise Burton, Foley Editor Brett Morgen, Music Editor

100 Foot Wave • Chapter V - Lost At Sea • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Max Holland, Dialogue Editor / Sound Editor Eric Di Stefano, Sound Effects Editor / Sound Designer Kevin Senzaki, Sound Designer

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio Michael Feuser, Dialogue Editor Rich Bologna, Sound Effects Editor Wyatt Sprague, Sound Effects Editor Heather Gross, Foley Editor Bill Bernstein, Music Editor

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Will Harp, Dialogue Editor Jon Schell, Sound Effects Editor Shaun Cromwell, Sound Effects Editor

Outstanding Sound Mixing For A Comedy Or Drama Series (One Hour)

Better Call Saul • Saul Gone • AMC • High Bridge, Crystal Diner, Gran Via Productions and Sony Pictures Television Larry Benjamin, Re-Recording Mixer Kevin Valentine, Re-Recording Mixer Phillip W. Palmer, CAS, Production Mixer

The Last Of Us • When You're Lost In The Darkness • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Marc Fishman, CAS, Re-Recording Mixer Kevin Roache, CAS, Re-Recording Mixer Michael Playfair, CAS, Production Mixer

The Marvelous Mrs. Maisel • The Testi-Roastial • Prime Video • Amazon Studios Ron Bochar, Re-Recording Mixer Mathew Price, CAS, Production Mixer Stewart Lerman, Scoring Mixer George A. Lara, Foley Mixer

Stranger Things • Chapter Nine: The Piggyback • Netflix • Monkey Massacre Productions & 21 Laps Entertainment for Netflix Craig Henighan, CAS, Re-Recording Mixer William Files, CAS, Re-Recording Mixer Mark Paterson, Re-Recording Mixer Michael P. Clark, CAS, Production Mixer

Succession • Connor's Wedding • HBO Max • HBO in association with Project Zeus, Hyberobject Industries, Gary Sanchez Productions and Hot Seat Productions Andy Kris, Re-Recording Mixer Nicholas Renbeck, Re-Recording Mixer Ken Ishii, Production Mixer Tommy Vicari, Scoring Mixer

The White Lotus • Arrivederci • HBO Max • HBO in association with Rip Cord and The District
Christian Minkler, Re-Recording Mixer Ryan Collins, Re-Recording Mixer Vincenzo Urselli, Production Mixer

OUTSTANDING SOUND MIXING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE
BEEF • The Great Fabricator • Netflix • A Netflix Series / An A24 Production Penny Harold, Re-Recording Mixer Andrew Garrett Lange, Re-Recording Mixer Sean O'Malley, Production Mixer

Dahmer - Monster: The Jeffrey Dahmer Story • Lionel • Netflix • Ryan Murphy Productions for Netflix Laura Wiest, Re-Recording Mixer Jamie Hardt, Re-Recording Mixer Joe Barnett, Re-Recording Mixer Amanda Beggs, Production Mixer

Daisy Jones & The Six • Track 10: Rock ‘N’ Roll Suicide • Prime Video • Hello Sunshine, Amazon Studios Lindsay Alvarez, CAS, Re-Recording Mixer Mathew Waters, CAS, Re-Recording Mixer Chris Welcker, Production Mixer Mike Poole, Music Mixer

Obi-Wan Kenobi • Part VI • Disney+ • Lucasfilm Ltd. Danielle Dupre, Re-Recording Mixer Scott Lewis, Re-Recording Mixer Bonnie Wild, Re-Recording Mixer Julian Howarth, CAS, Production Mixer

Weird: The Al Yankovic Story • The Roku Channel • The Roku Channel, Funny or Die, Tango Entertainment Tony Solis, Re-Recording Mixer Richard Bulloock, Production Mixer Brian Magrum, ADR Mixer Phil McGowan, Score Mixer

OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

Barry • wow • HBO Max • HBO in association with Alec Berg and Hanarply Elmo Ponsdomenech, CAS, Re-Recording Mixer Teddy Salas, Re-Recording Mixer Scott Harber, CAS, Production Mixer Aaron Hasson, ADR Mixer
 
The Bear • Review • FX • FX Productions Steve "Major" Giammaria, Re-Recording Mixer Scott D. Smith, CAS, Production Mixer

The Mandalorian • Chapter 24: The Return • Disney+ • Lucasfilm Ltd. Scott R. Lewis, Re-Recording Mixer Tony Villaflor, Re-Recording Mixer Shawn Holden, CAS, Production Mixer Chris Fogel, Scoring Mixer

Only Murders In The Building • The Tell • Hulu • 20th Television Penny Harold, Re-Recording Mixer Andrew Lange, Re-Recording Mixer Joseph White Jr., CAS, Production Mixer Alan DeMoss, Scoring Mixer

OUTSTANDING SOUND MIXING FOR A VARIETY SERIES OR SPECIAL
Bono & The Edge: A Sort Of Homecoming With Dave Letterman • Disney+ • Disney+ Presents an Imagine Documentaries, Tremolo Productions and Worldwide Pants Inc. Production Phil DeTolve, Re-Recording Mixer Brian Riordan, Re-Recording Mixer Alastair McMillan, Music Mixer

Elton John Live: Farewell From Dodger Stadium • Disney+ • Disney+ Presents in association with Rocket Entertainment / A Fulwell 73 Production Michael Abbott, Broadcast Production Mixer Eric Schilling, Music Mixer Matt Herr, FOH Mixer Alan Richardson, Monitor Mixer

The 65th Annual Grammy Awards • CBS • Fulwell 73 Thomas Holmes, Production Mixer John Harris, Music Mixer Eric Schilling, Music Mixer Jeffery Peterson, FOH Production Mixer Ron Reaves, FOH Music Mixer Mike Parker, FOH Music Mixer Andres Arango, Monitor Mixer Eric Johnston, Supplemental Mixer Christian Schrader, Supplemental Mixer Kristian Pedregon, Re-Recording Mixer Juan Pablo Velasco, Playback Mixer Aaron Wall, Playback Mixer

Saturday Night Live • Co-Hosts: Steve Martin & Martin Short • NBC • SNL Studios in association with Universal Television and Broadway Video Robert Palladino, Production Mixer Ezra Matychak, Production Mixer Frank Duca Jr, FOH Production Mixer Caroline Sanchez, FOH Music Mixer Josiah Gluck, Broadcast Music Mixer Jay Vicari, Broadcast Music Mixer Tyler McDiarmid, Playback Mixer Christopher Costello, Monitor Mixer Teng Chen, Supplemental Mixer William Taylor, Supplemental Mixer Geoff Countryman, Supplemental Mixer Devin Emke, Post Audio Mixer

Taylor Hawkins Tribute Concert • Paramount+ • EP-PIC Films & Creative and MTV Entertainment Studios Bob Clearmountain, Music Mixer Ollie Nesham, Audio Engineer Darrell Thorp, Audio Engineer Chris Kalcov, Audio Engineer Steve Massey, Audio Engineer Eduardo Puhl, Audio Engineer Will Langdale, Audio Engineer Antony King, FOH Audio Mix Engineer Ian Beveridge, Monitors Audio Mix Engineer

OUTSTANDING SOUND MIXING FOR A NONFICTION PROGRAM (SINGLE OR MULTI-CAMERA)
Moonage Daydream • HBO Max • Neon Presents, Universal Pictures Presents, BMG, Live Nation Productions, Public Road Productions Present, in association with HBO Documentary Films Paul Massey, Re-Recording Mixer David Giammarco, Re-Recording Mixer

100 Foot Wave • Chapter V - Lost At Sea • HBO Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures Keith Hodne, Re-Recording Mixer

The Sound Of 007 • Prime Video • MGM Richard Davey, Re-Recording Mixer Jonny Horne, Production Mixer Simon Norman, Production Mixer Francesco Corazzi, Production Mixer

Stanley Tucci: Searching For Italy • Calabria • CNN • CNN Original Series, RAW Matt Skilton, Re-Recording Mixer Christopher Syner, Production Mixer

Still: A Michael J. Fox Movie • Apple TV+ • An Apple Original Film in association with Concordia Studio Skip Lievsay, Re-Recording Mixer Benjamin Berger, Production Mixer Martin Kittappa, Production Mixer Lily van Leeuwen, Production Mixer

OUTSTANDING SOUND MIXING FOR A REALITY PROGRAM (SINGLE OR MULTI-CAMERA)
The Amazing Race • The Only Leg That Matters • CBS • WorldRace Productions, Inc. Jim Ursulak, Lead Production Mixer Troy Smith, Re-Recording Mixer The Production Mixing Team, Production Mixer

Deadliest Catch • Call Of A New Generation • Discovery Channel • Original Productions, LLC for the Discovery Channel Jared Robbins, Re-Recording Mixer

RuPaul's Drag Race • Wigloose: The Rusical! • MTV • World of Wonder Erik Valenzuela, Re-Recording Mixer Sal Ojeda, Re-Recording Mixer David Nolte, Production Mixer Gabe Lopez, Music Mixer

The Voice • Live Top 10 • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. Michael Abbott, Production Mixer Randy Faustino, Broadcast Music Mixer Tim Hatayama, Re-Recording Mixer

Welcome To Wrexham • Do Or Die • FX • Boardwalk Pictures Mark Jensen, CAS, Re-Recording Mixer

OUTSTANDING SPECIAL VISUAL EFFECTS IN A SEASON OR A MOVIE
Andor • Disney+ • Lucasfilm Ltd. Mohen Leo, Visual Effects Supervisor TJ Falls, Visual Effects Producer Richard Van Den Bergh, Special Effects Supervisor Neal Scanlan, Creature Effects & Droid Supervisor Liyana Mansor, Lead Visual Effects Editor Scott Pritchard, ILM Visual Effects Supervisor Joseph Kasparian, Hybride Visual Effects Supervisor Jelmer Boskma, Scanline Visual Effects Supervisor Jean-Clément Soret, Colorist

House Of The Dragon • HBO Max • HBO in association with 1:26 Pictures, Bastard Sword, and GRRM Productions Angus Bickerton, Visual Effects Supervisor Nikeah Forde, VFX Producer
Thomas Horton, VFX Producer Sven Martin, VFX Supervisor Mark Spindler, VFX Co-Supervisor
Mark Dauth, Virtual Production Supervisor Sebastian Meszmann, VFX Producer Mike Bell, VFX Supervisor Tobias Graa Winblad, VFX Producer

The Last Of Us • HBO Max • HBO in association with Sony Pictures Television Studios, PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog Alex Wang, Overall Visual Effects Supervisor Sean Nowlan, Overall Visual Effects Producer Joel Whist, Production SFX Supervisor Stephen James, Visual Effects Supervisor, DNEG Nick Marshall, Digital Effects Supervisor, DNEG Simon Jung, Visual Effects Supervisor, WETA FX Dennis Yoo, Animation Supervisor, WETA FX Espen Nordahl, Visual Effects Supervisor, Storm Studios Jonathan Mitchell, Visual Effects Supervisor, Distillery FX

The Lord Of The Rings: The Rings Of Power • Prime Video • Amazon Studios Ron Ames, VFX Producer Jason Smith, VFX Supervisor Nigel Sumner, VFX Supervisor, Industrial Light & Magic Ara Khanikian, VFX Supervisor, Rodeo FX Dean Clarke, SFX Supervisor Ken McGaugh, VFX Supervisor, Wētā FX Tom Proctor, VFX Supervisor, DNEG Greg Butler, VFX Supervisor, Method Studios Joe Henderson, Visualization Creative Supervisor, The Third Floor, Inc.

The Mandalorian • Disney+ • Lucasfilm Ltd. Grady Cofer, Visual Effects Supervisor, Production Abbigail Keller, Visual Effects Producer Paul Kavanagh, Animation Supervisor, Production Cameron Neilson, Assoc. Visual Effects Supervisor Scott Fisher, Special Effects Supervisor Hal Hickel, Animation Supervisor, Production J. Alan Scott, Legacy Effects Supervisor Victor Schutz IV, ILM Visual Effects Supervisor Bobo Skipper, Important Looking Pirates Visual Effects Supervisor

OUTSTANDING SPECIAL VISUAL EFFECTS IN A SINGLE EPISODE
Five Days At Memorial • Day Two • Apple TV+ • ABC Signature in association with Apple Eric Durst, VFX Supervisor Matthew Whelan, VFX Supervisor Danny McNair, VFX Producer Goran Pavles, VFX Supervisor, Stormborn Studios Rafael Solórzano, VFX Supervisor, El Ranchito John MacGillivray, SFX Coordinator Viktor Muller, VFX Supervisor, UPP Manuel Tausch, VFX Supervisor, Stormborn Studios Gonzalo Escudero, VFX Producer, El Ranchito

The Nevers • It's A Good Day • Tubi • HBO, Mutant Enemy Productions Johnny Han, Visual Effects Supervisor Jack Geist, Visual Effects Producer Damon Fecht, Visual Effects Editor Alexandre Prod'homme, On-Set VFX Supervisor Emanuel Fuchs, Visual Effects Supervisor Gaia Bussolati, Visual Effects Supervisor Ed Bruce, Visual Effects Supervisor Brian Ali Harding, Visual Effects Artist Takashi Takeoka, Visual Effects Artist

Shadow And Bone • Rusalye • Netflix • 21 Laps Entertainment and Chronology for Netflix Ante Dekovic, VFX Supervisor Helen Jen, VFX Producer Richard Macks, VFX Production Manager Gergely Galisz, On-Set VFX Supervisor Juri Stanossek, VFX Supervisor Adam Balentine, VFX Supervisor Jane Byrne, VFX Supervisor Håvard Munkejord, VFX Supervisor Angel Rico, VFX Supervisor

Ted Lasso • Mom City • Apple TV+ • Apple presents a Doozer Production in association with Warner Bros. Television and Universal Television James MacLachlan, On-Set VFX Supervisor Bill Parker, Compositing Supervisor Lenny Wilson, CG Supervisor Gretchen Bangs, VFX Producer Brian Hobert, Compositing Lead Sherry Li, Compositing Lead Kenneth Armstrong, Compositing Lead Ying Lin, Compositor Neil Taylor, CG Modeler

The Umbrella Academy • Marigold • Netflix • UCP for Netflix Everett Burrell, Senior VFX Supervisor Phillip Hoffman, VFX Producer Dave Axford, On-Set VFX Supervisor Maria Satzetaki, VFX Coordinator Sophie Vertigan, Special Effects Coordinator Jeff Campbell, VFX Supervisor Laurent Spillemaecker, VFX Supervisor Chris White, VFX Supervisor Ryan Freer, VFX Supervisor

Wednesday • A Murder Of Woes • Netflix • A Netflix Series / An MGM Television Production Tom Turnbull, VFX Supervisor Kent Johnson, VFX Producer Jesse Kawzenuk, VFX On-Set Supervisor Oana Barden, VFX Coordinator Craig Calvert, VFX Supervisor Ed Englander, VFX Supervisor John Coldrick, VFX Supervisor Brodie McNeill, VFX Supervisor Jason Troughton, Special Effects Supervisor 

OUTSTANDING TECHNICAL DIRECTION AND CAMERAWORK FOR A SERIES
American Idol • Season Finale • ABC • Fremantle and 19 Entertainment Charles Ciup, Technical Director David Bernstein, Technical Director Bert Atkinson, Camera Danny Bonilla, Camera Mike Carr, Camera Kary D'Alessandro, Camera Keith Dicker, Camera Curtis Eastwood, Camera Jimmy Garcia, Camera Bruce Green, Camera Nathanial Havolm, Camera Ron Lehman, Camera Bettina Levesque, Camera Adam Margolis, Camera Rob Palmer, Camera Brian Reason, Camera Daryl Studebaker, Camera Damien Tuffereau, Camera Easter Xua, Camera

Dancing With The Stars • Finale • Disney+ • BBC Studios Los Angeles Productions Charles Ciup, Technical Director David Bernstein, Technical Director Bert Atkinson, Camera Terry Clark, Camera
Karyn D'Alessandro, Camera James Garcia, Camera Nathanial Havholm, Camera Mark Koonce, Camera Tim Lee, Camera Ron Lehman, Camera Bettina Levesque, Camera Dave Levisohn, Camera Adam Margolis, Camera Derek Pratt, Camera Brian Reason, Camera Philo Solomon, Camera Daryl Studebaker, Camera Marc Stumpo, Camera Damien Tuffereau, Camera Cary Symmons, Camera

The Masked Singer • New York Night • FOX • FOX Alternative Entertainment Christine Salomon, Technical Director Cary Symmons, Camera Bert Atkinson, Camera Brett Crutcher, Camera Kary D'Allesandro, Camera Jimmy Garcia, Camera John Goforth, Camera Sean Flannery, Camera Bettina Levesque, Camera Adam Margolis, Camera Mark Koonce, Camera Daryl Studebaker, Camera James Sullivan, Camera Rob Palmer, Camera

The Problem With Jon Stewart • Trump Indicted • Apple TV+ • Busboy / EDEN in association with Apple Dave Saretsky, Technical Director Marc Bloomgarden, Camera Franco Coello, Camera Nick Fayo, Camera Kevin Murphy, Camera John Pry, Camera Tim Quigley, Camera Rich York, Camera

The Voice • Live Top 10 Performances • NBC • MGM Television and Warner Bros. Unscripted Television in association with Warner Horizon and ITV Studios The Voice USA, Inc. Allan Wells, Technical Director Danny Bonilla, Camera Mano Bonilla, Camera Martin J. Brown Jr., Camera Robert Burnette, Camera Suzanne Ebner, Camera Guido Frenzel, Camera Alex Hernandez, Camera Scott Hylton, Camera Kathrine Iacofano, Camera Scott Kaye, Camera Steve Martynuk, Camera Jofre Rosero, Camera Nick Tramontano, Camera Dann Webb, Camera

OUTSTANDING TECHNICAL DIRECTION AND CAMERAWORK FOR A SPECIAL
The Apple Music Super Bowl LVII Halftime Show Starring Rihanna • FOX • Jesse Collins Entertainment, DPS and Roc Nation Eric Becker, Technical Director David Alfano, Camera Rob Balton, Camera Danny Bonilla, Camera Kary D'Alessandro, Camera Keith Dicker, Camera Sean Flannery, Camera Kevin French, Camera Shaun Harkins, Camera Helena Jackson, Camera Tayler Knight, Camera Toré Livia, Camera Allen Merriweather, Camera Eann Potter, Camera Jofre Rosero, Camera Keyan Safyari, Camera Casey Roche, Camera Christopher Rybitski, Camera Rod Wardell, Video Control

Elton John Live: Farewell From Dodger Stadium • Disney+ • Disney+ Presents in association with Rocket Entertainment / A Fulwell 73 Production Emmett Loughran, Technical Director Robert Del Russo, Camera Mark Britt, Camera David Driscoll, Camera Tim Farmer, Camera Pete Forest, Camera Andrew Georgopoulos, Camera Pat Gleason, Camera Bruce Green, Camera Shaun Harkins, Camera Jay Kulick, Camera Kevin Murphy, Camera Lyn Noland, Camera Jimmy O’Donnell, Camera Rob Palmer, Camera Jesse Placky, Camera David Plakos, Camera George Prince, Camera Mark Renaudin, Camera David Rudd, Camera Austin Rock, Camera Keyan Safyari, Camera Ed Staebler, Camera Rob Vuona, Camera Mark Whitman, Camera Rich York, Camera Jeff Lee, Camera Michael Taylor, Camera Brian Lataille, Camera Loic Maheas, Camera Chris Schuster, Camera

Encanto At The Hollywood Bowl • Disney+ • Fulwell 73 Productions Christine Salomon, Technical Director Shanele Alvarez, Camera Dominic Bendijo, Camera Bonnie Blake, Camera Danny Bonilla, Camera Kary D’Alessandro, Camera Sean Flannery, Camera Shaun Harkins, Camera Charlie Henry, Camera Cory Hunter, Camera George Reasner, Camera Jofre Rosero, Camera David Rudd, Camera Ryan Schultz, Camera Aymae Sulick, Camera

2022 Rock And Roll Hall Of Fame Induction Ceremony • HBO Max • A Tenth Planet Production Toby Santos, Technical Director Danny Bonilla, Camera Kary D'Alessandro, Camera Keith Dicker, Camera Dave Eastwood, Camera Guido Frenzel, Camera Andrew Georgopoulos, Camera Jeff Johnson, Camera Zac Jones, Camera Brian Lataille, Camera Dave Levisohn, Camera Sean Mark Mckelvey, Camera Steve Martyniuk, Camera Rob Palmer, Camera Dave Plakos, Camera Dave Rudd, Camera Dylan Sanford, Camera Matt Trujillo, Camera Roy Walker, Camera Andrew Waresewski, Camera Easter Xua, Camera

The Weeknd Live At SoFi Stadium • HBO Max • HBO Toby Santos, Technical Director Brandon Smith, Technical Director Scott Acosta, Camera Dominic Bendijo, Camera Manny Bonilla, Camera Mano Bonilla, Camera Justin Danzansky, Camera Austin Ellsworth, Camera Chris Ferguson, Camera Jeremy Freeman, Camera Andrew Georgopoulos, Camera Randy Gomez, Camera Jonny Harkins, Camera Shaun Harkins, Camera Travis Hays, Camera Coy Hunter, Camera
Oliver Lanzenberg, Camera Ron Lehman, Camera Andrew McMillan, Camera Dee Nichols, Camera Connor O’Brien, Camera Josh Perry, Camera Rob Pittman, Camera Keyan Safyari, Camera Daniel Schade, Camera Austin Straub, Camera Josh Turner, Camera Justin Umphenour, Camera Joe Victoria, Camera Vince Warburton, Camera Drew Welker, Camera

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BINGELY STREAMING

IRON CHEF: QUEST FOR AN IRON LEGEND

Netflix Originals

Netflix

We grew up watching Food Network's Iron Chef America as well as the classic Iron Chef We grew up watching Food Network's Iron Chef America as well as the classic Iron Chef where competitors navigated culinary challenges presented by the chairman. The idea of being able to create a number of dishes from the secret ingredient was always a thrill to see.

Like a number of our faves, Netflix's Iron Chef: Quest for an Iron Legend is back with a few twists in it's 8 episode season. Challengers who you may know from visiting their restaurants or their appearances on BRAVO's Top Chef go up against 5 Iron Chefs (noted chefs Marcus Samuelsson, Dominque Crenn, Curtis Stone, Gabriela Cámara and Ming Tsai) to see if they can ultimately become an Iron Legend. Each episode has secret ingredients and Alton Brown and Chef Kristen Kish keep us connected to the action as well as providing culinary nuggets that we can use in our own kitchen! The judges (Chef Andrew Zimmern, Nilou Motamed - who both serve as permanent judges and a special guest that joins them) also weigh in on the dishes and share other culinary tidbits that creates a relaxed style around the business at hand.

THE BEAR

FX Networks

Hulu

This month, the much anticipated The Bear hits Hulu. We follow Carmen "Carmy" Berzatto (Jeremy Allen White - Homecoming, Shameless, The Birthday Cake) who is a young chef who comes home to run his family's sandwich shop in Chicago due to a death in his family.

We see him navigate how this culinary world is different then what he is used to, the realities of working in a small business, staff dynamics and the impact of his brother's suicide. With his understanding of what he has taken on, he is also aware of the need to transform The Original Beef of Chicagoland, his brother's restaurant, himself and his staff as he embraces his chosen family.

LISTENING IN

QCODE

Spotify

We use voice assistant devices to navigate our day. Whether it's adding a note to our to-do list, turning on devices without having to lift a finger and pulling up other kinds of information, it's such a comfort. What if you were able to use your device to find out about what's taking place in your apartment building and you find out more about your life that you never knew - even a potential plot that could ultimately affect your life? QCode's Listening In takes us on this immersive ride.

Read the JUN ISSUE #79 of Athleisure Mag and see Bingely Streaming in mag.